Study Guide – TV Test #2: Videography
- Aframecan be defined as the edges of an image and everything within it.
- Exposure is the amount of light travelling through the camera. The light travels through the aperture.
- Depth of field is the area in front of your camera where everything looks sharp and in focus.
- White balance adjusts the color temperature.
- Look room is the distance between the subject and the edge of the frame toward which he or she is looking.
- Head room is the distance between the top of the subject’s head and the top of the frame.
- The rule of thirds is an aid to composition in the form of an imaginary tic-tac-toe grid. The image is broken into the thirds horizontally and vertically. We should frame on the intersection points.
- Height and breadth are determined by the frame. Depth is an illusion.
- Symmetrical balance is a composition in which visual elements are evenly placed and opposed (center-balanced).
- Asymmetrical balance is a composition where dissimilar elements have equal visual weight (following rule of thirds typically).
- The best way to frame a close-up in a widescreen frame is to slightly cut off the top of someone’s head/hair, NOT their chin or neck.
- Moving the camera side to side (while staying still vertically) is called panning. Moving the camera up and down (while staying still horizontally) is called tilting.
- Leading lines are lines on the picture plane that emphasize an element by pointing to it.
- It is not a good idea to always center balance symmetrically, as those shots can be boring.
- Cross-cutting is showing two or more actions at once by alternating back and forth between them.
- Distance and size are not fixed within the frame. They are variable, determined by the frame itself
- EXTREME CLOSE-UP (ECU/XCU) -This type of shot focuses on part of an object very close up.
- CLOSE-UP (CU) A shot that shows off emotion, by simply capturing someone’s entire (or mostly entire) face.
- MEDIUM CLOSE-UP (MCU) framed with a subjects head and shoulders.
- MEDIUM SHOT(MS) framed with a subject from the head to the waist.
- LONG SHOT (LS) A wide shot showing a location or an entire figure.
- EXTREME LONG SHOT (LS) A very wide shot, focusing mostly on the setting with figures very small.
- HIGH ANGLE A shot (defined by angle) that makes the subject look submissive or powerless to a powerful subject. The subject is shot from above.
- LOW ANGLE A shot (defined by angle) that makes the audience feel submissive or powerless to a powerful subject. The subject is shot from below.
- DUTCH ANGLE The frame is slanted.
- BIRDS-EYE VIEWAn extreme high angle, where the camera is nearly looking down at the subject.
- OVER-THE-SHOULDER (OTS) The camera is positioned in a point of view shot, with the shoulder of the person looking as part of the shot.
- TRACKING/DOLLY A shot where we put the camera on a cart (or wheels of some sort) to follow a subject.
- PAN/TILT A shot where the camera moves on an axis (either up-down or side-to-side) while remaining stationary in the other dimension
- While both are wheeled moving shots, tracking shot follows a subject from the side, while a dolly shot follows them from the front or back.
- The most common type of establishing shot is either ELS or LS.
Short Answers (include but are not limited to):
-Identify two of the principles of perspective you see in a provided shot and explain how the principles apply (minimum of two sentences).
Convergence vertical position overlap size focus
-We are shooting a conversation between two friends who are having an argument. What kind of shots would you use? Why?
-How does a dolly zoom work?