1
Siegfried,
Susan Locke Siegfried
CURRICULUM VITAE
Current
Position: Professor of Art History and Women’s Studies
1122 Lane Hall
204 S. State Street
University of Michigan
Ann Arbor, MI48109-1290
United States of America
Tel: +1-734-763-2047
Fax: +1-734-647-4943
e-mail:
Education:1983: Honorary M.A., University of Oxford
1980: Ph.D., HarvardUniversity
1976: M.A., HarvardUniversity
1971: B.A., WellesleyCollege
Appointments &
Fellowships:Getty Scholar, 2005-06
University of Leeds Study Leave Award in the Humanities, 2000
Leverhulme Trust Senior Fellowship, 1999-2000
Paul Mellon Visiting Senior Fellow, Center for Advanced Study in the Visual Arts,
Washington D. C., 1999
Rhodes Visiting Fellow, University of Oxford, 1982-85
American Council of Learned Societies Grant, 1983-84
Northwestern University Research Grants, 1981, 1982-83
Whiting Foundation Fellowship, 1978-79
Traveling Grant, Harvard University, 1977-78
Horton-Hallowell Traveling Fellowship, 1976-77
Museum Fellow, ToledoMuseum of Art, Toledo, Ohio, 1971-72
Durant Scholar, 1970
Management
Positions:Acting Director, Women’s Studies Program, 2006-07
Research Projects Manager, Getty Art History Information Program, 1987-95
TeachingProfessor of Art History and Women’s Studies, University of Michigan, 2002-
Positions:Professor of Art History, University of Leeds, 1996-2002
Assistant Professor, Northwestern University, 1980-84
Instructor, Harvard University, 1979-80
Teaching Fellow, Harvard University, 1974-76
CuratorialGuest Curator, The Art of Louis-Léopold Boilly, KimbellArt Museum,
Positions: Fort Worth, and National Gallery of Art, Washington D.C., 1995-1996
Guest Curator, Boilly exhibition project, Art Institute of Chicago, 1985-87
Assistant Curator, Works by J.-A.-D. Ingres in the FoggArt Museum,
FoggArt Museum, Cambridge, Mass., 1980
Work in
Progress: Ingres: Painting Reimagined, Yale University Press, forthcoming 2009
“Boilly : Ambiguïtés de genre et peinture de genre,” in Le cardinal Fesch et l'art de son temps (actes du colloque, Ajaccio, 2007), eds. Olivier Bonfait and Philippe Costamanga, Ajaccio, Musée Fesch and Ville d’Ajaccio, forthcoming 2008.
Publications,
Art History,
books & articles:
Staging Empire: Napoleon, Ingres, and David, co-author with Todd Porterfield, College Station, Pa.: Pennsylvania State University Press, 2006
Fingering Ingres, editor (with A. Rifkin) and contributing author, Oxford,
Blackwell Publishers, 2001: "Editor's Introduction" and "Ingres's Reading - The Undoing of Narrative"
The Art of Louis-Léopold Boilly: Modern Life in Napoleonic France, New Haven and London: YaleUniversity Press, 1995
Works by J.-A.-D. Ingres in the Collection of the FoggArt Museum (with M. Cohn), exh. cat., Cambridge, Mass., HarvardUniversity, 1980.
“The Artifice of Antiquity: David’s Sappho and Phaon,” in Mark Ledbury, ed.,David after David, Williamstown, Clark Art Institute, 2007, pp. 93-107.
“Femininity and the Hybridity of Genre Painting,” in Philip Conisbee, ed., French Genre Painting in the Eighteenth Century, Center for Advanced Study in the Visual Arts, Washington D. C., 2007, pp. 15-37.
“L’auto-institution de l’artiste: L’Apothéose d’Homère d’Ingres,” in Ingres,1780-1867, exh. cat., Paris: Musée du Louvre, 2006, pp. 54-67.
