Stephen Davies - Philosophical and Other Publications 1
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STEPHEN DAVIES - RESEARCH PUBLICATIONS
BOOKS AUTHORED
2012. The Artful Species: Aesthetics, Art, and Evolution. Oxford: Oxford University Press, 301. ISBN 978-0-19-965854-1.
2011. Musical Understandings and Other Essays on the Philosophy of Music. Oxford: Oxford University Press, 221. ISBN 978-0-19-960877-5.
2007. Philosophical Perspectives on Art. Oxford: Oxford University Press., vii + 279. ISBN 978-0-19-920242-3 (cloth), 978–0–19–920243–0 (softback).
2006. The Philosophy of Art. Oxford: Blackwell, 251. ISBN 13: 9781405120227; 10: 1405120223; 13: 9781405120234; 10: 1405120231.
Chinese translation. Shanghai: Shanghai People's Fine Art Publishing House, 2008, pp.223. ISBN 978-7-5322-5478-1 (softback).
2003.Themes in the Philosophy of Music. Oxford, Oxford University Press, 283. ISBN 0-19-924157-0; 0-19-928017-7 (paperback)
Published in Chinese translation by Hunan Literature & Art Publishing House, 2010.
2001. Musical Work and Performances: A Philosophical Exploration. Oxford: Clarendon Press, 374. ISBN 0-19-924158-9; 0-19-927411-8.
1994.Musical Meaning and Expression. Ithaca & London: Cornell University Press, 417.ISBN 0-8014-2930-7; 0-8014-8151-1.
Published in Chinese translation by Hunan Literature & Art Publishing House, No. 508, Sec. 1, East 2nd Ring Rd., Changsha, Hunan 410014, P. R. CHINA.
1991.Definitions of Art. Ithaca & London: Cornell University Press, 243. ISBN 0-8014-2568-9; 0-8014-9794-9.
1988.Birds at Gibraltar Point: a Systematic List Covering the Years 1949 to 1987. Lincoln: The Lincolnshire and South Humberside Trust for Nature Conservation, 70. ISBN 0 9501420 3 4.
Co-authored with Ron HICKLING, illustrations by David BENNETT.
BOOKS EDITED
2009. A Companion to Aesthetics. Malden: Wiley-Blackwell, xvi + 621. Second edition.
Co-edited with K. HIGGINS, R. HOPKINS, R. STECKER, & D. E. COOPER.
2003. Art and Essence. Westport, CT, Praeger, 252.
Co-edited with A. C. SUKLA.
1997.Art and Its Messages: Meaning, Morality, and Society. University Park, PA, Pennsylvania State University Press, 128.
REPRINTED PAPERS
Forthcoming. 'Relativism in Interpretation,'
Milan Orálek (trans. Czech)
Forthcoming. 'John Cage's 4'33".Is it Music?'
Daniel Charles (trans. French), in Les Cahiers de l'Herne
2013."Ist die Architektur eine Kunst?" Philosophie der Architektur, Christoph Baumberger (ed.), Michael Webb (trans.), Münster: Mentis, 30-49.
2012."Muzyka, ogień i ewolucja," dialogi o kulturze i edukacji, nr 1(1), 35–58. Translated by Paweł Zajadacz.
2012. 'John Cage's 4'33". Is it Music?' Australasian Journal of Philosophy, 90th Year Special Virtual Issue.
2011. 'Bob, Little Jim, Bluebottle, and the Three Stooges,'
Sophia, 50, 265-268
2011. 'The Musical Expression of Emotion,'
in A Reader in the Philosophy of the Arts, David Goldblatt & Lee Brown (eds.), (Upper Saddle River, NJ: Prentice-Hall), 185-190. Third edition.
Excerpted from The Philosophy of Art.
2010. 'Non-Western Art and Art's Definition,'
in Aesthetics Today: A Reader, edited by R. Stecker & T. Gracyk, (Lanham: Rowman & Littlefield, 2010), 137-146.
2010. 'The Expression of Emotion in Music,'
in Aesthetics Today: A Reader, edited by R. Stecker & T. Gracyk, (Lanham: Rowman & Littlefield, 2010), 296-303.
Excerpted from Musical Meaning and Expression, 227-240.
2009. 'Life is a Passacaglia.'
Philosophy and Literature, 33, 315-328.
2009.'Notations.'
Companion to Aesthetics, S. Davies, K. Higgins, R. Hopkins, R. Stecker, & D. E. Cooper (eds.) (Maldern: Wiley-Blackwell), 441-443. Second edition.
2009.'Performance.'
