“That’s his limit,” I said to my father.

“He is beautiful,” my father said, although my brother had just finished catching his limit in the hole my father had already fished.

This was the last fish we were ever to see Paul catch. My father and I talked about this moment several times later, and whatever our other feelings, we always felt it fitting that, when we saw him catch his last fish, we never saw the fish but only the artistry of the fisherman.

While my father was watching my brother, he reached over to pat me, but he missed, so he had to turn his eyes and look for my knee and try again. He must have thought that I felt neglected and that he should tell me he was proud of me also but for other reasons.

It was a little too deep and fast where Paul was trying to wade the river, and he knew it. He was crouched over the water and his arms were spread wide for balance. If you were a wader of big rivers you could have felt with him even at a distance the power of the water making his legs weak and wavy and ready to swim out from under him. He looked downstream to estimate how far it was to an easier place to wade.

My father said, “He won’t take the trouble to walk downstream. He’ll swim it.” At the same time Paul thought the same thing, and put his cigarette and matches in his hat.

My father and I sat on the bank and laughed at each other. It never occurred to either of us to hurry to the shore in case he needed help with a rod in his right hand and a basket loaded with fish on his left shoulder. In our family it was no great thing for a fisherman to swim a river with matches in his hair. We laughed at each other because we knew he was getting damn good and wet, and we lived in him, and were swept over the rocks with him and held his rod high in one of our hands.

As he moved to shore he caught himself on his feet and then was washed off them, and, when he stood again, more of him showed and he staggered to shore. He never stopped to shake himself. He came charging up the bank showering molecules of water and images of himself to show what was sticking out of his basket, and he dripped all over us, like a young duck dog that in its joy forgets to shake itself before getting close.

“Let’s put them all out on the grass and take a picture of them,” he said. So we emptied our baskets and arranged them by size and took turns photographing each other admiring them and ourselves. The photographs turned out to be like most amateur snapshots of fishing catches–the fish were white from overexposure and didn’t look as big as they actually were and the fishermen looked self-conscious as if some guide had to catch the fish for them.

However, one closeup picture of him at the end of this day remains in my mind, as if fixed by some chemical bath. Usually, just after he finished fishing he had little to say unless he saw he could have fished better. Otherwise, he merely smiled. Now flies danced around his hatband. Large drops of water ran from under his hat on to his face and then into his lips when he smiled.

At the end of this day, then, I remember him both as a distant abstraction in artistry and as a closeup in water and laughter.

My father always felt shy when compelled to praise one of his family, and his family always felt shy when he praised them. My father said, “You are a fine fisherman.”

My brother said, “I’m pretty good with a rod, but I need three more years before I can think like a fish.”

Remembering that he had caught his limit by switching to George’s No. 2 Yellow Hackle with a feather wing, I said without knowing how much I said, “You already know how to think like a dead stone fly.”

We sat on the bank and the river went by. As always, it was making sounds to itself, and now it made sounds to us. It would be hard to find three men sitting side by side who knew better what a river was saying.