Bon Hui –Projecting a universal desire for a contemporaryperfection on the norms of beauty judgment
ByVincent LEE Kwun-leung
Art Officer
Art Of Nature International Company Limited
Some contemporary artists comprehend the psychology of young ladies, in which they hope for a permission from Heaven to enjoy an absolute perfection of their facial appearances. Hui Ngo Bon (or Bon Hui), a current Fine Arts student at RMITUniversity, attempts to realize such ideal by manifesting Photorealism to paint the feministic figures with Surrealistic contexts.
BonHui glorifies the “avant-garde” wildness of Agyness Deyn through a series of watercolor creations. Audiences’ minds are harmonized by the extraordinarily smooth texture of Agyness Deyn’s lofty skins. The notion of “smoothness”, in this case of art expression, implies a general admiration on “lust”, which is driven by men’s spiritual attachment to ladies for getting more energetic spirits to overwhelm all sorts of complications in heroic manners.
Despite of the well-establishment code of Christian ethics, the Caucasian ladies nowadays endeavor for getting a dominant role in this developed secular. They actively re-modify the trend of fashion, cuisine, beverage, recreation, interior decoration, social gathering, media entertainment, companion choosing, wedding celebration and post-marriage lifestyle. Bon thoroughly accepts such phenomenon, and he tries to show his sincerity in appreciating their determined character in maintaining a stable order of our society. Bon is well trained with the habit of recording his experiences in observing the exotic postures of renowned performing-art stars through sentimental sketches on his visual diary. He manipulates well with the description of twisting arm or leg motions to express how the ladies “progressively” catch the attention of patriarchic community without caring for the matter of self-restraint.
Bon Hui conveys an interrelationship between feminism and the polluted ecology. From his description on Bob Marley, you can see that the main character hums the resonant melodies within the clumsy atmosphere. Despite of her enhancing beauty, Bob Marley enforces herself for being psychologically adaptable to the disordered moral and interpersonal values of this heavily industrialized and mechanized society. Enduring the flow of tears, Bob Marley insists to present widespread people with a charismatic impression. The dark smog is blown towards Bob Marley very forcefully, but this does not ruin her graceful grooming! Bob Marley’s strength in controlling her emotions is much attributed to her faith on the virtue of gender equality, in which she deserves being capable to make the rude and brutal men be submissive with the realm of compassion, empathy and altruism.
To conclude, Bon Hui is one of the male artists willing to help our academia in editing the universal code of 21st-century Feminism with his ingenious brushwork. Without abandonment on realistic emphasis, Bon adopts a great spectrum of digital-oriented aesthetic elements to create pieces that aim at favoring adolescents’ habit in image remolding with the episodes from model magazines as visual references. Bon opens a liberal channel to interact with the beauty language of cosmopolitan, and he will be surely a gifted individual to forecast how the innermost conditions of future ladies are affected by the rapid advancement of scientific technology. What Bon Hui anticipates is that, the corresponding feministic scenes are much similar to the episodes of current Hollywood movies with new robot-based millenniums as major themes.
The Portrait Series of Agyness Deyn (A total of 6 pieces)
Bob Marley
Left:Spock
Right:The Little Girl in Red Coat
Left:Scientist
Middle:Avenue
Right:Dark Atmosphere
* Source of Artwork Photos: