A Bibliography of Literary Theory, Criticism and Philology s28

from

A Bibliography of Literary Theory, Criticism and Philology

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)

On individual films

(See first under Film directors)

Series

(BFI Films Classics). London: BFI.

(Indiana University Press Filmguide Series, 7). Gen. eds. Harry M. Geduld and Ronald Gottesman. Bloomington: Indiana UP, 1973.*

(SpeakUP film booklet). Barcelona: RBA, c. 2000.*

Alam Ara

Alam Ara. 1931. (India's first talkie, dubbed into Hindi and Urdu).

The Alamo

Farnsworth, Rodney. “John Wayne’s Epic of Contradictions: The Aesthetic and Rhetoric of War and Diversity in The Alamo.” Film Quarterly 52.2 (Winter 1998-9): 24-34.

Alien series

Martín, Sara. "Monstrous Business: The Alien Film Series." In Culture and Power: Business. Ed. Matilde Paredes et al. Zaragoza: Departamento de Filología Inglesa, 1999. 141-52.*

Angels with Dirty Faces

Angels with Dirty Faces. Film. With James Cagney. Warner, 1938.

Asterix aux Jeux Olympiques

López Lorca, Hortensia (U de Murcia). "La frase negativa en la película Astérix en los Juegos Olímpicos." Contextos Educativos 18 (2015): 129-41.*

L’Avventura

Bohne, Luciana. “The Discourse of Narcissism in L’Avventura.” Film Criticism 9.1 (Fall 1984).

Babe

Brabazon, Tara. "A Pig in Space? Babe and the Problem of Landscape." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 149-58.*

The Barber of Siberia

Forbes, Jill, and Sarah Street, eds. Introduction to European Cinema. Houndmills: Macmillan, 2000. (Jean Renoir, La Règle du jeu; Mathieu Kassovitz, La Haine, Hitchcock, The Lodger, Danny Boyle, Trainspotting, Buñuel, Viridiana, Saura, Blood Wedding, Visconti, Ossessione, Taviani bros., Good Morning Babylon, Eisenstein, Battleship Potemkin; The Barber of Siberia; Margarethe von Trotta, The Promise; Wim Wenders, Alice in the Cities).

The Beast from 20.000 Fathoms

The Beast from 20.000 Fathoms. Based on Ray Bradbury’s novel. 1953

The Beguiled

Herring, Gina. “The Beguiled: Misogynist Myth or Feminist Fable?” Literature Film Quarterly 26.3 (1998): 214-219.

Ben Hur (1959)

The Big Steal

Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.*

Blood Diamond (1996)

Denby, David. "What if? Wishing Things Were Otherwise." New Yorker 4 Dec. 2006. (Rev. of Deja Vu, Stranger than Fiction and Blood Diamond).

http://www.newyorker.com/critics/cinema/articles/061211crci_cinema

The Castle

Crofts, Stephen. "The Castle: 1997's 'Battlers' and the Ir/Relevance of the Aesthetic." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 159-74.

Claire Rayner's Casebook

Ackroyd, Peter. Rev. of Claire Rayner's Casebook (BBC 1). The Times 11 March 1983. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 182-83.*

The Color of Time (2014)

The Color of Time. Cast: Zach Braff, Bruce Campbell, Jessica Chastain, James Franco, Henry Hopper, Mila Kunis. USA, 2014. (On C. K. Williams, Pulitzer Prize poet).

Come Back, Africa (1959)

Maingard, Jacqueline. "6. Cry, Africa: Social Realism in Cry, the Beloved Country (1951) and Come Back, Africa (1959)." In Maingard, South African National Cinema. London: Routledge, 2007. 106-24.*

Cry, the Beloved Country (1951)

Maingard, Jacqueline. "6. Cry, Africa: Social Realism in Cry, the Beloved Country (1951) and Come Back, Africa (1959)." In Maingard, South African National Cinema. London: Routledge, 2007. 106-24.*

Dead End

Dead End. Film. With James Cagney. Warner, 1937.

Death in Brunswick

Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.*

Destry Rides Again

Loyo, Hilaria. “The Antidote for a ‘Box-Office Poison’: Star and Genre in Destry Rides Again.” In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 713-20.*

The Devil’s Advocate

The Devil’s Advocate. Film. With Keanu Reeves. 1997.

Dick Tracy

Dick Tracy 4-part series. RKO, 1930s.

