Unreliable Narrators in Post-War Prose (VIII, X)
Dr Alex Lloyd, St Edmund Hall | Magdalen College
| http://www.mod-langs.ox.ac.uk/lloyda
General Reading
Primary Texts
Pierre Bayard, Who Killed Roger Ackroyd? The Murderer who Eluded Hercule Poirot and
Deceived Agatha Christie (1998)
Agatha Christie, The Murder of Roger Ackroyd (1926)
Günter Grass, Die Blechtrommel (1959) (Steidl, 2003)
Thomas Mann, Mario und der Zauberer (1930)
Vladimir Nobokov, Lolita (1955)
Arthur Schnitzler, Leutnant Gustl (1900-01) (Fischer, 1981)
Christa Wolf, Kindheitsmuster (1976) (Luchterhand, 2000)
Secondary Literature
H. Porter Abbott, The Cambridge Introduction to Narrative (Cambridge: Cambridge University
Press, 2008)
Mieke Bal, Narratology: Introduction to the Theory of Narrative, 3rd edn (Toronto:
University of Toronto Press, 2009)
Wayne Booth, The Rhetoric of Fiction (Chicago: Chicago University Press, 1961)
Mary Cosgrove, Born Under Auschwitz: Melancholy Traditions in Postwar German
Literature (Rochester, NY: Camden House, 2013)
Gregory Currie, ‘Unreliability Refigured: Narrative in Literature and Film’, The
Journal of Aesthetics and Art Criticism, 53.1 (1995), 19-29
Elke D'hoker, Gunther Martens (eds.), Narrative Unreliability in the Twentieth-
Century First-Person Novel (Berlin: de Gruyter, 2008)
Terry Eagleton, How to Read Literature (Yale: Yale University Press, 2013)
David Herman, Manfred Jahn and Marie-Laure Ryan (eds.), Routledge Encyclopedia
of Narrative Theory (London; New York: Routledge, 2005)
Monika Fludernik, ‘Defining (In)sanity: The Narrator of The Yellow Wallpaper’, in
Grenzüberschreitungen: Narratologie im Kontext / Transcending Boundaries: Narratology in Context, ed. by Walter Grünzweig and Andreas Solbach (Tübingen: Narr, 1999), pp. 75-95
Monika Fludernik, An Introduction to Narratology (New York, NY/Abingdon:
Routledge, 2009)
Gérard Genette, Narrative Discourse Revisited, trans. by Jane E. Lewin
(Cornell: Cornell University Press, 1990)
Ansgar Nünning, ‘Reconceptualizing Unreliable Narration: Synthesizing Cognitive
and Rhetorical Approaches’, in A Companion to Narrative Theory, ed. by James Phelan and Peter J.Rabinowitz (Oxford: Blackwell, 2005), pp. 89–107
---., ‘Unreliable, Compared to What? Towards a Cognitive Theory of Unreliable
Narration: Prolegomena and Hypotheses’, in Grenzüberschreitungen: Narratologie im Kontext / Transcending Boundaries: Narratology in Context, ed. by Walter Grünzweig and Andreas Solbach (Tübingen: Narr, 1999), 53–73
John S. O’Connor, ‘Seeking Truth in Fiction: Teaching Unreliable Narrators’, The
English Journal, 83.2 (1994), 48-50
Greta Olson, ‘Reconsidering Unreliability: Fallible and Untrustworthy Narrators’,
Narrative, 11.1 (2003), 93-109
James Phelan, Living to Tell about It (Ithaca: Cornell University Press, 2005)
William Riggan, Picaros, Madmen, Naifs, and Clowns: The Unreliable First-Person
Narrator (Norman: University of Oklahoma Press, 1981)
Michael Smith, Understanding Unreliable Narrators (Urbana: NCTE, 1991)
Kathleen Wall, ‘"The Remains of the Day" and Its Challenges to Theories of
Unreliable Narration’, The Journal of Narrative Technique, 24.1 (1994), 18-42
Tamar Yacobi, ‘Fictional Reliability as a Communicative Problem’, Poetics Today,
2.2 (1981), special issue: Narratology III: Narration and Perspective in Fiction, 113-26
See also:
The Living Handbook of Narratology is an excellent online resource:
http://www.lhn.uni-hamburg.de/
Extensive reading list compiled by the International Society for the Study of Narrative:
http://narrative.georgetown.edu/wiki/index.php/Narrative_Reliability