Catalogue of Articles Published in the Consort

Catalogue of Articles published in The Consort Early Music Journal

Abbott, Thea Arnold Dolmetsch in Literature, vol.67, 2011

Abbott, Thea Diana Poulton and the Dolmetsch inheritance, vol.70, 2014

Agren, Carl Hugo Acoustical Properties of the Viol Family – Some Observations and

Measurements, vol.25, 1968/9

Alker, Hugo The Tenor Recorder: Development, Special Characteristics and

Repertoire, vol.20, 1963

Allsop, Peter Sonata da Chiesa – a case of mistaken identity? vol.53, 1997

Ammetto, Fabrizio The double violin concerto in Germany in Vivaldi’s time, vol.65,

2009

Appel, Richard The Bay Psalm Book and its Music, vol.30, 1974

Ashbee, Andrew John Jenkins, 1592-1678, vol.34, 1978

Ashbee, Andrew John Jenkins (1592-1678): Tradition and Innovation, vol.48, 1992

Ashbee, Andrew James Shirley’s The Triumph of Peace revisited, vol.72, 2016

Azis, Emily Two early keyboard instruments at Westwood Manor, Wiltshire, vol.67,

2011

Backhurst, Roland and Marilyn Bells, and the art and science of change ringing,

vol.63, 2007

Bania, Maria The articulation of fast flute passages in the 18th century, vol.67, 2011

Bania, Maria The improvisation of preludes on melody instruments in the 18th

century, vol.70, 2014

Barry, Barbara Heavenly Harmony and the Tradition of Medieval Number Theory,

vol.36, 1980

Barwise, Maureen Hearing the Music of Ancient Egypt, vol.25, 1968/9

Barwise, Maureen Music of the Pharaohs, vol.32, 1976

Barwise, Maureen Some Comments on the Robert Ap Hw MS (BL ADD MS 14905),

vol.41, 1985

Beechey, Gwilym Guillaume Gabriel Nivers (1632-1714), vol.25, 1968/9

Beechey, Gwilym Johann Jakob Froberger, vol.27, 1971

Beechey, Gwilym Henry Playford’s Harmonia Sacra, vol.42, 1986

Beechey, Gwilym Francesco Geminiani (1687-1762) and the art of string playing,

vol.43, 1987

Beechey, Gwilym C.P.E.Bach (1714-1788) – His Solo Keyboard and Chamber

Music, vol.44, 1988

Beechey, Gwilym The Harpsichord Music of Jean-François Dandrieu, vol.45, 1989

Beechey, Gwilym Jean-Jerôme Imbault’s Thematic Catalogue and Parisian Taste in

the 1790’s, vol.46, 1990

Beechey, Gwilym Music in John Evelyn’s Diary, vol.47, 1991

Beechey, Gwilym Giuseppe Tartini (1692-1770), vol.48, 1992

Beechey, Gwilym Songs and Cantatas in 18th-century England, vol.49, 1993

Bergmann, Walter Three Pieces of Music on Henry Purcell’s Death, vol.17, 1960

Bergmann, Walter Francesco Barsanti, vol.18, 1961

Booth, Colin Mattheson’s 12 Suites of 1714: clues to the execution of rhythm in

German baroque suites, vol.71, 2015

Booth, Colin Handel’s ‘Harmonious Blacksmith’: some observations concerning its

first note, vol.73, 2017

Bracken, Paul Musical instruments and the performance of medieval song, vol.67,

2011

Bracken, Paul Singing Trouvère andTrobador Chansons: Vocal style in medieval

song, vol.68, 2012

Bracken, Paul Accompanying Trobador and Trouvère Song, vol.69, 2013

Bracken, Paul Minstrels and Trobadors, c.1150-c.1350: Professionals or not?, vol.70,

2014

Bragg, Zöe Rhetoric and Affekt, and their influence on Telemann’s Fantasie für Flöte

Solo no.1, vol.60, 2004 (see also: Zoë Franklin)

Brett, Ursula Modal evolution in northern Italy:the origin of Angleria’s modern

Tones(1622), vol.67, 2011

Brett, Ursula Banchieri counters his critics with comedy, vol.70, 2014

Brooker, Jeremy, Like two instruments att once: The origins and playing techniques

of the 3-manual baryton, vol.59, 2003

Brown, Alan Parthenia: Some Aspects of Notation and Performance, vol.32, 1976

Bujic, Bojan Do we care what we sing? Editing the poetry of Italian madrigals,

vol.65, 2009

Campbell, Margaret To Dot or Double-Dot? The Eternal Question, vol.31, 1975

Campbell, Margaret Jean Sinclair Buchanan: Memoirs, vol.37, 1981

Campbell, Margaret The Dolmetsch Heritage, vol.45, 1989

Campbell, Margaret The Dolmetsch Legacy, vol.47, 1991

Campbell, Margaret Not quite eye to eye: Percy Scholes and Arnold Dolmetsch,

vol.50. no.2, 1994

Campbell, Margaret Robert Spencer – a Birthday Tribute, vol.53, 1997

Capleton, Brian Carl Friedrich Abel, a Gainsborough painting and viol temperament

– some evidence and enigmas, vol.59, 2003

Cave, Penelope Michael Heale: Memories of the first indentured apprentice at Arnold

Dolmetsch Ltd, vol.59, 2003

Cave, Penelope Four hands and five octaves: English piano duet repertoire in the late

18th century, vol.66, 2010

Cave, Penelope ‘The sincerest form of flattery’: popular piano style in the late

Georgian era, vol.73, 2017

Charteris, Richard Manuscript Additions of Music by Dowland and his

Contemporaries in two 16th-century Prints, vol.37, 1981

Charteris, Richard The Motets of Alfonso Ferrabosco the Elder (1543-1588), vol.38,

1982

Charteris, Richard New Light on Ferrabosco’s Chansons, vol.38, 1982

Cheney, Stuart Observations on French instrumental variation practices in the 17th

century, vol.54, 1998

Cleeve, Montagu The Viola d’Amore, vol.11, 1954

Cochrane, Lalage The Fantasias and Almandes for Viols and Organ by John

Hingeston, vol.52 no.2, 1996

Conant, Robert The Yale Collection of Musical Instruments, vol.20, 1963

Conant, Robert American Composers and the Harpsichord, vol.22, 1965

Cooper, Thomas Foreign novelties above all else: French exotic opera of the 18th

century, vol.69, 2013

Corbet, August The FlemishHarpsichordSchool, vol.20, 1963

Cowl, Carl, Risala fi Hubr TaLif Al-Alhan of JaQub Ibn Ishaq Al-Kindi (790-874),

vol.23, 1966

Cranmer, John Music Retailing in late 18th- and early 19th-century Scotland, vol.55,