Dick Tracy (= Dick Tracy, Detective). RKO, 1945.

Dick Tracy versus Cueball. RKO, 1946.

Dick Tracy’s Dilemma. RKO, 1947.

Dick Tracy Meets Gruesome. RKO, 1947.

Dick Tracy. 1990. see Beatty, Warren.

The Dish Ran Away with the Spoon

The Dish Ran Away with the Spoon. Cartoon. (Silly Symphonies). 1932.

Drum (2004)

Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*

Duck Soup

Duck Soup. Film. With the Marx brothers. 1933.

Easter Parade

Easter Parade. Film. With Judy Garland and Fred Astaire. 1948.

Easy Rider

Easy Rider. With Peter Fonda, Denis Hopper. Prod. and co-script. Peter Fonda.1969.

Eat, Drink, Man, Woman

Luzón Aguado, Virginia, and Luis Cantarero Abad. (U de Zaragoza). “Eating the Cultural Dish: Confrontation and Resolution in Babette’s Feastand Eat, Drink, Man, Woman.” In Culture and Power IV: Cultural Confrontations. Ed. Chantal Cornut-Gentille D’Arcy. Zaragoza, 1999. 215-28.*

The Evolution of Darwin

Ackroyd, Peter. Rev. of The Evolution of Darwin (Thames TV). The Times 24 Sept. 1982. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 178-79.*

8 1/2

Boyd, David. Film and the Interpretive Process: A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. (Ars interpretandi 1). New York: Peter Lang, 1989.*

Falling Down

Dyer, Richard. “Whites Are Nothing: Whiteness, Representation and Death.” In “New” Exoticisms: Changing Patterns in the Construction of Otherness. Ed. Isabel Santaolalla. Amsterdam and Atlanta: Rodopi, 2000. 135-55.* (Falling Down, film, 1993).

_____. White. Routledge, 1997.

Forrest Gump

Byers, Thomas B. “History Re-Membered: Forrest Gump, Postfeminist, Masculinity, and the Burial of Counterculture.” Modern Fiction Studies 42.2 (Summer 1996).*

The Four Feathers

The Four Feathers. Film based on A. E. W. Mason’s novel. 1939.

Free Willy (1993)

The French Lieutenant’s Woman

Dodson, Mary Lynn. “The French Lieutenant’s Woman: Pinter and Reisz’s Adaptation of Fowles’s Adaptation.” Film Literature Quarterly 26.4 (1998): 296-303.

From Here to Eternity

From Here to Eternity. Cast: Burt Lancaster, Montgomery Clift, Deborah Kerr, Frank Sinatra, Donna Reed. 1953. (8 Oscars).

Frozen

Faria, Natasha. "Frozen Is No Feminist Leap for Disney." Business Day Live 7 March 2014.

http://www.bdlive.co.za/life/entertainment/2014/03/07/frozen-is-no-feminist-leap-for-disney

2015

Feder, Shira. "Slamming the Door: An Analysis of Elsa (Frozen)." The Feminist Wire 16 Oct. 2014.

http://www.thefeministwire.com/2014/10/slamming-door-analysis-elsa-frozen/

2015

García Llop, Verónica María. "'Between Sisters': Female Characters in Frozen (2013)." TFG, dir. María del Mar Azcona Montoliú. Universidad de Zaragoza, Facultad de Filosofía y Letras, 2015.*

Holden, Stephen. "From the Heat of Royal Passion, Poof! It's Perfmafrost: Disney's Frozen, a Makeover of 'The Snow Queen'." New York Times 26 Nov. 2013.

http://www.nytimes.com/2013/11/27/movies/disneys-frozen-a-makeover-of-the-snow-queen.html

2016

Linksey, Dorian. "Frozen-Mania: How Elsa, Anna and Olaf Conquered the World." The Guardian 13 May 2014.

http://www.theguardian.com/film/2014/may/13/frozen-mania-elsa-anna-olaf-disney-emo-princess-let-it-go

2016

_____. "Let It go to Peer Review: Discussion of Frozen Is Academic at Symfrozium." The Guardian 8 June 2015.

http://www.theguardian.com/film/filmblog/2015/jun/08/frozen-symfrozium

2016

Parry, Hannah. "University Dons to Study 'Cultural Impact' of Disney Fairytale Frozen as Princess Elsa and Olaf the Snowman Make It Onto the Syllabus." Daily Mail 8 May 2015.*

http://www.dailymail.co.uk/news/article-3073218/University-dons-study-cultural-impact-Disney-fairytale-Frozen-Princess-Elsa-Olaf-snowman-make-syllabus.html

2015

Garfield Gets Real

Garfield Gets Real. Spanish DVD: Garfield en la Vida Real. Madrid: Twentieth Century Fox, 2007.*

Gaslight

Gaslight. 1944.

