Billy Collins Introduction to Poetry

16

Poetry Packet—

Creative Writing

Mrs. Mont

Billy Collins Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

John Rybicki Animal Sounds Off Pavement
Never tame your words,
teach them to sit, clip
their chin hairs. Or cup your hands
beneath their lolly tongues,
catch their drool. You must be a madman
held in cloth skin,
ballerinas dancing in your mouth.
When the hounds wail
inside your body no one
must hear them.

Charles Baudelaire The Albatross

Often to pass the time on board, the crew

will catch an albatross, one of those big birds

which nonchalantly chaperone a ship

across the bitter fathoms of the sea.

Tied to the deck, this sovereign of space,

as if embarrassed by its clumsiness,

pitiably lets its great white wings

drag at its sides like a pair of unshipped oars.

How weak and awkward, even comical

this traveler but lately so adroit -

one deckhand sticks a pipestem in its beak,

another mocks the cripple that once flew!

The Poet is like this monarch of the clouds

riding the storm above the marksman's range;

exiled on the ground, hooted and jeered,

he cannot walk because of his great wings.

Elizabeth Bishop The Fish

I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of its mouth.
He didn’t fight.
He hadn’t fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green weed hung down.
While his gills were breathing in
the terrible oxygen
— the frightening gills,
fresh and crisp with blood,
that can cut so badly —
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
— It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
— if you could call it a lip —
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels — until everything
was rainbow, rainbow, rainbow!
And I let the fish go.

Theodore Roethke My Papa’s Waltz

The whiskey on your breath
Could make a small boy dizzy;
But I hung on like death:
Such waltzing was not easy.
We romped until the pans
Slid from the kitchen shelf;
My mother’s countenance
Could not unfrown itself.
The hand that held my wrist
Was battered on one knuckle;
At every step you missed
My right ear scraped a buckle.
You beat time on my head
With a palm caked hard by dirt,
Then waltzed me off to bed
Still clinging to your shirt.

HOW TO DO A READER’S RESPONSE:

Go to the following website to see in-depth analyses and sample reader’s responses for the poems, “The Fish” and “My Papa’s Waltz”:

http://bcs.bedfordstmartins.com/virtualit/

poetry/select.html

Robert Frost A Considerable Speck (Microscopic)

A speck that would have been beneath my sight

On any but a paper sheet so white

Set off across what I had written there.

And I had idly poised my pen in air

To stop it with a period of ink

When something strange about it made me think,

This was no dust speck by my breathing blown,

But unmistakably a living mite

With inclinations it could call its own.

It paused as with suspicion of my pen,

And then came racing wildly on again

To where my manuscript was not yet dry;

Then paused again and either drank or smelt--

With loathing, for again it turned to fly.

Plainly with an intelligence I dealt.

It seemed too tiny to have room for feet,

Yet must have had a set of them complete

To express how much it didn't want to die.

It ran with terror and with cunning crept.

It faltered: I could see it hesitate;

Then in the middle of the open sheet

Cower down in desperation to accept

Whatever I accorded it of fate.

I have none of the tenderer-than-thou

Collectivistic regimenting love

With which the modern world is being swept.

But this poor microscopic item now!

Since it was nothing I knew evil of

I let it lie there till I hope it slept.

I have a mind myself and recognize

Mind when I meet with it in any guise

No one can know how glad I am to find

On any sheet the least display of mind.

Dylan Thomas Do not go gentle into that good night (Villanelle)

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Phillis Levin End of April

Under a cherry tree
I found a robin’s egg,
broken, but not shattered.

I had been thinking of you,
and was kneeling in the grass
among fallen blossoms

when I saw it: a blue scrap,
a delicate toy, as light
as confetti

It didn’t seem real,
but nature will do such things
from time to time.

I looked inside:
it was glistening, hollow,
a perfect shell

except for the missing crown,
which made it possible
to look inside.

What had been there
is gone now
and lives in my heart

where, periodically,
it opens up its wings,
tearing me apart.

Geraldine Connolly The Summer I Was Sixteen

The turquoise pool rose up to meet us,
its slide a silver afterthought down which
we plunged, screaming, into a mirage of bubbles.
We did not exist beyond the gaze of a boy.

Shaking water off our limbs, we lifted
up from ladder rungs across the fern-cool
lip of rim. Afternoon. Oiled and sated,
we sunbathed, rose and paraded the concrete,

danced to the low beat of "Duke of Earl".
Past cherry colas, hot-dogs, Dreamsicles,
we came to the counter where bees staggered
into root beer cups and drowned. We gobbled

cotton candy torches, sweet as furtive kisses,
shared on benches beneath summer shadows.
Cherry. Elm. Sycamore. We spread our chenille
blankets across grass, pressed radios to our ears,

mouthing the old words, then loosened
thin bikini straps and rubbed baby oil with iodine
across sunburned shoulders, tossing a glance
through the chain link at an improbable world.

Ted Kooser Flying at Night
Above us, stars. Beneath us, constellations.
Five billion miles away, a galaxy dies
like a snowflake falling on water. Below us,
some farmer, feeling the chill of that distant death,
snaps on his yard light, drawing his sheds and barn
back into the little system of his care.
All night, the cities, like shimmering novas,
tug with bright streets at lonely lights like his.

Ted Kooser Porch Swing in September

The porch swing hangs fixed in a morning sun

that bleaches its gray slats, its flowered cushion

whose flowers have faded, like those of summer,

and a small brown spider has hung out her web

on a line between porch post and chain

so that no one may swing without breaking it.

She is saying it’s time that the swinging were done with,

time that the creaking and pinging and popping

that sang through the ceiling were past,

time now for the soft vibrations of moths,

the wasp tapping each board for an entrance,

the cool dewdrops to brush from her work

every morning, one world at a time.

Shakespeare Sonnet 130

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare.

George Gordon, Lord Byron

When We Two Parted

When we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sunk chill on my brow –
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame;
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o'er me –
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well –
Long, long I shall rue thee,
Too deeply to tell.

In secret we met –
In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.

Naomi Shihab Nye The Rider

A boy told me
if he roller-skated fast enough
his loneliness couldn't catch up to him,

the best reason I ever heard
for trying to be a champion.

What I wonder tonight
pedaling hard down King William Street
is if it translates to bicycles.

A victory! To leave your loneliness
panting behind you on some street corner
while you float free into a cloud of sudden azaleas,
pink petals that have never felt loneliness,
no matter how slowly they fell.

Brad Sachs A Boy in a Bed in the Dark

Born with a cleft palate,
My two-year-old brother,
Recovering from yet another surgery,
Toddled into our bedroom
Toppled a tower of blocks
That I had patiently built
And in a five-year-old's fury
I grabbed a fallen block
And winged it at him
Ripping open his carefully reconstructed lip.
The next hours were gruesomely compressed
Ending with a boy in a bed in the dark
Mute with fear
Staring out into the hallway with horror
As the pediatrician went in and out of the bathroom
With one vast blood-soaked towel after another
Shaking his head worriedly.
My brother's howls
And my parents' cooed comfort
Became the soundtrack to this milky movie
That plays
In my darkest theatre,
The one that I sidle past each night
With a shudder
And a throb in my fist

Percy Bysshe Shelley The Waning Moon
And like a dying lady, lean and pale,
Who totters forth, wrapped in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky east,
A white and shapeless mass.

Carl Sandburg Fog

The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.