Monographs, Solo Exhibition Catalogues and Artist Books

MONA HATOUM

Bibliography

Monographs, solo exhibition catalogues and artist books

Block, Rene (ed.), Mona Hatoum (Museum Fridericianum, Kassel 1998)

Abad, Femaria (ed.), Mona Hatoum (Museo de Arte Contemporaneo, Oaxaca 2003)

Romain, Prof. Lothar and Dr Detlef Bluemler (eds.), Mona Hatoum (WB Verlag GmbH + Co KG, Munich 2000)

Jackson, Tessa (ed.), Mona Hatoum (Arnolfini, Bristol 1993)

Fajardo-Hill, Cecelia (ed.), Mona Hatoum (Caracas, Venezuela 2001)

Verzotti, Giorgio (ed.), Mona Hatoum (Castello de Rivoli Museo d’Arte Contemporanea 1999)

Bos, Saskia (ed.), Mona Hatoum (De Appel, Amsterdam 1997)

Massera, Jean-Charles, Mona Hatoum (British Council, London 2000)

Steward Heon, Laura (ed.), Mona Hatoum: Domestic Disturbance (Storey Publishing, Massachusetts 2001)

Pakesch, Peter (ed.), Kunsthalle Basel: Mona Hatoum (Schwabe & Co. AG, Basel 1998)

Mona Hatoum (Holzwarth Publications, Berlin; Kunstmuseum St. Gallen,Switzerland 2013); texts by Konrad Bitterli and Nadia Veronese)

Falguières, Patricia, Shift(Holzwarth Publications, 2012)

Trombadori, Cecilia (ed.), Tapis volants (Flying carpets) (les Abattoirs: FRAC Midi-Pyrénées and Académie de France à Rome – Villa Médicis, DRAGO, Italy 2012); texts by Philippe-Alain Michaud, Éric de Chassey, Olivier Michelon and Maximilien Durand

De Zegher, Catherine, Mona Hatoum: Projecció (Fundació Joan Miró 2012)

Buradas,Hala (ed.), Mona Hatoum: You Are Still Here (ARTER space for art, Instanbul 2012); texts by Emre Baykal, Kirsty Bell, Edward W. Said

Mona Hatoum (The Bellagio Center Creative Arts Fellowship, Rockefeller Foundation, Italy 2010); text by Catherine de Zegher

Mona Hatoum: Kathe-Kollowitz Preis 2010 (Akademie der Künste, Berlin 2010); texts by Ursula Panhans- Buhler and Anke Hervol

Bertola, Chiara (ed.), Mona Hatoum: Interior Landscape (Palazzo Querini Stampalia, Venezia 2009)
Mona Hatoum: Collected Works (Rennie Collection, Vancouver, Canada 2009); text by Catherine Grenier

Bohn, Henrik and Magne Dypedahl, Veien Til Interkulturell Kompetanse (Fagbokforlaget Vigmostad & Bjorke, Bergen and Oslo 2009)

al Issa, Nadia and Fahkri Saleh (eds.), Mona Hatoum (The Khalid Shoman Foundation, Darat al Funun, Jordan 2008); texts by Janine Antoni, Salwa Mikdad, Alix Ohlin and Edward W. Said

Bonora, Lola G, Undercurrents (Ferrara Palazzo Massari PAC, Italy 2008)

Mona Hatoum (Jay Jopling/White Cube, London 2006); text by Andrew Renton

Mona Hatoum (The Reed Institute, DBAReedCollege, Portland, Oregon 2005); text by Alix Ohlin

Mona Hatoum (Hamburger Kunsthalle, Hatje Cantz Publishers 2004); texts by Ursula Panhans-Buhler, Volker Adolphs, Nina Zimmer, Richard Julin and Elisabeth Millqvist, and Christoph Heinrich

Mona Hatoum (Museo de Arte Contemporáneo de Oaxaca, Mexico 2003); text by Jorge Contreras

Mona Hatoum(Laboratorio Arte Almeda, Mexico City 2002); texts by Francisco Reyes Palma and Maria Ines Garcia Canal