Geri’s Game. Short animation film. 1997. (Oscar).

Germinal

Germinal. Based on the novel by Emile Zola. France, 1963.

Hair

Music

García Landa, José Ángel. "Supreme Visions of Lonely Tunes." In García Landa, Vanity Fea 3 Oct. 2008. (Song from Hair).

http://garciala.blogia.com/2008/100301-supreme-visions-of-lonely-tunes.php

2008

The Heartbreak Kid

Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.*

High Sierra

Río, Constanza del. “High Sierra: Going Back Home.” In Flashbacks. Ed. Celestino Deleyto. Zaragoza: Servicio de Publicaciones de la Universidad de Zaragoza, 1992. 97-120.*

Holiday

Ruiz Pardos, Manuela. “Genre, History and Culture in the Screwball Comedies of the 1930s and Early 1940s: Holiday and The Philadelphia Story.” Proyecto de Investigación de Tercer Ciclo. Universidad de Zaragoza, Departamento de Filología Inglesa y Alemana, 1997.*

_____. Genre, History and Culture in the Screwball Comedies of the 1930s and early 1940s: Holiday and The Philadelphia Story. Ann Arbor: UMI, 1998.

Hollywood Revue

Hollywood Revue.. MGM, 1927.

Hoodwinked

García Landa, José Ángel. "Hoodwinked by Aristotle." In García Landa, Vanity Fea 23 Oct. 2006.

http://garciala.blogia.com/2006/102301-hoodwinked-by-aristotle.php

2006-11-01

House of Sand and Fog

House of Sand and Fog (Casa de arena y niebla). With Ben Kingsley. DVD. Barcelona: Filmax Home Video, 2004.

The Importance of Being Earnest. German film (pre-war). Based on Oscar Wilde’s play.

The Incredible Shrinking Man

Slusser, George. “Pocket Apocalypse: American Survivalist Fictions from Walden to The Incredible Shrinking Man.” In Imagining Apocalypse. Ed. David Seed. Houndmills: Macmillan; New York: St. Martin’s, 2000. 118-35.*

Ingagi (1930)

Ingagi. USA: Congo Pictures / RKO, 1930.

Erish, Andrew. "Illegitimate Dad of King Kong." In Los Angeles Times CalendarLive.com 8 Jan. 2006.

http://www.calendarlive.com/movies/cl-ca-ingagi8jan08,2,3536535.story

2006-01-08

The Invisible World

Ackroyd, Peter. Rev. of The Invisible World. BBC 1. The Times 28 Oct. 1982. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 179-80.*

The Iron Mask

The Iron Mask. Based on the novel by Alexandre Dumas. With Douglas Fairbanks. 1929.

It Came from Outer Space.

It Came from Outer Space. Based on Ray Bradbury’s novel. 1953.

Ivanhoe (1952)

Jim Comes to Joburg (1949)

Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*

The Killing

Casadesús Bordoy, Alejandro, and Eva Parra Membrives. "Lo que queda del sueño americano: The Killing y la reinterpretación del modelo social tras el 11-S." In La década del miedo: Dramaturgias audivisuales pos-11 de septiembre. Ed. Marta Fernández Morales. Bern: Peter Lang, 2013. 185-208.*

King Kong (1933)

Erish, Andrew. "Illegitimate Dad of King Kong." In Los Angeles Times CalendarLive.com 8 Jan. 2006.

http://www.calendarlive.com/movies/cl-ca-ingagi8jan08,2,3536535.story

2006-01-08

McGurl, Mark. “Making It Big: Picturing the Radio Age in King Kong.” Critical Inquiry 22.3 (Spring 1996): 415-45. *

The Knights of the Round Table (1953)

Lady Windermere’s Fan

Lady Windermere’s Fan. Film (voiceless), based on Oscar Wilde’s play. Cast: Ronald Colman, Mae McAvoy. USA.

