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Dynamics of Folklore Traditions
(100 hundred anniversary of Stolypin Land Reform)
Leading organization "American Friends of Russian Folklore"
This corporation is organized for charitable, scientific, and educational purposes within the meaning of Internal Revenue code section 501(c) (3)
The specific purpose of this corporation is to support and promote American understanding of Russian folklore and traditional Russian life and culture. This purpose is accomplished by supporting research projects, educational activities, and cultural activities, specifically including, but not limited to: Scientific field research projects in Russia to collect data and make recordings; documenting, analyzing and archiving Russian folklore and oral histories; and presenting educational and cultural lectures and programs at universities, conferences, and festivals.
Principal Investigator of this expedition: Dr. Yelena Viktorovna Minyonok
Folklore Archive of Russian Academy of Sciences
Institute of World Literature
Introduction
Dear Friends,
Welcome to the Dynamics of Folklore Traditions expedition! This project is devoted to the complex investigation of music, narrative traditions and rituals of Siberian villages and motherland villages of Siberian pioneers.
The expedition will take place in Ukraine, Zhitomir province, Volodar-Volynskii district, Krapivnya village from July, 23 till August, 4. One hundred years ago an essential part of the population from this village moved out to Siberia with the hope of creating a better economic life for their families. 50 families from Krapivnya settled in Siberia a new village, named Batama. We plan to compare the folk music repertoire of both of these villages and to investigate the affects of time and geography on the dynamics of musical traditions. We really need your help to successfully conduct our cultural and scientific project. We believe this project urgently needs the help of volunteers like you.
The reasons for urgency are two-fold. The first is that non-native cultures have a great dealof influence in the countryside now. The second is that the authority of folk traditions is decreasing asthey face modern urbanization. It is important to document these native traditions before musical and narrative folklore is changed beyond recognition. Without an understanding of the earlier forms of traditional music (and folklore in general),it will be impossible to assess the influence other cultures have on the traditions in an informed manner. Additionally,many of those who have carried the musical traditions with them throughout the Soviet period,particularly older women, are dying before their knowledge can be recorded.
Ukraineis currently experiencing avery intense migration of the rural population to the cities means that we can expect the totaldisappearance of authentic musical traditions in the very near future. This is a lesson learned bothfrom Ukrainian history and from contemporary world experience. Soon authentic folk songs willlive on exclusively in the sphere of urban amateurs. Therefore, the process of transmission ofmusical knowledge from the original environment to the amateur folk groups demandsimmediate serious analysis. The analysis of folklore tradition existing in the motherland European villages and in the Siberian villages settled by pioneers from these European villages gave us the key to understand the complicated process of transmission.
While this project has no illusions of stopping these historical processes, it is designed toprovide a chance for present and future generations to see and hear their cultural roots inmasterpieces preserved at a high technological level.
Our team will stay 2 full days in Kiev and we will visit wonderful places - such as Sophia Cathedral -
and Kiev Pechersk Lavra
Welcome to Ukraine,
Sincerely yours, Yelena Minyonok
GENERAL INFORMATION
Dr. Yelena Viktorovna Minyonok
POSITION / TITLE:
Chief Curator of Folklore Archive,
Major Researcher
WORKING ADDRESS
Institute of World Literature
Russia, 121069, Moscow,
Povarskaya, 25a
Tel. 7-495-952-6583
TEAM DATES IN FIELD:
July 23 to August 4, 2008
Location:
Country: Ukraine
Province: Zhitomir
District: Volodar-Volynskii
Villages: Krapivnya
THE EXPEDITION
1. PROJECT OVERVIEW
The Folklore of Siberian Villages project is the last stage of work carried out over more than four years (since 2003). The project aims to preserve the masterpieces of folklore musical tradition, rituals, mythological stories and oral history of European peoples pioneered in Siberia (Russians, Ukrainians, Belorussians, Chuvash, etc.) more then 100 hundred years ago according to the Stolypin Land Reform –
These still alive traditions widely spread in the Eastern Siberia. Our Team I will work in Batama, a Siberian village settled by Ukrainians from Krapivnya village (Zhitomir province, Volodar-Volynskii district).