“Faith in Materials: Ingres’s Christ Giving the Keys to Saint Peter,” special issue of Art History, vol. 28, Nov. 2005, pp. 657-688; and in About Stephen Bann, ed. D. Cherry, Oxford: Blackwell, 2006
“Un certain regard: Ingres, Delacroix, et l’Odalisque,” in Sébastian Allard (ed.), Paris 1820: L’affirmation de la génération romantique, Berne: Peter Lang, 2005, pp. 61-84
Catalogue entries on Boilly paintings for The Age of Watteau, Chardin and Fragonard.Masterpieces of French Genre Painting, ed. C. Bailey, Yale University Press in association with the National Gallery of Canada, Ottawa, and the National Gallery of Art, Washington D.C., catalogue accompanying the exhibition held in Ottawa, Washington, and Berlin, Staatliche Museen zu Berlin, Gemäldegalerie, 2003-2004
“Reinventing Relics and Napoleon’s Regal Body,” in A. Gooden, ed., The Eighteenth-Century Body. Art, History, Literature, Medicine, Oxford, Peter Lang, 2002, pp. 157-80.
"The Imperatives of Drawing in Ingres's Art," in W. Busch and M. Stuffmann, eds., Zeichnen in Rom, 1790-1830, Cologne, Walther König, 2001, pp. 63-96
"Drawing as Displacement: Ingres's Studies for the Vow of Louis XIII," in C. Bowen, S. Dackerman, and C. Mansfield, eds., Dear Print Fan. AFestschrift for Marjorie B. Cohn, Cambridge, Mass., Harvard University Art Museums, 2001, pp. 287-93
"Boilly: de nouvelles images de la rue et de la circulation à Paris," in K. Bowie, dir., La Modernité avant Haussmann. Formes de l'espace urbain à Paris, 1801-1853, Paris, Editions Recherches (CNRS), 2001, pp. 280-90
"Ingres and the Theatrics of History Painting," Word and Image, vol. 16, December 1999, pp. 58-76
"Engaging the Audience: Sexual Economies of Vision in Joseph Wright," Representations, vol. 68, Fall 1999, pp.34-58
"The Politicization of Art Criticism in the Postrevolutionary Press," in Art Criticism and its Institutions in Nineteenth Century France, M. Orwicz, ed., ManchesterUniversity Press, 1994, pp. 7-28
"Naked History: The Rhetoric of Military Painting in Postrevolutionary France," Art Bulletin, vol. 75, 1993, pp. 235-58
"Boilly and the Frame-Up of Trompe l'Oeil," Oxford Art Journal, vol. 15, 1992, pp. 27-37
"The Artist as Nomadic Capitalist: The Case of Louis-Léopold Boilly," Art History, vol. 13, December, 1990, pp. 516-41
"Reconsideration du Marat de Boilly," Boilly, 1761/1845, Un Grand Peintre français de la Révolution à la Restauration, Musée des Beaux-Arts, Lille, 1988, pp. 6-13
"L'Iconographie militariste sous la Révolution et l'Empire," in Les images de la Révolution française, M. Vovelle, ed., Paris: Publications de la Sorbonne, 1988
"The Politics of Criticism at the Salon of 1806: Ingres's Napoleon Enthroned," Proceedings of the Consortium on Revolutionary Europe, Athens, Georgia, 1980, pp. 69-81
Publications,
Art History,
reviewReview of Gen Doy, Seeing and Consciousness: Women, Class, and Representation,
articles &in Journal of Gender Studies, vol. 6, 1997, pp. 348-51
shorter
essays:Review of George Vigne, Dessins d'Ingres. Catalogue raisonné des dessins du Musée de Montauban, and Ingres, in Revue de l'Art, March 1996, pp. 76-77.