Landfall

Landfall. Film. 1948. Based on Nevil Shute’s work.

La lengua de las mariposas

La lengua de las mariposas. Based on a story by Manuel Rivas, "La lengua de las mariposas", from ¿Qué me quieres, amor? Warner Sogefilms, 1999.

Lenny

Calvo, J. J. “Lenny subtitulado: el deslinde de un hito.” In Miscel-lània homenatge Enrique García Díez. Valencia: Universitat de Valencia / Consellería de Cultura, Educació i Ciència de la Generalitat Valenciana, 1991. 483-92.

The Life of Oscar Wilde. With Charles Laughton. USA, c. 1946.

El lince perdido

El lince perdido. DVD. Spain: Aurum / Alliance / Kandor Moon / Perro verde films, 2009.*

Lobo

(Spain, 2004. On ETA)

García Landa, José Angel. (Lobo, esquizofrénico). In García Landa, Blog de notas 16 Dec. 2004.

http://www.unizar.es/departamentos/filologia_inglesa/garciala/z04.html#actividadesbloguisticas

2006-07-08

The Longest Day. 1962. (Normandy).

Mapantsula (1988)

Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*

The Mask (1932)

Modertjie (1931)

Maingard, Jacqueline. "2. Fictions of Nation: The Symbol of Sacrifice (1918), Sarie Marais (1931) and Modertjie (1931)." In Maingard, South African National Cinema. London: Routledge, 2007. 35-52.*

Murphy’s Romance

Thomas, Deborah. “Murphy’s Romance: Romantic Love and the Everyday.” In Terms of Endearment: Hollywood Romantic Comedy of the 1980s and 1990s. Ed. Peter William Evans and Celestino Deleyto. Edinburgh: Edinburgh UP, 1998. 57-74.*

Mystic River

Deleyto, Celestino, Luis M. García Mainar, Virginia Luzón and Juan Tarancón. "Interpretation Unlimited: Mystic River en Contexto(s)." Abstract. In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*

'n Nasie Hou Koers (1940)

Maingard, Jacqueline. "3. Monuments to Nation: They Built a Nation (1938) and 'n Nasie Hou Koers (1940)." In Maingard, South African National Cinema. London: Routledge, 2007. 53-67.*

Nuit et brouillard

Lozano Aguilar, A. "Nuit et Brouillard (1955): De la Historia a la Memoria." In La memoria de los campos: El cine y los campos de concentración nazis. Ed. A. Lozano Aguilar. Valencia: Ediciones de la mirada, 1999. 69-92.

A Nymphoid Barbarian in Dinosaur Hell

Internet resources

"A Nymphoid Barbarian in Dinosaur Hell." Trailer. Vanity Fea 30 July 2012.

http://vanityfea.blogspot.com.es/2012/07/a-nymphoid-barbarian-in-dinosaur-hell.html

2012

Octopussy

Ackroyd, Peter. Rev. of Octopussy. The Spectator 18 June 1983. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 127-29.*

Persona

Boyd, David. Film and the Interpretive Process: A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. (Ars interpretandi 1). New York: Peter Lang, 1989.*

The Philadelphia Story

Ruiz Pardos, Manuela. “Genre, History and Culture in the Screwball Comedies of the 1930s and Early 1940s: Holiday and The Philadelphia Story.” Proyecto de Investigación de Tercer Ciclo. Universidad de Zaragoza, Departamento de Filología Inglesa y Alemana, 1997.*

_____. Genre, History and Culture in the Screwball Comedies of the 1930s and early 1940s: Holiday and The Philadelphia Story. Ann Arbor: UMI, 1998.

The Picture of Dorian Gray. French film. Paris, 1920s.

The Picture of Dorian Gray. Hollywood film. Cast: George Sanders, Donna Reed, Hurt Hutfield.

A Private Function

Ackroyd, Peter. Rev. of A Private Function. Film. The Spectator 8 Dec. 1984. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 132-34.*

Quo Vadis (1951)

Quo Vadis. With Leo Genn.

Rebecca

Berenstein, Rhona J. “Adaptation, Censorship and Audiences of Questionable Type: Lesbian Sightings in Rebecca (1940) and The Uninvited (1944).” Cinema Journal 37.3 (Spring 1998): 16-37

Rebel without a Cause

Jacques, Richard, et al. Classic Movies: Rebel Without a Cause. Barcelona: RBA, 1994.