Team II will work in the motherland village, in Krapivnya. This expedition has two main goals:
a) to document music, rituals and narrations using modern
technology,
b) to compare the folklore tradition existing in Siberian villages with folklore traditions exisiting in the motherland village from where the Siberian pioneers came from more then 100 years ago.
Folk songs and dances, which are still practiced at the Ukrainian villages deserve to be included in the international catalog of folk musicmasterpieces. Their conservation is the first and foremost goal of this project. In many places
these masterpieces have not been investigated, let alone recorded.
2. RESEARCH AREA
Our team will work in a Ukrainian village (70 km distance from Kiev) in the Zhitomir province, Volodar-Volynskii district.
The village where our team will conduct investigation is settled in the forest area, which is covered with birch trees, firs, and pines.
3. PROJECT STAFF
Principal Investigator
Dr. Yelena Viktorovna Minyonok was born in 1965 and raised in Moscow. She graduated fromMoscow State University and is currently Professor and Chief Curator of the Folklore Archive ofthe Russian Academy of Sciences. A cultural anthropologist and folklorist, Dr. Minyonok hasauthored more than 60 fundamental articles about the verbal level of Russian folklore songs andthe problem of correlation between text and context. Her theoretical articles and publications of
folklore collections offer essential input into the deep investigation of folklore traditions. She hasbeen a supervisor of more then 40 expeditions in the different areas of Russia and will serve asthe primary point of contact for volunteers on the project. She manages the logistics andvolunteer tasks and serves as the primary translator.
Two projects of Dr. Minyonok have been included in the program of Earthwatch Institute (Massachusetts, USA) – The first one was conducted in 1995-2000 and was called “The Folklore of Rural Russia”, the second one was conducted in 2004-2007 and was called “Musis and Folklore of Russian Villages” -
During ten years of international cooperation with Earthwatch Institute Dr. Minyonok had the pleasure to work with more then 200 volunteers throughout
the world. In 2007 she won the Fulbright stipend and taught folklore and Russian language courses at the University of Kentucky (USA).
Dr. Andrei Sergeievich Kabanov was born in 1946 and raised in Moscow. He graduated fromMoscow State Conservatory. As an ethnomusicologist, Dr. Kabanov has dealt squarely with theproblem of preservation of folklore musical traditions in all his professional activity. His researchdigs deep into the influence that context exerts over folk song performance. Many of his articlesand monographs are devoted to the problem of working out the criteria that differentiateregional and group musical styles (such as southwestern, southern and Cossack) in the Russian
music tradition. His fundamental research projects were devoted to the history of musicalinstruments and to the problem of the development of folk harmony. Dr. Kabanov has workedout a unique methodology to investigate the interrelation of folk song and folk dance, and hasapplied this method on his expeditions to Russia’s southern and western provinces. Althoughalong with his colleagues and students he discovered 17 centers where musical traditions are stillwell-preserved, all these traditions are on the verge of total disappearance.Besides his academic work, Dr. Kabanov is one of the founders of the youth folklore movement.This movement, consisting largely of university or music institute students together with lay
people interested in singing Russian folk songs, aims to preserve Russia’s rich folk musictradition, not only in written form and recordings but in living performance as well. He is leaderof a folk chorus that has presented concerts in Russia, France, Great Britain and Spain. Under Dr.Kabanov’s leadership, folklore groups have published several albums, such as “Kazachii krug”and “Veretentse.” He has also written extensively on the youth folklore movement.Note that Dr. Kabanov will not participate in teams with less than six volunteers. While Dr.
Kabanov does not speak English, Dr. Minyonok and any additional translators present on theexpedition will assist in communication. Please be aware that according to Russian custom, Dr.Kabanov should be called by his first and second names: Andrei Sergeievich.
