A Bibliography of Literary Theory, Criticism and Philology s18

from

A Bibliography of Literary Theory, Criticism and Philology

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)

Stephen J. Greenblatt (1943)

(US critic, Leading New Historicist theorist, Shakespeare and Renaissance scholar, Cogan University Professor of the Humanities, Harvard U, formerly U of California, Berkeley)

Works

Greenblatt, Stephen J. Three Modern Satirists: Waugh, Orwell, and Huxley. 1965.

_____. Sir Walter Raleigh: The Renaissance Man and His Roles. New Haven: Yale University Press, 1973.

_____. From "Ralegh and the Dramatic Sense of Life," from Sir Walter Ralegh: The Renaissance Man and His Roles. 1973. 22-29, 55-56. In The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1286-89.*

_____. "Marlowe and Renaissance Self-Fashioning." In Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson. Ed. Alvin B. Kernan. (Selected Papers from the English Institute, 1975-76). Baltimore: Johns Hopkins UP, 1977. Rev. version in "Marlowe and the Will to Absolute Play," in Greenblatt, Renaissance Self-Fashioning.

_____. "Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century." In First Images of America: The Impact of the New World on the Old. 2 vols. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. 2.561-80.

_____. "More, Role-Playing and Utopia." Yale Review 67 (1978). Rev. version, "At the Table of the Great: More's Self-Fashioning and Self-Cancellation." In Greenblatt, Renaissance Self-Fashioning. Chicago: U of Chicago P, 1980. 11-73.*

_____. "At the Table of the Great: More's Self-Fashioning and Self-Cancellation." In Reading the Past: Literature and History. Ed. Tamsin Spargo. Houndmills: Macmillan, 2000.

_____. "Marlowe, Marx, and Anti-Semitism." Critical Inquiry 5 (1978): 291-307. Rev. version: "Marlowe and the Will to Absolute Play," in Greenblatt, Renaissance Self-Fashioning.Chicago: U of Chicago P, 1980. 193-221.*

_____. "The Improvisation of Power." In Greenblatt, Renaissance Self-Fashioning: From More to Shakespeare.Chicago: U of Chicago P, 1980. 222-54.* (Othello).

_____. "The Improvisation of Power." In Shakespearean Tragedy. Ed. John Drakakis. London: Longman, 1992. 153-93.*

_____. "The Improvisation of Power." In Literature and Society. Ed. Edward Said. (Selected Papers from the English Institute, 1977-78). Baltimore: Johns Hopkins UP, 1980. Rev. version in Renaissance Self-Fashioning.

_____. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: U of Chicago P, 1980.* 1984.

_____. "Invisible Bullets: Renaissance Authority and Its Subversion, Henry IV and Henry V." In Political Shakespeare: New Essays in Cultural Materialism. Ed. Jonathan Dollimore and Alan Sinfield. Manchester: Manchester UP, 1985. 18-47.* 2nd ed. Ithaca (NY): Cornell UP, 1994. 18-47.*

_____. "Invisible Bullets." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 472-506.*

_____. "Invisible Bullets: Renaissance Authority and Its Subversion, Henry IV and Henry V." In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford: Blackwell, 2003.*

_____. "The Cultivation of Anxiety: King Lear and His Heirs." Raritan 2 (1982): 92-124.

_____. "Fiction and Friction." In Greenblatt, Shakespearean Negotiations. Berkeley: U of California P, 1988. 66-93.* [Twelfth Night, hermaphroditism, gender]

_____. "Fiction and Friction." In Twelfth Night. (New Casebooks). Ed. R. S. White. Houndmills: Macmillan, 1996. 92-128.*

_____. "Shakespeare and the Exorcists." In Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. New York: Methuen, 1985. 163-87.

_____. "Shakespeare and the Exorcists." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

_____. "Murdering Peasants: Status, Genre, and the Representation of Rebellion." Representations 1 (1983): 1-29.

_____. "Loudun and London." Critical Inquiry 12 (1986): 326-46. (Exorcism).

_____. "Martial Law in the Land of Cockaigne." In Greenblatt, Shakespearean Negotiations. Berkeley: U of California P, 1988.* [The Tempest]

_____. "Martial Law in the Land of Cockaigne." In Materialist Shakespeare. Ed. Ivo Kamps. London: Verso, 1995. 108-41.*

_____. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley (CA): U of California P; Oxford: Clarendon, 1988. Paperback Oxford UP, 1990. 1997* (MLA's James Russell Lowell Prize, 1988).

_____. "Towards a Poetics of Culture." In The New Historicism. Ed. H. Aram Veeser. 1989. 1-14.*

_____. "Resonance and Wonder." 1990. In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 268-88.*

_____. "Resonance and Wonder." In New Historicism and Cultural Materialism: A Reader Ed. Kiernan Ryan. London: Arnold, 1996. 55-60.*

_____. "Shakespeare Bewitched." In Shakespeare and Cultural Traditions: The Selected Proceedings of the International Shakespeare Association World Congress, Tokyo, 1991. Ed. Tetsuo Kishi, Roger Pringle and Stanley Wells. Newark: U of Delaware P, 1994. 17-42.

