HS Prof. Borgmeier “The Strange Worlds of Shakespeare's Wooden O” WS 2007/08
Henry V, As You Like It, King Lear, The Tempest
Bibliography
Please note: If in the following bibliography there is no explicit mentioning of where an article or a certain book is located, they are available in the university or departmental library and can be found in the OPAC. The Folder is in Room 339.
1Bibliographies and Encyclopaedias......
2Journals and Yearbooks......
3General Works on Shakespeare and the Elizabethan (St)Age......
4General Works on Shakespeare's Histories......
5General Works on Shakespeare's Tragedies......
6Henry V......
7As You Like It
8King Lear
9The Tempest
1Bibliographies and Encyclopaedias
Berman, Ronald (1969):A Reader's Guide to Shakespeare's Plays: A Discoursive Bibliography. Chicago: Scott, Forseman & Co. KS 742
Campbell, Ascar James (ed.) (1974):A Shakespeare Encyclopaedia(Nachdruck). London: Methuen. KS 875
Crystal, David; Crystal, Ben (eds.) (2002):Shakespeare's Words. A Glossary and Language Companion.London: Penguin. KS 810
Dobson, Michael (ed.) (2005):The Oxford Companion to Shakespeare. Oxford: Oxford UP.
FH ang Cs 2.34
Grazia, Margreta de (ed.) (2002):The Cambridge Companion to Shakespeare.Cambridge: Cambridge UP. KS DEG
Hodgdon, Barbara; Worthen, W. B. (eds.) (2005):A Companion to Shakespeare and Performance.Malden: Blackwell. KS 823
Kullmann, Thomas (2005):William Shakespeare: eine Einführung. Berlin: Schmidt.
UB: FH ang Cs 2.33
Spevack, Marvin (1968):A Complete and Systematic Concordance to the Works of William Shakespeare. Hildesheim: Georg Olms. ang Cs 1/1
Wells, Stanley (ed.) (1990): Shakespeare: A Bibliographical Guide. Oxford: Clarendon P.
KS 745
Wells, Stanley (ed.) (2002):The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge UP. KS WEL 6
Wells, Stanley (ed.) (2003):Shakespeare: An Oxford Guide. Oxford: Oxford UP. KS 830/2
2Journals and Yearbooks
Borrowers and Lenders: The Journal of Shakespeare and Appropriation.Athens: U of Georgia. Online access via:
Shakespeare Bulletin. Easton, PA: LafayetteCollege.
Shakespeare Quarterly. Ed. Shakespeare Association of America, Folger Shakespeare Library New York. Z 103
ShakespeareStudies. An Annual Gathering of Research, Criticism, and Reviews.Ed. J. Leeds Barroll, Cincinatti. Z 105
Shakespeare Survey. An Annual Survey of Shakespeare Studies and Production. Cambridge.
Z 102
Shakespeare-Jahrbuch West. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft West.
Z 101
Shakespeare-Jahrbuch. Published by the Deutsche Shakespeare-Gesellschaft Weimar. Z 100
3General Works on Shakespeare and the Elizabethan (St)Age
Alvis, John (ed.) (1981):Shakespeare as Political Thinker. Durham, NC: Carolina Acad. P.
KS Alv
Aronson, Alex (1972): Psyche and Symbol in Shakespeare. Bloomington, London: Indiana UP. KS Aro
Brennan, Anthony (1986):Shakespeare's Dramatic Structures. London, Boston, Henley: Routledge & Kegan Paul. KS Bre
Chapman, Gerald W. (ed.) (1965):Essays on Shakespeare. Princeton: Princeton UP.
