LEARN WEIQI (GO), THE HARMONY CULTURE GAME, FOR FUN

Presenter: Francis C W Fung, Ph.D., Director General, World Harmony Organization

Education: B.Sc. Aeronautical Engineering, Brown University

M.S. Fluid Mechanics, Johns Hopkins University

Ph.D. Aerospace Engineering, University of Notre Dame

Dr. Fung is an aerospace engineer by profession. His multidiscipline experience includes energy and harmony research, U.S. – China technology transfer, academic teaching of fluid mechanics, international commerce, and creative thinking. As Director General of the World Harmony Organization, he is a prolific writer. His articles on Harmony Renaissance, Harmony Culture, Harmony Diplomacy, Harmony Governance, and Harmony Faith appear regularly worldwide on leading international media and websites.

From Shibumi, bestseller by Trevanian

Those interested in impressing others with their intelligence play chess. Those who would settle for being chic play backgammon. Those who wish to become individuals of quality, take up Go [Weiqi].

Weiqi, the ancient Asian chess game, is all about harmony philosophy and extending influence by people soft power. It is about sharing through extending influence and not confrontation. Also known as GO in some parts of the world, Weiqi is played by two with 361 equally ranked black and white stones (influences). Players take turns to deploy a stone of their color one at a time to gain more presence (influence) on a board with 19X19 horizontal and vertical intersecting lines (in the full version) representing potential points of influence. The objective is to extend influences across the playing board, and not to annihilate the opponent’s influence or pieces, leading to capturing the king as in western chess. When equally matched, players usually win by only a few extra stones on the board.

Weiqi is easy to learn and fun to play, but hard to play well. It requires good mental discipline, a deep philosophical attitude, and a multi-campaign mentality. Unlike western chess, the best known computer program still loses to the best Weiqi human player, despite the advances of computer programming. Western chess is basically a game of attack in which you must take your fight to the enemy to win; you will not win just defending. In contrast, with Weiqi’s objective of spreading influence, one generally only captures opponents if it is for strategic locations and when in ones acquired sphere of influence. It is never efficient to capture just for capture’s sake.

According to tradition, Weiqi was thought to have been invented by the first legendary sage king of China, the great Yao Shun, to teach his son to be a future wise king. To extol the harmony philosophy of Yao Shun, Confucius said in the Classic Zhongyong, “Great indeed is the wisdom of Shun! Shun likes to ask and to investigate the words of those who are close to him. He omits the bad and propagates the good. He holds fast the two extremes and uses the in-between for the people. This is what makes him Shun!” In Confucius’ harmony philosophy, from the two extremes comes the in-between. Only where there is a third that is the in-between of the two can the dispute be resolved and harmony be achieved. When there is no third, no in-between, the two will compete and fight with each other. This will lead to mutual destruction and not harmony.

In ancient China, Weiqi was given the second most important position as the “must learn” discipline, along with Ku Zeng, poetry, and calligraphy, for accomplished scholars. Both Confucius and Lao Tze considered playing Weiqi as an important accomplishment for a Confucian scholar. In Asia there were also important talented ladies recorded in history who excelled in playing Weiqi. Today it is played for fun and big prize money. In modern Japan, Weiqi has attracted as many amateur female as well as male players.

In modern days, among some learned circles in both East and West, Weiqi is considered as must training of business acumen for prospective entrepreneurs, along with reading Sun Tzu’s “Art of War”. It is also a recommended game at the U.S. Military Academy at West Point for counterterrorist influence training. For today’s multilateral world, Weiqi is essential training for our youth to learn how to share in a multi-ethnic and multicultural planet. Weiqi exercises both sides of our brains in spatial and analytical skills and cultivates our use of nonconfrontational soft approaches. It will be a desirable skill that will enable us to live in harmony with ourselves and with the world around us. It is a diplomat’s game to learn for the 21st century multilateral world.