_____. "Shakespeare Bewitched." In New Historical Literary Study. Ed. Jeffrey N. Cox and Larry J. Reynolds. Princeton (NJ): Princeton UP, 1993. 108-35.*

_____. (On the New Historicism). In Greenblatt, Learning to Curse: Essays in Early Modern Culture. London: Routledge, 1990. 1-15.

_____. Learning to Curse: Essays in Early Modern Culture. London: Routledge, 1990. 1992.

_____ . Marvelous Possessions: The Wonder of the New World. Oxford: Clarendon, 1991. 1992.

_____. "Reading National Geographic." New Yorker 11 Oct. 1993: 119-20.

_____. "The Eating of the Soul." Representations 48 (1994): 97-116.

_____. "The Eating of the Soul." In Political Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 47-66.*

_____. Introd. to Richard III (The Tragedy of King Richard the Third). In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 507-600.*

_____. Introd. to The Comedy of Errors. In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 683-731.*

_____. Introd. to A Midsummer Night's Dream. Introd. Stephen Greenblatt. The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 805-63.*

_____. Introd. to Romeo and Juliet (The Most Excellent and Lamentable Tragedy of Romeo and Juliet). In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 865-941.*

_____. Introd. to Much Ado About Nothing. In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 1381-1444.*

_____. Introd. to Hamlet (The Tragedy of Hamlet, Prince of Denmark). In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 1659-1759.*

_____. Introd. to Twelfth Night (Twelfth Night, or What You Will). In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 1761-1821.*

_____. Introd. to King Lear. (The History of King Lear / The Tragedy of King Lear / King Lear [a conflated text]). In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 2307-2553.*

_____. Introd. to Macbeth (The Tragedy of Macbeth). In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 2555-2618.*

_____. Introd. to The Tempest. The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3047-3107.*

_____. From The Power of Forms in the English Renaissance ("Introduction"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. Hamlet in Purgatory. Princeton (NJ): Princeton UP, 2002.

_____. The Greenblatt Reader. Ed. Michael Payne. (Blackwell Readers). Oxford: Blackwell, 2004.

_____. Will in the World: How Shakespeare Became Shakespeare. New York and London: Norton, 2004.*

_____. Hamlet's Ghost. Online course (Harvard University) at EdX.*

https://www.edx.org/course/hamlets-ghost-harvardx-hum3-1x

2016

_____. The Swerve: How the World Became Modern. New York: W. W. Norton, 2012.

_____. "Shakespeare's Life Stories." Lecture at Syddansk Universitet, 2012. Online audio at YouTube (Chris Broholm) 12 Jul. 2014.*

http://youtu.be/icoMzAU36uU

2014

_____. "'Tell My Story': The Human Compulsion to Narrate." YouTube (Videnskabenes Selskab) 2 June 2014.*

http://youtu.be/zvtgLkhij2s

2014

_____. "Shakespeare no es patrimonio de ninguna isla, sino de toda la humanidad." Interview by Esther Alvarado. El Mundo (Especial Cervantes & Shakespeare). 2016.*

http://www.elmundo.es/cultura/2016/04/19/56eda42a46163ff7318b4661.html

2016

_____. "How Shakespeare Lives Now." New York Review of Books 21 April 2016.*

http://www.nybooks.com/articles/2016/04/21/how-shakespeare-lives-now/

2016

_____, ed. Allegory and Representation. Baltimore: Johns Hopkins UP, 1982.

_____, ed. The Power of Forms in the English Renaissance. Norman (OK): Pilgrim Books, 1982.

_____, gen. ed. The Norton Shakespeare: Based on the Oxford Edition. Editors: Walter Cohen, Jean E. Howard, Katharine Eisaman Maus. With an essay on the Shakespearean stage by Andrew Gurr. New York: Norton, 1997.*

_____, ed. Representing the English Renaissance. Berkeley: U of California P, 1988.

Greenblatt, Stephen, gen. ed. The Norton Anthology of English Literature. 8th ed. The Major Authors. Founding Editor Emeritus M. H. Abrams. Editors: Carol T. Christ, Alfred David, Barbara K. Lewalski, Lawrence Lipking, George M. Logan, Deridre Shauna Lynch, Katharine Eisaman Maus, James Noggle, Jahan Ramazani, Catherine Robson, James Simpson, Jon Stallworthy, Jack Stillinger. New York: Norton, 2006.*

Greenblatt, Stephen, et al., eds. The Norton Anthology of English Literature. 9th ed. Vol. 1: Middle Ages, Restoration and Eighteenth Century. Vol. 2: The Romantic Period through the Twentieth Centiury. New York: Norton, 2012.* (Also in 6 vol. ed: Vol. A: Middle Ages. Vol B: The 16th and Early 17th Centuries. Vol. C: The Restoration and the 18th Century. Vol. D: The Romantic Period. Vol. E: The Victorian Age. Vol. F: The 20th Century and After)

Greenblatt, Stephen, et al., eds. The Norton Anthology of English Literature: The Major Authors. 9th ed. 2 vols. New York: Norton, 2013.

