Draft Program
SE-17 Dartmouth College
November 10-13, 2016
All sessions, with the exception of the workshops, will take place at the Hanover Inn. Workshop meeting rooms tbd.
Thursday, Nov 10
9:00Registration opens
10-10:15: Welcome
10:30-12:15: Anachronism I: Chairs, Geoffrey Turnovsky, Univ. of Washington ()
Lewis Seifert (Brown), "Performing Anachronism in Quinault/Lully’s Armide” ()
Grégoire Menu (Harvard), "Future Present: Legitimizing the Power of Louis XIV Through Anachronistic Scenes in 1650s Epic Poetry” ()
Abby Zanger (Independent), "Anachronism and Bourbon Political Allegory in Images from the Birth of Louis XIV” ()
Jean Leclerc (University of Western Ontario), "De la connivence à l’anthropologie : pour une lecture de l’anachronismedans les travestissements de Virgile" ()
Lunch: On own; Executive committee meeting (lunch)
2:00-3:45: Counterfeiting I: Chair: Ellen Welch, Univ of North Carolina, Chapel Hill
Simon Gabay, Post-doctoral Fellow, University of Neuchâtel ()
“Les contrefaçonscomme sources”
Susanna Caviglia, Université de Limoges (France) and Visiting Scholar at the University of Chicago ()
“Imitating the Figurae: From Reuse to the New Work at the Académie Royale de Paris”
Tristan Alonge, Sciences Po ()
“Racine’s Phèdre, a Greek Counterfeit”
Kathrina A. LaPorta, NYU, ()
“Communities of Dissent: The Politics of Undoing in Anti-Absolutist Pamphlet Literature”
4:00-5:30: Rivalries/Rivalités I: Chair: Stephen Shapiro, Bennington College, :
Paul Scott, University of Kansas, “Belle but not bête: Rivalry, Sexuality and Confusion in Mmed’Aulnoy’s Belle Tales” ()
Charlotte Trinquet﴾UCFlorida) “Fairy Tale Genre or Genres: Rivalries among the Tale-Tellers of the Late 1690s ()
Benjamin Fancy, Brown University, “Rienenfin de siopposé: Rivalry in Madeleine de Scudéry’sClélie”()
Visit to Rauner exhibit: Rare Books
6:30Vin d’honneur
Friday, Nov. 11
Registration Open 8:00-noon Hanover Inn
7:30-8:30: Workshops
Workshop 1: Sarah Beytelmann, Princeton University; Claire Goldstein, Univ. of California Davis, Ellen McClure,Univ of Illinois, Chicago, Jennie Row,Solmsen Fellow, Univ of Wisconsin-Madison/Assistant Professor Boston University, TobyWikström, Tulane University
Workshop 2: Katherine Dauge-Roth, Bowdoin College, Theresa Kennedy, Baylor University,MichèleLongino, Duke University, Deborah Steinberger, Univ. of Delaware
Workshop 3: Juliette Cherbuliez, Univ of Minnesota, SylvaineGuyot, Harvard University,Chloé Hogg,Univ of Pittsburgh, Chris Semk, Yale Univ.,Ellen Welch, Univ of North Carolina, Chapel Hill
8:00-8:30: Breakfast Hayward Room, Hanover Inn
8:45-10: 15 Counterfeiting/La contrefaçon II: Chair: Ellen Welch, University of North Carolina, Chapel Hill
.