In this workshop, we will do a lot of practice playing between beginner students guided by experienced teacher players. By the end of this short workshop, you will have a strong feeling of accomplishment in playing and will come away with a good sense of Weiqi harmony culture. Ultimately, the play of Weiqi is a shared negotiation and not simply outright conquest nor religious influence combined with military power, as in Western chess.
— photo from Wikipedia


BEGINNER WEIQI (GO) AND INTERACTIVE PLAYING

THE CLASS WILL BE CONDUCTED IN ENGLISH WITH BOTH ENGLISH AND CHINESE TERMS. STUDENTS WILL BE GIVEN A LOT OF OPPORTUNITY TO PLAY WEIQI WITH TEACHER GUIDANCE. THROUGHOUT THE COURSE, WEIQI PHILOSOPHY WILL BE DISCUSSED BY STUDENT PARTICIPATION USING KNOWLEDGE LEARNED FROM THE CLASS AND OUTSIDE READING.

THE CLASSES WILL BE CONDUCTED WITH INTERACTIVE EXAMPLES AND LECTURES ON HISTORY AND THE WEIQI HARMONY PHILOSOPHY. (FOR EXAMPLES, SEE INTRODUCTION AND WEIQI QUOTABLE VIEWS HANDOUT.)

STUDENTS WILL BE GIVEN EXERCISES TO PRACTICE AFTER CLASSES.

1) WEIQI AND PHILOSOPHY INTRODUCTION; LEARN TO MAKE A WEIQI BOARD

2) THE RULES OF WEIQI AND DEMONSTRATION GAMES

3) ELEMENTARY TACTICS AND STRATEGY

4) GRAND STRATEGY AND PLAYING

5) EXAMPLE GAMES WITH COMMENTARY AND INTERACTIVE TEACHING

6) CLASS TOURNAMENT AND SPEECH CONTEST; PRIZE AWARDS FOR TOURNAMENT, SPEECH, AND PARTICIPATION WINNERS.

THREE EQUAL HONOR CLASS PRIZES OF YOUNZI CHESS STONES SETS WITH WOODEN BOWLS WILL BE AWARDED TO THREE TOP-PERFORMING STUDENTS. YOUNZI STONES ARE CLASSIC CHINESE STONES FROM YUNNAN PROVINCE USED IN CHINESE WEIQI TOURNAMENTS. PRIZES WILL BE DONATED BY CLASS SPONSOR.

THE SPEECH COMPETITION TOPIC WILL BE “WHAT I HAVE LEARNED FROM PLAYING WEIQI”, A WRITTEN SPEECH OF ABOUT 5 MINUTES. WINNER WILL BE SELECTED BY STUDENT VOTING. THE SECOND EQUAL PRIZE FOR TOP CLASS PARTICIPATION AND MOST HELPFUL STUDENT WILL ALSO BE SELECTED BY STUDENT VOTING. THE TOURNAMENT WINNER WILL BE AWARDED THE REMAINING WEIQI SET.

THE LAST CLASS WILL BE THE AWARD CEREMONY WHEN THE TOP THREE SELECTED SPEECHES WILL BE DELIVERED. PARENTS OF THE CLASS STUDENTS ARE INVITED TO ATTEND.

Francis C W Fung, Ph.D.

Director General

World Harmony Organization

San Francisco, CA

Edited by James C Townsend, Ph.D.

Director, World Harmony Organization


What is GO?

Viewpoints

. . . [it is] something unearthly . . . If there are sentient beings on other planets, then they play Go.

– Emanuel Lasker, chess grandmaster

Go uses the most elemental materials and concepts -- line and circle, wood and stone, black and white -- combining them with simple rules to generate subtle strategies and complex tactics that stagger the imagination.

– Iwamoto Kaoru, 9-dan professional Go player and former Honinbo title holder

There are on the Go board 360 intersections plus one. The number one is supreme and gives rise to the other numbers because it occupies the ultimate position and governs the four quarters. 360 represents the number of days in the [lunar] year. The division of the Go board into four quarters symbolizes the four seasons. The 72 points on the circumference represent the [five-day] weeks of the [Chinese lunar] calendar. The balance of Yin and Yang is the model for the equal division of the 360 stones into black and white.

– From The Classic of Go, by Chang Nui (Published between 1049 and 1054)

The board has to be square, for it signifies the Earth, and its right angles signify uprightness. The pieces of the two sides are yellow and black; this difference signifies the Yin and the Yang — scattered in groups all over the board, they represent the heavenly bodies. These significances being manifest, it is up to the players to make the moves, and this is connected with kingship. Following what the rules permit, both opponents are subject to them — this is the rigor of the Tao.