1999

Cudworth, Charles Gainsborough and Music, introduced by Gerald Gifford, vol.59,

2003

da Costa, Neal Peres Lost Traditions and Hidden Meanings: implications of the

comparison between written texts and early recordings,vol.57, 2001

de la Cuesta, Ismael Fernandez, De Musica Libri Septemby Francisco Salinas,

vol.31, 1975

Cyr, MaryMarin Marais’Suitte d’un goût Etrangerand the Allemande-Gigue,

vol.74, 2018

Danks, Harry The Influence of Attilio Ariosti, vol.12, 1955

Daniells, Ruth Viols in the 20th Century, vol.20, 1963

Darlow, Denys Johan Helmich Roman, vol.19, 1962

Dart, Thurston Francesco Geminiani and the Rule of Taste, vol.19, 1962

Davies, Joan The Father of the Pianoforte, vol.18, 1961

Davies, Joan John Field, the Father of Romantic Music, vol.21, 1964

Davies, Joan Maria Syzmanowska, vol.23, 1966

Davies, Joan Moscheles – Maestro and Man, vol.28, 1972

Dolmetsch, ArnoldInstrumental Accompaniments of Early Songs, vol.2, 1931

Dolmetsch, Arnold An Analysis of the Harmonies and Forms of the Bardic Music,

vol.3, 1934

Dolmetsch, ArnoldConcerning my Recent Discoveries, vol.3, 1934

Dolmetsch, ArnoldEastern Light on Music, vol.4, 1937

Dolmetsch, ArnoldAlterations of Rhythm, vol.8, 1951

Dolmetsch, Carl Interpretation, vol.5, 1948

Dolmetsch, Carl On Playing the Recorder, vol.7, 1950

Dolmetsch, Carl Some Peculiarities of Musical Instruments, vol.9, 1952

Dolmetsch, Carl Observations on the legitimate use of alternative instruments,

vol.10, 1953

Dolmetsch, Carl Charles Avison on some early Composers, vol.11, 1954

Dolmetsch, Carl A Practical Approach to Bach’s Violin Sonatas, vol.12, 1955

Dolmetsch, Carl A Prospectus by Thomas Stanesby, Junior, Recorder Maker,

vol.13, 1956

Dolmetsch, Carl The Recorder and the Flute, vol.14, 1957

Dolmetsch, Carl Specialising in Versatility, vol.15, 1958

Dolmetsch, Carl Limitations of the Piano in Harpsichord Music, vol.16, 1959

Dolmetsch, CarlThe Recorder in modern British Music, vol.17, 1960

Dolmetsch, Carl, Plus fait Douceur que Violence – Arnold Dolmetsch and the

Clavichord, vol.52 no.2, 1996

Dolmetsch, Cécile Ornamentation in Singing, vol.9, 1952

Dolmetsch, Cécile The Crwth, vol.13, 1956

Dolmetsch, Cécile Personal Recollections of Arnold Dolmetsch, vol.15, 1958

Dolmetsch, Jeanne and Gifford, Gerald Chamber Organs belonging to the Dolmetsch

Family, and the organists and associated repertoire featured in their concerts,

vol.62, 2006

Dolmetsch, Mabel Music in Morocco, vol.2, 1931

Dolmetsch, Mabel The Antiquity of Equal Temperament, vol.5, 1948

Dolmetsch, Mabel The History of the Viol, vol.6, 1949

Dolmetsch, Mabel Personal Recollections of Arnold Dolmetsch, vols.7-15, 1950-58

Dolmetsch, Mabel, La Volta, vol.10, 1953

Dolmetsch, Mabel The Life Work of Arnold Dolmetsch 1-4, vols.18-21, 1961-4

Dolmetsch, Nathalie The Chest of Viols, vol.8, 1950

Dolmetsch, Nathalie John Taverner, vol.13, 1956

Dolmetsch, Nathalie John Jenkins, vol.14, 1957

Dolmetsch, Nathalie Le Mans, vol.15, 1958

Dolmetsch, Nathalie, transl. Jean Rousseau’s Traite de la Viole (1687),

vols.33-4, 36-8, 1977-8, 1980-82

Donington, Robert The Recorders, vol.2, 1931

Donington, Robert An English Art of the 17th century, vol.4, 1937

Donington, Robert Mabel Dolmetsch: her two roles, vol. 21, 1964

Downes, Ralph Interpretation of Classical Organ Music, vol.5, 1948

Dufourcq, Norbert, Hypothèses sur l’origine du style concertant dans la musique

d’orgue française du XVIIe siècle, vol.21, 1964

Dunford, Jonathan Ludwig Christian Hesse’s transcriptions of Rameau’s Les

Surprises de l’Amour 1767, vol.66, 2010

Dunford, Jonathan and Pringle, John The lyra-viol: viewpoints of a performer and a

builder, vol.71, 2015

Edwards, WarwickThe Instrumental Music of Henry VIII’s Manuscript, vol.34, 1978

Erber, James Marco da Gaglano’s Sacrae Cantiones II, 1622, vol.35, 1979

Evans, Angela Georg Bohm (1661-1733), vol.18, 1961

Fallows, David The Cappella Giula Chansonnier: A Review, vol.35, 1979

Farmer, Henry George The Kidson Collection, vol.8, 1950

Finley, Ian Musical Instruments on Postage Stamps, vol.40, 1984

Fleming, Simon Music and Concert Promotion in Georgian Stamford, vol.73, 2017

Foxe, Wilfred ‘As little to do with the music as heaven does with the earth’:

perspectives on selected works by the Luthistes, vol.72, 2016

Franklin, Zöe (née Bragg) Rhetoric and Affekt, and their influence on Telemann’s

Fantasie für Flöte Solo no.1, vol.60, 2004

Franklin, Zöe William Babel’s Concertos in Seven Parts, vol. 63, 2007

Friedland, Bea, Le Trésor des Pianistes and the early music revival in 19th-century

Paris, vol.50 no.2, 1994

Frood, Roger The Origins of the Dulcimer, vol.60, 2004

Fuchs, Christian ‘The Man Plays’ – Profile of a Viol Player, vol.52 no.1, 1996

Galpin, G. W. The Asian Origins of the Flute and Violin Bow, vol.48, 1992

Gérard, Yves Luigi Boccherini and Madame Sophie Gail, vol.24, 1967

Gifford, Gerald Some Rare Sources of Georgian Harpsichord Music in the Library of

Arnold Dolmetsch, vol.57, 2001

Gifford, Gerald The Mulliner Book revisited: some musical perspectives and

performance considerations, vol.58, 2002

Gifford, Gerald Introducing a Series of Facsimile Publications from the Dolmetsch

Library of Early Music, Haslemere, vol.60, 2004

Gifford, Gerald Arnold Dolmetsch (1858-1940) and the Organ, vol.61, 2005

Gifford, Gerald and Dolmetsch, Jeanne Chamber Organs belonging to the Dolmetsch

Family, and the organists and associated repertoire featured in their concerts,

vol.62,2006

Gifford, Gerald Some recently identified sources of Handelian keyboard music at the

Fitzwilliam Museum, Cambridge, vol.65, 2009

Glover, Jane Aria and Closed Form in the Operas of Francesco Cavalli, vol.32, 1976

Godman, Stanley (transl.) Telemann’s Autobiography (1740), vol.10, 1953

Godt, Irving Frescobaldi’s Viol? An unsolved mystery, vol.46, 1990

Godwin, Joscelyn The Renaissance Flute, vol.28, 1972

Goff, Moira and Nallen, Evelyn William Pitt’s Notebook: music and dancing in the

London theatres of the 1720s, vol.68, 2012

Gomme, Andor Filling in for Bach: a performing version of the St Mark Passion,

vol.60, 2004

Gough, Hugh Sound Recording at Jesses, vol.4, 1937

Griffith, Wynn John Jenkins, vol.1, 1929

Griffith, Wynn John Jenkins to the Consort of Viols, vol.2, 1931

Hall, Monica Recovering a lost book of guitar music by Corbetta, vol.61, 2005

Hall, Monica, Princess An’s Lute Bookand related English sources of music for the

5-course guitar, vol.66, 2010

Hall, Monica ‘Alfabeto’ songs: guitar accompaniment in early seventeenth-century

Italian and Spanish vocal music, vol.71, 2016

Hancock, Wendy To play or sing? Some aspects of the performing relationship

between music for voices and music for viols in 16th- and early 17th-century

England, vol.42, 1986

Harrison, Rowena Tradition and Tragedy in Rameau’s Hippolyte et Aricie, vol.69,

2013

Haskell, Harry Fifty Years of Early (and not-so-Early) Music, vol.50 no.1, 1994

Hayes, Gerald An Estimation of Arnold Dolmetsch’s Life Work, vol.15, 1958

Hazzleton, Geraldine The Galician-Portuguese troubadour era, and the songs of

Martin Codax, vol.63, 2007

Healey, Tim The Story of the Oxford Waits, vol.59, 2003

Hedrick, Peter Henri Brod’s Méthode pour le Hautbois reconsidered, vol.30, 1974

Henning-Supper, Uta Treasures of the Dolmetsch Library unveiled, vol.26, 1970

Henning, Uta J. C. Fleischer’s Theorbo-Harpsichord (1718) by Rudolph Richter

(1986), vol.49, 1993

Henshaw, Colette Music, Figure and Affection in Baroque Performance, vol.54, 1998