Ann Delehanty, Reed College ()
"Counterfeiting the Other in Cyrano's L'Autre Monde
Christophe Schuwey, Lecturer, Université de Fribourg ()
“L’innovantecontrefaçon du Cocuimaginaire”
Volker Schröder, Associate Professor of French, Princeton University () “Rienn’est beau que le… faux? : Boileau et sescontrefaçons”
10:30-12:00Rivalries/Les Rivalités II: Chair: Stephen Shapiro, Bennington College
Benoit Bolduc,NYU, “Césars, Princes ConquérantsouIllustres Romains? Rivalitéspoétiquesdans les marges du Carrousel des Chevaliers de la Gloire” ()
Allison Stedman,Univ of North Carolina,Charlotte, “Subversive Healing: Rivalry and Religion in Jean Crassat’s Instructions Spirituelles”()
Katharine Ann Jensen,Louisiana State Univ., “Moralizing Historical Fiction: Genlis Rivals Lafayette” ()
12:00-1:45Lunch on own;
2:00-3:45: Anachronism II: Chair, Geoffrey Turnovsky, Univ. of Washington
Alexandre Albert-Galtier (Oregon), "Les ‘Dialogues de morts’ de Fénelon: anchronismeet construction du discourssurl’artou la métamorphose de ‘L’Utpicturapoesis'” ()
Nicholas Dion (Sherbrooke), "Le Commentairesurl’élégie de TarquinioGalluzzi: la théorisation d’un genre élégiaque qui ne futjamais” ()
Ashley Williard (South Carolina), "Race, Gender, Intersectionality: An Anachronistic Approach to the 17th Century" ()
Pierre Zoberman (Université de Paris 13), "Gender and Sexual Identities: Anachronism and/or Useful Approach?” ()
4:00-5:45 L’industrie et la création de l’objet: Chair: Ellen McClure, Univ of Illinois, Chicago ()
Francis Assaf, Univ. of Georgia, (), “L’industrie entre 1665 et 1683: vision, creation, imagination”
Didier Course, Hood College, (), "’Les Livresrares qui peuventservir à embellir la bibliothèque de saMajesté’ : le manuscritarabedans les collections royales”
Audrey Calefas-Strebelle, Mills College, (), “Tapis, café, sorbet, etobjetsassociés: Du produittruc à la manufacture française”
Kathryn Hoffmann, Univ of Hawaii-Manoa, (), “Transparent Desires and Deadly Mixtures: Glass Objects and New Histories from the Seventeenth Century”
Evening Free
Saturday, Nov. 12
7:30-8:30 Workshops
Workshop 1: Sarah Beytelmann, Claire Goldstein, Ellen McClure, Jennie Row, TobyWickström
Workshop 2: Katherine Dauge-Roth, Theresa Kennedy, MichèleLongino, Deborah Steinberger
Workshop 3: Juliette Cherbuliez, SylvaineGuyot, Chloé Hogg, Chris Semk, Ellen Welch.
8:00-8:30 Breakfast
8:45-10:30: Abandonment and Forgetting in the Theater / L’abandon et l’oubli au theater Chair: Jeffrey Peters, University of Kentucky ()
Perry Gethner, Oklahoma State University, “Voluntary and Involuntary Forgetting in Rotrou”
Ralph Albanese, University of Memphis, “L’Oubli et la mémoiredansquelquestragédiesclassiques”
Kelly McConnell, Dartmouth College, “Incapable d’oublier”: Duty, Devotion, and Love in the Plays of Jean Racine”
4. TiphainePocquet, ENS de Lyon, "Qui s’oubliedansl’oubli de soi-même ? De quelques figures tragiques de l’oubli de soi au début du XVIIe siècle"
10:45-12:30: La Séduction I: Chairs, Deborah Steinberger, Univ of Delaware and Allison Stedman, UNC Charlotte: and
Mitchell Greenberg, Cornell, "Theatrical Seduction"()
AgnèsCousson, Univ de Rennes, “L’art de plaireet de séduireselonMlle de Montpensier” ()
Francis Mathieu, SouthwesternUniversity, «La Confession comme remède à la séduction dans La Princesse de Clèves»()
Gilles Declercq, Univ “Enjeuxsémiologiques de la séduction chez Molière” ()
12:30-2:15: Assemblée générale with lunch
2:30-4:30: Sessions 10 and 11: concurrent
In Ford Syre/Brewster:
I. Abandonment and Forgetting in Prose / L’abandon et l’oubli au théâtre en prose Chair: Jeffrey Peters, Univ of Kentucky
1. Martine Debaisieux, University of Wisconsin-Madison “« Par tant de destours» :périls de l’abandon et dérivestextuellesdansMoyse sauvé”
2. StarraPriestaf, Texas Tech University “Against Oblivion: Writing and Abandonment in the Lettres portugaises”
3. Laurence Plazenet, Université Paris-Sorbonne “Abandon et oublidans le roman français du XVIIesiècle : crime ounorme?”
4. Hall Bjørnstad, Indiana University “Abandon et oubliselon Pascal”
In Hayward:
II. La Séduction II: Chairs: Deborah Steinberger and Allison Stedman
Stella Spriet, “Les pièces à machines: la force de l’éclatspectaculaire” ()
Bertrand Landry “Les multiples facettes de la séduction anthropologique
dans les mémoires militaires d’Henri de Campion» ()
MichèleRosellini, ENS-Lyon,() “’Soyezamant, vousserezinventif:’ Invention et seduction dans les Contes de La Fontaine
Megan Kruer, CornellUniversity,(,)Rapt de séduction: Telling Stories of Consent in Law and Literature
4:30-6:00: Pedagogy Chair: Laura J. Burch, College of Wooster ()
ChristopherSemk, Yale University,(), “Networking Racine”
Anna Rosensweig, University of Rochester,(), “How Does that Make you Feel? An Affective Approach to Teaching Seventeenth-Century Tragedy”
Hélène Bilis, Wellesley College,(), and Hélène Visentin, Smith College,(), “Virtual Connections: Team-Teaching Early Modern France in the Digital Era”
Banquet 7:00