‘Defacing the past: damnation and desecration in imperial Rome’ presents coins and other objects that were defaced, either to condemn the memory of deceased Roman emperors or to contest the power of living ones. Images of power have always been used as a medium for propaganda; the power that they convey could backfire if they were used against the authority by which they had been designed and propagated.
The display will examine Roman history from the view of the defacer, looking at objects from Sejanus in the rule of Tiberius to the decadent Caligula and Nero, and from the disastrous Domitian and Commodus to the soldier emperors of the later empire.
Like many rulers, Roman emperors used inscriptions, sculptures and coins to project their authority. The imperial image conveyed through these media could be contested and subverted for political and religious reasons.
The memory of Roman emperors and high-ranking officials could be officially condemned after their death through a process known as ‘damnatio memoriae’, meaning that a person’s memory was attacked and largely erased through physically erasing names and defacing portraits. This affected in particular rulers who were overthrown and murdered or executed. Imperial images were also mutilated and destroyed by Rome’s enemies to contest the imperial authority.
The free display will show the history of the custom of mutilating and subverting images of powerwith objects from Egypt, Mesopotamia and Greece, focusing on the Roman Empire.
Objects include coins of Caligula and Nero, the first emperors who suffered from ‘damnation’ after their death, as a consequence of their unpopularity with the Roman Senate and the army. Other coins on display show examples of defacement of images of Domitian and Commodus, both killed in conspiracies as a result of their authocratic and extravagant behaviours. For example, the bust and name of emperor Domitian were erased from bronze coins on which he was portrayed face-to-face with his wife Domitia, who is believed to have been involved in the plot to kill him.
The show will also offer a broad range of examples of defacement of Geta, son of the emperor Septimius Severus, whose memory was fiercely erased after his murder by order of his brother and co-ruler Caracalla. These include several coins from the provinces of the Empire and Egyptian papyri on which his name was deleted. Lastly, a marble Latin inscription dedicated to Septimius Severus, Caracalla and Geta, on which the names of Geta and Plautilla, Carcalla’s wife, have been removed will also be on display.
A catalogue published by Spink in collaboration with the British Museum will accompany this exhibition.
Notes to Editors:
Defacing the past: damnation and desecration in imperial Rome
13 October 2016 – 7 May 2017
Room 69a
Free
Supported by Stephen and Julie Fitzgerald
Research funded by the Leverhulme Trust
Opening times
Monday–Thursday 10.00–17.30
Friday 10.00–20.30
Saturday–Sunday 09.00–17.30
Follow updates on the exhibition via Twitter with #defacingthepast and follow the Museum @britishmuseum
Public programme: lectures and events
Defacing the past: damnation and desecration in imperial Rome
Friday 2 December 2016, 13.15–14.00
Room 69a
A gallery talk by Dario Calomino, British Museum.
Free, just drop in
For further information
please contact Brunswick Arts
on 020 7396 7435 /
High resolution images and caption sheet available at http://bit.ly/2d02Yls