Companion to Aesthetics, S. Davies, K. Higgins, R. Hopkins, R. Stecker, & D. E. Cooper (eds.) (Maldern: Wiley-Blackwell), 460-462. Second edition.
2008.'True Interpretations,' In D. Davies & C. Matheson (eds.), Contemporary Readings in the Philosophy of Literature: An Analytic Approach, Plymouth: Broadview, 211-216.
2007.'Balinese Aesthetics.' In S. Feagin (ed.), Global Theories of the Arts and Aesthetics, Malden: Blackwell Publishing, 21-29.
2007. 'Definizioni funzionali e procedurali.' In Simona Chiodo (ed & trans), Che Cosa è Arte: La filosofia analitica e l'estetica, Italy: De Agostini Scuola SpA-Novara, 98-108. [From Definitions of Art, pp. 27-38, 46-7, in Italian.]
2005. 'Functional and Procedural Definitions of Art.' In J. O. Young (ed.), Aesthetics: Critical Concepts in Philosophy, London: Routledge, 4 vols, Vol. 2, 86-93.
2005. 'The Expression of Emotion in Music.' In J. O. Young (ed.), Aesthetics: Critical Concepts in Philosophy, London: Routledge, 4 vols, Vol. 4, 3-18.
2005. 'Is Architecture an Art?' In J. O. Young (ed.), Aesthetics: Critical Concepts in Philosophy, London: Routledge, 4 vols,, Vol. 4, 300-15.
2005. 'Ontologie delle opere musicali,' Discipline Filosofiche, Michele Gardini (trans.) (Edizioni Quodlibet; "Elementi di estetica analita"; editor: G. Matteucci), 15 (2), 143-59. (Reprint of Chapter Two of Themes in the Philosophy of Music.)
2004. 'Weitz's Anti-essentialism.' In P. Lamarque & S. H. Olsen (eds.), Aesthetics and the Philosophy of Art: The Analytic Tradition, Oxford: Blackwell, 63-8. (Reprint of Chapter One of Definitions of Art.)
2004. 'Rock versus Classical Music' In P. Lamarque & S. H. Olsen (eds.), Aesthetics and the Philosophy of Art: The Analytic Tradition, Oxford: Blackwell, 505-15.
2002. 'Contra the Hypothetical Persona in Music' In Impuls: Tidsskrift for Psykologi: Musikk, 56 (2/3), 47-57.
2000. 'Art, Definition of.' In Concise Routledge Encyclopedia of Philosophy. London: Routledge, 55.
2000. 'Art, Performing.' In Concise Routledge Encyclopedia of Philosophy. London: Routledge, 55-6
2000. 'Artistic Expression.' In Concise Routledge Encyclopedia of Philosophy. London: Routledge, 58-9.
1998. 'Musical Understanding and Musical Kinds.' In P. Alperson (ed.), Musical Worlds: New Directions in the Philosophy of Music, University Park, PA: The Pennsylvania State University Press, 69-81.
1997. 'Authenticity in Musical Performance.' In P. Maynard & S. Feagin (eds.), Aesthetics: Oxford Reader Series, Oxford, Oxford University Press, 228-34.
1997. 'Why Listen to Music If It Makes Us Feel Sad?' In J. Robinson (ed.), Music and Meaning, Ithaca: Cornell University Press, 242-53.
1995. 'Why Listen to Music If It Makes Us Feel Sad?' In K. M. Higgins (ed.), Aesthetics in Perspective, New York, Harcourt Brace, 391-96.
1994. 'Authenticity in Musical Performance.' In A. Neil & A. Ridley (eds.) Arguing About Art: Contemporary Philosophical Debates. New York, McGraw-Hill, 62-73.
1994. 'The Evaluation of Music.' In P. Alperson (ed.), What is Music? An Introduction to the Philosophy of Music, University Park, PA: The Pennsylvania State University Press, 307-25.
1993. 'Is Music a Language of the Emotions?' In J. W. Bender & H. Gene Blocker (eds.), Contemporary Philosophy of Art: Readings in Analytic Aesthetics, New Jersey: Prentice Hall, 150-9.
1981. 'The Expression of Emotion in Music.' In D. L. Boyer, P. Grim & J. T. Sanders (eds.), The Philosophers' Annual, 4, 25-44.
JOURNAL EDITING
1995. 'Symposium on Aesthetics' Australasian Journal of Philosophy, 77 (2).
JOURNAL ARTICLES
Forthcoming. "Modest actual mentalism: questions and comments,"
Sztuka i Filozofia: Art and Philosophy,.