– Pan Ku, 1st century historian

Beyond being merely a game, to enthusiasts Go can take on other meanings: of a nature analogous with life, an intense meditation, a mirror of one’s personality, an exercise in abstract reasoning, or, when played well, a beautiful art in which Black and White dance across the board in delicate balance.

– Terry Benson

Unlike chess and its different pieces and complicated rules, Go is played with black and white stones equal in value, seemingly making it compatible with the binary nature of computers. Since the aim of a move is to control the most territory, the optimal move yields the maximum amount of territory — a simple counting procedure and a chore computers excel at. Yet in spite of the efforts of the world’s best programmers over the last 30 years, the level of computer Go remains about that of a human who has studied Go for a month.

– Richard Bozulich

Studying go is a wonderful way to develop both the creative as well as the logical abilities of children because to play it both sides of the brain are necessary.

– Cho Chikun, among the world’s strongest players and one of the three great prodigies in Go history

The difference between a stone played on one intersection rather than on an adjacent neighbor is insignificant to the uninitiated. The master of Go, though, sees it as all the difference between a flower and a cinderblock. Certain plays resonate with a balletic grace, others clunk, hopelessly awkward, and to fail at making the distinction is a bit like confusing the ping of a Limoges platter with the clink of a Burger King Smurfs tumbler.

– From The Challenge of Go: Esoteric Granddaddy of Board Games, by Dave Lowry

That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music. Everything is lost when suddenly a false note is struck, or one party in a duet suddenly launches forth on an eccentric flight of his own. A masterpiece of a game can be ruined by insensitivity to the feelings of an adversary.

– From The Master of Go, by Yasunari Kawabata, winner of the Nobel Prize for Literature

Go is to Western chess what philosophy is to double entry accounting.

– From Shibumi, bestseller by Trevanian

Those interested in impressing others with their intelligence play chess. Those who would settle for being chic play backgammon. Those who wish to become individuals of quality, take up Go.

– Microcomputer Executive and an expert player, when asked to compare Go with other games

Monks who have a talent for it play go with women and become their lovers.

– Yamaoka Genrin, Edo-period essayist

There are Oriental folk tales reminiscent of Rip Van Winkle in which people have been stopped by an old man [one of the Immortals], played a game of Go, and upon getting up from the board have found a hundred years have gone by. This purely mental aspect of the game is in its intellectual dynamic. These Chinese had seen it as encompassing the principles of nature and the universe and of human life, as the diversion of the immortals, a game of abundant spiritual powers.

– From The Game of Go, by Robert Buss

You’re striving for harmony, and, if you try to take too much, you’ll come to grief.

– Michael Redmond, American Go player when 23 years old and already a 5-dan professional

About three hundred years ago an eminent Chinese monk came to Japan on a visit and was shown the diagram of a game of Go which a master of that time had recently played. Without knowing anything of the game save the sketchy description they gave him, the monk studied the moves as shown on the record, and after a few moments remarked with much admiration and respect that the player must have been a man who had become enlightened, which was indeed the case. It is interesting to note that this story is told on the one hand by Go players to illustrate the quality of the game and on the other hand by Buddhists to show the acuity of the monk from China.

– From Go and the Three Games, by William Pinckard

The board is a mirror of the mind of the players as the moments pass. When a master studies the record of a game he can tell at what point greed overtook the pupil, when he became tired, when he fell into stupidity, and when the maid came by with tea.

– Anonymous Go player


Go and the ‘Three Games’
by William Pinckard

Games-playing is one of the oldest and most enduring human traits. Disparate pieces of evidence such as dice discovered at Sumer, game-boards depicted on Egyptian frescoes, Viking chess pieces, and ball parks constructed by ancient empires deep in the Andes link up directly with contemporary phenomena such as Saturday night poker games in Kansas City and the annual go title matches in Tokyo.

Games are undeniably a concomitant of civilization and even in their most primitive forms presuppose some degree of sophistication. Most of all, they require the ability to think in abstractions and to manipulate ideas in logical terms, thereby giving form to what is formless and creating small, recognizable patterns in the shadow of great mysteries.