Biografie

Ajamu

è nato a Huddersfield nel 1963.

Vive e lavora a Londra.

Personali

1993

First Out, London.

1994

Aytoun Gallery, Manchester.

Huddersfield Art Gallery, Huddersfield.

Camerawork, London.

1995

Pinacoteca Do Estado, São Paulo.

1999

Standpoint Gallery, London.

Collettive

1991

Value for Culture, Black Art Gallery, London.

1992

Critical Decade, Cave Arts Centre, Birmingham.

1994

Strangers in Paradise, Foto Institute, Rotterdam.

1995

Objects/Subjects of Desire, Konstack National School of Art, Stockholm.

1996

Prospect 96, Schirn Kunstalle, Frankfurt am Main.

1997

Kissing the Dust, Oldham Gallery, Oldham; Walsall Art Gallery, Walsall; Huddersfield Art Gallery, Huddersfield.

In Visible Light, Museum of Modern Art, Oxford; Museum Villa Stuck, München; Museum of Contemporary Art, Sydney.

Transforming the Crown, Caribbean Cultural Centre, New York.

1998

Africa by Itself, Maison Européenne de la Photographie, Paris.

The Miniature Museum, The Academic Medical Centre, Amsterdam.

Black Nude. New Identities, Tropen Museum, Amsterdam.

2000

East International, Norwich School of Art and Design, Norwich.

Sexmutant, Nunnery Gallery, London.

2001

Mens Bodies, University of Nottingham, Nottingham.

2002

Odalisque, Mafuji Gallery, London.

2003

Phantom of Desire, Neue Galerie, Graz.

2004

Transformation, Manchester Museum, Manchester.

Hidden Histories, Walsall New Art Gallery, Walsall.

Chantal Akerman

è nata a Bruxelles nel 1950.

Vive e lavora a Parigi.

Personali

1995

D’Est. Au bord de la fiction, Galerie nationale du Jeu de Paume, Paris; Walker Art Center, Minneapolis; San Francisco Museum of Modern Art, San Francisco; Societé des Expositions du Palais des Beaux-Arts, Brussel; Kunstmuseum, Wolfsburg; IVAM Centre del Carme, Valencia.

1997

D’Est. Au bord de la fiction, The Jewish Museum, New York.

1998

Selfportrait /Autobiography. A work in progress, Sean Kelly Gallery, New York; Frith Street Gallery, London.

2004

Retrospective Integral, Cinema at Centre Pompidou, Paris.

Crossing The Line. Human trafficking, Kunsthalle wien am karlsplatz, Wien.

Galerie Marian Goodman, Paris

Sputnikprojekt, Kunstverein München, München

2005

Du fragment à la femme, Espace Croix-Baragnon, Toulouse; École superieure des Beaux-Arts, Toulouse

From the other side - Desde el otro lado, Galeria Elba Benitez, Madrid.

Retrospectiva fílmica, MalbaColección Constantini, Buenos Aires.

D’Est. Au bord de la fiction, Malba Colección Constantini,Buenos Aires.

Collettive

1999

‘So Faraway So Close’, Encore... Bruxelles, Espace Meredian, Brussel.

2000

Media City Seoul Biennal, Seoul.

2001

XLIX Biennale di Venezia, Venezia.

XVI International Video & Multimedia Arts Fesitval, Musée d’art moderne de la ville de Paris, Paris.

2002

Documenta XI, Kassel.

Les enfants du Paradis, Yvon Lambert, Paris.

Extreme Existence, Pratt Institute, New York.

2003

True Stories, Witte de With, Rotterdam.

Frequencies, Frith Street Gallery, London.

Experience, Foto Biënnale Rotterdam, Nederlands Fotomuseum, Rotterdam.

Fate of Alien Modes, Wiener Secession, Wien.

After the News. Postmedia Documentaries, CCCB Centre de Cultura Contemporània de Barcelona, Barcelona.

Tri(o)ptique. Akerman - Ono - Moral, Luxflux Museo Laboratorio di Arte Contemporanea, Università La Sapienza, Roma.

2004

Fast forward. Media Art, Sammlung Goetz, ZKM I Zentrum für Kunst und Medietechnologie, Karlsruhe.