2013. 'The Evolutionary Value of an Aesthetic Sense,' Aisthesis – Pratiche, linguaggi e saperi dell'estetico, 6 (2), (2013), 75-79.
2013. 'Why Make Art?' Island, 134, Spring, 20.
2013. 'Artists' Intentions and Artwork Meanings: Some Complications,' Behavioral and Brain Sciences, 36, 138-139.
2013. 'Performing Musical Works Authentically: A Response to Dodd,'British Journal of Aesthetic, 53, 71-75.
2012. 'Authentic Performances of Musical Works,'Teorema: Revista Internacional de Filosofia. 31 (3), 81-88.
2012. 'On Defining Music,' The Monist, 95, 535-555.
2011.'Questioning the Distinction between Intra- and Extra-musical Meaning,'Physics of Life Reviews, 8 (2), 114-115.
2010. 'Why Art is not a Spandrel?' British Journal of Aesthetics, 50, 333-341.
2010. 'The Hypothetical Intentionalist's Dilemma: a Reply to Levinson,'British Journal of Aesthetics, 50, 307-312.
(co-authored with Robert Stecker)
2010. 'Functional Beauty Examined,' Canadian Journal of Philosophy, 40, 315-332.
2010. 'Perceiving Melodies and Perceiving Musical Colors,' Review of Philosophy and Psychology, 1, 19-39.
2009. 'Responding Emotionally to Fictions,' Journal of Aesthetics and Art Criticism, 67, 269-284.
2008. 'Trying to Define Art as the Sum of the Arts,' Pazhouhesh Nameh-e Farhangestan-e Honar (Research Journal of the Iranian Academy of the Arts), 8, Spring (2008): 12-23. (Also in Persian in the same journal.)
2008. 'Musical Works and Orchestral Colour.' British Journal of Aesthetics, 48, 363-75.
2008. 'The Origins of Balinese Legong,' Bijdragen tot de taal-, land- en volkenkund (BKI), 164 (2/3), 194-211.
2007. 'La Vita a Ritmo di Passacaglia [Life is a Passacaglia],' Rivista di Estetica, 35, (2), 129-46. Translator Luca Angelone.
2007. 'Balinese Aesthetics,' Journal of Aesthetics and Art Criticism, 65, 21-9.
2006. 'Performance Interpretations of Musical Works,' Nordisk Estetisk Tidskrift, Nr 33-34, 8-22.
2006. 'Authors' Intentions, Literary Interpretation, and Literary Value,' British Journal of Aesthetics, 46, 223-47.
2006. 'Balinese Legong: revival or decline?' Asian Theatre Journal, 23, 314-41 (+ 2 color plates).
2006. 'Aesthetic Judgment, Artworks and Functional Beauty,' Philosophical Quarterly, 56, 224-41.
2005. 'Beardsley and the Autonomy of the Work of Art,' Journal of Aesthetics and Art Criticism 63, 179-83.
2005. 'Ellen Dissanayake's evolutionary aesthetic,' Biology and Philosophy, 20, 291-304.
2004. 'The Know-how of Musical Performance,' Philosophy of Music Education Review, 12, (2), 56-61.
2004. 'The Cluster Theory of Art,' British Journal of Aesthetics, 44, 297-300.
2004. 'Once again, this time with feeling,' Journal of Aesthetic Education, 38, (2), 1-6.
2002. 'Profundity in Instrumental Music,' British Journal of Aesthetics, 42, 343-56.
2001. 'Una improbable última paraula sobre la mort de l'art,' Enrahonar: Quaderns de Filosofia, 32/33, 191-201. Trans. Gerard Vilar
2001. 'Musical Meaning in a Broader Perspective,' Journal of Aesthetics and Art Criticism, 59, 261-73.
Co-authored with Constantijn KOOPMAN.
1999.'Response to Stecker,' British Journal of Aesthetics, 39, 282-7.
1999.'Rock versus Classical Music,' Journal of Aesthetics and Art Criticism, 57, 193-204.
1998. 'The Marriage of Susanna', Crescendo, No 50, 16-18.
1997.'John Cage's 4'33'. Is it Music?' Australasian Journal of Philosophy, 75, 448-62.
1997. 'Population Structure, Morphometrics, Moult, Migration, and Wintering of the Wrybill (Anarhynchus frontalis)' Notornis, 44, 1-14.
1997.'First Art and Art's Definition,' Southern Journal of Philosophy, 35, 19-34.
1997.'So, You Want to Sing with the Beatles? Too Late!' Journal of Aesthetics and Art Criticism, 55, 129-37.