Research Staff
This project is a full immersion into the life and culture of rural Ukraine, and translators will serveas a critical link between volunteers and singers. Translators will relate dialogue as the PrincipalInvestigator questions singers about their history of singing, the context of the song and theirexperiences. Additionally, translators will be able to offer assistance with shopping and otherinteractions withUkrainians. Dr. Minyonok will serve as the primary translator.
If our teams will consist of more then 6 volunteers we will have one additional translator (to be determined).
DAILY LIFE IN THE FIELD
4. TEAM ITINERARY
If you intend to arrive in Kiev before the designated rendezvous time, you should contact Dr.Minyonok to arrange an alternative rendezvous time and place. Do NOT travel back to theairport to meet your team.
The first working day of our expedition will concentrate on briefing the volunteers on tasksand on the aims and expectations of the project. Team may visit local museums for a betterunderstanding of the cultural and social situations in the research area. The day before departurewill be devoted to analyzing the results achieved during the expedition. The ten days inbetween will involve intensive field study. Average days will consist of five to six working hours.
Day 1
July 23 – arrival to Kiev, rendezvous place is the arrival hall of Borispol airport. Time – 3 p.m. (afternoon)
The team members will have a dinner in Kiev and will stay at the hostel “Kiev”. The address is: Artioma street, 50
Day 2-3
Our group will have tours in Kiev visiting the outstanding historical places such as Sophia Cathedral -
and Kiev Pechersk Lavra
Day 4 (July, 26)
arrival to Krapivnya
Day 5-Day 12
July 27 – August 3 - field work in Krapivnya (audio records, conducting interviews, making pictures and sketches).
Day 12
August 3 – departure from the village and arrival to Kiev, we will spend a night in Kiev at the hostel “Kiev”
Day 13
August 4 – departure from Kiev
In Kiev our team will visitmuseums and local places of interest. You will be expected to cover your own costs for visitingmuseums. If the museum is located far from the accommodations, you must cover your cost oftransportation to the museum. Local museums typically charge US$20 admission or US$30 for anexcursion with a guide.
5. DAILY SCHEDULE AND TASKS
Be aware that schedules can and do fluctuate. Your cooperation and understanding areappreciated. Western volunteers should note that the Russian and Ukrainian
sense of time will take somegetting used to. The Principal Investigator will try to keep the project running on schedule;however, timeliness does not carry the same meaning in Ukraine as it does in the West. Forinstance, a "quick" meal will usually last at least an hour. Additionally, the project is an exploration into the existing folklore in particular Ukrainianvillage. The reality of this exploration is that schedules are very flexible and often dependentupon the singers and narrators you meet, their experiences and additional singers that they may know. Forinstance, you may have a wonderful recording session with an individual singer and find outthat she used to sing with her cousin who also lives in the village, but they can only sing togetherin the evenings because she is busy during the day with laundry, cows and fields. It is because ofthis organic process that the schedule below is very flexible. Volunteers are encouraged to relax,have fun and allow the project staff to concentrate on the schedule.The chart below shows an example of a research day from rising to retiring.
9:00 am Breakfast
10:00 am Daily briefing (staff members will explain daily tasks and how these tasks willintegrate into the work of the whole team and into the work of the whole project)
11:00 am Walk or drive to the recording place
11:30 am Make audio and video records of musical performances and create pictures
1:30 pm Walk to the dining place
2:00 pm Dinner
3:00 pm Break
4:00 pm Walk to the houses of performers
4:30 pm Visit singers and make solo records, conduct interviews, fill out questionnaires, andcheck the English translation of song texts prepared for publication in English
7:00 pm Walk to the dining place
7:30 pm Supper
8:30 pm Summarize the results achieved during the work day
6. VOLUNTEER TRAINING AND ASSIGNMENTS
Training
At the beginning of every expedition all team members will be trained in making video andaudio recordings of music performances. Staff members will explain in detail what should berecorded in terms of genres, peculiarities of performance and poetic features (i.e. symbols andmetaphors), the history of a song and its scientific and public significance. Since dances andspecial gestures accompany most of the songs, team members will keep track of emotional andtheatrical aspects of singing in addition to the videotaping.