Mouvements de fonds: acquisitions 2002 du Fonds nationale d’art contemporain, MAC Musée d’art contemporain, Marseille.

Die Sehnsucht des Kartografen, Kunstverein, Hannover.

Artists’ Favourites Act II, ICA Institute of Contemporary Arts, London.

Sieben Frauen Sieben Sünden - Seven Women Seven Sins, Galerie im Taxispalais, Innsbruck.

Shadowland. An Exhibition as a Film, Walker Art Center, Minneapolis.

Regie cinematografiche

1972

Hotel Monterey, 16mm, colore, 65’, Paradise Films, Brussel.

La Chambre 1,16mm, colore, 11’, Paradise Films, Brussel.

La Chambre 2,16mm, colore, 11’, Paradise Films, Brussel.

1973

Le 15/8, 16mm, b/n, 42’, Paradise Films, Brussel; regia di Chantal Akerman e Samy Szlingerbaum.

Hanging Out Yonkers, inachevé-16mm, colore, 90’, Paradise Films, Brussel.

1975

Je Tu Il Elle, 35mm, b/n, 90’, Paradise Films, Brussel.

Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, 35mm, colore, 200’, Paradise Films, Brussel-Unite Trois, Paris.

1976

News From Home, 16mm, colore, 85’, Unite Trois, Paris-INA, Paris-Paradise Films, Brussel.

1978

Les rendez-vous d’Anna (1978) 35mm, colour, 127’, Helene Films, Paris-Unite Trois, Paris-Paradise Films, Brussel-ZDF, Mainz.

1980

Dis-moi, 16mm, colore, 45’, INA, Paris.

1982

Toute Une Nuit, 35mm, colore, 89’, Avidia Films, Paris-Paradise Films, Brussel.

1983

Les années 80, video/35mm, colore, 82’, Paradise Films, Brussel-Abilene Production, Paris.

Un jour Pina m’a demandé (1983) 16mm, colore, 57’, INA, A2, R.M. Arts, RTBF, SSR.

L’homme à la valise (1983) 16mm, colore, 60’, INA, Paris.

1984

Paris vu par 20 ans aprèes... J’ai faim, j’ai froid, 35mm, b/n, 12’, JM Production, Films A2.

Family Business, 16mm, colore, 18’, Large Door LTD, London.

Lettre d’une cinéaste, 16mm, colore, 8’, Paradise Films, Brussel.

New-York, New-York Bis, 35mm, b/n, 8’.

1985

Golden Eighties, 35mm, colore, 96’, La Cecilia, Paris-Paradise Films, Brussel-Limbo Film, Zürich. regia di Chantal Akerman, Leora Barish, Henry Bean, Pascal Bonitzer,Jean Gruault.

1986

Le Marteau, video, colore, 4’.

La Paresse, 35mm, colore, 14’.

Letters Home, video, colore, 104’, Centre Simone de Beauvoir, Paris.

Mallet-Stevens, video, colore, 7’, BRT.

1988

Histoires d’Amérique, 35mm, colore, 92’, Mallia Films, Paris-Paradise Films, Brussel-La Sept-La

Bibliothéque Publique d’Information-Le Centre Geoges Pompidou-RTBF.

1989

Trois strophes sur le nom de Sacher, video, colore, 30’, Mallia Films-La Sept-Arcanal-CGP.

Les trois dernières sonates de Franz Schubert, video, colore , 49’, La Sept-INA, Paris.

1991

Nuit et jour, 35mm, colre, 90’, Pierre Grise Production, Paris-Paradise Films, Brussel-George Reinhart Production, Zürich-C.N.C; Canal plus-RTBF, regia di Chantal Akerman e Pascal Bonitzer.

1992

Le déménagement, 35mm, colore, 42’, Le Poisson Volant, Paris.

1993

D’Est, 35mm, colore, 107’, Paradise Films, Bruxelles-Lieurac production, Paris.

Portrait d’une jeune fille de la fin des années 60 àBruxelles, 35mm, colore, 60’, IMA, Paris.

1996

Chantal Akerman By Chantal Akerman, video, 63’, Amip-Chemah I S-Arte.