"The Popularization of History," Review of Gabriel Weisberg and Petra ten-Doeschette Chu, The Popularization of Images, in Art History, 1995, pp. 141-46
Entry on Boilly, The Ian Woodner Collection of Drawings and Prints, National Gallery of Art, Washington, 1995, pp. 356-59
“Spectacle and Display in Boilly's L'Entrée du Jardin Turc,” New York/London: Stair Sainty Matthiesen and Matthiesen Gallery, 1991
"Boilly's Moving House: `An Exact Picture of Paris'?," The Art Institute of ChicagoMuseum Studies, Chicago, 1989, pp. 126-37
Publications,
Electronic
Information:"The Policy Landscape," in The Politics of Culture: Policy Perspectives for
Individuals, Institutions and Communities, G. Bradford, M. Gary, and G. Wallach, eds., Washington, D.C., Center for Arts and Culture, 1999, pp. 327-37, reprinted from the series "Digital Culture and the Practices of Art and Art History," Art Bulletin, 1997, pp. 209-13
"Research Practices of Humanities Scholars in an Online Environment: The Getty Online Searching Project Report No. 3," (with M. Bates and D. Wilde), Library and Information Science Research, vol. 17, 1995, pp. 5-40
"A Profile of End-User Searching Behavior by Humanities Scholars: The Getty Online Searching Project Report No. 2," (with M. Bates and D. Wilde), Journal of the American Society for Information Science, 44, 1993, 274-91
"An Analysis of Search Terminology Used by Humanities Scholars: The Getty Online Searching Project Report No. 1," (with M. Bates and D. Wilde), Library Quarterly, 63, 1993, 1-38
"Getty's SynonameTMand its Cousins: A Survey of Applications of Personal Name-Matching Algorithms" (with C. Borgman), Journal of the American Society for Information Science, 43, 1992, 459-76
"SynonameTM: A Personal Name-Matching Program for Use in the Humanities," Literary and Linguistic Computing, 7, 1992, 64-67
"SynonameTM: The Getty's New Approach to Pattern Matching for Personal Names" (with J. Bernstein), Computers and the Humanities, Fall 1991, pp. 211-26.
Presentations,
Art History:
“Fragment, reprise et oeuvre infinite chez Ingres,” Modernité et inachèvement: l’oevre en fragments, Colloque Musée du Louvre, Paris, November 2008
“The Fabric of a Female Subjectivity,” Materialism and the Materiality of the Image: A Continuation of a Conversation Begun at University of Michigan, Ann Arbor, September 2007, University of California, Berkeley, April 2008
“Venus as Odalisque: Ingres's Reimagining of the Female Nude,” Harn Eminent Scholar Lecture,FloridaStateUniversityGainesville, Florida, November 2007
“Femininity and Fashion in Post-Revolutionary France,” FloridaStateUniversity, Gainesville, November 2007
“Feminine Provocations in the Public Sphere,” session on Gender, Sociability, and Space, Nineteenth-Century French Studies conference, Mobile, Alabama, October 2007
“"Vénus en Odalisque : Ingres et la nouvelle mise en image du nu féminin," Ingres classique et moderne, Musée du Louvre, March 2006
“The Artifice of Antiquity,” Jacques-Louis David: Empire and Exile, A Clark/Getty Symposium, The Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, June 2005
Keynote address, “Destabilizing the Gender Binary: Ingres’s Jupiter and Thetis,” The Berkeley Symposium: Interdisciplinary Approaches to Visual Representation, University of California, Berkeley, March 2005
“Le cas d’un tableau II : Le portrait de Napoléon par Ingres,” Université Paris X-Nanterre, Centre Louis et Charles Blanc et pôle interdisciplinaire XIXe siècle, December 2004
“Ingres’s Apotheosis of Homer,” Classical Romantic, Contexts for Classicism Colloquim, University of Michigan, March 2004
“Hybridity: Genre and Portraiture,” French Genre Painting in the Eighteenth Century symposium, Center for Advanced Study in the Visual Arts (CASVA), National Gallery of Art, Washington D. C., Dec 12-13, 2003; considerably expanded version presented as “Hybridity: Genre (Gender) and Portraiture,” to Eighteenth-Century Studies Group, University of Michigan, April 2004
