Ways to Teach Shakespeare.Ways to teach Shakespeare.Reading Shakespeare requires the imagination and daring capacity to entertain ambiguity and the paradoxes of human life and history to imagine the complex lives of powerfully historicized human beings Metzger.Power of Story
Booker T. Washington HSPVA Dance Department.Contemporary Studies in Dance I-IV: Modern Dance.Dr. Linda H. James.COURSE DESCRIPTION.Contemporary Studies in Dance I-IV: All students receive Texas State Credit for Modern Dance under the course Contemporary
Company Vehicle and Drivers Details Form.The Stage Management Association have produced a Guidance Note on Stage Managers and Driving , endorsed by the Theatre Safety Committee, which looks at best practice when a company vehicle is being driven. A copy
Medicine Hat College Conservatory of Music and Dance.Recreational Dance Classes.Tinytot A (DNCE 101 - CCMA).A recreational class for children age 3 exploring ballet and tap. Students will perform once in the year end recital with the instructor choosing
Media Contact: Dawn Kellogg.Communications Manager.FOR IMMEDIATE RELEASE.GEVA THEATRE CENTER NAMES.2015 LEGACY AWARD RECIPIENTS.Emily Neece and Alan Zeigler honored for their dedication and service to New York State s most attended regional theatre
Alison Matthews.Voice and Speech Trainer.Alison Matthews is the voice and text coach for Vancouver s Bard on the Beach Shakespeare Festival and the Arts Club Actor s Intensive in Vancouver. She has taught voice in the theatre department at Capilano University
Choreographed by Kate Simpkin & Travis Taylor (8/2012).Music: Celebrate by Whitney Houstin & Jordin Sparks.Album: Sparkle Soundtrack) (Available via iTunes.Dance Description: 64 Counts, 2 Walls, Easy Intermediate Level Line Dance.Start dance on Lyrics
FEMALE MONOLOGUES.HELENA Call you me fair? that fair again unsay. Demetrius loves your fair: O happy fair! Your eyes are lode-stars; and your tongue's sweet air More tuneable than lark to shepherd's ear, When wheat is green, when hawthorn buds appear
What is often different about this scene when the play is performed?.Purpose of the scene.Vocabulary Act 4._____ 1. pernicious A. lack of restraint._____ 2. judicious B. tending to believe too readily._____ 3. sundry C. greed._____ 4. intemperance D. various._____ 5. avarice E. showing good judgment
Choreographers: Barry Andracchio & Beverley Booth, Canberra, Australia August 2012.Music: Starships by Nicki Minaj - Single, (Official Clean Version) (3.30mins).64 Count 2 Wall Intermediate Level Dance, (3 Restarts).Intro: 48 counts, starts after 16 Heavy beats, on the word Floor
Half Diamond Fall Away, Sweeps Backwards, Syncopated Weave L.turn L, turn, Step fwd.Step fwd with Sweep, Cross, Rockstep, Cross with Hitch, Cross, Rockstep, Cross, Scissor L Turn Step, Half Platform Turn R, Cross Rocks 2x
Cirque du START 2014: Security Volunteer.It s that time of year again: Cirque du START has hit the road and this time it has arrived at Turner Fenton, in search of new talent! Calling all Strongmen and Strongwomen, we need you to come join us! Step right
ENG 10H- Mrs. Curley.William Shakespeare s The Tragedy of Macbeth.Fair is foul and foul is fair. Act 1, Scene 1, Line 10: The witches in conversation.Setting: 11th century Scotland
Readers Theatre/Story Theatre.Readers Theatre, also known as Story Theatre, allow students to do some acting, with all the physical aspects, but without having to memorize. Thus, Bodily-Kinesthetic Intelligence combines with Verbal-Linguistic Intelligence
Theatre Code of Conduct and Policies.Each Volunteer and staff of Theatrikos Theatre Company agrees to abide by the following Code of Conduct and Policies.Code of Conduct.Please honor the commitments that you have made to this theatre.Be on time and call if you can not be
Prospect Playhouse - Booking Agreement.This Agreement is in respect of the rental of the Prospect Playhouse (the Theatre ) by the Cayman Drama Society ( CDS ) to Name of Charity Event (the Charity Organizer ) for the Event and Period set out in this Agreement