KS Cha II
Clemen, Wolfgang (1977):The Development of Shakespeare's Imagery. London: Methuen. KS Cle
Dale, Vera K. G. (2003): Shakespeare and the Age That Made Him.Stuttgart: Klett. E UF 2003/4
Elizabethan Theatre. (Stratford-Upon-Avon-Studies 9). London: Arnold, 1966. Z 106
Evans, Malcom (1986):Signifying Nothing: Truth's Time. Contents in Shakespeare's Text. Brighton, Sussex: Harvester Press. KS Eva VI
Garber, Marjorie B. (1987):Shakespeare's Ghost Writers: Literature as Uncanny Casuality. New York: Methuen. KS Gar 3
Greenblatt, Stephen (1990):Verhandlungen mit Shakespeare. Berlin: Wagenbach. ang Cs 2/21
Gurr, Andrew (1989): "The State of Shakepeare's Audiences." Shakespeare and the Sense of Performance. Eds. Marvin and Ruth Thompson Newark, London: University of Delaware Press. 162-179. folder
Harris, Laurie Lanzen and Mark W. Scott (eds.) (1986): Shakespearean Criticism. Detroit: Gale Research Company. KS 883
Holland, Peter (ed.) (2001):Shakespeare and Religions.Cambridge: Cambridge UP. Z 102/54
Laroque, François (1994):Shakespeare: Abenteuer Geschichte. Wiss. Bearb. Raimund Borgmeier. Ravensburg: Maier. KS Lar
Matthews, Honor (1969):Character and Symbol in Shakespeare's Plays. A Study in Certain Christian and Prechristian Elements in Their Structure and Imagery. London: Chatto & Windus. KS Mat
Naumann, Walter (1978):Die Dramen Shakespeare's Darmstadt: Wiss. Buchgesellschaft. KS Nau
Orgel, Stephen (2002): The Authentiv Shakespeare and Other Problems of the Early Modern Stage.New York: Routledge. KS ORG
Paster, Gail Kern (2004):Humoring the Body: Emotions and the Shakespearean Stage.Chicago: University of Chicago Press. Sted BM
Rutter, Carol Chillington (2001): Enter the Body: Women and Representation on Shakespeare's Stage.London: Routledge. KS RUT 1
Ryan, Kiernan (2002): Shakespeare. 3rd ed. Basingstoke: Palgrave. KS RYA
Schabert, Ina (1972): Shakespeare Handbuch. Stuttgart: Kröner. KS 805&865
Suerbaum, Ulrich (1985):Shakespeares Dramen. Düsseldorf: Bagel.KS Sue
Suerbaum, Ulrich (1989):Das elisabethanische Zeitalter. Stuttgart: Reclam. F KA 1157
Tillyard, E. M. W. (1943): The Elizabethan World Picture. London: Chatto & Windus.
F KA 621
Wells, Stanley (ed.) (1987):The Cambridge Companion to Shakespeare Studies. Cambridge: Cambridge UP. KS Wel 3
4General Works on Shakespeare's Histories
Campbell, Lily Bess (1977): Shakespeare's Histories : Mirrors of Elizabethan Policy. London: Methuen. KS CAM 3
Geisen, Herbert. (1974): Die Dimension des Metaphysischen in Shakespeares Historien. Frankfurt am Main : Akad. Verl.-Ges. KS GEI
Hattaway, Michael (ed.) (2004):The Cambridge Companion to Shakespeare's History Plays.Cambridge: Cambridge UP. KS HAT 2004/1
Holderness, Graham (ed.) (1992): Shakespeare's History Plays: Richard II to Henry V. Basingstoke [u.a.] : Macmillan. KS 1012/4
Iser, Wolfgang (1988): Shakespeares Historien : Genesis u. Geltung. Konstanz : Univ.-Verl. Konstanz. KS ISE
Jardine, Lisa (1996):Reading Shakespeare Historically.London [u.a.] : Routledge.
KS JAR II (*F BL-N 1243+)
Joseph, Bertram Leon (1971): Shakespeare's Eden : the Commonwealth of England 1558-1629.London : Blandford Press. KS JOS II
Krippendorff, Ekkehart (1992): Politik in Shakespeares Dramen : Historien, Römerdramen, Tragödien.1. Aufl. Frankfurt am Main : Suhrkamp. (UB) FH ang Cs 1.34.
Leggatt, Alexander (1994): Shakespeare's Political Drama : The History Plays and the Roman Plays. Repr.. - London [u.a.] : Routledge. KS LEG 3, 2. Ex.