Un divan à New-York, 35mm, colore, 105’, Les Films Balenciaga, Paris-Babelsberg Films-Paradise films, Brussel-RTBF, regia di Chantal Akerman e Jean-Louis Benoît.

1997

Le jour où, 35mm, colore, 7’, WAKA Films, Pregassona.

1998-1999

Sud, video, 70’, Amip-Chemah IS-Arte, Paris.

1999

La Captive, 35 m, Gemini Films, Paris.

Jananne Al-Ani

è nata in Irak nel 1966.

Vive e lavora a Londra.

Personali

1997

Harriet Green Gallery, London.

1998

Margaret Harvey Gallery, Saint Albans.

1999

Smithsonian Institution, Washington, DC.

2002

Dryphoto Arte Contemporanea, Prato.

Imperial War Museum, London.

Les rencontres de la photographie, Musée Reattu, Arles.

2004

The Visit, Norwich Gallery, Norwich.

2005

The Visit ArtNow, Tate Britain, London.

Collettive

1987

Women in View, Brixton Art Gallery, London.

1989

The Whitechapel Open, The Whitechapel Gallery, London.

1990

The Whitechapel Open, The Whitechapel Gallery, London.

1991

Contact. South Bank Photo Show, Royal Festival Hall, London.

Sign of the Times, Camerawork, London.

Guernica revisited. Artists response to the Gulf War, Kufa Gallery, London.

1992

Fine Material for a Dream...? A Reappraisal of Orientalism, Harris Museum and Art Gallery, Preston; Ferens Museum and Art Gallery, Hull; Oldham Art Gallery, Oldham.

The Whitechapel Open, The Whitechapel Gallery, London.

1993

No more heroes anymore, The Royal Scottish Academy, Edinburgh.

Declarations of War. Contemporary Art from the Collection of the Imperial War Museum, Kettle’s Yard Gallery, Cambridge.

1994

Who’s Looking at the Family?, Barbican Art Gallery, London.

1995

Natural Settings, The Chelsea Physic Garden, London.

The Punters Art Show, Saint Columbs Park, Derry.

Art History Representation, The Concourse Gallery, London.

1996

After Eden, Garden Galleries, Yoxall.

The John Kobal Photographic Portrait Award, National Portrait Gallery, London; The Royal Photographic Society, Bath; Scottish National Portrait Gallery, Edinburgh; The Midlands Art Centre, Birmingham.

1997

Modern Narrative, Artsway, Sway.

20/20, Kingsgate Gallery, London.

Ruch, GI Gallery, Zielona Góra.

1998

Shoreditch Biennale, Hoxton Square, London.

On Site, Lauderdale House, London.

Photofit, Bluecoat Gallery, Liverpool.

1999

Dialogue of the Present, Brunei Gallery, London; Hot Bath Gallery, Bath; Plymouth Arts Centre, Plymouth.

2000

Ekbatana?, Nikolaj Contemporary Art Centre, Copenaghen.

East International, Norwich Art Gallery, Norwich.

Strokes of Genius. Contemporary Iraqi, Art Brunei Gallery, London.

Attitude. A History of Posing, Victoria & Albert Museum, London.

In Memoriam, The New Art Gallery, Walsall.

Look Out. Art Society Politics, Wolverhampton Art Gallery, Wolverhampton; Pitshanger Manor Gallery, London.

2001

Essor Gallery, London.

Fair Play, Danielle Arnaud Contemporary Art, London.

Entomology, Vandal Cover Up, London.

Tweener, Norwich Art Gallery, Norwich.

EV+A 2001. Expanded Limerick, City Gallery of Art, Limerick.

2002

Sans commune mesure. Image et texte dans l’art actuel, Musée d’Art Moderne Lille Métropole, Lille.

Fair Play. De nouvelles règles du jeu, Fondation d’Art Contemporain Daniel & Florence Guerlain, Paris.

Curio Hanbury Street, London.

Elsewhere, WBD, Berlin.

The John Kobal Photographic Portrait Award, National Portrait Gallery, London.

Fair Play, Angel Row Gallery, Nottingham.

2003

Veil. Veiling, Representation and Contemporary Art, New Art Gallery, Walsall; Bluecoat Arts Centre and Open Eye Gallery, Liverpool; Modern Art, Oxford; Kulturhuset, Stockholm.

