Swedish Film
SAS H03
TIME & ROOM / TOPICS (Lecturer) / SCREENING / READINGThursday 1/9
16-20 A121 / Registration
Introduction to Swedish Film (AMa) / 100-åringen som … / The 100-Year Old Man …
(Felix Herngren, 2013) / (Andersson)
Thursday 8/9
16-20 A121 / Early film culture and The Golden Age of Swedish cinema (AMa) / Körkarlen /
Phantom Carriage
(Victor Sjöström, 1921) / Swedish Film (20-28, 44-62, 72-91)
Bordwell (48-62)
Thursday 15/9
15.45-19
Excursion to Filmmuseet
Ö. Storgatan 53 Kristianstad
Train (SEK 2x82)
Depart 14.41-15.32,
Return 19.24-20.17 / Svenska Bio and early cinema in Sweden (AMa) / Värmlänningarna
(Carl Engdahl, 1910)
Järnbäraren
(Gustaf Linden, 1911)
Ingeborg Holm
(Victor Sjöström, 1913)
Emigrant/Amuletten
(Gustaf Linden, 1910) / Degerhammar,
Olsson,
Soila (142-52),
Swedish Film (63-71)
Thursday 22/9
16-20 A121 / Popular genres and new quality cinema 1930-1950s (AMa) / Valborgsmässoafton / Walpurgis Night
(Gustaf Edgren, 1935) / Soila (163-78),
Swedish Film (106-43),
Wallengren, Wright
Thursday 29/9
16-20 A121 / Ingmar Bergman:
A Chronology (EHe) / Smultronstället /
Wild Strawberries
(Ingmar Bergman, 1957) / Bordwell (204-33), Bergman Foundation, Kalin (1-110)
Tuesday 4/10 / No lecture. Hand in Home Exam I
Thursday 6/10
16-20 A121 / The introduction of film policy (OHe) / Älskande par / Loving Couples (Mai Zätterling, 1964) / Swedish Film (216-69)
Thursday 13/10
16-20 A121 / Bergman and the Welfare State (EHe) / Sommaren med Monika/ Summer with Monika
(Ingmar Bergman, 1953) / Bergman Foundation, Kalin (111-190), Steene (23-47, 131-154)
Thursday 20/10
16-20 A121 / Bergman and Landscape (EHe) / Så som i en spegel / Through a Glass Darkly
(Ingmar Bergman, 1961) / Kalin (1-110)
Wednesday 26/10
16-20 H104 / Bergman and Politics
(EHe) / Skammen / Shame
(Ingmar Bergman, 1968) / Kalin (111-133)
Thursday 3/11 / No lecture. Hand in Home Exam II
Thursday 10/11
16-20 A121 / The cultural ghetto (OHe) / Elvira Madigan (Bo Widerberg, 1967) / Swedish Film (270-83)
Thursday 17/11
16-20 A121 / Contemporary popular cinema (AMa) / Patrik 1,5
(Ella Lemhagen, 2008) / Archer, Marklund
Swedish Film (198-204)
Thursday 24/11
16-20 A121 / The regional film and a new start (OHe) / Lilya 4-ever (Lukas Moodysson, 2003) / Swedish Film (289-345)
Thursday 1/12
16-20 A121 / Contemporary art cinema (AMa) / Turist/Force Majeure
(Ruben Östlund, 2014) / Brunow, Swedish Film (270-305, 334-45)
Thursday 8/12 / No lecture. Hand in Home Exam III
Anders Marklund (AMa): Room H129, Phone 046-2228468, E-mail
Erik Hedling (EHe): Room H224, Phone 046-2228487, E-mail erik.hedling @litt.lu.se
Olof Hedling (OHe): Room H128a, Phone 046-2224357, E-mail
Swedish Film
SAS H03
Reading list
Åberg, Anders, “Art is born on the border of taboo: Vilgot Sjöman in Hollywood”, in Journal of Scandinavian Cinema, Volume 1, Number 2, 2011, pp. 159-162 (4) (online)
Andersson, Lars Gustaf and Hedling, Olof, “Sweden”, in John Sundholm, et al (eds), Historical Dictionary of Scandinavian Cinema, Scarecrow Press, Lanham, Toronto, 2012, pp. 27-37 (11)