Herrin, Edwin Arnold Dolmetsch, vol.15, 1958

Hockley, Ian The Poems and Letters of Jehan Titelouze, vol.52 no.1, 1996

Hoffman, Donald Music in Modern Turkey, vol. 22, 1965

Hoffman, Donald The Chromatic Fourth, vol.26, 1970

Hollick, DouglasThe keyboard music of Moyreau: an 18th-century enigma, vol.61,

2005

Hollick, Douglas A grand pianoforte by John Broadwood (1809) and a double-action

harp by Erard Frères (1820), vol.68, 2012

Holman, Peter Samuel Wesley’s Instrumental and Orchestral Music, vol.23, 1966

Howard, Patricia The Academie Royale and the Performance of Lully’s Operas,

vol.31, 1975

Huggett, Robert Dances from the Gresley Manuscript, c.1500, vol.60, 2004

Hunt, Edgar The Renaissance Recorder, vol.19, 1962

Inglehearn, Madeleine Early Dance Tutors shed light on the German Allemande,

vol.60, 2004

Inglehearn, Madeleine Gender roles in baroque solo dance, vol.65, 2009

Inglehearn, Madeleine Did the Beauty turn around? A possible Spanish dance travels

north and east, vol.72, 2016

Irving, John Oxford, ChristChurch MSS.1018-1020: A Valuable Source of Tomkins’

Consort Music, vol.40, 1984

Irving, John Two Consort Manuscripts from Oxford and Dublin: their copying and a

possible redating, vol.42, 1986

Irving, John A Note on British Library Add. Mss. 30826-8, vol.43, 1987

Jansen, Rose-Marie The Loeillet Enigma, vol.39, 1983

Jarecki, Tadeusz The Polish Element in Chopin’s Music, vol.6, 1949

Jerold, BeverlyThe ‘most indispensable and most pleasing trill’, vol. 64, 2008

Jones, David The Berlin Instrument Collection, vol.21, 1964

Jones, FrancesThe Alphorn: revival of an ancient instrument, vol.62, 2006

Jones, Frances Leopold Mozart’s Alphorn Sinfonia and the Pastorella, vol.65,

2009

Jones, FrancesThe herdsman’s horn in the Czech Pastorella, vol.71, 2015

Jones, FrancesThe influence of the Christmas Pastorella on Beethoven’s ‘Pastoral’

Symphony, vol.72, 2016

Kent, Christopher Susi Jeans, vol.49, 1993

Kingsley, VictoriaDo the Words Matter? vol.25, 1968/9

Kleinertz, Rainer Handel’s St John Passion: a fresh look at the evidence from

Mattheson’s Critica Musica, vol.61, 2005

Kokole, Metoda The Baroque Musical Heritage of Slovenia, vol.51 no.2, 1995

Kory, Agnes The significance of the Tenor Violin, vol.62, 2006

Lade, John Modern Composers and the Harpsichord, vols.19-20, 1962-3

Lamb, Andrew Conservation at the Bate Collection, vol.69, 2013

Lancaster, Andrew The square piano and its effect on society in Georgian England,

vol.63, 2007

Lancaster, Andrew A passionate love for the square piano: Joanna Leach (1937-

2011), vol.68, 2012

Lasocki, David The Life of Daniel de Moivre (fl.1687-1731), vol.45, 1989

Leach, John The Dulcimer, vol.25, 1968/9

Leach, John The Psaltery, vol.27, 1971

Leach, John The Psaltery and Dulcimer, vol.34, 1978

Leach, John Psalteries Plucked and Struck, vol.39, 1983

Leech, Peter Musical patronage by Cardinal Henry Benedict Stuart (1725-1807),

vol.71, 2015

Lefkowitz, M. Matthew Locke at Exeter, vol.22, 1965

Lejeune, Jérome The Lyra-Viol: an Instrument or a Technique? vol.31, 1975

Liebner, Janos The Baryton, vol.23, 1966

Lorimer, Elena, L’art de bien chanter: Singing as declamation in Bacilly’s Remarques

Curieuses (1668), vol.59, 2003

MacMillan, DouglasThe Crumhorn – a Historical Survey, vol.30, 1974

MacMillan, DouglasThe Recorder in the late 18th and early 19th centuries, vol.39,

1983

MacMillan, DouglasThe Voice Flute: an Historical Survey, vol.47, 1991

MacMillan, Douglas The Small Flute Concerto in 18th-century England, vol.62, 2006

