Final Exam Art 2 –slide list

17th c. Spanish Baroque

G19-30 Diego Velazquez, Las Meninas (The Maids of Honor)

17th c. Flemish Baroque

G20-2 Peter Paul Rubens, Raising of the Cross (middle panel only)

17th c. Dutch Baroque

G20-13 Rembrandt van Rijn, Night Watch

G20-15 Rembrandt van Rijn, Self Portrait

17th c. French Baroque

G20-31 Nicolas Poussin,Et in Arcadia Ego

18th c. Rococo

G21-9 Jean-Honore Fragonard, The Swing

18th c. Neoclassicism

G21-25 Jacques-Louis David, Oath of the Horatii,

G21-26 David, The Death of Marat

G21-30 Thomas Jefferson, Monticello

19th c. Romanticism

G22-7 Jean-Auguste-Dominique Ingres, Grande Odalisque

G22-11 Francisco Goya, The Third of May, 1808

G22-15 Eugene Delacroix, Death of Sardanapalus

G22-22 Joseph Mallord William Turner, The Slave Ship

19th c. Realism

G22-26 Gustave Courbet, TheStone Breakers

G22-32 Edouard Manet, Luncheon on the Grass (Le Dejeuner sur l’Herbe)

G22-33 Edouard Manet, Olympia

19th c. Impressionism

G23-3Claude Monet, Rouen Cathedral: The Portal (in Sun)

G23-8Pierre-Auguste Renoir, Moulin de le Galette

G23-10 Edgar Degas, The Rehearsal

19th c. Post Impressionism

G23-16 Georges Seurat, Sunday Afternoon on the Island of La Grande Jatte

G23-18Vincent van Gogh, Starry Night

G23-20 Paul Gauguin, Where Do We Come From? What Are We? Where Are We Going?

G23-22Paul Cezanne, The Basket of Apples

19th c. Expressionism

G23-28 Edvard Munch, The Scream

20th c. Fauve

G24-2 Henri Matisse, Woman with Hat

20th c. Modernism

G24-12 Picasso, Les Demoiselles d’ Avignon

20th c. Cubism

G24-14 Georges Braque, The Portuguese

G24-16 Picasso, Still Life with Chair-Caning

20th c. Dada

G24-27 Marcel Duchamp, Fountain

20th c. Surrealism

G24-55 Salvador Dali, The Persistence of Memory

READ THESE QUESTIONS CAREFULLY! Prepare at home, to be written in class, and include specific examples (artist, title, style) and fully explain how your example supports your point!

Essay (10 points) choose one.

1. Discuss the term “classicism” and how artists either embraced it or rejected it in the arts of the Early Renaissance through the 20th c. Give specific examples (at least 5) to support your thoughts. Please choose examples that span the course, choosing works from the beginning, middle, and end of the class.

2. Trace the representation of the human form in art from the Early Renaissance through the 20th c. How did it change or remain the same through the centuries? Why? Use examples from each period (at least 5) you discuss. Please choose examples that span the course, choosing works from the beginning, middle, and end of the class.