Hamlet in Denmark: The Dane Abides
C. Fee
DIS
Spring 2015
Terms & Techniques
SCANSION
Thesyllable-by-syllableanalysisof verse,tohelpdiscernhow thepoetcreatesmeaning.
VERSEPROSE
1.Verse–writingthatconformstoapatternofstressed andunstressedsyllables
e.g.Whatfireisinmineeares?canthisbetrue?
StandIcondemn'dforprideandscorneso much? Contempt,farewell,andmaidenpride,adew,
No glorylivesbehindethebackeof such. And Benedicke,loveon,Iwillrequitethee, Tamingmywildehearttothylovinghand:
2. Prose– writingthatconformstono discernablepattern e.g.Thiscanbeno trick,the conferencewas sadly
born,theyhavethetruthofthisfromHero, theyseem topitytheLady:itseemsher affectionshavethefull bent:loveme? whyit mustberequited:
Forthepurposeof thisclass,wewillfocusourattentionon Versespeaking.Butknow, mostverseguidelinesmaybe appliedtoprosespeaking.Proseisanindicationthatthe charactermightbeoflower class.
IAMBICPENTAMETER
Shakespearewrote,ashisbasis for rhythm,tenbeatstotheverseline.
In sooth,/Iknow /notwhy/Iam/ so sad:
Itwear/iesme;/you say/itwear/iesyou;(Merchant)
Usuallytherearefivefeettoeachverseline.Eachfootusuallyhastwo syllableseach.
Butsoft, whatlightthroughyonderwindow breaks?(RJ) What passion weighstheseweightsupon mytongue? (AYLI) WhenIdo counttheclockthattellsthetime. (Sonnet12) When, in disgracewith Fortune and men’seyes,
I all alonebeweepmyoutcaststate,(Sonnet29)
OncemoreuntotheBreach,dearefriends,oncemore; Or closetheWallup withour Englishdead:
In Peace,there'snothingso becomesaman,
As modeststillnesse,andhumilitie:(H5)
Kind of feet…
1. Iamb:unstressed,stressed
2. Trochee:stressed,unstressed
3. Spondee:stressed,stressed
4. Pyrrhic:unstressed,unstressed
5. Anapest:unstressed,unstressed,stressed
6. Dactyl:stressed,unstressed,unstressed
7. Amphabrach:unstressed,stressed,unstressed
METRICALVARIATIONS:Shakespeareandhis contemporariesused iambic pentameterastheirnormativeverseform.Oneofthereasonstheydidso was so thattheycould varyit inordertopointup withinit certainwords,moments,sounds, feelings,thoughts.
1. Trochaicfeet(trochaicwords)and/orSpondees
e.g. / Wisdomandgoodnesstothevileseemvile;Filthssavourbutthemselves.Whathaveyou done? Tigers,notdaughters,whathaveyou perform’d? / (Lear)
Nowisthewinterof ourdiscontent
Madeglorioussummerbythissun of York. / (R3)
Flat treason‘gainstthe kinglystateofyouth. / (LLL)
2. FeminineEnding– extraunaccentedsyllableattheendofalineofverse e.g.Tobeor nottobe;thatisthequestion. (Hamlet)
Tomorrowandtomorrowandtomorrow(Macbeth) Iunderstandyou not:mygriefsaredouble. (LLL)
3. Alexandrine-(12 syllables)
e.g. / But you mustknow,yourfatherlostafather, Thatfatherlost,losthis,andthesurvivorbound Infilialobligation,for sometermTodo obsequioussorrow. / (Hamlet)
Thatyou mightknow it,would muchbetterpleaseme
Than to demand what‘tis.Yourbrothercannot live. / (Measure)
4. MissingFeet– usuallyindicatesapausebeforeor aftertheline– timefora thoughtor aphysicalstagedirection.
e.g. / Bringforththesemen.BusyandGreene,Iwillnotvexyour souls, / (R2)
O, vengence!
Why, whatan assamI? Thisismostbrave. / (Hamlet)
O!AndIforsooth inlove!
I, thathavebeenloveswhip; / (LLL)
5. Sharedlines – no pauses,spoken inrapidsuccession. e.g.King.Death.
Hubert.Mylord?
King.A grave.
Hubert.Heshallnotlive.
King.Enough.(KJ)
6. MonosyllabicWords,Phrases or Lines– usuallytellstheactortoslow down, becausetheideasor thoughtsyou areworkingthroughare important.
e.g.Tobeor nottobe,thatistheQuestion:
Mylovetotheeissounde,sans crackeor flaw.
ADDITIONAL TERMS & IDEAS…
1. Antithesis– Findingoppositesinthetextwillhelp you findmeaning.Play theseup so theaudiencewillunderstandtheproblemyourcharacterisdealing with.Peopleuseoppositestoindicatereason(firetowater,lifetodeath,heaven to hell, etc…)
e.g.Thisspiritdumbtous, willspeaktohim
NowistheWinterof ourDiscontent,
MadegloriousSummerbythisSon ofYorke:
2. Rhymes- allowthecharactertoenjoyhisor herown cleverness,andusually indicatetheendofaspeech.Avoid downwardinflections.
3. Smallwords – (and, yet,but,or, therefore)alwaysindicatea changeof thought.
4. DoubleEntendreBanter– Thedirtybits. And thelightplayfuljoking.Whichsometimeshavedeepsub-text.Enjoy.
Petruc.Whoknows notwherea Waspedoeswearehissting? In histaile.
Kate.In histongue?
Petruc.Whosetongue.
Kate.Yours ifyou talkoftales, andso farewell.
Petruc.Whatwithmytongueinyourtaile?