The new Sheherazad, CCCB Centre de Cultura Contemporània de Barcelona, Barcelona; Muséum d’Histoire Naturelle, Lyon.

DisOrientation, Haus Der Kulturen Der Welt, Berlin.

And the One doesn’t stir without the Other, Ormeau Baths Gallery, Belfast.

Love Affairs, IFA-Galerie, Stuttgart.

Alethia. The Real of Concealment, Göteborgs Konstmuseum, Göteborg.

2004

Amman Meeting Points, Al Beit, Amman.

Shot by the Sea, The Ice House, Hastings.

Women by Women. Acht Fotografinnen aus der Arabischen Welt, Fotografie Forum International, Frankfurt am Main.

Stranger than Fiction. From the Arts Council Collection, City Art Gallery, Leeds; Tullie House Museum & Art Gallery, Carlisle; Aberystwyth Arts Centre, Aberystwyth; Usher Gallery Lincoln, Nottingham Castle; Brighton Museum and Art Gallery, Brighton.

Beyond East and West. Seven Transnational Artists, Krannert Art Museum, Champaign; Louisiana State University Museum of Art, Baton Rouge; Louisiana Hood Museum of Art, Dartmouth College, Hanover; Williams College Museum of Art, Williamstown.

2005

The World is a Stage. Stories behind Pictures, Mori Art Museum, Tokyo.

Ghada Amer

è nata nel 1963 a Il Cairo.

Vive e lavora a New York.

Personali

1990

Villa Arson, Nice.

1992

Hôpital Ephémère, Paris.

Projekt Raum, Zürich.

1993

Galerie Météo, Paris.

1994

Centre Jules Verne, Brétigny-sur-Orge.

Zoo Galerie, Nantes.

1996

Annina Nosei Gallery, New York.

Hanes Art Center, University of North Carolina, Chapel Hill.

1997

Météo-show, Galerie Météo, Paris.

Espace Karim Francis, Cairo.

1998

Annina Nosei Gallery, New York.

Espace Karim Francis, Cairo.

Galerie Karin Sachs, München.

1999

Centro Andaluz de Arte Contemporáneo, Sevilla.

Brownstone, Corréard & Cie, Paris.

2000

Anadil Gallery, Jerusalem.

Intimate Confessions, Deitch Projects, New York; Tel Aviv Museum of Art, Tel Aviv; Kunst-Werke, Berlin.

Institute of Visual Arts, Milwaukee.

Centre Culturel Contemporain, Tours.

2001

Encyclopedia of Pleasure, Deitch Projects, New York

Ghada Amer. Pleasure, Contemporary Arts Museum, Houston.

Reading Between the Threads, Henie Onstad Kunstcenter, Oslo; Kunst Palast, Düsseldorf; Bildmuseet, Umeå.

Rhona Hoffman Gallery, Chicago.

2002

Gagosian Gallery, London.

Works by Ghada Amer, San Francisco Art Institute, San Francisco.

De Appel Foundation, Amsterdam.

Museum Kunst Palace, Düsseldorf.

2003

Forefront 45. Ghada Amer, Indianapolis Museum of Art, Indianapolis.

Galleria Massimo Minini, Brescia.

Universal Strangers, Galeria Filomena Soares, Lisboa.

2004

The Reign of Terror, Davis Museum and Cultural Center, Wellesley College, Boston.

H&R Block Artspace at Kansas City Art Institute, Kansas City.

Gagosian Gallery, Beverly Hills.

Institut Valencià d’Art Modern, Valencia.

Collettive

1992

37ème Salon de Montrouge, Montrouge.

Montrouge à Montbéliard, Musée de Montbéliard, Montbéliard.

I love Paris, Hôpital Ephémère, Paris.

1993

June, Galerie Thaddaeus Ropac, Paris.

The Armoire Show, Hôtel Carlton Palace, Paris.

1994-1995

Bifurcations, Abbaye Saint-AndréCente d’art contemporain, Meymac; Musée de Beaux-Arts, Dôle; CAC Saint-Léger, Pougues-les-Eaux; Cimaise et Portique, Centre Départmental d’Art Contemporain, Albi.

Le duc..., Schloss Friedenstein, Gotha; Château de Villeneuve-Lembron, FRAC Auvergne.

