Graffi’s Filter Simulator Action Pack based on the original Kodak Wratten Photo Filter Sets

§ #1A Kodak Wratten: UV Skylight filter (Use outdoors to reduce blue and add warmth)

§ #2A Kodak Wratten: Haze, Pale Yellow, UV (Reduce excess blue caused by haze. Ideal for mountain, aerial & marine scenes

§ #2B Kodak Wratten: 415 (Absorbs ultraviolet radiation under clear sky conditions, reducing blue casts and haze)

§ #2E Kodak Wratten: Pale Yellow (Reduces bluish cast & haze. Also UV absorbing)

§ #3 Kodak Wratten: Schott CG 455 (Light Yellow Filter – removes excess blue in aerial photos. Recommended for landscapes when the sun is positioned low)

§ #8 Kodak Wratten: Yellow 2 (022, Schott CG 495) (Tonal correction outdoors with panchromatic film. Produces greater contrast in clouds against blue skis and foliage. Used for creating B&W images)

§ #9 Kodak Wratten : Yellow 3 (023, Schott OG 515) (Deep yellow for strong cloud contrast; used in B&W images.)

§ #11 Kodak Wratten: Green 1 X1 (060) (Nice outdoor filter for pleasing flesh tones in portraits against a blue sky; use before converting to B&W to render landscapes, foliage or natural sky)

§ #12 Kodak Wratten : Yellow (099, Schott OG 530) (Minus-Blue; cuts haze in outdoors, excess blue of full moon in astrophotography)

§ #15 Kodak Wratten : Deep Yellow (G) (Used mostly for B&W images. Renders dramatic dark skies, marine scenes or aerial B&W photos. Enhances contrast)

§ #16 Kodak Wratten : Yellow-Orange (040, Schott CG) (Deeper than #5; darkens blue and violet as well as green & yellow-green; for all landscape & architectural photography which require clear contours. Popular for nudes under natural light.)

§ #18A Kodak Wratten : UV (Has no effect on digital images)

§ #21 Kodak Wratten : Orange (Absorbs blues and blue-greens; renders blue tones darker)

§ #22 Kodak Wratten: Yellow 8 (041, Schott OG 570) (Red-Orange; corrects rendition of sky, cloud, dramatic stormy clouds, or foliage; use before converting to B&W)

§ #23A Kodak Wratten: light Red (Contrast effects; darkens sky & water; architectural photos; suppresses purple, blue and green; brightens red, orange, yellow-orange and yellow)

§ #24 Kodak Wratten: Red (090, Schott RG 595) (darkens blue skies and sun-cast shadows; strong contrast effects; darkens diffuse reflection from foliage)

§ #25 Kodak Wratten: Red 1 (Dramatic sky effects; can simulate moonlit scenes)

§ #26 Kodak Wratten: Red

§ #29 Kodak Wratten: Deep Red (091, Schott RG 625) (strong contrasts)

§ #32 Kodak Wratten : Magenta (Minus-green (#12 is minus-blue; #44A is minus-red))

§ #33 Kodak Wratten: Magenta (Strong green absorption)

§ #34A Kodak Wratten: Violet (minus-green/plus-blue for images shot under fluorescent lighting)

§ #38A Kodak Wratten: Blue (Covers blue and green; contrast filter for some UV and green absorption; increases contrast in B&W of yellow or orange subjects)

§ #39 Kodak Wratten: Blue (Contrast filter)

§ #44 Kodak Wratten: Light blue-green (minus-red filter)

§ #44A Kodak Wratten: Minus-red (Emphasizes blue and green)

§ #47 Kodak Wratten: Dark Blue (Accentuates haze & fog; adds contrast)

§ #47A Kodak Wratten: Light Blue (special effects)

§ #47B Kodak Wratten: Dark Blue (special effects)

§ #58 Kodak Wratten: Dark Green (special effects; adds detail to light foliage)

§ #61 Kodak Wratten: Dark green (Extreme lightening of foliage; great for springtime landscape images)

§ #70 Kodak Wratten: Red (Schott RG 665) (for Infrared effects)

§ #74 Kodak Wratten: Dark Green

§ #80A Kodak Wratten : KB 15 (Converts daylight film for use with 3200*K lamps; good for indoors lit by 100w or less incandescent bulbs)

§ #80B Kodak Wratten: KB12 (Converts daylight film for 3400*k lamps; use to avoid strong yellow-orange color tones)

§ #80C Kodak Wratten: (For use with clear flash & daylight color film)

§ #80D Kodak Wratten : (Converts tungsten light to daylight)

§ #81 Kodak Wratten: Amber (Light balancing yellowish warming filter)

§ #81A Kodak Wratten: Amber (Balances daylight films to electronic flash; corrects Type B film for use with 3400*k lamps; prevents excessive blue – perfect for overcast days)

§ #81B Kodak Wratten: Amber (Warmer than #81A)

§ #81C Kodak Wratten: KR 3 (Permits the use of clear flash lamps; prevents blue cast in cloudy/rainy weather; use under cloudless skies – mountain, seaside or midday sun)

§ #81D Kodak Wratten: Amber (Allows Kodachrome Type A color film to be used with flash – 500k warming filter)

§ #81E Kodak Wratten: Amber (Good for open summer shade where most light is from a blue sky)

§ #82 Kodak Wratten: (for any 100* increase in Kelvin temp for color rendering)

§ #82A Kodak Wratten: KB 1.5 (reduce reds with daylight film when the sun is low on the horizon)

§ #82B Kodak Wratten: (For cooler results)

§ #82C Kodak Wratten: KB 3 (for cooler results; cooling filter)

§ #85 Kodak Wratten: KR 12 (Converts Type A tungsten film to daylight; use with electronic flash)

§ #85B Kodak Wratten: KR 15 (Converts Type B film to daylight; use in mountain scenes)

§ #85C Kodak Wratten: Amber (For warmer results with daylight film)

§ #85N3 Kodak Wratten: Amber (Used to provide significant color temperature changes)

§ #85N6 Kodak Wratten: Amber (significant changes in color temperature of lighting)

§ #85N9 Kodak Wratten: Amber (significant changes in color temperature of lighting)

§ #87 Kodak Wratten: Infra Red (Schott RG 780) (Infrared filter - greater than 770nm)

§ #87B Kodak Wratten: Infrared

§ #87C Kodak Wratten: Infrared (093, Schott RG 830) (infrared filter; filters the entire spectrum)

§ #88B Kodak Wratten: Infrared

§ #89B Kodak Wratten: Infrared (infrared photos; esp aerial)

§ #90 Kodak Wratten: Dark grayish Amber (monochrome images)

§ #92 Kodak Wratten: Red

§ #96 Kodak Wratten: Dark Grayish Amber (neutralizing; controls luminance)

§ #98 Kodak Wratten: Blue

§ #99 Kodak Wratten: Green

§ #102 Kodak Wratten: Yellow-green (Converts photocell response to luminosity response)

§ #106 Kodak Wratten: Amber