BIBLIOGRAPHY OF ORPHEUS: Robert Baldwin, ConnecticutCollege
Atkinson, Keith, "An Early 14th Century French Boethian Orpheus" Parergon, 26, 1980,
Barnard, Mary, "Garcilaso's Poetics of Subversion and the Orpheus Tapestry," PMLA, 102, 1987, 316-325
Brooks, Nigel George, "The Triumph of Orpheus: Monarchy and Culture in Tudor and Stuart Entries and Entertainments," PhD thesis, 1983
Brown, James N., "The Bryttane Orpheus: The Orpheus Myth in the Poetry of Edmund Spenser," Ph.D. thesis, 1974
Brownlee, Kevin, "Orpheus' Song Re-sung: Jean de Meun's Reworking of Metamorphoses X," Romance Philology, 36, 2, 1982, 201-209
Cain, Thomas, "Spenser and the Renaissance Orpheus," University of Toronto Quarterly, 41, 1971, 24-47
Cochrane, Kirsty, "Orpheus Applied: Some Instances of His Importance in the Humanist View of Language," Review of English Studies, 19, 1968, 1-13
Costa, Gustavo, "Giovanni Pontano and the Orpheus Myth: Poetry and Magic in the Age of Humanism," Revista di Studi Italiani, 4, 1986, 1-17 [Toronto publication]
De Tolnay, Charles, "The Music of the Universe," Journal of the Walters Art Gallery, VI, 82-104 [on replacement of Orpheus as cosmic musician by King David and his appearance in a painting of the Annunciation by Lorenzo Ricci]
Gros-Louis, Kenneth, "Robert Henryson's Orpheus and Eurydice and the Orpheus Tradition of the Middle Ages," Speculum, 41, 1966, 643-655
Gros-Louis, Kenneth, "The Triumph and Death of Orpheus in the English Renaissance," SEL: Studies in English Literature, 1500-1900, 9, 1969, 63-80
MacQueen, John, "Neoplatonism and Orphism in 15th Century Scotland: The Evidence of Henryson's 'New Orpheus,'" Scottish Studies, 20, 1976, 69-89
Madgdalino, P., "The Bath of Leo the Wise and the 'Macedonian Renaissance' Revisited: Topography, Iconography, Ceremonial, Ideology," Dumbarton Oaks Papers, XLII, 1988, 97-118, [pp. 104-107, prince as Orpheus subduing animal kingdom]
Medina, Angel and Joyce Medina, "Orpheus: Nature and Psyche, from Allegory to Symbol in Titian, Rubens and Poussin," in Ronald Bogue and Mihai Spariosu, eds., The Play of the Self, Albany: State Univ of New York, 1994, 221-250
Paterson, Timothy, "Bacon's Myth of Orpheus: Power as a Goal of Science in 'Of the Wisdom of the Ancients,'" Interpretation, 16, 3, 1989, 427-444
Possiedi, Paolo, "La favola d'Orfeo: Music and Rhetoric," Quaderni d'Italianistica, 5, 1, 1984, 70-76 [Toronto pub]
Simon, Robert, "Bronzino's Cosimo I as Orpheus," PhiladelphiaMuseum of Art Bulletin, 81, 1985, 17-27
Simonds, Peggy, "'Sweet Power of Music': The Political Magic of 'The Miraculous Harp' in Shakespeare's 'The Tempest,'" Comparative Drama, 29, 1995, 61-90
Smits-Veldt, Mieke, "Orpheus, dichter-leermeester, minnaar en martelaar: Literaire gedaanten van de mythe in de Nederlanden der zerstiende en zeventiende eeuw," Lampas, 21, 4-5, December, 1988, 361-367
Steinle, Eric M, "Versions of Authority in the Roman de le Rose...," Mediaevalia, 13, 1987 or 1989, 189-203 [Orpheus]
Warden, John, "Orpheus and Ficino," in John Warden, ed., Orpheus: The Metamorphoses of a Myth, Toronto: Univ of Toronto Press, 1982, 85-110
Welles, Elizabeth, "Orpheus and Orion as Symbols of Music in Andrea Mantegna's Decorations for Camera degli Sposi, Mantua," Studies in Iconography, 13, 1989-90, 113-144
Williamson, Marilyn, "The Myth of Orpheus in 'L'Allegro' and 'Il Penseroso,'" Modern Language Quarterly, 32, 1971, 377-386
Wright, Dorena Allen, "From Sir Orfeo to King Orpheus," Parergon, 27, 1980, 9-11 [med and ren]
Wright, Dorena, "Henryson's 'Orpheus' and Eurydice and the Tradition of the Muses," Medium Aevum, 40, 1971, 41-47