World of Music - “Music History” – European “classical” music

Middle Ages/Medieval Period (roughly 500’s-early 1400’s)

*Musical life was dominated by Roman Catholic Church (sacred music)

sacred vocal music was in Latin

-chant (plainsong) – monophonic

*Pope Gregory (590-604) ordered all chants to be written down to record

& preserve them, and to create musical unity in all churches. For this

reason, it’s often called “Gregorian Chant.”

This also was a huge step toward the development of music notation as

we know it.

-organum (parallel organum) – homophonic

a very simple form of harmony, when one singer/group does a chant,

while another copies the chant 4 or 5 notes away. Notes remain a parallel

distance apart most of the time.

-motet – polyphonic; usually 3 parts

often a chant, plus a slow moving bass part, plus a faster, higher part

-Mass – 5 sections with a standard set of words (text) for church service.

Usually chanted during this time period

secular (non-church service) vocal music

-sometimes had religious themes (in Latin)

-troubadours/trouvères/minstrels traveled from town creating & spreading songs in the local language (vernacular)

-songs of love, war (ballads-slow, told stories)

-dance tunes

-caccia – like a “round”; hunting songs

Instruments

portative organ (small)harpsackbutdrums

viols (different sizes)luteshawmtambourine

recorders (different sizes)krumhornfinger cymbals

Composers

Hildegard von Bingen – lived during 1100’s; was a nun; among her many talents,

she wrote musical plays & devotional songs

though female, she received great respect from male leadership

Guillaume de Machaut – lived during 1300’s; known for Mass, motets and secular songs

Renaissance – early 1400’s-about 1600

Decreasing importance of Church

Increase in skilled labor/craftsmanship/trade guilds; secular life

Emergence of middle class – not just peasants vs. royalty & Church

**invention of printing press leads to greater literacy rates

*Music – polyphonic music is the new standard

Popular music begins to influence sacred music (L’homme armé)

Sacred polyphonic songs: Masses, motets; chorales (homophonic & polyphonic

Secular polyphonic songs: madrigals

usually 5 voice parts

rhymes, alliteration, innuendo in text

“word painting” in music

fa-la-la

Beginnings of opera (end of Renaissance – earliest known opera 1597)

stories from mythology and ancient history told in song with small group of instruments

recitative – speech like singing (like fast chanting)

aria – songs

chorus music

Composers

Josquin des Prez --- sacred music

Giovanni Palestrina—sacred music

madrigals - John Farmer

Orlando Gibbons

Antonio Gabrielli

Orlando di Lasso

Baroque (approx. 1600-1750)

Instruments become more sophisticated & mechanically reliable due to advances in engineering & craftsmanship

Music sounds decorated, intricate, complicated, ornamented (trills)

*intense polyphony

Musical Styles

Keyboard music became HUGE (lots of dance suites, preludes, toccatas & fugues)

Instrumental Suites (dance tunes – minuet, sarabande, etc.)

Continuo – low-sounding string instrument (cello or viola da gamba)

plus harpsichord or organ

to provide background accompaniment to other parts of music

Concerto Grosso – string orchestra (“tutti”) plus small group of soloists

(“concertino” or “principale” – usually 2 violins, cello & harpsichord)

Concerto – solo instrument plus string orchestra

Opera becomes fully developed (arias and recitative; stories based on mythology)

Oratorio developed as conservative alternative to opera—no sets or costumes

musical setting of bible stories

has same features as opera – recitative, arias, choruses

Instruments

*harpsichord – used in almost every secular instrumental piece and as a solo instrument

organ used extensively for sacred music & as a solo instrument

violin family (viola, cello, bass)

trumpet and other brass instruments

recorders still used, emergence of transverse flute (previously only used in military)

*vocal music, especially sacred music

Some notable Composers & their biggest claims to fame:

Antonio Vivaldi – concertos (lots of string instruments)

Johann Sebastian Bach – keyboard music, sacred choral music, concertos

George Frederic Handel – instrumental suites, oratorios, keyboard music

Claudio Monteverdi – early opera!