(1868-1953) Irish.
"Autumn Landscape".
Oil on board. Signed.
(27 x 39cm - 10½ x 15½ in)
2 / WATSON, Samuel (1843)
"The Cow Boy".
Oilpainting on canvas.
Signed and dated verso.
(42 x 33cm - 16½ x 12½ in)
3 / After George Morland
Pair ofpictures engraved by Sydney P. Wilson,
"Going to and returning from the hunt".
(Each 52 x 41cm - 20½ x 15½ in)
4 / Pair of oval gilt mounted George Morlandpictures of families gathering in the countryside in traditional costumes.
5 / MORGAN, Amelia.
Irish.
"St Multose Church, Kinsale". Watercolour.
Signed and dated 1933.
(36 x 32cm - 14 x 12½ in)
6 / STAINTON, George
(fl. 1860-1895) British.
"Coastal landscape with figures on beach and sailing boats in distance".
Watercolour. Signed.
(21 x 32 cm - 8¼ x 12½)
7 / HADDON, D.W.
(fl. 1884-1914) British. "Fisherman seated on doorstep mending his net."
Watercolour on board. Signed.
(25 x 20cm - 9½ x 8)
8 / BOSANQUET, John.
(Fl. 1854 - 1861) Irish
"Ballintemple Village, Cork". Watercolour.
(23 x 40cm - 23 x 39in)
9 / BROOME, William
(1838-1892) British.
Pair of oilpaintings depicting a lifeboat rescue and titled
"Going to the wreck" and "Saved".
(Each 60 x 105cm - 23½ x 41in)
10 /
Victorian Maritime School
"Flagships engaged in battle at close quarters".(c. 1820)
Oilpainting on panel.
Unsigned.
(64 x 95cm - 25 x 37 in)
11 / HARTLAND (1865)
"Sailing boats believed to be in Cork Harbour with the 'Brussels Eastern Ship' in the background." Oilpainting on canvas.
Signed Hartland and dated 1865.
(74 x 105cm - 29 x 41 in)
12 / KNELL, Adolphus
(fl. 1860-1890) British.
"Shipping in Moonlight". Oilpainting on canvas.
(28 x 22cm - 11 x 8½ in)
13 / MEYER, F.
(1825-1875) German.
"Homeward on a Winter's Day". Seascape with sailing boat, rough sea and windy sky.
Oilpainting on canvas.
Signed with monogram.
(35 x 60cm - 14 x 23½ in)
14 / AYRTON, Michael
(1921-1975) British.
Double sided pair of watercolours.
"Aptera 64" and "Estuary 4-1-65".
Both signed and dated.
(Each 36 x 54 cm - 12 x 21½ in)
15 / KOEKKOECK,
Maximus Adrianus
(1807-1870) Dutch.
"Wooded landscape with thatched cottage, logs and man with axe". Oilpainting on canvas. Signed. (21cm x 32cm - 8¼ x 12½ in)
16 / WILLIS, Henry Brittan
(1810-1884) British.
"Group of cattle, figures and house in rural setting".
Oilpainting on canvas.
Signed and dated 1853.
(61 x 48cm - 24 x 19 in)
17 / Lamb, Charles Vincent,
RHA, RUA
(1893- 1965) Irish
“West of Ireland landscaped with grazing sheep”
Oilpainting on board - Double sided, Signed
(Each 30 x 40cm - 12 x 16 in)
18 / "Coastal scene with thatched cottages, church and boat on beach".
Oilpainting on canvas.
19th century. Possibly Scottish. Signature indistinct.
(22 x 40cm - 8½ x 15½ in)
19 / Knell, William Callcott (19th C) British
“Sailing barges in calm estuaries”
Pair of watercolours.
Signed and dated 1866
(Each 19 x 35 cm - 7½ x 13½ in)
20 / ATKINSON,
George Mounsey Wheatley
(1804-1872) Irish.
"The Sirius in a rough sea". Oilpainting on canvas.
(60 x 87cm - 23½ x 24 in)
The Sirius was the first vessel to steam across the Atlantic under the command of Captain Roberts of Monkstown, Co. Cork.
21 / VAN DER HAGEN, William
(b The Hague, fl c. 1720; d Ireland, 1745).
"Corke Harbour 1738" depicting the island of Haulbowline with the castle which was the former clubhouse of The Water Club, and numerous sailing vessels in Cork Harbour
The Water Club of Cork Harbour, now the Royal Cork Yacht Club, was established in the year 1720 and is recognised as being the oldest yacht club in the world.
Oilpainting on canvas” (48 x 91cm – 19 x 36 ins)
Signed and dated 1738, this recently rediscovered painting has a strong claim to be the earliest surviving painted depiction of Cork harbour and is an exciting addition to the small oeuvre of William van der Hagen.
Full details, photographs, etc available by post or fax, and at