Refer to theOpeningPage-a structural smorgasbord

Below are outlinedover 50 possible topics for a paper that forms the second assignmentin this course.

The topics are only suggestions- students are encouraged to develop their own ideas for their paper, but are encouraged to take the given suggestions as a starting point.

Papers should give clear evidence that students have consulted sources as direct as possible- such as observing phenomena first hand, or reading a book, or a report, or an article.

It is strongly suggested that students will consult the JSTOR on-line archive of academic articles, in addition to the hard copy available in the McGill Libraries and also in addition to books that are more and more available on-line. All references should be clearly listed in the paper.

Do NOT cut-and-paste without attribution!

The paper can be handed in as a file deposited in a Drop box account which will have to be set up for that purpose. This will allow inclusion of qualityillustrations without incurring the cost of printing. The text should run between 2000 and 3000 words. (without the references)

Marks will be given for depth of insight into the structural behaviour of the chosen structures, and for the clarityof conveying the basic concepts. Some papers may delve into the materials used into a particular structure. Every paper should focus on (or at least discuss) a minimum of two, but preferably three or more different examples. Clear illustrations are not always easy to find, but for your paper it is worth searching for them, or preparing them yourself by drawing or by photographing one or more models.

The deadline for submitting the paper is a week after the last day of this fall term

Basic On-line sources:

Modern Concrete History

La Tour de Perret

Suggested Topics

1.Berlage’sBourse (ext)/Museum of Natural History by Gibbs and Canning, London

file:///C:/abc-structures-2005/Lectures-2005/lecture-9/set-1.html

The introduction of iron trusses and glassto allow light to penetrate into traditional masonry structures

2.Brinkman and van der Vlught Van Nelle Factory; Heerlen Glass Palace by Peutz

Glass and concrete used as an expression of a new post WW1 ‘modern’ mood.

3 ‘The Amsterdam School”

Lyricism in brick

4. Pier Luigi Nervi Place Victoria Montréal, Palazettodello Sport Rome, compare to Union Dome

5. Felix Candela

Hyperbolic paraboloids as a basic structural idea.

6.GustaveEiffel

The power of prefabrication: the Eiffel tower, the Gabarit and Douro Viaducts, the statue of Liberty

7. Vladimir Shuhov

Early mathematical /geometrical modelling of tall structures

8. Marc Seguin Early bridges in France

Mathematics as a generator of form

8a Firth of Forthbridge compared to the Quebec Bridge (and the Sydney Harbour Bridge?)

the explosion of scale.( also experienced after the construction of the Eiffel Tower)

9. Frank Lloyd WrightFalling Water and the Case study houses.

The cantilever as an architectural device

10. Sullivan/Adler Auditorium Building Chicago and the Wainwright buildingSt. Louis

Steel frame and masonry skins

11. Saarinen Eero TWA

The poetry of flight embodied in a free flowing structure

13. Saarinen MIT dome: Saarinen had it wrong, the architects of the Pantheon had it right.

14. CalatravaChicago Spire

The turning Torso in Malmo and the (abandoned) Spire in Chicago.

15. Skidmore Owings Merrill. The Modern movement embodied.

16.Foster

17.Habitat/Capsule tower/Hilton Zaandam

The difficulties of heavy 3D prefabrication

18. Roebling/ Eads

20. Villard d’Honnecourt

A medieval voice

21. A.W. Pugin

22. Viollet le Duc

23. Raymond Hood

24. Sydney Harbour bridge/Quebec Bridge/Firth of Forth Bridge

25 Victoria Bridge Montreal/Britannia Bridge/ St. Anne de Bellevue bridge.

26. FrankGehry

27. ZahaHadid

28 Will Alsop

29. Pantheon/Hagia Sophia/Blue Mosque

30.Roman aqueducts/ 19th century railway viaducts/ 20th century highway viaducts

31. Frei Otto

32. Empire State building, Chrysler building, World Trade Centre

33. RoundhouseMartinsburg West Virginia/ Halle au Ble Paris

34. Dome in Tokyo, American pavilion Osaka, Dalplex Halifax TUNS – air supported structures

35. Sun Life Building, Place Ville Marie, Stock Exchange Tower

36 Crystal Palace (1851), Crystal Cathedral, Eden Project

37.Bacardi plant Mexico City/Marche Boulingrin/Halle Freysinnet Paris

Three earlyreinforced concrete buildings that made a mark

38. Dorton Arena/Haus der Kultur-Berlin/Ingalls Hockey Arena Yale University

Three building with ‘suspended double curved anti clastic roofs’

39.Buckminster FullerAmerican pavilion Expo67, Union car Dome, Dome over Manhattan

40.Iron Bridge, 300 Meter cast Iron Tower proposal, Thames Iron bridge proposal

Cast iron as a construction material: one project realised, twowere only proposals

42.Vierendeel/triangulation/shell structure

Compare three fundamentally different structural systems.

43 composite materials: adobe, reinforced concrete, fibre reinforced polymers

44Pneumatic structures Fuji Pavillion Osaka 1970; Goodyear pneumatic airplane

High pressure self-contained building design

45. Reliance Building Chicago / Monadnock building Chicago

The end of one tradition in builing and the beginning of another one.

46. Prefabricated homes: Sticks, or panels or boxes: Sears ‘house in the box, panelized prefab and mobile homes and sectional homes.

47. The emergence of wood as a material for tall, large span buildings

48. Reuse of buildings or materials in large scale building projects: Lucca, Italy, Split, Slovenia, Redpath project Montreal.Burnaby arena.

49. Building without metal: strategies to achieve large spans before the availability of iron.

: arches, vaults, domes, heavy timber frames with mortise and tendon joints, lamination.

50. Suspension as a structural strategy : pavilion Spain.., Dulles airport

51. The drama of cantilevers: modern buildings using this device

52. Sustainability then and now

53. Antony Gaudi

The last medieval builder in a modern conytext

54. The Guastavino brothers: medieval techniques adapted to the modern context .

55 Freysinnet: post tensioning and pre-stressing as method to increase material performance

56. Imaginary, unbuilt structures