Mona Hatoum (Centro de Arte de Salamanca and Centro Galego de Arte Contemporanea, Santiago de Compostela 2002); texts Tamar Garb, Jo Glencross and Janine Antoni

Mona Hatoum(Sala Mendoza, Caracas, Venezuela 2001); text by Cecilia Fajardo-Hill

Domestic disturbance (Mass Moca, North Adams, Massachusetts and SITE Santa Fe, New Mexico 2001); text by Laura Steward Heon

Mona Hatoum (Le Creux de l'Enfer, Centre d'art contemporain, Thiers; Le Collège Éditions, Frac Champagne-Ardenne, Reims; and Museum van Hedendaagse Kunst Antwerpen, Belgium 2000 (text Jean-Charles Masséra)

Mona Hatoum: The Entire World as a Foreign Land (Tate Gallery, London 2000); texts by Edward Said and Sheena Wagstaff

Mona Hatoum (Castello di Rivoli, Museo d’Arte Contemporanea, Torino, Edizioni Charta, Milan 1999); text by Giorgio Verzotti

Mona Hatoum (Kunsthalle Basel, Switzerland 1998); texts by Madeleine Schuppli and Briony Fer

Mona Hatoum (Museum of Contemporary Art, Chicago 1997); texts by Jessica Morgan and Dan Cameron

Mona Hatoum (Phaidon Press, London 1997); texts Michael Archer, Guy Brett and Catherine de Zegher

Mona Hatoum (De Appel, Amsterdam 1996); text by Din Pieters

Current Disturbance (Capp Street Project, San Francisco 1996); text Mary Ceruti

Mona Hatoum: Quarters (Viafarini, Milan, 1996); text by Angela Vettese

Mona Hatoum (The British School at Rome 1995); text by Michael Archer

Mona Hatoum(Musée national d'art moderne, Centre Georges Pompidou, Paris, 1994); texts by Jacinto Lageira, Desa Philippi, Nadia Tazi and Christine van Assche

Mona Hatoum(Arnolfini, Bristol 1993); texts by Guy Brett and Desa Philippi

Dissected space (Chapter, Cardiff 1992); texts by Stuart Cameron and Guy Brett

General publications and group exhibition catalogues

Monteiro, Stephen, Screen Presence: Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon (Edinburgh University Press 2016)

Adamson, Glenn and Julia Bryan-Wilson, Art in the Making (Thames & Hudson, London 2016)

Borzello, Frances, Seeing Ourselves: Women’s Self-Portraits (Thames & Hudson, London 1998 and 2016)

Getlein, Mark, Living With Art: Eleventh Edition (McGraw-Hill Education, New York 2016)

Ribas, João (ed.) Under the Clouds: From Paranoia to the Digital Sublime (Serralves, Porto, Portugal 2015)

Ogor, Didier Gourvennec and Gregory Lang, Artists an Architecture: Variable Dimensions (Pavillon de l’Arsenal, Italy 2015)

Losing the Compass (White Cube, London 2015); text by Ulrich Lehmann

Grovier, Kelly, Art Since 1989 (Thames & Hudson, London 2015)

Rosen, Aaron, Art + Religion in the 21st Century (Thames & Hudson, London 2015), p. 142

Jennings, Gabrielle (ed.), Abstract Video: the moving image in contemporary art (University of California Press, California 2015), p. 61

Draguet, Michel (ed.), 2050. A Brief History of the Future (The Royal Museum of Fine Art of Belgium, Brussels 2015), p. 83

Pericles Trifonas, Peter (ed.), International Handbook of Semiotics Vol. 2 (Springer, New York 2015), p. 766

Fortenberry, Diane and Rebecca Morrill (eds.), Body of Art (Phaidon Press, London, 2015), p. 285

Braun, Reinhard, Sabine Flach, Philipp Kaiser, Alanna Lockward, Peter Pakesch, Karl Schlögel, Christian Schwägerl, Hannah Stippl and Thomas Weski, Landscape (Kunsthaus Graz, Austria 2015)P355