1996.'Interpreting Contextualities,' Philosophy and Literature, 20, 20-38.
1995.'Relativism in Interpretation,' Journal of Aesthetics and Art Criticism, 53, 8-13.
1995. 'Feather Lice (Insecta: Phthiraptera) on Wrybill,' Stilt, No. 27, October, 46-7.
1994.'Kivy on Auditors' Emotions,' Journal of Aesthetics and Art Criticism, 52, 235-6.
1994.'General Theories of Art versus Music,' British Journal of Aesthetics, 34, 315-25.
1994.'Musical Understanding and Musical Kinds,' Journal of Aesthetics and Art Criticism, 52, 68-81.
1993.'Comments on David Carrier's Review of my Definitions of Art,' Languages of Design, 1, 395.
1993.'Representation in Music,' Journal of Aesthetic Education, 27 (1), 16-22.
1993. 'Formation of the New Zealand Wader Study Group,' Stilt No.23, October, 11.
Co-authored with Adrian RIEGEN.
1993. 'The Miranda Banders, New Zealand,' Stilt, No. 22, April, 53-6.
1992.'Mozart's Requiem? A Reply to Levinson,' British Journal of Aesthetics, 32, 254-7.
1991.'The Ontology of Musical Works and the Authenticity of their Performances,' Noûs, 25, 21-41.
1991.'"I have finished today another new concerto..."' Journal of Aesthetic Education, 25 (4), 139-41.
1991. 'Longevity, Breeding Success and Faithfulness to Wintering Sites of Wrybill', Stilt, No.19, October, 26-7.
1990.'Reply to McFee's Reply,' Grazer Philosophische Studien, 38, 185-6.
1990.'Replies to Arguments Suggesting that Critics' Strong Evaluations Could Not Be Soundly Deduced,' Grazer Philosophische Studien, 38, 157-75.
1990.'The Sharp End of Justice,' Political Science, 42 (2), 55-9.
1990.'Functional and Procedural Definitions of Art,' Journal of Aesthetic Education, 24 (2), 99-106.
1990.'Violins or Viols? - A Reason to Fret,' Journal of Aesthetics and Art Criticism, 48,147-51.
1988.'True Interpretations,' Philosophy and Literature, 12, 290-7.
1988.'Authenticity in Performance: A Reply to James O. Young,' British Journal of Aesthetics, 28, 388-91.
1988.'A Defence of the Institutional Definition of Art,' Southern Journal of Philosophy, 26, 307-24.
1988.'Transcription, Authenticity and Performance' British Journal of Aesthetics, 28, 216-27.
1988.'Kripke, Crusoe and Wittgenstein,' Australasian Journal of Philosophy, 66, 52-66.
1987. 'Banding Near Auckland - 1986/87', Stilt, No.11, October, 55.
Co-authored with Adrian RIEGEN.
1987.'A Note on Feagin on Interpreting Art Intentionalistically,' British Journal of Aesthetics, 27, 178-80.
1987.'Why Isn't the Expression Theory Dead?' Dialectic, 29, 21-7.
1987.'Authenticity in Musical Performance,' British Journal of Aesthetics, 27, 39-50.
1986. 'The Expression Theory Again,' Theoria, 52, 146-67.
1986.'Moral Arguments on the Export of Live Sheep,' Political Science, 38 (2), 147-56.
1986. 'Wader Watching in the Auckland Area', Stilt, No.9, October, 35-7.
1984.'Truth-Values and Metaphors,' Journal of Aesthetics and Art Criticism, 42, 291-302.
1983.'Attributing Significance to Unobvious Musical Relationships,' Journal of Music Theory, 27, 203-13.
1983. 'The Rationality of Aesthetic Responses,' British Journal of Aesthetics, 23, 38-47.
1983.'Is Music a Language of the Emotions?' British Journal of Aesthetics, 23, 222-33.
1982. 'The Aesthetic Relevance of Authors' and Painters' Intentions,' Journal of Aesthetics and Art Criticism, 41, 65-76.
1982. 'Moult in Sanderlings', Stilt, No.3, Spring, 6-10.
1981. 'Skylarks at Gibraltar Point, Lincolnshire', Ringing and Migration, 3, 173-9.
1981. 'Development and Behaviour of Little Tern Chicks,' British Birds, 74, 291-8.
1981. 'Thoughts on the Protection of Little Terns,' Peregrine, 5, 123-4.
1980.'The Expression of Emotion in Music,' Mind, 89, 67-86.