Manheim, Michael (1973): The Weak King Dilemma in the Shakespearean History Play. Syracuse, NY : SyracuseUniv. Press. KS MAN
Moseley, Charles W. R. D. (1988): Shakespeare's History Plays : Richard II to Henry V ; The Making of a King. London [u.a.] : Penguin Books. (UB) FH ang Cs 1.26
Ornstein, Robert (1972): A Kingdom for a Stage : The Achievement of Shakespeare's History Plays. Cambridge, Mass.: HarvardUniv. Press. KS ORN 2
Pearlman, Elihu H. (1992): William Shakespeare: The History Plays.New York [u.a.]: Twayne Publ. KS PEA
Pierce, Robert B. (1971): Shakespeare's History Plays : The Family and the State. Columbus: Ohio State Univ. Press. KS PIE
Schoenfeld, Kerstin (1996): Königtum im Blickpunkt : der multiperspektivische Ansatz in Shakespeares Historienspielen Richard II und Henry IV. Frankfurt am Main [u.a.] : Lang. (UB) FH ang Cs 3.26
Velz, John W. (ed.) (1996):Shakespeare's English Histories : A Quest for Form and Genre.Binghamton, NY : Medieval & Renaissance Texts & Studies. KS VEL II
Watson, Donald G. (1990): Shakespeare's Early History Plays : Politics at Play on the Elizabethan Stage. London [u.a.] : MacMillan. KS WAT IV
Wilders, John (1978): The Lost Garden : A View of Shakespeare's English and Roman History Plays.London : Macmillan. KS WIL V, 1.u.2.Ex.
5General Works on Shakespeare's Tragedies
Battenhouse, Roy W. (1969): Shakespearean Tragedy: Its Art and its Christian Premises. Bloomington: Indiana UP. KS Bat
Charlton, H. B. (1961): Shakespearean Tragedy. Cambridge: Cambridge UP. KS Cha III 3
Frye, Northrop. (1967):Fools of Time: Study in Shakespearean Tragedy. Ontario: University of Ontario Press. KS Fry II
Harbage, Alfred (ed.) (1964):Shakespeare: The Tragedies. A Collection of Critical Essays. Eaglewood Cliffs, NJ: Prentice Hall. KS Har 3
Harrison, G. B. (1961): Shakespeare's Tragedies. London: Routledge & Paul.KS Har III 2
Jorgensen, Paul A. (1985):William Shakespeare: The Tragedies. Boston: Twayne.
KS Jor 4
Leech, Clifford (ed.) (1965):Shakespeare: The Tragedies. A Collection of Critical Essays. Chicago: University of Chicago Press. KS Lee II 2
Lerner, Laurence (1968):Shakespeare's Tragedies: An Anthology of Modern Criticism. Harmondsworth: Penguin. KS Ler
McDonald, Russ (ed.) (1994): Shakespeare Reread: The Texts in New Contexts. Ithaca: Cornell UP ordered
McEachern, Claire (ed.) (2002): The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge UP. KS MCE
Marsh, Derick, R. C. (1976): Passion Lends Them Power: A Study of Shakespeare's Love Tragedies. Manchester: Manchester UP. KS Mar IV
Mehl, Dieter. (1986): Shakespeare's Tragedies: An Introduction. Cambridge: Cambridge UP.
KS Meh
Mucciolo, John M., Steven J. Doloff, Edward A. Rauchut, and Angus Fletcher (eds.) (1996): Shakespeare's Universe: Renaissance Ideas and Conventions. Hants: Scolar.
Ramm, Dieter (1974): Die Phasenstruktur der Shakespeareschen Tragödien. Frankfurt: Akad. Verlagsgesellschaft. KS Ram
Reynolds, Peter (1991): "Unlocking the Box: Shakespeare on Film and Video." Shakespeare in the Changing Curriculum. Eds. Lesley Aers and Nigel Wheale. London and New York: Routledge. 189-203. folder
Ribner, Irving (1963):Patterns in Shakespearean Tragedy. Toronto: Universityof Toronto Press. KS Will II
Sternberg, Doug (1994): "Tom's a-cold: Transformation and Redemption in King Lear and the Fisher King." Literature-Film Quarterly 22. 3. 160-169. folder
Susan Zimmerman (ed.) (1998):Shakespeare's Tragedies. New York: St Martin's.
