from
A Bibliography of Literary Theory, Criticism and Philology
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel García Landa
(University of Zaragoza, Spain)
Charlotte Perkins Gilman (1860-1935)
(Major US feminist writer, rediscovered late 20th c.; underwent and criticized S. Weir Mitchell's 'rest cure' for nervous disesases).
Works
Gilman, Charlotte Perkins. "The Yellow Wallpaper." Story. New England Magazine (1892).
_____. "The Yellow Wallpaper." In The Great Modern American Stories. Ed. William Dean Howells. New York: Boni and Liveright, 1920.
_____. "The Yellow Wallpaper." In Psychopathology and Literature. Ed. Leslie Y. Rabkin. San Francisco: Chandler, 1966.
_____. The Yellow Wallpaper. Old Westbury (NY): Feminist Press, 1973.
_____. "The Yellow Wallpaper." In The Norton Anthology of American Literature. Vol. 2. New York: Norton, 1985.
_____. The Yellow Wallpaper. Afterword by Elaine Hedges. London: Virago, 1985.
_____. "The Yellow Wallpaper." In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 349-61.*
_____. The Yellow Wallpaper. Ed. Dale M. Bauer. (Bedford Cultural Editions). Boston: St.Martin's-Bedford Books, 1998.*
_____. The Yellow Wallpaper. (Penguin 60s Classics). Harmondsworth: Penguin.
_____. "The Yellow Wall-Paper." In The Oxford Book of Gothic Tales. Ed. Chris Baldick. Oxford: Oxford UP, 1992. 1993. 249-63.*
_____. The Yellow Wallpaper. (Bedford Cultural Editions). Boston: Bedford Books.
_____. "The Yellow Wallpaper." In Literature and Gender. Ed. Lizbeth Goodman. London: Routledge / Open U, 1996. 2001. 348-59.*
_____. The Yellow Wallpaper. Ed. Dale Bauer. (Bedford Cultural Editions). Basingstoke: Palgrave Macmillan, 1998.
_____. El empapelado amarillo. La wisteria gigante. León: Taller de Estudios Norteamericanos, Secretariado de Publicaciones de la Universidad de León, 1996. Rev. by J. A. Perles in Analecta Malacitana 20.1 (1997).
_____. In This Our World. Poetry. 1893.
_____. Women and Economics. New York: Charlton, 1898.
_____. Women and Economics. Ed. Carl Degler. New York: Harper, 1966.
_____. Concerning Children. 1900.
_____. The Home: Its Work and Influence. 1903. New York: Charlton, 1910.
_____. Human Work. 1904.
_____. What Diantha Did. Novel. The Forerunner. 1910.
_____. The Crux. Novel. The Forerunner 1911.
_____. Moving the Mountain. Novel. The Forerunner 1912.
_____. Herland. Novel. 1915-1916. New York: Pantheon, 1979.
_____. Herland. The Forerunner 1919.
_____. Herland. London: Women's Press, 1980.
_____. The Man-Made World: Our Androcentric Culture. London, 1911; New York: Charlton, 1914.
_____.With Her in Ourland. Novel. 1916.
_____. His Religion and Hers: A Study of the Faith of Our Fathers and the Work of Our Mothers. 1923.
_____. "The Giant Wisteria." In American Gothic: An Anthology 1787-1916. Ed. Charles L. Crow. Oxford: Blackwell, 1999. 434-39.*
_____. The Living of Charlotte Perkins Gilman. Autobiography New York: Appleton, 1935. (posth).
_____. The Living of Charlotte Perkins Gilman. New York: Harper and Row, 1975.
_____, ed. The Forerunner (weekly). 1909-16.
Biography
Lane, Ann. To Herland and Beyond: The Life and Work of Charlotte Perkins Gilman. New York: Penguin, 1991.
Criticism
Brannigan, John. New Historicism and Cultural Materialism. Houndmills: Macmillan, 1998.
Caraher, Brian. "Modern Gothic, Hysteria and Melodramas of Horror: Charlotte Perkins Gilman's The Yellow Wallpaper and Henry James's The Turn of the Screw." In Caraher, Trespassing Tragedy: Melodramas of Horror. Houndmills: Macmillan, 2000.
Dock, Julie Bates. Charlotte Perkins Gilman's The Yellow Wall-paper and the History of Its Publication and Reception: A Critical Edition and Documentary Casebook. (Penn State Series in the History of the Book). Penn State UP, 1998.