The Mutated Painting, Galerie Martina Detterer, Frankfurt am Main.

Pittura/Immedia, Neue Galerie am Landesmuseum Joanneum, Graz.

Group International Show, Annina Nosei Gallery, New York.

Territoires occupés, FRAC Lorraine.

4th International Istanbul Biennial: Orient/ation, Istanbul.

...Wie gemalt, Kunstverein, Aachen.

Annina Nosei Gallery, New York.

1996

Le Bonheur Vivre..., Galerie Météo, Paris.

Container ’96, Copenaghen.

The Sense of Order, Moderna Galeria, Ljubljana.

Miniatures, Espace Karim Francis, Cairo.

Ceremonial, Apex Art Gallery, New York.

1997

Heurex le visionnaire..., Maison Levanneur Centre Nationale de l’estampe et de l’art imprimé, Chatou.

Sous le Manteau, Galerie Thaddaeus Ropac, Paris.

Vraiment. Féminisme et art, Le Magasin, Grenoble.

Alternating Currents, 2nd Johannesburg Biennale, Johannesburg.

Thread, Cristinerose Gallery, New York.

1997-1998

French Kiss, Contemporary Art Gallery, Vancouver.

1998

Loose Threads, Serpentine Gallery, London.

Echolot, Museum Fridericianum, Kassel.

L’envers du décor. Dimensiones décoratives dans l’art du XXème siècle, Musée d’art moderne Lille Métropole, Villeneuve-d’Ascq.

1999

Corps Social, École Nationale Supérieure des Beaux-Arts, Paris.

APERTO Over All, XLVIII Biennale di Venezia, Venezia.

2000

Greater New York. New Art in New York Now, PS 1, New York.

Friends & Neighbors, Limerick.

2000 Biennial Exhibition, Whitney Museum of American Art, New York.

Kwangju Biennale 2000, Kwangju.

Rooms & Secrets, Spazio Milano, Milano.

Partage D’exotisme.Biennale d’art Contemporain de Lyon, Lyon.

2001

Sous-Tirée X, École supérieure des Beaux-Arts, Tours.

ARS 01, Kiasma, Helsinki.

Uncommon Threads. Contemporary Artists Clothing, Cornell University, Ithaca.

The Short Century, Museum Village Stuck, München; Museum of Contemporary Art, Chicago; PS 1, New York.

Barcelona Art Report, Experiences, Barcelona.

Mediterranean: a new wall?, Culturgest, Lisboa.

Cleveland Center for Contemporary Art, Cleveland.

Art Through the Eye of the Needle, Henie Onstad Kunstcenter, Oslo.

2003

Harem Fantasies and the New Scheherazades, Centre de Cultura Contemporanea de Barcelona, Barcelona.

Aligned, Florence Lynch Gallery, New York.

Feminine Persuasion. Contemporary Women’s Sexualities, The School of Fine Arts Gallery-The Kinsey Institute of Research in Sex, Gender and Reproduction, Indiana University, Bloomington.

2004

Beyond East and West. Seven Transnational Artists, Williams College Museum of Art, Williamstown.

Looking Both Ways. Art of the Contemporary African Diaspora, Cranbrook Academy of Art, Detroit.

Freedom Salon, Imagine Festival of Arts, Issues & Ideas, Deitch Projects, New York.

Monument to Now, Deste Foundation, Athína.

Kunst Stoff, Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Wien.

Ghada Amer, Shirazeh Houshiary, Sue Williams, Kukje Gallery, Seoul.

Looking both Ways. Art for the Contemporary African Diaspora, Museum for African Art, New York.

Africa Remix. Zeitgenössische Kunsteines Kontinents, Museum Kunst Palast, Düsseldorf.

2005

Africa Remix. Contemporary Art of a Continent, Hayward Gallery, London.

Africa Remix. L’art contemporain d’un continent, Centre Georges Pompidou, Paris.

Works on Paper, Gagosian Gallery, Beverly Hills.

Confluence, Sun Valley Center for the Arts, Sun Valley.

LI Biennale di Venezia, Always a Little Further, Venezia.

TEXTures. Word and Symbol in Contemporary African Art, National Museum of African Art, Washington, DC.