Staff members will cover the following topics in informal lectures (in English):
• The history of settlements in Siberia (made by peoples migrated from Europe)
• Social, aesthetic and communicative functions of Ukrainian folklore from the 18th century tothe present
• The comparison of folklore heritage of Batama village (Siberia, Irkutsk province) and Krapivnya village (Ukraine, Zhitomir province) from where the pioneers came to Siberia and started Batama village 100 years ago.
• The peculiarity of poetic language of Ukrainian folk songs and the problems of translation
• The specific aspects of making audio records of folklore songs and folklore narrations
• The specific aspects of making video records of folklore songs and folklore narrations
• The specific aspects of taking pictures during singing performances
Assignments
Our volunteers will assist the researchers with making audio recordings, translations,
describing the theatrics of the performances, recording video and taking pictures. Folklore wascreated not for observing but for participation. Project staff members will maintain personalcontact with a singer or narrator during his/her performance, while the volunteers will operate the audioand video equipment. Volunteers will also assist with taking pictures of each song performanceto add to the photo gallery of singers in their everyday lives and during their performances.
Please note that the primary volunteer responsibilities will be observing, recording andtranslating.
Often, the most physicalportion of the trip is handling your own luggage as in transit from Kiev to the research site. For more information about the physical and emotional requirements of the expeditionsee Section 10 'Project Conditions.' For information about luggage and packing, see Section 12'Packing Considerations.'
Note that knowledge of Russian or Ukrainian is not required for participation and neither is knowledge of thetechnical aspects of recording. However, this project is a full immersion into rural Ukrainian life, sovolunteers that speak Russian or Ukrainian will have a much different experience than those that do not. Forthose that do speak the language, please be patient with the fact that information will need to betranslated for others. Those that do not know Russian or Ukrainian are urged to learn some basic phrases suchas greetings, "Goodbye," "Please," "Thank you," "I don't understand" and "I don't speakRussian (Ukrainian)." Basic phrases about family and eating are also helpful. A translator will be able to assistyou, but you will often find them to be already occupied translating for someone else. When indoubt, smiling and miming your question/response is always useful.Volunteers will find that the most common form of communication with the villagers is via song.Your experience will be greatly enhanced if you are prepared to sing a song for the local villagers. They appreciate this reciprocity after having their own songs recorded by volunteers allday. Thus, please be ready to sing one or two popular or national songs such as your nationalanthem, "Jingle Bells," "America the Beautiful," "Row, Row, Row Your Boat," etc.
The project staff realizes that team spirit among volunteers and staff members is the mostimportant factor in achieving scientific results. A strong team spirit will develop through groupdiscussion of overall goals, daily plans and results and through constantly sharing stories overnumerous communal meals. Participation in the festival of Batama village and daily recordings will also stronglypromote team solidarity.
7. ACCOMMODATIONS
The team will spend three days in Kiev on July, 23rd, 24th and 25th. The team will stay at the hostel “Kiev” (Kiev, Artioma street, 50) You will be able to leave your luggage in a safe place. During these days we will have a good Ukrainian food in the nice Ukrainian restaurants.
In Kiev
Team members choosing to arrive in Kiev early are strongly encouraged to communicate with Yelena Minyonok prior to the rendezvous via e-mail: or by telephone 7-495-952-6583. If you need tobook a room for additional days at the hostel “Kiev”, you can book it with a credit card, oryou can contact Dr. Minyonok at for assistance. Note that if you intend toarrive prior to the official team rendezvous you will need to contact Dr. Minyonok in advance toarrange an alternate rendezvous location and time.