6Henry V
Aaron, Melissa D. (2000): "The Globe and Henry V as Business Document." SEL: Studies in English Literature, 1500-1900 (SEL) 40. 2. 277-292. ordered
Baldo, Jonathan (1996): "Wars of Memory in Henry V." Shakespeare Quarterly (SQ) 47. 2. 132-159. ordered
Banerjee, Rita (2006): “The Common Good and the Necessity of War: Emergent Republican Ideals in Shakespeare’s Henry V and Coriolanus.” Comparative Drama. 40.1. 29-49. FH lit Z
Berger, Harry Jr. (2003): “Harrying the Stage: Henry V in the Tetralogical Echo Chamber.” Graham Bradshaw et. al. (eds.): Where Are We Now in Shakespearean Studies? III. Aldershot: Ashgate. 131-155. folder
Bohrer, Karl Heinz (2004): “Kriegsgewinnler Literatur: Homer, Shakespeare, Kleist.” Merkur: Deutsche Zeitschrift für Europäisches Denken. 58. 1 [657]. 1-16. FH all Z
Calderwood, James L. (1979):Metadrama in Shakespeare's Henriad : Richard II to Henry V.Berkeley [a.o.] : Univ. of California Press. KS CAL 2
Clegg, Cyndia Susan (2003): “Feared and Loved: Henry V and Machiavelli’s Use of History.” Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James and Charles. 10. 179-207. folder
Crunelle Vanrigh, Anny (2007): “Henry V as a Royal Entry.” SEL: Studies in English Literature, 1500-1900. 47.2.355-377. Access online via < (21.11.2007)
Davies, Michael (2005): “Falstaff’s Lateness: Calvinism and the Protestant Hero in Henry IV.” Review of English Studies: The Leading Journal of English Literature and the English Language. 56. 225. 351-378. Access online via < (21.11.2007)
Dawson, Anthony B. (1999): "The Arithmetic of Memory: Shakespeare's Theatre and the National Past." Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production (ShS) 52. 54-67. Z102
Deats, Sara Munson (2004): “Henry V at War: Christian King or Model Machiavel.” Sara Munson Deats, Lagretta Tallent Lenker and Merry G. Perry (eds.): War and Words: Horror and Heroism in the Literature of Warfare. Lanham: Lexington. 83-101. folder
Dente-Baschiera, Carla (1995): "The Spaces of History: Henry V." Merope 7. 15. 5-18. ordered
Gurr, Andrew (2005): “The Transforming of Henry V.” Graham Bradshaw et. al. (eds.): The Shakespearean International Yearbook, Volume 5: Special Section Shakespeare and the Bonds of Service. Aldershot: Ashgate. 303-313. folder
Gurr, Andrew (ed.) (2005): King Henry V. Cambridge: CambridgeUniversity Press. ordered
Han, Yongjae (2004): “Henry’s Justifications of War: Violence and Nation in Henry V.” Journal of Classic and English Renaissance Literature. 13. 1. 25-51. folder (ordered)
Hand, Richard J. (2004): “Shakespeare, Soccer, and Spin-Doctors: Staging a Contemporary Henry V; Henry V at Chapter Arts Centre, Cardiff, Wales, UK, November 2002.” College Literature. 31. 4. 60-71. Access online via < (21.11.2007)
Hapgood, Robert (2004): “Shakespeare’s Thematic Modes of Speech: Richard II to Henry V.”Catherine M. S. Alexander (ed.): Shakespeare and Language. Cambridge: CambridgeUniversity Press. 139-150. folder (ordered)
Harmon, A.G. (2005): “Shakespeare’s Carved Saints.” SEL: Studies in English Literature, 1500-1900. 45. 2. 315-331. Access online via < (21.11.2007)
Hedrick, Donald (2003): “Advantage, Affect, History, Henry V.” PMLA: Publications of the Modern Language Association of America. 118. 3. 470-487. Access online via < (21.11.2007)
Hedrick, Donald K. (2003): “War Is Mud: Branagh’s Dirty Harry V and the Types of Political Ambiguity.” Richard Burt and Lynda E. Boose (eds.): Shakespeare, the Movie II: Popularizing the Plays on Film, TV, Video, and DVD. London: Routledge. 213-230. folder
Hoenselaars, Ton (2003): “‘Out-Ranting the Enemy Leader’: Henry V and/as World War II Propaganda.” Theo D’haen et. al. (eds.): Configuring Romanticism. New York: Rodopi. 215-234. folder
Hoenselaars, Ton (2005): “Shooting the Hero: The Cinematic Career of Henry V from Laurence Olivier to Philip Purser.” Sonia Massai (ed.): World-wide Shakespeares: Local Appropriations in Film and Performance. London: Routledge. 80-87. folder
Hopkins, Lisa (1999): "The Iliad and the Henriad: Epics and Brothers." Classical and Modern Literature: A Quarterly (CML) 19.2. 149-171. folder
Jensen, Pamela K: "The Famous Victories of William Shakespeare: The Life of Henry the Fifth." ordered
Joseph M. Knippenberg and Peter Augustine Lawler (eds.) (1996):Poets, Princes, and Private Citizens: Literary Alternatives to Postmodern Politics. Lanham, MD : Rowman & Littlefield. 235-269. ordered