ELECTRONIC JOURNAL PAPERS
2012. "Art and Human Evolution," on the Oxford University Press blog at
Reproduced at
2011. 'The Role of Westerners in the Conservation of the Legong Dance.'Contemporary Aesthetics. Vol 3,
2010."Music, Fire, and Evolution," Politics and Culture, Issue 1,
(accessed April 30, 2010)
Reprinted and translated
'Muzyka, ogień i ewolucja,' dialogi o kulturze i edukacji, nr 1(1), (2012): 35–58. Translated by Paweł Zajadacz.
2008. 'Bob, Little Jim, Bluebottle, and the Three Stooges.'Postgraduate Journal of Aesthetics (British Society of Aesthetics), 5 (1)
2007. 'Life is a Passacaglia.' On-line Danto conference.
2000. 'Balinese Musicians' Assessments of Recorded Performances,' International Yearbook of Aesthetics, 4, 22-42.
BOOK CHAPTERS
Forthcoming. 'The Aesthetics of Adornments.' In Aesthetics towards Everyday Life: East and West, edited by Liu Yuedi and C. Carter, Cambridge: Cambridge Scholars.
Forthcoming. 'Bali and the Management of Culture.' In ?, edited by C. Carter
Forthcoming. 'Così and Character.' In Character, edited by I. Fileva, New York: Oxford University Press.
Forthcoming. 'And everything nice.' In Body Aesthetics, edited S. Irvin, Oxford: Oxford University Press
2013."Music-to-listener Emotional Contagion." In The Emotional Power of Music, edited by Tom Cochrane, Bernadino Fantini, and Klaus R. Scherer, Oxford: Oxford University Press, 169-176.
2012. 'Beauty, Youth, and the Balinese Legong Dance.' In Peggy Zeglin Brand (ed.), Beauty Unlimited, Indianapolis: University of Indiana Press, 259-279.
2011. 'Infectious Music: Music-Listener Emotional Contagion.' In Peter Goldie & Amy Coplan (eds.) Empathy: Philosophical and Psychological Perspectives, Oxford: Oxford University Press, 134-148.
2011. 'Cross-cultural musical expressiveness: theory and the empirical programme.' In Elisabeth Schellekens & Peter Goldie (eds.),The Aesthetic Mind: Philosophy and Psychology, Oxford: Oxford University Press, 376-388.
2009. 'The History.' In Legong. Doug Myers (ed.), (Ubud: Amandari), 20-25.
2008. 'Così's Canon Quartet.' In G. Hagberg (ed.), Art and Ethical Criticism. Oxford: Wiley-Blackwell, 245-258.
2007. 'Versions of Musical Works and Literary Translations.' In K. Stock (ed.), Philosophers on Music: Experience, Meaning and Work, Oxford: Oxford University Press, 79-92.
2007. 'Musikalisches Verstehen [Musical Understandings].' In A. Becker & M. Vogel (eds.), Matthias Vogel (trans.), Musikalischer Sinn: Beiträger zu einer Philosophie der Musik, Frankfurt: Suhrkamp Verlag, 25-79.
2006. 'Artistic Expression and the Hard Case of Pure Music.' In M. Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art, Oxford: Blackwell, 179-91.
2003. 'Introduction.' In S. Davies & A. C. Sukla (eds.), Art and Essence, Westport, CT: Praeger, ix-xix.
2003. 'Essential Distinctions for Art Theorists.' In S. Davies & A. C. Sukla (eds.), Art and Essence, Westport, CT: Praeger, 3-16.
2003. 'The Experience of Music' In A. C. Sukla (ed.) Art and Experience, Westport, CT: Praeger, 109-20.
2002. 'What is the Sound of One Piano Plummeting?' In The Segerberg Collection: Seven Easy Pieces in Honour of Krister, Auckland: University of Auckland Philosophy Department, 13-21.
2002. 'The Multiple Interpretability of Musical Works.' In M. Krausz (ed.), Is There a Single Right Interpretation? University Park, PA: Pennsylvania State University Press, 231-50.
2001. 'Philosophical Perspectives.' In P. N. Juslin & J. A. Sloboda (eds.), Music and Emotion: Theory and Research, Oxford, Oxford University Press, 23-44.
2001. 'Musical Representation' In A. C.. Sukla (ed.), Art and Representation: Contributions to Contemporary Aesthetics, Westport, CT, Praeger, 194-202.
2000.'Non-Western Art and Art's Definition.' In N. Carroll (ed.), Theories of Art Today, Madison, WI, University of Wisconsin Press, 199-216.
1997.'Contra the Hypothetical Persona in Music.' In M. Hjort and S. Laver (eds.), Emotion and the Arts, