Work Without Hope
by Samuel Taylor Coleridge.
All Nature seems at work. Slugs leave their lair--
The bees are stirring--birds are on the wing--
And winter slumbering in the open air,
Wears on his smiling face a dream of Spring !
And I, the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.
Yet well I ken the banks where Amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye Amaranths ! bloom for whom ye may,
For me ye bloom not ! Glide, rich streams, away !
With lips unbrightened, wreathless brow, I stroll :
And would you learn the spells that drowse my soul ?
Work without hope draws nectar in a sieve,
And hope without an object cannot live.
A Dream
William Blake
Once a dream did weave a shade
O'er my angel-guarded bed,
That an emmet lost its way
Where on grass methought I lay.
Troubled, wildered, and forlorn,
Dark, benighted, travel-worn,
Over many a tangle spray,
All heart-broke, I heard her say:
"Oh my children! do they cry,
Do they hear their father sigh?
Now they look abroad to see,
Now return and weep for me."
Pitying, I dropped a tear:
But I saw a glow-worm near,
Who replied, "What wailing wight
Calls the watchman of the night?
"I am set to light the ground,
While the beetle goes his round:
Follow now the beetle's hum;
Little wanderer, hie thee home!"
Autumn: A Dirge
By Percy Shelley
The warm sun is falling, the bleak wind is wailing,
The bare boughs are sighing, the pale flowers are dying,
And the Year
On the earth is her death-bed, in a shroud of leaves dead,
Is lying.
Come, Months, come away,
From November to May,
In your saddest array;
Follow the bier
Of the dead cold Year,
And like dim shadows watch by her sepulchre.
The chill rain is falling, the nipped worm is crawling,
The rivers are swelling, the thunder is knelling
For the Year;
The blithe swallows are flown, and the lizards each gone
To his dwelling.
Come, Months, come away;
Put on white, black and gray;
Let your light sisters play--
Ye, follow the bier
Of the dead cold Year,
And make her grave green with tear on tear.
THE TIDE RISES, THE TIDE FALLS
by: Henry Wadsworth Longfellow (1807-1882)
HE tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
And the tide rises, the tide falls.
Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.
The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
And the tide rises, the tide falls.
The Apology
Ralph Waldo Emerson
Think me not unkind and rude,
That I walk alone in grove and glen;
I go to the god of the wood
To fetch his word to men.
Tax not my sloth that I
Fold my arms beside the brook;
Each cloud that floated in the sky
Writes a letter in my book.
Chide me not, laborious band,
For the idle flowers I brought;
Every aster in my hand
Goes home loaded with a thought.
There was never mystery,
But 'tis figured in the flowers,
Was never secret history,
But birds tell it in the bowers.
One harvest from thy field
Homeward brought the oxen strong;
A second crop thine acres yield,
Which I gather in a song.
Haunted
a poem by Emily Dickinson
One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.
Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.
Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one's own self encounter
In lonesome place.
Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror's least.
The prudent carries a revolver,
He bolts the door,
O'erlooking a superior spectre
More near.
I Hear America Singing
Walt Whitman
I hear America singing, the varied carols I hear;
Those of mechanics--each one singing his, as it should be, blithe and strong;
The carpenter singing his, as he measures his plank or beam,
The mason singing his, as he makes ready for work, or leaves off work;
The boatman singing what belongs to him in his boat--the deckhand singing on the steamboat deck;
The shoemaker singing as he sits on his bench--the hatter singing as he stands;
The wood-cutter's song--the ploughboy's, on his way in the morning,
or at the noon intermission, or at sundown;
The delicious singing of the mother--or of the young wife at work--or of the girl sewing or washing--Each singing what belongs to her, and to none else;
The day what belongs to the day--At night, the party of young fellows, robust, friendly,
Singing, with open mouths, their strong melodious songs.
On Fame
By John Keats
Fame, like a wayward girl, will still be coy
To those who woo her with too slavish knees,
But makes surrender to some thoughtless boy,
And dotes the more upon a heart at ease;
She is a Gipsey,—will not speak to those
Who have not learnt to be content without her;
A Jilt, whose ear was never whisper’d close,
Who thinks they scandal her who talk about her;
A very Gipsey is she, Nilus-born,
Sister-in-law to jealous Potiphar;
Ye love-sick Bards! repay her scorn for scorn;
Ye Artists lovelorn! madmen that ye are!
Make your best bow to her and bid adieu,
Then, if she likes it, she will follow you.