FACULTY OF HUMANITIES

RESEARCH REPORT 2010

AFRICAN GENDER INSTITUTE

Research Output

Authored books

Bennett, J., Reddy, V., Mkhize, N. and Moletsane, R. 2010. The Country We Want to Live In: Hate Crimes and Homophobia in the Lives of Black Lesbian South Africans. Cape Town: HSRC Press. 72pp. ISBN 0796923418.

Chapters in books

Bennett, J. 2010. Connections to research. In A.A. Ampofo and S. Arnfred (eds), African Feminist Politics: Tensions, Challenges, Possibilities, pp. 52-82. Uppsala: Nordiska Afrikainstitutet. ISBN 9789171066626.

Articles in Peer-reviewed Journals

Bennett, J. 2010. "Circles and Circles": notes on African feminist debates around gender and violence in the 21 Century. Feminist Africa, 14: 21-47.

Dodd, A. 2010. Dressed to thrill: the Victorian postmodern and counter-archival imaginings in the work of Mary Sibande. Critical Arts: A Journal of South North Cultural and Media Studies, 24(3): 467-474.

Dodd, A. 2010. Spectres of violence. Art South Africa, 09: 28-28.

Contact Details

Tel: +27 21 650 2970

Fax: +27 21 650 4840

E-mail: agi-general@.uct.ac.za

Web: http://web.uct.ac.za/org/agi/ and http://www.feminstafrica.org

CENTRE FOR AFRICAN STUDIES

Research Output

Chapters in books

Cooper, B.L. 2010. Resurgent Spirits, Catholic Echoes of Igbo and Petals of Purple: the syncretised world of Chimamanda Ngozi Adichie's Purple Hibiscus. In E.N. Emenyonu (ed.), New Novels in African Literature Today, pp. ix-171. UK: James Currey Publishers. ISBN 9780852555729.

Articles in peer-reviewed Journals

Bogues, A. 2009. Black power, decolonization, and Caribbean politics: Walter Rodney and the Politics of the Groundings with My Brothers. Boundary 2 – An International Journal of Literature and Culture, 36(1): 127-147.

Burton, M. 2010. The Black Sash story: protest and service recorded in the archives. English Academy Review, 27(2): 129-133.

Garuba, H.O. 2010. Roots and routes: tracking form and history in African diasporic narrative and performance. Social Dynamics – A Journal of African Studies, 36(2): 239-255.

Contact Details

Tel: +27 21 650 2308

Fax: +27 21 686 1505

E-mail:

Web: http://www.africanstudies.uct.ac.za

CENTRE FOR CONFLICT RESOLUTION

Research Output

Books

Adebajo, A. 2010 The Curse of Berlin: Africa After the Cold War. 384pp. Scottsville: University of KwaZulu-Natal Press, London: Hurst & Company, New York: Columbia University Press. ISBN 9780231702003.

Peer-review journals

Adebajo, A. 2010. Prophet of Africa’s renaissance. Transition, 103: 168-181.

Adebajo, A. 2010. Pax Nigeriana and the responsibility to protect. Global Responsibility to Protect, 2(4): 414-435.

Paterson, M. and Sarkin, J. 2010. Introduction for Special Issue for GR2P: Africa’s responsibility to protect. Global Responsibility to Protect, 2(4): 341-352.

Zambara, W. 2010. Africa’s national human rights institutions and the responsibility to protect. Global Responsibility to Protect, 2(4): 458-478.

Contact Details

Tel: +27 21 689 1005

Fax: +27 21 689 1003

E-mail:

Web: http://www.ccr.org.za

SCHOOL OF DANCE

Research Output

Peer-reviewed Journals

Baum, R. 2010. ‘And Thou Shalt Bind Them for a Sign upon Thy Hand’: Eve’s Tattoo and the Holocaust Consumer. Shofar, 28(2): 1-23.

Baum, R. 2010. The Mark, The Gestus, & The Moment of Witnessing. Theatre Research International, 35(1): 43-53.

Creative Writing

Baum, R. 2010. “Meanwhile, Plagues.” (a poem) Making Connections: Interdisciplinary Approaches to Cultural Diversity, 11/2: 71.

Baum, R. 2010. “This is not a Creation Myth,” and “The Suitcases’ Version.” (poems) New Contrast: South African Literary Journal, 38(1): 12-14.

CREATIVE WORK

Scars: Co-produced and co-performed (with Megan Erasmus) by C. Botha for Breakthru Entertainment. Artscape Arena. Cape Town. 14-24 January 2010.

Dance Algarve: Produced and directed by D. Cheesman for the Dance Algarve Easter Workshop. Lagos, Portugal. 30 March – 4 April 2010.

Chopin Changelings: Piano accompaniment performed by D. Fourie for Free Flight Dance Company in the Dance For All gala tribute Two Decades One InSPIRAtion. Artscape Opera House, Cape Town. December 2010.
Ingcwaba Lendoda Lise Cankwe Ndlela: Choreographed by M. Rani with musical accompaniment performed by T. Pondo for Magnet Theatre Productions. Fugard Theatre, Cape Town; Market Theatre, Johannesburg; Guy Butler Theatre, Grahamstown. June, July, September 2010.

Stolen Kisses: Choreographed by L. Raizenberg for the SACM Lunch Hour Concert series. Baxter Concert Hall. Rosebank, Cape Town (March); the UCT School of Dance touring programme Dance Dreams and Moyo Men. George, Knysna, Mossel Bay (26 March – 6 April 2010).

Old Friends, Tan Bi: Reproduced by L. Raizenberg for the Cape Town City Ballet production Poetry in Motion, Artscape Opera House. Cape Town. 6-9 May 2010.

Waka Waka: Choreographed for the South African International Ballet Competition. Artscape Opera House. Cape Town. 12-17 July 2010.

Dance UCT 2010 – Carmen: Co-directed and co-choreographed by M. Becker, S. Friedman and L. Raizenberg for the UCT School of Dance. Baxter Theatre. Rosebank, Cape Town, 1-6 November 2010.

Isicathulo: Choreographed by M. Rani for the E. Gwynn Dance Company, Agriculture and Technology State University of North Carolina, Greensboro (USA). 7 January – 4 February 2010.

You Strike a Woman You Strike a Rock: Choreographed by M. Rani for the E. Gwynn Dance Company. Student Union Theatre. Agriculture and Technology State University of North Carolina, Greensboro, USA (11 February – 12 March) and at the Women of Africa Conference held in Memphis, Alabama, USA (March 2010).

The Door – Umnyango: Co-choreographed by M. Rani (with New York-based Eryn Rosenthal, a choreographer and dance contact improvisation scholar) to be performed in Time Square, New York City. July 2011.

The Rite of Spring: Co-directed by S. Friedman and G. Samuel and co-choreographed by M. Rani and J. Rodrigues for the UCT School of Dance. Baxter Theatre. Rosebank, Cape Town. 2-4 November 2010.

Forgiveness: Choreographed by M. Rani for the Ikapa Dance Theatre production Reconciliation. Oude Libertas Amphitheatre. Stellenbosch. 16 December 2010.

Dance UCT 2010: Produced and co-directed by G. Samuel (direction of The Rite of Spring) for the UCT School of Dance. Baxter Theatre, Rosebank, Cape Town. 2-7 November 2010.

Place of Grace: A performance art dance film directed, cinematographed and co-choreographed by G. Samuel and co-performed by I. Frege for an interdisciplinary project supported by GIPCA with Two Spinning Wheels Productions. Cape Town. Filmed on location in the Western Cape. January – November 2010. Premiere: 25 March 2011.

Les Sylphides and A Connoiseur’s Delight: Produced and directed by E. Triegaardt for the CTCB. Masque Theatre, Muizenberg, Cape Town. 6-9 February 2010.

Ballet Bonanza: Produced and directed by E. Triegaardt for the CTCB. Artscape Theatre, Cape Town (26-28 March); Guy Butler Theatre, Grahamstown (27 June); Bellville Civic Theatre, Bellville (23 July); Cultivaria Festival, Paarl (25 September 2010).

Carmen:Produced and directed by E. Triegaardt for the CTCB. Guy Butler Theatre, Grahamstown (26-27 June) and Artscape Theatre, Cape Town (14 October – 7 November 2010).

Le Corsaire Act 1 and African Landscapes: Produced and directed by E. Triegaardt for the CTCB. Artscape Theatre, Cape Town. 21-29 October 2010.

Giselle Act 2: Directed by E. Triegaardt for Dance UCT 2010. Baxter Theatre. Rosebank, Cape Town. 1-6 November 2010.

Cinderella: Produced and directed by E. Triegaardt for the CTCB and SABT. Playhouse Theatre, Durban (9-26 November) Artscape Opera House (17-24 December 2010).

Contact Details

Telephone: +27 21 650 2398/9

Fax: +27 21 650 2494

E-mail:

Web: http://www.dance.uct.ac.za/

DEPARTMENT OF DRAMA

(including the Little Theatre)

Research Output

Articles in Peer-reviewed Journals

Mbotwe, M. 2010. Dissecting the aesthetics of identity in Isivuno Sama Phupha. South African Theatre Journal, 24: 241-258.

Ravengai, S. 2010. Political theatre, national identity and political control: the case of Zimbabwe. African Identities, 8(2): 163-173.

Creative Work

Productions

Fleishman, M.J. 2010. Autopsy. Dramaturgy/Directing. Aardklop Festival, Potchefstroom Commissioning by Aardklop Festival. 27 September – 2 October 2010.

Fleishman, M.J. 2010. Die Vreemdeling. Dramaturgy/Directing. Springbok Aardklop Festival, Potchefstroom (27 September - 2 October); Magnet Theatre, Cape Town (25 January - 13 February 2011); Okiep (16-17 April 2010); Leliefontein (20 April 2010); Garies (21 April 2010); Vredendal (23 April 2010); Citrusdal (25 April 2010); Lamberts Bay (28 April 2010); Clanwilliam, Cederberg Arts Festival (30 April – 2 May 2010).

Hyland. G. 2010. The Lesson (Ionesco). Directing. Unesco World Festival of Drama Schools, Peru.

Hyland, G. 2010. Opera 5:20. Directing. Baxter Theatre, Cape Town. Commissioned by The Gordon Institute for Performing and Creative Arts.

Kabwe, M.B. and Mbothwe, M. 2010. 27 Windows, 4 Doors, 2 Taps. Dramaturgy/Directing. Out the Box Festival of Puppetry and Visual Theatre, Cape Town. Commissioned by the Gordon Institute for Performing and Creative Arts.

Kabwe, M.B. 2010. Funnyhouse of a Negro (Kennedy). Directing. Out the Box Festival of Puppetry and Visual Theatre, Cape Town.

Matchett, S.P. 2010. Tseleng: The Baggage of Bags. Directing. Intimate Theatre, Cape Town. Commissioning by UNIMA, Out The Box Festival. Princess Alice Hall, Grahamstown, Cape Town Edge for National Arts Festival 20-26 June 2010 State Theatre, Pretoria, State Theatre, Mzantsi Fela Festival 10-12 December 2010. 23-27 March 2010. The Mothertongue Project.

Matchett, S.P. 2010. Washa Mollo. Directing. Rehearsal Studio, Hiddingh Campus, Cape Town Commissioning by UNIMA, Out The Box Festival. Lourie Hanger, Grahamstown, National Arts Festival, Arena Stage 28 June – 2 July 2010.

Mbothwe, M. 2010. Inxeba Lomphilisi/Wound of a Healer. Dramaturgy/Directing. Graeme College, Grahamstown and Baxter Theatre, Cape Town. Commissioned by the National Arts Festival.

Pather, J. 2010. Spier Contemporary 2010. Curation. City Hall, Cape Town. Commissioned by The Africa Centre.

Pather, J. 2010. Qaphela Caeser. Dramaturgy/Directing. City Hall, Cape Town. Commissioned by The Gordon Institute for Performing and Creative Arts.

Pather, J. 2010. Blind Spot. Choreography. Metropolis Biennale, Copenhagen.

Weare, C.B. 2010. "Allan Committie is Fully Committied". Directing. Theatre on The Bay Montecasino Theatre, Johannesburg (27 January - 06 March 2010). 16/12/2009 to 23/01/2010.

Weare, C.B. 2010. "Inua" by Jori Snell. Co-direction. Out the Box Festival Commissioning by Baba Yaga Theatre. National Arts Festival, Grahamstown (27 June - 10 July 2010). National Schools Festival, Grahamstown (12-16 July 2010). New Africa Theatre, Cape Town (1-4 June 2010) Bolivia, South America (9-14 November 2010).

Weare, C.B. 2010. Mephisto by Arianne Mnouchkine. Directed, Produced. UCT Arena Theatre. Commissioning by the Mechanicals. 14-24 July 2010.

Weare, C.B. 2010. Raiders of the Lost Aardvark by Nicholas Ellenbogen. Directing. The Intimate Theatre National Arts Festival (27 June – 12 July 2010); The Number 1 Ladys Opera House, Gaborone, Botswana (1-4 September); Maun Theatre, Maun, Botswana (8-11 September 2010); Hilton Festival, KwaZulu-Natal (16-19 September 2010); Arts Alive Festival, Johannesburg (21-25 September 2010); Golden Arrow Studio Baxter Theatre, Cape Town (12 October – 6 November 2010); Arts Alive Festival, Johannesburg (21-25 September 2010).

Weare, C.B. 2010. Frank N Stein by M Shelley, adapted by Christopher Weare. Directed, Produced, Designed. The Intimate Theatre. Commissioning by the Mechanicals. 29 April – 9 May 2010.

Contact Details

Telephone: +27 21 480 7121

Fax: +27 21 480 7106

E-mail:

Web: http://www.drama.uct.ac.za/

SCHOOL OF EDUCATION

(Including the Schools Development Unit (SDU) and the Centre for Applied Language and Literacy Studies and Services in Africa (CALLSSA))

Research Output

Chapters in books

Gamble, J. 2009. Knowledge and identity in the mobile workplace. In M. Weil, L. Koski, L. Mielde and R. Daly (eds), Knowing Work: The Social Relations of Working and Knowing, pp. 51-74. 1. Germany: Peter Lang. ISBN 9783039116423.