Greenblatt, Stephen, and Giles Gunn, eds. Redrawing the Boundaries of Literary Study in English. New York: MLA, 1992.

Greenblatt, Stephen, and David Laird. "Competing Discourses in The Winter's Tale: Two Letters." Connotations 5.1 (1995-96): 125-27.*

Greenblatt, Stephen, et al., eds. The Norton Anthology of English Literature: The Major Authors. 9th ed. Ed. Stephen Greenblatt et al. New York: Norton, 2013.

Abrams, M. H. (gen. ed.) and Stephen Greenblatt (assoc. gen. ed.). The Norton Anthology of English Literature. Eds. Alfred David, E. Talbot Donaldson, George M. Logan, Hallett Smith, Barbara K. Lewalski, Robert M. Adams, Lawrence Lipking, Samuel Holt Monk, Jack Stillinger, Carol T. Christ, George H. Ford, Jon Stallworthy, David Daiches. 7th ed. 2 vols. New York: Norton, 1999.*

Gallagher, Catherine, and Stephen Greenblatt. "The Potato in the Materialist Imagination." In Practising New Historicism. By Catherine Gallagher and Stephen Greenblatt.Chicago: U of Chicago P, c. 2000.

_____. New Historicism. Chicago: U of Chicago P, c. 2000. (Eucharist, Great Expectations)

Criticism

García Landa, José Ángel. "About finding your own voice." (Stephen Greenblatt). In García Landa, Vanity Fea 29 Oct. 2008.

http://garciala.blogia.com/2008/102903-about-finding-your-own-voice.php

2008

Green, Dan. "Behold the Man." The Reading Experience 30 Aug. 2010.* (Shapiro, Contested Will).

http://noggs.typepad.com/the_reading_experience/2010/08/behold-the-man.html

2012

Habib, M. A. R. "New Historicism." In Habib, A History of Literary Criticism: From Plato to the Present. Oxford: Blackwell, 2005.* (Stephen Greenblatt, Michel Foucault).

Hidalgo, Pilar. "Stephen Greenblatt: The Critic as Story-Teller." In Hidalgo, Paradigms Found: Feminist, Gay, and New Historicist Readings of Shakespeare. Amsterdam: Rodopi, 2001. 71-82.*

Pieters, J. "Facing History, or the Anxiety of Reading: Holbein's 'The Ambassadors' According to Greenblatt and Lyotard." In Reading the Past: Literature and History. Ed. Tamsin Spargo. Houndmills: Macmillan, 2000.

Reach, Kirsten. "Greenblatt on Human Agency and New Historicism." if:book 21 Oct. 2008.

http://www.futureofthebook.org/blog/archives/2008/10/greenblatt.html

2008

Sell, Jonathan P. A. Rev. of The Swerve. By Stephen Greenblatt. Atlantis 36.1 (2014): 155-59.*

Thomas, Brook. The New Historicism: And Other Old-Fashioned Topics. Princeton: Princeton UP, 1991.

Vaughan, Virginia Mason "Stephen Greenblatt (1943-) and the New Historicism." In The Edinburgh Encyclopaedia of Modern Criticism and Theory. Ed. Julian Wolfreys et al. Edinburgh: Edinburgh UP, 2002. 535-42.*

Video

"Will in the World: How Shakespeare Became Shakespeare." Booknotes 14 Nov. 2004.*

http://www.booknotes.org/Watch/183799-1/Stephen+Greenblatt.aspx

2013

Edited works

Allegory and Representation:

de Man, Paul. "Pascal's Allegory of Persuasion." In Allegory and Representation. Ed. Stephen Greenblatt. Baltimore: Johns Hopkins UP, 1981. 1-25.

Bersani, Leo. "Representation and Its Discontents." In Allegory and Representation. Ed. Stephen Greenblatt. Baltimore: Johns Hopkins UP, 1981. 145-62.

Representing the English Renaissance:

Orgel, Stephen. "Prospero's Wife." In Representing the Renaissance. Ed. Stephen Greenblatt. Berkeley: U of California P, 1988.

The Norton Shakespeare:

Greenblatt, Stephen. "General Introduction (Shakespeare’s World - The Playing Field - Shakespeare’s Life and Art - The Dream of the Master Text)." In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 1-76.*

Platter, Thomas. "Thomas Platter on Julius Caesar (September 21, 1599)." In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3329.*

Harvey, Gabriel. "Gabriel Harvey on Hamlet, Venus and Adonis, and The Rape of Lucrece." In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3329-30.*

Wotton, Henry (Sir). "Sir Henry Wotton on All Is True (Henry VIII) and the Burning of the Globe." In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3338-39.*

Jonson, Ben. "Ben Jonson on The Tempest (and Titus Andronicus) (1614)." In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3341.*

Digges, Leonard. "To the Memorie of the deceased Authour Maister W. Shakespeare." Prefatory poem to the First Folio of Shakespeare's plays. 1623. Facsimile. In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3355.*

Aubrey, John. "John Aubrey on Shakespeare (1681)." In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3361-63.*

"A Shakespearean Chronicle 1558-1616." In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3365-3392.*