Theatre Reading List

Greek Tragedy:

Aeschylus AGAMEMNON

THE PERSIANS

THE ORESTEIA

Euripides MEDEA

Sophocles OEDIPUS REX

ANTIGONE

ELECTRA

Greek Comedy:

Aristophanes LYSISTRATA

THE FROGS

THE POET AND THE WOMEN

Euripides THE BACCHAE

Roman Comedy:

Plautus THE MENAECHMI

Roman Tragedy:

Seneca THE TROJAN WOMEN

OEDIPUS

MEDEA

The Medieval Period:

Anon. EVERYMAN

THE SECOND SHEPHERD’S PLAY

Renaissance Comedies:

Johnson VOLPONE, or THE FOX

Udall RALPH ROISTER-DOISTER

Shakespeare TWELFTH NIGHT

A MID-SUMMER NIGHT’S DREAM

THE TAMING OF THE SHREW

Renaissance Tragedies:

Marlowe DOCTOR FAUSTUS

Webster THE DUCHESS OF MALFI

Shakespeare KING LEAR

HAMLET

MACBETH

OTHELLO

Shakespeare’s Histories:

RICHARD II

HENRY IV Part One

HENRY IV Part Two

HENRY V

HENRY VIII

RICHARD VIII

17th Century Comedies:

Moliere TARTUFFE

THE MISER

THE MISANTHROPE

THE IMAGINARY INVALID

THE BOURGEOIS GENTLEMAN

George Etherege SHE WOULD IF SHE COULD

THE MAN OF MODE

Wm. Wycherly THE COUNTRY WIFE

Wm. Congreve THE WAY OF THE WORLD

George Fahrquar THE BEAUX STRATAGEM

17th Century Tradegdies:

John Dryden THE INDIAN EMPEROR

Thomas Otway VENICE PRESERVED

Racine PHAEDRA

18th Century Comedies:

Cibber & Vanbrugh THE PROVOKED HUSBAND

THE RELAPSE

John Gay THE BEGGAR’S OPERA

Richard Brindsley Sheridan THE RIVALS

THE SCHOOL FOR SCANDAL

Oliver Goldsmith SHE STOOPS TO CONQUER

Beaumarchais THE MARRIAGE OF FIGARO

David Garrick A MISS IN HER TEENS

19th Century Romanticism:

J.W. von Goethe FAUST

Friedreich Schiller THE ROBBERS

DON CARLOS

Georg Buchner WOYZECK

Heinrich von Kleist THE PRINCE FROM HOMBURG

Alexandre Dumas, fils CAMILLE

Realism (late 19th-20th Century)

Henrik Ibsen A DOLL’S HOUSE

THE WILD DUCK

HEDDA GABLER

Anton Chekhov THE CHERRY ORCHARD

THE SEAGULL

UNCLE VANYA

August Strindberg MISS JULIE

A DREAM PLAY

Maxim Gorky THE LOWER DEPTHS

Gerhart Hauptmann THE WEAVERS

Vladimir Mayakovsky THE BEDBUG

G.B.Shaw ARMS AND THE MAN

CANDIDA, or MAJOR BARBARA

SAINT JOAN

Oscar Wilde THE IMPORTANCE OF BEING EARNEST

SALOME

Noel Coward HAY FEVER

Eugene O’Neill LONG DAY’ JOURNEY INTO NIGHT/THE EMPEROR JONES

Luigi Prinadello SIX CHARACTERS IN SEARCH OF AN AUTHOR

Susan Glaspell TRIFLES

Feydeau A FLEA IN HER EAR

Surrealism/Expressionism/The Absurd:

Guillaume Apollinaire THE BREASTS OF TIRESIAS

Artaud SPURT OF BLOOD

Georg Kaiser FROM MORN TO MIDNIGHT

Alfred Jarry KING UBU

Elmer Rice THE ADDING MACHINE

Nikolai Gogol THE INSPECTOR GENERAL

20th Century:

Bertolt Brecht MOTHER COURAGE, THREE PENNY OPERA

Jean Anouilh ANTIGONE

Frank Wedekind SPRING AWAKENING

Friedrich Durrenmatt THE VISIT

Gerhart Hauptmann THE WEAVERS

Frederico Garcia Lorca BLOOD WEDDING

John Osborn LOOK BACK IN ANGER

Jean Paul Sartre NO EXIT

Jean Genet THE MAIDS, THE BALCONY

Samuel Beckett WAITING FOR GODOT, ENDGAME, HAPPY DAYS

Harold Pinter THE HOMECOMING, THE CARETAKER

Peter Weiss MARAT/SADE

Tennessee Williams THE GLASS MENAGERIE, A STREETCAR NAMED DESIRE

Arthur Miller DEATH OF A SALESMAN

Thornton Wilder OUR TOWN

Joe Orton WHAT THE BUTLER SAW

Amiri Baraka DUTCHMAN

Edward Albee WHO’S AFRAID OF VIRGINIA WOOLF, THE ZOO STORY

Edward Bond SAVED

Sam Shepard BURIED CHILD, A LIE OF THE MIND

Tom Stoppard ROSENCRANTZ AND GUILDENSTERN ARE DEAD, ARCADIA

August Wilson FENCES, THE PIANO LESSON

Tony Kushner ANGELS IN AMERICA (PARTS ONE AND TWO)

Suzan-Lori Parks TOP DOG/UNDERDOG, THE DEATH OF THE LAST BLACK MAN IN THE WHOLE WIDE WORLD

Athol Fugard BLOOD KNOT, A LESSON FROM ALOES

Peter Shaffer EQUUS

Lorraine Hansbury A RAISIN IN THE SUN

George C. Wolfe THE COLORED MUSEUM

Maria Irene Fornes FEFU AND HER FRIENDS

Lee Breuer THE GOSPEL AT COLONUS

David Mamet AMERICAN BUFFALO, GLENGARRY GLENN ROSS, OLEANNA

Caryl Churchill TOP GIRLS, CLOUD NINE

Terrance McNally CORPUS CHRISTI

Dario Fo THE ACCIDENTAL DEATH OF AN ANARCHIST

David Rabe STREAMERS

Peter Handke KASPAR, THE RIDE ACROSS LAKE CONSTANCE

Heiner Muller HAMLETMACHINE

Paula Vogel HOW I LEARNED TO DRIVE

Sarah Ruhl THE CLEAN HOUSE

Dramatic theory/history/design texts:

Aristotle THE POETICS

Artaud THE THEATRE AND IT’S DOUBLE

Bogart THE VIEWPOINTS BOOK

Brecht BRECHT ON THEATRE

Brockett HISTORY OF THEATRE

Brook THE EMPTY SPACE

Craig THE ART OF THEATRE

Esslin THE THEATRE OF THE ABSURD

Fuchs THE DEATH OF CHARACTER

Grotowski TOWARDS A POOR THEATRE

Jones THE DRAMATIC IMAGINATION

Stanislavki AN ACTOR PREPARES