Carlos Amorales

è nato a Città del Messico, nel 1970.

Vive e lavora tra Amsterdam e Città del Messico.

Personali e progetti

1997

Amorales Table dance, W139, Amsterdam.

Amorales in conversation with... Superbarrio, De Balie-W139-RABKRijksakademie van Beeldende Kunsten, Amsterdam.

1998

Amorales Interim, Galerie Micheline Szwajcer, Antwerpen.

1999

As Amorales, Galerie Fons Welters, Amsterdam.

Project room, Museo Carrillo Gil, Ciudad de Mexico.

Los Mutantes 1(con Joan Jonas), strade di Ciudad de Mexico e El Caracol.

Stoplight Pastimes, Marres Centrum, Maastricht.

2000

A World All Too Familiar (con Christine Hill), CCS Museum, Bard College, Annandale-on-Hudson.

Funny 13, Galerie Micheline Szwajcer, Antwerpen.

Los Mutantes 2 (con Michael Blum), strade di Ciudad de Mexico e El Caracol.

2001

Cuerpo sin alma, Galeria Nina Menocal, Ciudad de Mexico.

Cabaret Amorales, Migros Museum, Zürich.

Open, Serge Ziegler Galerie, Zürich.

2002

Fighting Evil (with style), USF Contemporary Art Museum, Tampa.

Solitario, Le Studio, Galerie Yvon Lambert, Paris.

Simpatia por el Diablo, ŠKUC, Ljubljana.

Sympathy, Serge Ziegler Galerie, Zürich.

2003

Devil Dance, Museum Boijmans van Beunigen, Rotterdam.

Stage for an Imaginary Friend, Galerie Yvon Lambert, Paris.

Turbulencias, Galeria Enrique Guerrero, Ciudad de Mexico.

Amorales vs Amorales, Challenge 2003, Tate & Egg Live, Tate Modern, London; SFMoMA, San Francisco; Hebbel Theatre, Berlin.

The bad sleep well, Galerie Yvon Lambert, New York.

FIND Festival International de Nouvelle Danse, Montréal.

2004

Musik Total III, De Appel, Amsterdam.

The Nightlife of a Shadow, Annet Gelink Gallery, Amsterdam.

Nuevos Ricos, Annet Gelink Gallery, Art Basel 35, Basel.

Origami Bomb, Annet Gelink Gallery,ARCO, Madrid.

Nuevos Ricos (con Julian Lede), Chiesa di San Matteo, Associazione Prometeo, Lucca.

2005

In Gold We Trust.Nuevos Ricos wintertour 2005, New York, Madrid, Barcelona, Genève, Ciudad de Mexico.

Why To Fear the Future, Casa De America, Madrid.

Nuevos Ricos, Annet Gelink Gallery & kurimanzutto, ARCO, Madrid.

Collettive

1997

Niet de kustvlaai, Westergas Fabriek, Amsterdam.

1998

Not strictly private, Shed im eisenwerk, Frauenfeld.

Faces and Names, Exedra, Hilversum.

1999

Peace, Migros Museum, Zürich.

2000

Makeshift, ArtPace, San Antonio.

Unlimited NL-3, De Appel, Amsterdam.

Territorios ausentes, Casa de America, Madrid.

Let’s Entertain, Walker Art Center, Minneapolis.

Ideas for Living, De Paviljoens, Almere.

Au dela du spectacle, Centre Georges Pompidou, Paris.

Insite 2000, San Diego; Tijuana.

2001

Kunst macht Spass, Wolfsburg Museum, Wolfsburg.

The Overexcited Body, Palazzo dell’Arengario, Milano.

Sesc Pompei, São Paulo.

We in FLAMES, Berlin Biennial 2, Berlin.

House of Games, Festival a/d Werf, Utrecht.

Sportcult, Apex Art, New York.

Tirana Biennial, National Gallery, Tirana.

2002

Living like a lover with a radar phone, Dublin.

Coartadas/ Alibis, Witte de Wit, Rotterdam.

Telepathic Journeys, MIT List Visual Arts Center, Cambridge, MA.

Mexico City. An Exhibition about the Exchange Rates of Bodies and Values, PS1, New York; Knustwerke, Berlin.