“Repetition as artistic process,” Association of Art Historians Conference, London, April 2003
“Reinventing Relics and Napoleon’s Regal Body,” The Eighteenth-Century Body conference, Oxford, July 2001; Université de Montréal, March 2003
“Destabilizing the gender binary: a revisionist look at Ingres,” Women’s Studies program, University of Michigan, January 2003
“Classicism as bourgeois psychodrama: Ingres’s Antiochus and Stratonice,” Nineteenth Century French Studies Conference, Ohio State University, October, 2002; International Congress of the History of Art (CIHA), Université de Montréal, session (Time in Man) Space is Woman, co-chairs Deborah Cherry and Janice Helland, August, 2004
“The Immediacy of Sensation: Ingres’s History Painting,” History Painting in Nineteenth-Century France conference, University of Manchester, September 2002
"Painting as Woman: Ingres's Raphael and the Fornarina," University of Warwick, May 2001
"Ingres's Drawing Practice: Fixing and Unfixing the Motif," Royal College of Art, London, March 2001
"The Intervention of the Feminine and Ingres's Artistic Subjectivity," Sussex Centre for Research in the History of Art, February 2001
"Fingering Ingres," session co-chair (with A. Rifkin), College Art Association Conference, New York, February 2000
“Ingres's Portrayal of Sexual Difference," National Gallery, London, March 1999; and National Gallery of Art, WashingtonD.C., May 1999
"Drawing as Displacement: Ingres and Stylistic Historicism," Zeichnen in Rom, 1790-1830, Johann David Passavant-Kolloquium des Städelschen Kunstinstituts in Frankfurt am Main, December 1997
"The Female Spectator," Psychoanalysis and the Image: Sexuality/Sexual/Cultural Difference, lecture series, University of Leeds, October 1997
"Engaging the Audience: Sexual Economies of Vision in Joseph Wright," conference on Joseph Wright and his World: London and Regional Culture in the late Eighteenth Century, Victoria and Albert Museum, London, September 1997; and University of Manchester, Research Seminar, February 1998
"Ingres and the Theatrics of History Painting," The Image of History: Paul Delaroche (1797-1865) conference, University of Kent, Canterbury, September 1997; and University of East Anglia, Research Seminar, February 1998
"From Boudoir to Boulevard: Boilly as an Artist of the 19th Century," symposium held in conjunction with The Art of Louis-Léopold Boilly exhibition, Kimbell Art Museum, Fort Worth, November 1995, and National Gallery, London, public lecture, May 1996
"The Thematics of Viewing," Work in Progress series, GettyCenter for the History of Art and the Humanities, 1995
"Bourgeois Social Fear and its Displacement in Caricature of the Directoire," College Art Association Conference, New York, 1994
"Boilly and the Frame-up of Trompe l'Oeil," Association of Art Historians Conference, London, 1991
"Trouble with a Capital T: Billiards and other Erotic Pastimes in French Paintings from Russian Collections," From Poussin to Matisse: The Russian Taste for French Painting: A Loan Exhibition from the U.S.S.R., public lecture, Art Institute of Chicago, 1990
"The Politics of Censorship in the Postrevolutionary Press," College Art Association Conference, New York, 1990
"Imagery of Militarism in Revolutionary and Napoleonic France," Bicentennial of the French Revolution, New YorkUniversity, 1989; Association of Art Historians Conference, London, 1985
"L'Iconographie militariste sous la Révolution et l'Empire," Colloque sur les Images de la Révolution française, Sorbonne, Paris, 1985
"Revolutionary Contradictions Pursued: Conflicts between Policy and Practice in the Artistic Patronage of the FirstFrenchRepublic," special seminar, Department of the History of Art, University of Oxford, 1984
"Little Pictures for the Middle Class: Genre painting in France, 1770-1830," Old Masters Society, Art Institute of Chicago, 1981
"Ingres and the Academy of Napoleon," Works by J.-A.-D. Ingres in the Fogg Art Museum symposium, HarvardUniversity, Cambridge, Mass., 1980