Kilpatrick, Jacquelyn (1998): "Kenneth Branagh's Henry V." Creative Screenwriting (CrSc) 5.2. 24-29. ordered
Lane, Robert (1994): "'When Blood Is Their Argument': Class, Character, and Historymaking in Shakespeare's and Branagh's Henry V." ELH (ELH) 61.1. 27-52. ordered
Leahy, William (2003): “‘Thy Hunger-Starved Men’: Shakespeare’s Henry Plays and the Contemporary Lot of the Common Soldier.” Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies. 20. 2. 119-134. folder
Loehlin, James N. (1999): "On Your Imaginary Forces Work: Shakespeare in Practice." Milla Cozart Riggio and Michael Kahn (eds.). Teaching Shakespeare through Performance.New York: Modern Language Association of America. 286-294. ordered
McAlindon, Tom (2003): “Natural Closure in Henry V.” Graham Bradshaw et. al. (eds.): Where Are We Now in Shakespearean Studies? III. Aldershot: Ashgate. 156-171. folder
McInelly, Brett C. (2004): “Shakespeare Teaches Writing: Persuasive Speeches in Henry V.” Patricia M. Gantt and Lynn Langer Meeks (eds.): Teaching Ideas for 7-12 English Language Arts: What Really Works. Norwood: Christopher-Gordon. 83-94. folder (ordered)
Mebane, John S. (2007): “‘Impious War’: Religion and the Ideology of Warfare in Henry V.” Studies in Philology. 104.2. 250-266. Access online via < (21.11.2007)
Mittelbach, Jens (1999):"Die Figur des Königs in Shakespeares Henry V: Der Mensch als Herrscher und der Herrscher als Mensch." Baumann, Uwe (ed.). Basileus und Tyrann: Herrscherbilder und Bilder von Herrschaft in der Englischen Renaissance. Frankfurt, Germany : Peter Lang. 329-346. folder
Plaw, Avery (2005): “Prince Harry: Shakespeare’s Critique of Machiavelli.” Interpretation: A Journal of Political Philosophy. 33. 1. 19-43. folder
Rackin, Phyllis (2003): “English History Plays.” Stanley Wells and Lena Cowlin Orlin (eds.): An Oxford Guide to Shakespeare. Oxford: OxfordUniversity Press. 193-211. KS 830/2
Reynolds, Peter. "Shakespeare and Image Theater: Henry V." ordered
Ross, A. Elizabeth (1996): "Hand Me Down Heroics: Shakespeare's Retrospective of Popular Elizabethan Heroical Drama in Henry V." John W. Velz (ed.). Shakespeare's English Histories: A Quest for Form and Genre. Binghamton, NY : Medieval & Renaissance Texts & Studies. 171-203. ordered
Scott-Kilvert, Ian (1975):Shakespeare: Henry V. London : British Council. KS SCO
Shaughnessy, Robert (1998): "The Last Post: Henry V, War Culture and the Postmodern Shakespeare." Theatre Survey: The Journal of the American Society for Theatre Research (ThS) 39.1. 41-61. ordered
Tracy, Thomas (2004): “Order, Authority, Shakespearean History, and Jonsonian Comedy.” Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James and Charles. 11. 103-119. folder
van Oort, Richard (2006): “Shakespeare and the Idea of the Modern.” New Literary History: A Journal of Theory and Interpretation.” 37.2. 319-339. Access online via < (21.11.2007)
Walch, Günter (2004): “Henry V as Working-House of Ideology.”Catherine M. S. Alexander (ed.): Shakespeare and Politics. Cambridge: CambridgeUniversityPress. 198-205. folder
Wood, Andelys (1998): "Henry V at the Globe, 1599/1997." Kentucky Philological Review (KPR) 13. 49-53. ordered
7As You Like It
Alulis, Joseph (1996): "Fathers and Children: Matter, Mirth, and Melancholy in As You Like It." Shakespeare's Political Pageant: Essays in Literature and Politics. Ed. Joseph Alulis et al. Lanham, MD: Rowman & Littlefield. 37-60. folder
Barnaby, Andrew (1996): "The Political Conscious of Shakespeare's As You Like It." Studies in English Literature 36.2. 373-395. folder
Barber, C.L. (1988): "The Alliance of Seriousness and Levity in As You Like It". William Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea.5-21. Ordner
Bono, Barbara (1988): "Mixed Gender, Mixed Genre in Shakespeare's As You Like It". William Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea. 131-148. folder
Brown, John Russell (1970):Shakespeare's Dramatic Style: Romeo and Juliet, As You Like It, Julius Caesar, Twelfth Night, Macbeth.London: Heinemann. KS BRO IV 4
Carlson, Susan (1987): "Women in As You Like It: Community, Change, and Choice". Essays in Literature 14.2. 151-169. folder
Clarke, Kate and Elizabeth Goodman (1996): "Reading As You Like It ." Shakespeare, Aphra Behn and the Canon. Eds. W. R. Owens and Lizbeth Goodman. London: Routledge.