Archer, Neil (2012), ‘The Girl with the Dragon Tattoo (2009/2011) and the New "European Cinema"’, Film Criticism, Vol. 37 Issue 2, pp. 2-21 (20) (online)
Bordwell, David, "Principles of Narration" pp 48-62 and "Art-Cinema Narration" pp 204-233 in Narration in the Fiction Film, Madison, Wisconsin: University of Wisconsin Press, 1985 (44)
Brunow, Dagmar, “The Language of the Complex Image: Roy Andersson’s Political Aesthetics”, in Journal of Scandinavian Cinema, Volume 1, Number 1, 2010, pp. 83-86 (3) (online)
Degerhammar, Rune, “The Film Museum in Kristianstad: ‘The Cradle of Swedish film’”, in Journal of Scandinavian Cinema, Volume 1, Number 2, 2011, pp. 223-227 (5) (online)
Ingmar Bergman Foundation, Ingmar Bergman Face to Face, website: http://www.ingmarbergman.se/. Select reading, ca 50 pages. (50) (online)
Kalin, Jesse, The films of Ingmar Bergman, New York: Cambridge University Press, 2003 (249) (online)
Koller, Mirjam, “The ‘road of life’ in the film trailers of Ingmar Bergman’s The Seventh Seal and Wild Strawberries’ in in Journal of Scandinavian Cinema, Volume 3, Number 1, 2013, pp. 35-39 (4) (online)
Kuhn, Annette and Guy Westwell, A Dictionary of Film Studies, Oxford Paperback Reference, Oxford: Oxford University Press 2012, select reading, ca 50 pages (50) Ref.
Larsson, Mariah (2013), “Joe Sarno and Historiography: Some Thoughts on The Sarnos: A Life in Dirty Movies”, Journal of Scandinavian Cinema, Volume 3, Number 2, pp. 101-105 (5) (online)
Marklund, Anders (2010), ‘Beyond Swedish Borders: On Foreign Places in Swedish Films 1980-2010’, in Erik Hedling, Olof Hedling and Mats Jönsson (eds), Regional Aesthetics: Locating Swedish Media, Stockholm: Mediehistoriskt arkiv, pp. 81-104 (24)
Olsson, Jan, “Nils Krok’s social pathos and Paul Garbagni’s style – Ingeborg Holm as object lesson”, in Film History: An International Journal, Volume 22, Number 1, 2010, pp. 73-94 (21) (online)
Soila, Tytti, "Sweden" in Tytti Soila, Astrid Söderbergh Widding & Gunnar Iversen, Nordic National Cinemas, London: Routledge 1998, pp. 142-232 (90) (online)
Steene, Birgitta, Ingmar Bergman: A Reference Guide, Amsterdam University Press, Amsterdam (2005), pp 23-47, 131-154 (47) Ref.
Swedish Film: An Introduction and Reader, ed Mariah Larsson & Anders Marklund, Lund: Nordic Academic Press (2010) 978-91-85509-36-2 (360)
Wallengren, Ann-Kristin (2010), ‘John Ericsson: Victor of Hampton Roads. Images of Sweden in American History’, in Erik Hedling, Olof Hedling and Mats Jönsson (eds), Regional Aesthetics: Locating Swedish Media, Stockholm: Mediehistoriskt arkiv, pp. 63-80 (17)
Wright, Rochelle (1998), ‘Nature imagery and national romanticism in the films of Alf Sjoberg’, Scandinavian Studies, Vol. 70 Issue 4, p 461-476. (16) (online)
Number of pages: 1014
Resources
Corrigan, Timothy, A Short Guide to Writing about Film, 7. ed., Longman, New York, 2009 (190)
Hayward, Susan, Cinema Studies: The Key Concepts, 3. ed., Routledge, London, 2006 0-415-36781-6(586) (online)
Sundholm, John, et al (eds), Historical Dictionary of Scandinavian Cinema, Scarecrow Press, Lanham, Toronto, 2012
Number of pages: selection up to 200 pages