"The Politics of Criticism at the Salon of 1806: Ingres' Napoleon Enthroned," Tenth Consortium on Revolutionary Europe, Tallahassee, Fl., 1980; and College Art Association Conference, New Orleans, 1980
Presentations,
Electronic
Information:"The Mobilization of the Base," Mellon Seminar on Teaching with Technology: The Art History Survey Course, Vassar College, New York, May 1998
Session co-chair (with J. Trant), "Using Digital Images in the Classroom," College Art Association Conference, Boston, 1996, pre-conference session sponsored by the College Art Association Committee on Electronic Information
Session chair, "New Challenges in the Classroom," Annual Conference of the Consortium of Humanities Centers and Institutes, Irvine, California, 1995
U.S. representative, G-7 Pilot Project on ElectronicMuseums and Galleries, Rome, 1995
Co-chair, Humanities and Arts on the Information Highways: A National Initiative, 1994-95, sponsored by the American Council of Learned Societies, the Coalition for Networked Information, and the Getty Art History Information Program
"Name Authority Control Using Artificial Intelligence: A Survey of Applications of Personal Name-Matching Algorithms," American Library Association Conference, Miami, 1994
Conference organizer, Technology, Scholarship, and the Humanities: The Implications of Electronic Information, a national invitional conference cosponsored by the Getty Art History Information Program, the American Council of Learned Societies, the Coalition for Networked Information, the Council on Library Resources, and The Research Libraries Group, held in Irvine, California, 1992
"Getty's Synoname: The Development of Software for Personal Name Pattern Matching," RIAO '91 Conference on Intelligent Text and Image Handling, Barcelona, 1991
"Matching Personal Names in the Humanities," Association for Computers and the Humanities Conference, Fordham University, New York, 1990; and Association for Computers and the Humanities and Association for Literary and Linguistic Computing International Conference, Tempe, Arizona, 1991
Invitational Conference on Scholarship and Technology in the Humanities sponsored by the Office for Humanities Communication, the British Library, the British Academy, the American Council of Learned Societies, the Council on Library Resources, and The Research Libraries Group, Elvetham Hall, England, 1990
Editing and
Consultancy:International Advisory Board, Art History, 2006-
Guest Editor, Art History, special issue on Ingres, December 2000
Guest Editor (with J. Sund), Art Journal, nineteenth-century issue, summer 1996
Director, Research Agenda for Networked Cultural Heritage, Getty Art History
Information Program, 1996
Reviewer, Art History, 2003-04
Reviewer, PennState Press, 2003
Reviewer, ManchesterUniversity Press, 1998
Reviewer, YaleUniversity Press, 1995-
Reviewer, Art Bulletin, 1994-
Reviewer, Getty Grant Program, 1987-89, 1996
Reviewer, J. Paul Getty Museum publications, 1994
Service:
Organizer, History of Art Symposium, “Materialism and the Materiality of the Image,” September 2007
Executive Committee, Department of the History of Art, University of Michigan, 2003-05, 2007
Executive Committee, Women’s Studies Program, University of Michigan, 2004-05
Promotions and Review Committee, Women’s Studies Department, University of Michigan, 2007
Personnel Committee, Women’s Studies Program, University of Michigan, 2003-04
Director of Graduate Studies, Department of the History of Art, University of Michigan, 2003-05
Chateaubriand Fellowships Jury, French Embassy, WashingtonD.C., April 2003
British National Committee, Comité International d'Histoire de l'Art, 2000-2002
External Examiner, Open University, 1999-2002
External Examiner, Art History and Theory, University of Essex, 1998-2001
National Endowment for the Humanities, Review Panel on Art History, 1988
Languages:French and German
References:Available upon request