Racz, Imogen, Art and the Home: Comfort, Alienation and the Everyday (I.B. Tauris & Co, London 2015) Gaffney, Catherine (ed.), History Is Now: 7 Artists Take on Britain (Hayward Publishing, London, 2015); texts by Sheila Dillon, Adrian Forty, Daniel Fujiwara, Charlotte Higgins, Jackie Kay, David Alan Mellor, Cliff Lauson

Queensize: Female Artists from the Olbricht Collection (me Collectors Room Stiftung Olbricht, Berlin 2015); texts by Nicola Graef, Claudia Olbricht, Thomas Olbricht, Julia Rust

Archer, Michael, Art Since 1960 (Thames and Hudson, London 2015)

Brüderlin, Markus (ed.) Art and Textiles (Hatje Cantz, Berlin; Kunstmuseum Wolfsburg, Germany, Staatsgalerie Stuttgart 2014); texts by HartmutBöhme, Bazon Brock, Markus Brüderlin, Beverly Gordon, Ulrich Heinen, Jean-Hubert Martin, Emmanuel Petit, Uta Ruhkamp, Marie-Amélie Zu Salm-Salm, Birgit Schneider, Julia Wallner and Tristan Weddigen

Roosa, Wayne, ‘The Avant- Garde and Sacred Discontent: Contemporary Performance Artists Meet Ancient Jewish Prophets’, Image: Art, Faith Mystery, No. 83, 2014, pp. 23- 32

Král, Françoise, Social Invisibility and Diasporas in Anglophone Literature and Culture (Palgrave Macmillan, London 2014)
Poli, Francesco, Non ci capisco niente: Arte contemporanea istruzioni per l'uso (Mondadori Electa, Milan 2014)
Anishchenkova, Valerie, Autobiographical Identities in Contemporary Arab Culture (Edinburgh University Press Ltd 2014)
De Zegher, Catherine, An anthology: A woman’s work is never done (AsaMER, Geldmunt, Belgium 2014)
Ottinger, Didier (ed.), Le surréalisme et l’objet (Éditions du Centre Pompidou and les Éditions Gallimard, Paris, France 2014); texts by various authors

Goudeau, Jeroen, Mariëtte Verhoeven and Wouter Weijers (eds.), The Imagined and Real Jerusalem in Art and Architecture (Koninklijke Brill NV, Leiden, Netherlands 2014); texts by various authors

Beard, Lee and Rebecca Morrill (eds.), The Twenty-First Century Art Book (Phaidon, London 2014); texts by Jonathan Griffin, Paul Harper, David Trigg and Eliza Williams

Minissale, Gregory, The Psychology of Contemporary Art (Cambridge University Press, Cambridge, England 2013)

Hamilton, Rachael, Allison Macleod and Jenny Munro (eds.), Spaces of (Dis)location (Cambridge Scholars Publishing, Newcastle upon Tyne 2013); texts by various authors

E Horowitz, Deborah (ed), Damage Control: Art and Destruction Since 1950 (Hirshhorn Museum and Sculpture Garden, Washington and Del Monico Prestel, London 2013); texts by Kelly Brougher, Russel Ferguson and Dario Gamboni

Kittelmann, Udo and Knapstein, Gabriele (ed.), Wall Works: Working with the wall since the 1960s (Kerber Verlag, Berlin 2014)

Collecting Ideas: Modern & Contemporary Works (Denver Art Museum, USA 2013)

Taylor, Lisa K. and Zine, Jasmine, Muslim Women, Transnational Feminism and the Ethics of Pedagogy (Routledge, New York and London 2014)

Parvulescu, Anca, The Traffic in Women’s Work: East European Migration and the Making of Europe (The University of Chicago Press 2014)

Van de Sompel, Ronald, Art and Culture in Times of Conflict: Contemporary Reflections (Mousse Publishing, Museum Leuven, Belgium 2014)

Hicks, Alistair, The Global Art Compass: New Directions in 21st-century Art, (Thames and Hudson, London, 2014)

Titz, Susanne and Swapnaa Tamhane, In order to join: The Political in a Historical Moment, (Museum Abteiberg, Germany, 2014)

Shedden, Jim (ed.), Ago: Highlights from the Collection of the ArtGallery of Ontario, (ArtGallery of Ontario, 2013)

Glasstress: White Light/White Heat (La Biennale di Venezia, 2013)