Gamble, J. 2010. Exploring the transmission of moral order as invisible semiotic mediator of tacit knowledge. In P. Singh, A.R. Sadovnik and S. Semel (eds), Toolkits, Translation Devices and Conceptual Accounts. Essays on Basil Bernstein's Sociology of Knowledge, pp. 121-141. New York, USA: Peter Lang. ISBN 9781433103643.

Garlick, R. 2010. Strategies to help learners develop the skill of posing their own investigable questions. In U. Ramnarain (ed.), Teaching Scientific Investigations, pp. 63-82. Northlands, South Africa: Macmillan. ISBN 9781770308206.

Hoadley, U.K. 2010. Social class and pedagogy. In P. Singh, A.R. Sadovnik and S. Semel (eds), Toolkits, Translation Devices and Conceptual Accounts. Essays on Basil Bernstein's Sociology of Knowledge, pp. 65-84. New York, USA: Peter Lang. ISBN 9781433103643.

Hoadley, U.K. 2010. Tribes and territory: contestation around curriculum in South Africa. In W.F. Pinar (ed.), Curriculum Studies in South Africa, pp. 125-176. USA: Palgrave Macmillan. ISBN 9780230615083.

Hoadley, U.K. and Muller, J.P. 2010. Codes, pedagogy and knowledge: advances in Bernsteinian sociology of education. In M.W. Apple, S.J. Ball and L. Armando Gandin (eds), The Routledge International Handbook of Sociology of Education, pp. 69-78. Oxfordshire: Taylor & Francis Ltd. ISBN 9780415486637.

Letseka, M., Breier, M. and Visser, M. 2010. Poverty, race and student achievement in seven higher education institutions. In M. Letseka, M. Cosser, M. Breier and M. Visser (eds), Student Retention and Graduate Destination: Higher Education and Labour Market Access and Success, pp. 25-52. Cape Town: HSRC Press. ISBN 9780796923103.

Muller, J.P. 2010. Social life in disciplines. In G. Ivinson, B. Davies and J. Fitz (eds), Knowldedge and Identity: Concepts and Applications in Bernstein's Sociology. UK: Routledge. ISBN 9780415582094.

Muller, J.P. and Hoadley, U.K. 2010. Pedagogy and moral order. In P. Singh, A.R. Sadovnik and S. Semel (eds), Toolkits, Translation Devices and Conceptual Accounts. Essays on Basil Bernstein's Sociology of Knowledge, pp. 161-175. New York, USA: Peter Lang. ISBN 9781433103643.

Prinsloo, M.H. 2010. Thinking locally, acting globally: the new literacies as placed resources. In D. Koutsogiannis and M. Arapopoulou (eds), Literacy, New Education: Aspects of the Local and Global, pp. 181-206. Thessaloniki: Ziti Publications. ISBN 9789604561964.

Soudien, C.A. 2010. "What to teach the natives": a historiography of the curriculum dilemma in South Africa. In W.F. Pinar (ed.), Curriculum Studies in South Africa, pp. 19-49. USA: Palgrave Macmillan. ISBN 9780230615083.

Wieder, A. and Soudien, C.A. 2010. Teacher as public intellectual. Richard Dudley and the fight against South African apartheid. In J.A. Sandlin, B.D. Schultz and J. Burdick (eds), Handbook of Public Pedagogy, pp. 604-618. New York: Taylor & Francis Ltd. ISBN 9780415801270.

Articles in Peer-reviewed Journals

Alexander, N.E. 2009. Evolving African approaches to the management of linguistic diversity: the ACALAN project. Language Matters, 40(2): 117-132.

Bhana, D., Morrell, R.G., Shefer, T. and Ngabaza, S. 2010. South African teachers responses to teenage pregnancy and teenage mothers in schools. Culture Health & Sexuality, 12(8): 871-883.

Breier, M. 2010. From 'financial considerations' to 'poverty': towards a reconceptualisation of the role of finances in higher education student drop out. Higher Education, 60(6): 657-670.

Geschier, S. 2010. ‘South Africans did, Miss, we, we fought for our freedom’: pedagogy and the potential of primary narratives in a history classroom. Education as Change, 14(1): 47-60.

Geschier, S. 2010. Vulnerability and belonging in the history classroom: a teacher's positioning in "volatile conversations" on racism and xenophobia. Perspectives in Education, 28(3): 23-33.

Hardman, J.C. 2010. Variation in semiotic mediation across different pedagogical contexts. Education as Change, 14(1): 91-106.