THE ACOUSTIC HEARTBEAT OF STRAWBS
As Strawbs move gracefully into their fifth decade of music making, it is still difficult to categorise the unique sound that has made them Britain’s most successful international progressive folk-rock band.
David Cousins, who leads the group, has been described by the influential All Music Guide as: “the most talented Dylan influenced songwriter to come out of England”. Strawbs are often mentioned in the same breath as progressive rock bands like Yes, King Crimson, and the Moody Blues. It is well documented that Rick Wakeman left Strawbs to join Yes but returned to appear at Strawbs 40th Anniversary Celebration.
However, beyond progressive rock, Strawbs have another key component in their in their complex and intricate songs, in that they emerged out of the British Folk movement of the mid-1960s. The band started life as the Strawberry Hill Boys playing bluegrass, before moving into the mainstream by making the first Strawbs album with Sandy Denny in 1967, a year before she recorded her first album with Fairport Convention. The recording with Sandy attracted the attention of A&M Records in Los Angeles who signed Strawbs as the first British band on the label!
Strawbs has a devoted fan base that continues to grow on the strength of albums like Grave New World, Bursting At The Seams, Hero And Heroine, and Ghosts, and classic songs such as Lay Down, A Glimpse Of Heaven, and Benedictus.
Acoustic Strawbscomprise David Cousins,along with lead guitarist Dave Lambert, and the astonishingly versatile Chas Cronk, who together formed the front-line of the classic 1970s line-up of Strawbs which had a remarkable seven consecutive albums in the Billboard Top 200 in the USA.
Witchwood Media Limited
Geraldine Parkinson: 01304 369977
Editors note:
Acoustic Strawbsshows receive rave reviews:
“Carefully selecting their repertoire from less than obvious sources they invest the rarely performed material with considerable energy and thoughtful arrangements.”
(Record Collector - 2003)
“Unlike many groups that are past their commercial prime and churn out inferior, dispirited versions of the hits from their glory days, the Acoustic Strawbs stand out as a band that performs their old material with passion and precision. Furthermore, they have broken new ground by harnessing the power of their electric incarnation in an acoustic setting.” (Chicago Tribune – May 2003)
“Hearing the brilliant Strawbs [at the Edmonton Folk Festival] was like a tutorial in UK folk music from the past 40 years.(Edmonton Sun – August 2004)
“Like a Ray Davies steeped in Arthurian folklore and rustic reverie, David Cousins’ visionary talents are to the fore conjuring up a mythical canvas of Albion awakening.”
(Uncut – September 2008)
“Tell me what you see in me revealed it to be a virtual blueprint for the harmonies and arrangements of the entire Styx catalogue. Oh how she changed, similarly, sounded like a vocal model for latter day bands like Fleet Foxes.”
(Schenectady Times Union – September 2010)
The songwriting was phenomenal, and the way the trio embellished sublime melodies with supreme harmonies and incredible instrumentation made their performance unforgettable. In fact, I repeatedly thought “music just isn’t this good anymore”.
(Philadelphia Examiner – September 2011)