MacMillan, Douglas Arnold Dolmetsch and the recorder revival, vol.63, 2007

Malins, Edward Yeats and the Bell-Branch, vol.21, 1964

Marshall, William Godfrey Finger’s Chamber Music, vol.26, 1970

Marshall, William Rousseau and his Dictionary, vol.42, 1986

Marshall, William The Shudis and the Broadwoods, vol.44, 1988

Martin, Margot, Préciosité, Dissimulation and le bon goût: Societal Conventions

and Musical Aesthetics in 17th-century French Harpsichord Music, vol.51 no.1,

1995

Marvin, Frederick Antonio Soler, vol.39, 1983

Mayes, Andrew Carl Dolmetsch and the Recorder Repertory in the 20th Century,

vol.56, 2000

McLeave, Sarah Marie Sallé as Muse: Handel’s Music for Mime, vol.51 no.1,

1995

Mera, Miguel Representing the Baroque: the portrayal of historical period in film

music, vol.57, 2001

Montagu, Jeremy The Sound of Music, vol.36, 1980

Morehen, John The Instrumental Consort Music of Osbert Parsley, vol.30, 1974

Morehen, John The English Anthems of Thomas Morley: A Ghost Story, vol.49, 1993

Nelson, Claire The Party of the Century: Lord Stanley’s Fête Champêtre, vol.55,

1999

Newton, Richard, Hommage á Marin Marais, vol.9, 1952

Newton, Richard More about Marais, vol.10, 1953

Noble, Richard Antonio Mahaut – Forgotten Dutch Flautist, vol.17, 1960

Owens, Samantha, Gedancken für ein Gantzes Leben: Polnischer Bock Music at the

Württemberg Courtc.1730, vol.54, 1998

Pallis, Marco Mabel Dolmetsch – a pen portrait from memory, vol.21, 1964

Payne, Ian Apt for Viols and Virginals? The consort element in the late keyboard

music of Thomas Tomkins (1572-1656), vol.56, 2000

Payne, Ian The four-part Consorts of John Ward: the case for one composer, vol.62,

2006

Payne, Ian Musical borrowing in the madrigals of John Ward and John Wilbye,

vol.64. 2008

Payne, Ian John Ward and the London Set: Further evidence for musical borrowing

in the ‘late’ English madrigal, vol.66, 2010

Payne, Ian Ward and Weelkes: Musical borrowing and structural experiment in

Alleluia. I heard a voice, vol.67, 2011

Peter, Hildemarie An Introduction to Ganassi’s Treatise on the Recorder, vol.12,

1955

Pike, Lionel Peter Philips’ Les Rossignols Spirituels, vol.27, 1971

Pike, Lionel Triple Rhythms in Peter Philips’ Vocal Music, vol.28, 1972

Pike, Lionel The Opening of Palestrina’s Stabat Mater, vol.42, 1986

Pincherle, Marc Florid Ornamentation, vol.7, 1950

Pinto, David Walter Earle and his Successors, vol.49, 1993

Pinto, David Unmasking Thyrsis and Dorinda: Viper-wine, reclaimed women and

declamatory song, vol.58, 2002

Plank, Steven An English Miscellany: Musical Notes in 17th-century Diaries and

Letters, vol.41, 1985

Poplawska, Dorota and Czechak, Tadeusz The Tuning and Playing of a Medieval

Gittern and Fiddle from Elblag, Poland, vol.58, 2002

Poulton, Diana The Lute Music of John Dowland, vol.8, 1951

Poulton, Diana The Favourite Singer of Queen Elizabeth I, vol.14, 1957

Poulton, Diana Notes on some Differences between the Lute and the Vihuela and their

Music, vol.16, 1959

Poulton, Diana John Dowland, Doctor of Musick, vol.20, 1963

Poulton, Diana The Dolmetsch Library, Haslemere MS H.B.1: A Preliminary Study,

vol.35, 1979

Price, David The Elizabethan Household and its Musical Education, vol.32, 1976

Priestman, Brian An Introduction to the Loeillets, vol.11, 1954

Race, Steve Samuel Pepys, Music Lover, vol.39, 1983