from
A Bibliography of Literary Theory, Criticism and Philology
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel García Landa
(University of Zaragoza, Spain)
Carson McCullers (1917-1967)
(US novelist, b. Columbus, Georgia; suffered from strokes, d. Nyack, New York)
Works
McCullers, Carson. The Heart Is a Lonely Hunter. Novel. New York, 1940.
_____. The Heart Is a Lonely Hunter. (Penguin Twentieth Century Classics). Harmondsworth: Penguin.
_____. Reflections in a Golden Eye. Novel. 1941.
_____. The Member of the Wedding. Novel. New York: Houghton Mifflin, 1946.
_____. The Member of the Wedding. UK: Cresset Press, 1947.
_____. The Member of the Wedding. Harmondsworth: Penguin, 1962.
_____. The Member of the Wedding. (Penguin Classics). London: Penguin, 2001.
_____. The Member of the Wedding. Introd. Ali Smith. (Penguin Modern Classics). London: Penguin, 2008.*
_____. The Member of the Wedding. Play. (New York Drama Critics Award, 1950).
_____. The Ballad of the Sad Café. Novella. 1951.
_____. The Square Root of Wonderful. Drama. Premiere at Broadway, 1957.
_____. Clock Without Hands. Novel. 1961.
_____. Clock Without Hands. Harmondsworth: Penguin.
_____. Sweet as a Pickle and Clean as a Pig. Children's verse. 1964.
_____. The Mortgaged Heart. Early stories, essays and poems. 1971.
_____. "A Tree – A Rock – A Cloud." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993.*
_____. Illumination and Night Glare. Autobiography. 1999.
Criticism
Adell Carmona, Alba. "Not Precisely Sweet Sixteen: The Cult of Adolescence in Carson McCullers's The Member of the Wedding." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*
Girón Echevarría, Luis Gustavo. "Dialect Variation in The Heart is a Lonely Hunter." Atlantis 13 (1991): 103-10.*
González Groba, Constante. "A Haven in the Age of Anxiety: The Café as Setting and Symbol in the Fiction of Carson McCullers." Atlantis 8 (1986): 85-102.
____. "El infierno son los otros: La imposibilidad del amor correspondido en The Ballad of the Sad Café de Carson McCullers." Atlantis 9 (1987): 95-114.
____. "Growing Up Female in the Deep South: The Initiation of Mick Kelly in Carson McCullers' The Heart Is a Lonely Hunter." BELLS 5 (1994): 87-96.
____. El mundo novelesco de Carson McCullers: Soledad, amor e identidad. Universidad de Santiago de Compostela, 1994.
____. "Amor=Odio y violencia en Reflections in a Golden Eye." In Amor, odio y violencia en la literatura norteamericana. Ed. José Antonio Gurpegui. Alcalá de Henares: Universidad, 1994. 121-38.*
____. "The Intolerable Burden of Femininity in Carson McCullers' The Member of the Wedding and The Ballad of the Sad Café." Atlantis 16 (1994): 133-48.*
____. "Filling the Blank Page: Intertextuality in McCullers' The Heart Is a Lonely Hunter and Kosinski's Being There." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 563-68.*
____. "Filling the Blank Page: A Comparison of Carson McCullers' The Heart is a Lonely Hunter and Jerzi Kosinski's Being There." Revista de Estudios Norteamericanos 6 (1997/98): 9-23.
_____. "Carson McCullers and Lillian Smith: The Intersections of Gender and Race in the Jim Crow South." Journal of English Studies 5-6 (2005-2008): 119-37.*
_____. "'So Far as I and My People Are Concerned the South Is Fascist Now and Always Has Been': Carson McCullers and the Racial Problem." Atlantis 37.2 (Dec. 2015): 63-80.*
Górriz Villarroya, Manuel. "Carson McCullers: Las metáforas de la soledad." Turia 42 (1997): 12-28.
Havely, Cicely Palser. "Two Women Novelists: Carson McCullers and Flannery O'Connor." In The Uses of Fiction. Ed. Douglas Jefferson and Graham Martin. Milton Keynes: Open UP, 1982. 115-24.*
Ibarrola-Armendariz, Aitor "Reconsidering Some Reconstructions of American Literary History: The Case of Carson McCullers." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 569-74.*
James, Judith Giblin. Wunderkind: The Reputation of Carson McCullers, 1940-1990. Columbia (SC): Camden House, 1995.*
Jenkins, McKay.The South in Black and White: Race, Sex, and Literature in the 1940s. Chapel Hill: U of North Carolina P, 1999.* (W. J. Cash, William Alexander Percy, Lillian Smith, Carson McCullers).
Lojo Rodríguez, Laura. "Bienchen's Last Lesson: An Approach to Carson McCullers's 'Wunderkind'." In The American Short Story: New Perspectives. Ed. C. González Groba et al. Universidade de Santiago de Compostela, 1997. 309-15.*
Westling, Louise. Sacred Groves and Ravaged Gardens: The Fiction of Eudora Welty, Carson McCullers, and Flannery O'Connor. Athens (GA): U of Georgia P, 1985.