F BG 1241
Colie, Rosalie (1988): "Perspectives on Pastoral: Romance, Comic and Tragic". William Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea. 47-62. Ordner
Daley, Stuart A. (1994): "Calling and Commonwealth in As You Like It: A Late Elizabethan Political Play". Upstart Crow 14. 28-46. folder
Dusinberre, Juliet (1993): "As Who Liked It?". Shakespeare Survey 46. 9-21. Z 102
Dusinberre, Juliet (2003): “Rival Poets in the Forest of Arden.” Shakespeare-Jahrbuch. 139. 71-83. Z 101
Erickson, Peter (1988): "Sexual Politics and Social Structure in As You Like It". William Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea. 113-130. folder
Fendt, Gene (1995): "Resolution, Catharsis, Culture: As You Like It". Philosophy and Literature 19.2. 248-260. folder
Ford, John R. (1998): "The Condition of My Estate: Conjuring Identity and Estrangement in As You Like It. Upstart Crow 18. 56-66. bestellt
Gay, Penny (1999): As You Like It. Plymouth: Northcote House. KS GAY 2
Hopkins, Lisa (2002): “Orlando and the Golden World: The Old World and the New in As You Like It.” Early Modern Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature. 8.2. Access online via <
Ikeda, Mayumi (1982): "The Language of Shakespeare's Comedy: His Art of Characterization in As You Like It". Hiroshima Studies in English Language and Literature 27. 75-76.
folder
Jackson, Russell (2005): “Filming As You Like It: A Playful Comedy Becomes a Problem.” Pierre Kapitaniak und Yves Peyré (Hg.): Shakespeare et le jeu: Actes du Congrès. Paris: Société Francaise Shakespeare. 61-74. ordered, but not available
Marshall, Cynthia (ed.) (2004): As You Like It. Cambridge: CambridgeUniversity Press. ordered
McFarland, Thomas (1988): "For Other Than for Dancing Measures: The Complications of As You Like It". William Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea. 23-45. folder
Montrose, Louis Adrian (1988): "'The Place of a Brother' in As You Like It: Social Process and Comic Form". William Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea. 81-112. folder
Nevo, Ruth (1988): "Existence in Arden". William Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea. 63-79. folder
Parry, P.H. (1998):"Visible Art and Visible Artists: Reflexivity and Metatheatricality in As You Like It." Forum for Modern Language Studies 34-2. 1-15. ZZ 97/121
Reynolds, Peter (1988):William Shakespeare: AsYouLikeIt: A Dramatic Commentary.London [u.a.]: Penguin. UB: FH ang Cs 3.12
Song, Hong-han (1992): "Shakespearian Comic Catharsis in As You Like It and Twelfth Night". The Journal of English Language and Literature 38.4. 767-781. Z 8
Tvordi, Jessica (1999): "Female Alliance and the Construction of Homoeroticism in As You Like It and Twelfth Night". Maids and Mistresses, Cousins and Queens: Women's Alliances in Early Modern England. Ed. Susan Frye et al. New York: Oxford Up. 114-130. folder