- Medieval Period (A.D. 500 – A.D. 1400)
- Romanesque Sub-period (A.D. 500 – A.D. 1100)
- Miscellaneous Info
- Romanesque means that much of the artistic style will be similar to that of the Romans.
- Period also known as the “Dark Ages”
- Time when we will have culture, but for the most part, most people will encounter it through a purely physical means
- Most of Europe is illiterate (can’t read)
- Latin – Primary language of culture (i.e. church, scholars, business, etc.)
- Feudalism
- System of government
- Basis for Monarchy
- Broken down into four (4) casts
- Lords
- Church
- Serfs
- Slaves
- The Lords owned the land and were in charge of getting serfs or slaves to come and work the land.
- The church is who gave the land away. Would also receive tithe from each lord, thereby continuing to grow in monetary strength and political influence
- Serfs and slaves would work the land and get a small share of the crops for their families and the work
- Labor Unions
- The guild system
- Middle Class
- Developed from the merchants
- Universities
- Higher institutions of learning
- Usually started as religious institutions.
- Church
- Changes focus from the Greeks and the Romans
- We are not going to focus on material or worldly things as the Greek and Roman gods lead us to focus on.
- Now salvations, sacrifice, resurrection will become important concepts
- Greek culture is generally condemned on the idea that it was a Pagan culture
- Works of Plato and Aristotle were banned until interpreted by St. Thomas Aquinas (which afterward, his was the interpretation to use)
- Only one church at the time
- Roman Catholic Church
- Consists of Hierarchy
- Several Levels
- Pope, Cardinals, Archbishop, Monseniur, Priest, Monk/Nun, Laity
- Monastic Movement
- Growing out of the desire of people to escape the temptations of the flesh
- Would be a place where an individual would go to work and pray
- Took vows of poverty, chasity, obedience, and industry
- Church is the sole supporter of the arts
- Second Council of Nicaea (A.D. 787)
- Rules for what and how a piece of art would come to be.
- The substance of religious scenes is not left to the initiative of the artists; it derives from the principles laid down by the Catholic Church and religious tradition…His [sic] art alone belongs to the painter, its organization and arrangement belong to the clergy.
- Rules to live by as an artist
- Jesus on the cross had to be shown with his mother on the right and St. John on the left
- The soldier always pierced the left side
- Jesus’ halo had a cross to represent divinity, all the saints simply had the halo to represent holiness
- Only God, Jesus, the Angels and the Apostles could be shown with bare feet. Everyone else would be heresy
- St. Peter was given a short beard, St. Paul was bald with a long beard.
- Idea was to create uniformity so that the teachings of the church would be taught the same no matter where (reminder, very few people can read, so art was a way of passing on the teachings of the church).
- Art
- Church is the sole supporter of the arts.
- Architecture
- Religious (Churches, abbeys, etc.)
- Usually built focusing on the religious needs of the church
- Usually in the form of a Latin Cross (symbol of salvation)
- Chancel – separated the clergy from the congregation
- Faced East (toward the Holy Land)
- Three used to represent the Holy Trinity (triple arches, triple portals, etc.)
- Chapels
- Built along the apse of the church
- Would accommodate relics and multiple priests at one time
- Arches typically capable of bearing great weight
- Few windows (especially not stained glass)
- Designed to provide shelter from the outside world.
- Secular (Castles, fortresses, etc.)
- Similar to the religious structures
- Focused on protection of entire towns
- Helped focus the strength of a lord.
- Sculpture
- Functional, instructional
- Pope Gregory (lived c. A.D. 600)
- Painting and sculpture were supposed to teach: “what the literate learn by reading, the uneducated learn by looking at pictures
- Subordinate to the architecture
- Distorted forms
- Denied the importance of this life, so realism not needed
- Collaboration between architect and sculptor
- Usually formed part of the architectural plan
- Would many times be the supports of the arches and columns
- Painting
- Also purely functional, not for artistic flourish
- Usually painted on wood
- Crucifixion was a popular subject because of its focus on salvation
- Music
- General Details
- Based on the liturgy for text and purpose
- Simple
- Instruments initially banned because they seemed too secular (non-religious)
- Vocal sound the most important
- Influences from several different cultures
- Hymn tune from the Byzantines
- Melodies from the Jewish and Near Eastern Chants
- Theory from the Greeks (modes)
- Chant
- Gregorian Chant
- Named after Pope Gregory (A.D. 540-604)
- Based off of the chants used initially in Rome (center of the Church)
- Gathered the various chants and put them out for uniformity
- Became the standard for the whole church
- All share four (4) characteristics
- Based on church modes
- Rhythms were from Latin text
- Monophonic
- Composers unknown
- Eleven (11) Pieces used and divided into two sections
- Ordinary (same text for every service)
- Kyrie (Lord Have Mercy)
- Gloria (Glory to God)
- Credo (Creed)
- Sanctus (Holy, Holy, Holy)
- Agnus Dei (Lamb of God)
- Ite missa est (The Mass is ended)
- Proper (changed according to the needs of the service)
- Introit (Entrance Hymn)
- Gradual (Psalm)
- Alleluia (Gospel)
- Offertory (bringing up the bread and wine)
- Communion
- Theatre
- Morality Plays
- Focused on trying to convey what humanity should be striving for
- Usually contained themes like
- Live for tomorrow
- A man may gain a world of riches, but they are as nothing if he suffers the loss of his soul.
- No human being can escape final judgement
- Fun tales
- Focused on normal life and the poor overcoming their situations
- Gothic Sub-period (A.D. 1100 – A.D. 1400)
- Religious Changes
- Still a strong focus on Salvation.
- Scholasticism
- Organized theology
- Begins to explain dogma through logic and reason
- Result of universities (from monastic schools)
- Two categories of study
- Quadrivium (Mathematics)
- Artithemetic
- Geometry
- Astronomy
- Music
- Trivium
- Rhetoric
- Grammar
- Logic
- The Great Schism
- Three popes at the same time
- Urban VI Clement VII
- Council of Constance (A.D. 1414)
- Deposed John XXIII
- Accepted abdication of Gregory XII
- Dismissed Benedict XIII
- Accepted Martin V
- Crusades
- *VIDEO* Moments in Time – Curse of the Rat – Full
- Art
- Architecture
- Gothic cathedral
- France
- Term Gothic refers to the Goths (French)
- Considered vulgar (i.e. over the top, excessive, distasteful)
- Primarily in France, Germany and England
- Pointed Arch
- Could vault large spaces and extreme heights
- Created a problem with the weight of the arch on the walls
- Flying Buttress
- Half arches
- Supporting walls
- Built to the exterior of the wall
- Theoretically, a building would collapse if one of the supports failed or was taken off
- Light
- Abbot Suger
- Believed in large windows begin to be created to bring in natural light (reflection of Gods love)
- Influenced heavily French architecture
- Stained Glass
- Developed from Mosaics
- Formed from bits of colored glass
- No depth and often out of proportion and distorted
- Usually documented those who donated
- Sculpture
- Basically the same as the Romanesque
- Still elongated to create the effect of lightness in form
- Painting
- Still a minor art form except in illuminating manuscripts
- Fresco
- Technique of painting on wet or fresh plaster
- Has to be done immediately
- Tends to crack and absorb moisture
- Music
- Mathematical in its approach
- Harmony
- The simultaneous sounding of tones of different pitches (i.e. several different notes played or sung at the same time)
- Polyphony
- Two or more independent, simultaneous lines
- Homophony
- Melody with chordal accompaniment
- Cantus Firmus (basic chant)
- Secular
- France
- Troubadours (Southern)
- Trouvères (Northern)
- Germany
- Minnesingers (wealthy and aristocrats)
- Meistersingers (common people)
- England
- Scops & Gleemen (common people)
- Monody – one single melodic line
- Theatre
- Five M’s
- Mummings – Christian and pagan combination (usually yearly deals)
- Mysteries (cycle) – biblical plays (summer play)
- Miracle plays – about the lives of saints
- Morality plays – instructing man what he should do
- Manners plays – social commentary (usually show people acting socially inappropriately)
Unit 2: Notes – Medieval PeriodFine Arts SurveyPage 1 of 5