Wombell, Paul (ed.), Drone: The Automated Image – Le Mois de la Photo à Montréal (Le Mois de la Photo à Montréal, Kerber, Berlin 2013)

Kalb, Peter R., Art Since 1980: Charting the Contemporary (Laurence King, London 2013)

Brüderlin, Markus (ed.), Arts & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present (Kunstmuseum Wolfsburg, 2013)

Apte, Savita (ed.) Terms & Conditions (Singapore Art Museum 2013)
Taylor, Meg (ed.) Safar/Voyage (Museum of Anthropology and Douglas & McIntyre, Vancouver 2013); text by Jill Baird, Fereshteh Daftari, Derek Gregory, Jayce Salloum, Anthony Shelton, Naghmeh Sohrabi

Ulrich Obrist, Hans (ed.), do it: the compendium, (Independent Curators International, New York/DAP, 2013)

Schneider, Claire, More Love: Art, Politics and Sharing since the 1990s (Ackland Art Museum, North Carolina 2013)

Cranford Collection: Out of the House (Fundación Banco Santander, Madrid 2013); texts by Anne Pontégnie, Mark Godfrey, Amanda Sarroff, Lisa Slominski and Alice Walters

Homelands: A 21st Century Story of Home, Away, and All the Places In Between (The British Council, India 2013); texts by Tariq Ali, John Berger, Judith Butler, Latika Gupta, Edward Said, Tsoltim N Shakabpa, Bhuchung D Sonam, Gayatri Chakravorty Spivak and Tenzin Tsundue

Un-Authored, Contemporary Art in the United Kingdom, (Black Dog Publishing Limited, London 2012)

Kvaran, Gunnar B, Ingrid Pettersen and Hanne Beate Ueland, To Be With Art Is All We Ask, (Astrup Fearnley Museet, Oslo, 2012), p.15

Albano, Caterina, Fear and Art in the Contemporary World (Reaktion Books, London 2012)

Bird, Michael, 100 Ideas that Changed Art (Laurence King, London 2012)

Evans, David (ed.), The Art of Walking: A Field Guide (Black Dog, London 2012)

Estrin, Barbara L., Shakespeare and Contemporary Fiction: Theorizing Foundling and Lyric Plots (University of Delaware Press, Plymouth 2012)

Beautes Interieures: L’Animal a Corps Ouvert (exh. Cat. Galerie Nationales du Grand Palais, Paris 2012); texts by Christophe Degueurce and Helene Delalex

Palmer, Kaathleen, Women War Artists (Tate Publising, London 2011)

Humpfer, Julia, Mit Haut und Haar: Allegorien vom Fressen und Gegressen-werden (Merz Akademie Hochschule fur Gestaltung, Stuttgart 2011)

El Arte del Comer: De la Naturaleza Muerta a Ferran Adria (Obra Social de Catalunya Caixa, Barcelona, 2011); texts by Cristina Gimenez, Elisabeth Hartung, Josep Maria Pinto and Mercedes Replinger

Mathur, Saloni (ed.), The Migrant Time: Rethinking Art History and Diaspora (Clark Studies in the Visual Arts, Sterling and Francine Clark Art Institute, Yale University Press, Massachusetts 2011); text by Edward W. Said

Goetz, Ingvild, Touw, Susanne and Urbaschek, Stephan, Ascheműnder: Sammulung Goetz im Haus der Kunst (Hatje Cantz, Munchen 2011)

Mosquera, Gerardo (ed.), Arte Contemporáneo y Patios de Quito: Contemporary Art and Patios of Quito (El Comercio, Quito, 2011); text by María Consuelo Tohme Mantilla, Guido Díaz Naarrete, Gerardo Mosquera, Alfonso Ortiz, Katya Cazar, Dayana Rivera, X. Andrade, Lenin Oña, Mónica Vorbeck, Lupe Álvarez, Cristóbal Zapata, Rodolfo Kronfle Chambers, Trinidad Pérez, Pilar Estrada Lecaro, Sonia Kraemer, Ana Rodríguez

Cotter, Suzanne, Gioni, Massimiliano, Curiger, Bice, Enwezor, Okwui, Butler, Connie, Nickas, Bob, Ulrich Obrist, Hans, Birnbaum, Daniel, Defining Contemporary Art – 25 years in 200 pivotal artworks (Phaidon, London and New York 2011)

Heroinas, (El Museo de arte Thyssen-Bornemisza, Madrid, Spain 2011); texts by Amelia Valcarcel, Carmen Gallardo, Guillermo Solana and Rocio de la Villa

Israel, Glenis, Artwise 2: visual arts 9-10; second edition (John Wiley & Sons Australia, 2011)

Petry, Michael, The Art of not Making: The New Artist / Artisan Relationship (Thames & Hudson, London 2011)

Finger, Brad and Christiane Weidemann, 50 Contemporary Artists You Should Know (Prestel Verlag, Munich, London, New York, 2011)

Goetz, Ingvild, Susanne Touw and Stephan Urbaschek (ed.), Aschemünder: Sammlung Goetz im Haus der Kunst (Hatje Cantz, Ostfildern, Germany 2011)

Winston, Helena and Stephen Hoban (eds.), The Luminous Interval: the D Daskalopoulos Collection (Guggenheim Museum Publications, New York 2011); texts by Simon Critchley & Jamieson Webster, Brian Sholis, Katherine Brinson & Susan Thompson; interview with Dimitris Daskalopoulos by Nancy Spector

Trodd, Tamara (ed.), Rethinking Art’s Histories: Screen/Space – The Projected Image in Comtemporary Art (Manchester University Press, Manchester and New York 2011); texts by Tamara Trodd, Noam M Elcott, Maxa Zoller, Kate Mondloch, Joanna Lowry, Maria Walsh, Amelia Jones, Andrew V Uroskie and Christine Ross

Still Moving (The Israel Museum, Jerusalem, 2010-2011) pp. 38-41

Earth: Art of the Changing World (Royal Academy of Arts, London, UK 2010)

Borchardt-Hume, Achim (ed.), Keeping it Real: From the Ready-made to the Everyday –the D Daskalopoulos Collection (Whitechapel Gallery, London 2010)

Engel Mogensen, Tine, Jens Erik Sorensen and Lise Mortensen, I Love You (Aarhus Kunstmuseum (ARoS), Denmark 2010)

Emmert, Claudia, Glück happens…,(Kehrer Verlag Heidleberg, Kunstapalais, 2010), pp.40-43

Getlein, Mark, Living with Art (McGraw-Hill, New York 2010)

Brugger, Ingried and Heike Eipeldauer, Augenschmaus: vom Essen im Stilleben (Prestel Verlag, Berlin 2010)

Eigner, Saeb, Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran (Merrell, London 2010)

Hendy-Ekers, Kathryn, Lou Chamberlin and Deryck Greenwood, Art-iculate: Art for VCE units 1-4 (Cambridge University Press, Australia 2010)

Creissels, Anne, Prêter son Corps au Mythe: Le Féminin et l’Art Contemporain (Editions du Félin, Paris 2009)

The Future Demands your Participation: Contemporary Art from the British Council Collection (British Council 2009); text by Simon Grant

Barock (Museo D’Arte Contemporanea DonnaRegina, Napoli 2009); texts by Eugenio Viola and Francesca Franco

Becker, Alexa and Keher Verlag (ed.), Ego Documents: The Autobiographical in Contemporary Art (Kunstmuseum Bern, Switzerland 2009)

Bonham-Carter, Charlotte and David Hodge, The Contemporary Art Book (Goodman, London 2009)

Holzwarth, Hans Werner (ed.), 100 Contemporary Artists (Taschen, Cologne 2009); texts by Cecillia Alemani, Jens Asthoff, Kirsty Bell, Andrew Bonacina, Stephane Correard, Yilmaz Dziewior, Suzanne Hudson, Eva Kernauer, Christy Lange, Holger Lund, Astrid Mania, Rodrigo Moura, Vivian Rehberg, Christiane Rekade, Jean-Michel Ribettes, Brian Scholis, Amy Smith-Stewart, Susanne Titz and Ossian Ward

Kim, Sunjung (ed.), Platform 2009 (samuso: space for contemporary art, Seoul 2009)

Creissels, Anne, Preter son Corps au Mythe; Le Feminine et l’Art Contemporain (Editions du Felin, Paris 2009)

Vilstrup Holm, Ditte, ‘Kustner-praesentationer’, For Ojeblikket 1: Samtidskunst til Billedkunst C (L&R Uddannelse,Copenhagen 2009), pp. 60-61

Key, Anthony and Cynthia Morrison-Bell, Pot luck (Art Circuit Touring Exhibitions, London 2009)

Buhler, Kathleen, Ego Documents (Kehrer Verlag, Germany 2008)

Bjerkhof, Sven (ed.), Reality Check (StatensMuseum for Kunst, Copenhagen 2008); texts by Anne Ring Petersen, Joachim Koester and Janna Lund

Moore, Lindsey, Arab, Muslim, Woman: Voice and Vision in Postcolonial Literature and Film (Routledge, London 2008)

Harris, Jonathan (ed.), Identity Theft: The Cultural Colonization of Contemporary Art (LiverpoolUniversity Press and Tate Liverpool 2008)

Stetter, Stephen, World Society and the Middle East: Reconstructions in Regional Politics (Palgrave Macmillan, Basingstoke, UK 2008)

Craig, Blanche (ed.), Contemporary Glass (Black Dog, London 2008)

Sugimara, Hiroya (ed.), Twelve Travels: British Art in Sensibility and Experience (Cogitio, Japan 2008)

Heartney, Eleanor, Art & Today (Phaidon Press, London and New York 2008)

Mercurio, Gianni, Demetrio Paparoni and Davide Rampello, Timer: Intimità/Intimacy (Skira, Milan 2007)

Merkert, Jörn, Ursula Prinz, Anne Haun, Christian Tagger, Mark GisbourneIlija Trojanow and Wladimer Kaminer, Neue Heimat (Kerber, Leipzig, Germany 2007)

Pécoil, Vincent and Olivier Vadrot, The Freak Show (Museum of Contemporary Art, Lyon 2007)

Bailer, Juli Cho, Mining Glass (Museum of Glass, Tacoma 2007)

Bertola, Chiara and Gianfranco Maraniello, On Mobility (Charta, Italy 2007)

Acton, Mary, Learning to Look at Modern Art (Routledge, London and New York 2007)

University of the Arts London conferments ceremony (University of the Arts, London, 2007)

Chadwick, Whitney, Women, Art, and Society (Thames & Hudson, London, 2007)

Israel, Glenis, Essential Art Victorian: Essential Learning Standards- levels 5 & 6 (John Wiley and Sons, Australia 2007)

Getlein, Mark, Living with Art (McGraw Hill, London 2007)

Merewether, Charles, 2006 Biennale of Sydney: Zones of Contact (ArtGallery of New South Wales and Biennale of Sydney 2006)

Fitzsimmons, Claire, Kit Hammonds, Margot Heller and Jens Hoffmann, Around the World in Eighty Days (The Institute of Contemporary Art and The South London Gallery 2006)

Contemporary Art under the Influence: Including Artists for Chianati ( ex.cat. Phillips de Pury & Company, New York 2006)

Robinson, Deborah and Ceri Lewis, New Art on View (Scala Publishers, Wolverhampton, UK 2006)

Leismann, Burkhard and Ralf Scherer, Diagnosis (Art): Contemporary Art Reflecting Medicine (Wienand, Berlin 2006)

Martinez, Rosa, Venedik – IstanbulVenice – Istanbul, Istanbul Foundation for Culture and Arts 2006)

Walwin, Jeni, Henry Krokatsis, James Flint, Janna Levin and Sally O’ Reilly, You’ll Never Know (Hayward Gallery, London 2006)

Loock, Ulrich, The 80s: A Topology (Museu Serralves, Porto 2006)

Oliveira, Filipa, (Re)Volver (Instituto das Artes, Lisbon 2006)

Rugoff, Ralph, Michael Archer, Marjorie Allthorpe-Guyton and Roger Malbert, How to improve the world: 60 years of British art (Hayward Gallery, London 2006)