Egan, Maureen L. "Evolutionary Theory in the Social Philosophy of Charlotte Perkins Gilman." In Hypatia's Daughters. Ed. Linda Lopez McAlister. Bloomington: Indiana UP, 1996. 248-66.*
Fetterley, Judith. "Reading about Reading: 'A Jury of Her Peers', 'The Murders in the Rue Morgue', and 'The Yellow Wallpaper'." In Gender and Reading. Ed. E. A. Flynn and P. P. Schweickart. Baltimore: Johns Hopkins UP, 1986. 147-64.
Fludernik, Monika. "Defining (In)Sanity: The Narrator of The Yellow Wallpaper and the Question of Unreliability." In Grenzüberschreitungen: Narratologie im Kontext / Transcending Boundaries: Narratology in Context. Ed. Walter Grünzweig and Andreas Solbach. Tübingen: Narr, 1999. 75-95.*
García Rayego, Rosa. "'Confinement, Madness and Escape' en los textos escritos por mujeres: The Yellow Wallpaper de Charlotte Perkins Gilman." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 295-8.*
Gómez Reus, Teresa. "Vengando al 'ángel del hogar': 'la esposa loca' como figura arquetípica en 'The Yellow Wallpaper' de Charlotte Perkins Gilman." Estudios de Filología Inglesa: Homenaje al Doctor Pedro Jesús Marco Pérez. Alicante: Universidad de Alicante, 1990.
Goodwyn, Janet Beer. Kate Chopin, Charlotte Perkins Gilman and Edith Wharton: Studies in Short Fiction. Houndmills: Macmillan, 1997.
Gough, Val, ed. A Very Different Story. 1998. (Criticism on Charlotte Perkins Gilman).
_____, ed. Charlotte Perkins Gilman: Optimistic Reformer. Forthcoming 2000.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another look at 'The Yellow Wallpaper'." Women's Studies 12.2 (1986): 113-28.
Jacobs, Richard. "Gilman's The Yellow Wallpaper: The Woman's Body, Hysteria, Intertextuality." In Jacobs, A Beginner's Guide to Critical Reading. London: Routledge, 2001. 302-23.*
Knellwolf, Christa. "Madness and Interpretation in The Yellow Wallpaper." In Modernity, Modernism, Postmodernism. Ed. Manuel Barbeito. Santiago de Compostela: U de Santiago de Compostela, 2000. 133-50.*
Núñez Puente, Carolina. Feminism and Dialogics: Charlotte Perkins Gilman, Meridel Le Sueur, Mikhail M. Bakhtin.Valencia: Universitat de València, 2006.
_____. "The Yellow Hybrids: Gender and Genre in Gilman’s Wallpaper." In Short Story Theories: A Twenty-First-Century Perspective. Ed. Viorica Patea. Amsterdam and New York: Rodopi, 2012.
Robbins, Ruth. Literary Feminisms. (Transitions). Houndmills: Macmillan, 1999.
Rudnick, Lois. "Feminist Utopian Visions and the 'New Woman': Jane Addams and Charlotte Perkins Gilman." In Gender, I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D'Arcy and José Angel García Landa. Amsterdam: Rodopi, 1996. 181-93.*
Starace, Irene. "Akiko Yosano and Charlotte Perkins Gilman: A Comparatist Revision of East/West Modernist Feminism." In Cultural Hybrids of (Post)Modernism: Japanese and Western Literature, Art and Philosophy. Ed. Beatriz Penas-Ibáñez and Akiko Manabe. Bern: Peter Lang, 2017. 47-65.*
Treichler, Paula A. "Escaping the Sentence: Diagnosis and Discourse in 'The Yellow Wallpaper'." Tulsa Studies in Women's Literature 3.1-2 (1984): 61-77.
Weber, Jean Jacques. "Educating the Reader: Narrative Technique and Evaluation in Charlotte Perkins Gilman's Herland." In The Language and Literature Reader. Ed. Ronald Carter and Peter Stockwell. Abingdon (UK) Routledge, 2008.*
Wolfreys, Julian. The Rhetoric of Affirmative Resistances: Dissonant Identity from Carroll to Derrida. Basingstoke: Macmillan, 1997.
Bibliography
Campbell, Donna M. "Charlotte Perkins Gilman: Bibliography of Critical Sources." Donna M. Campbell website.*
http://public.wsu.edu/~campbelld/amlit/gilmanbib.htm
2015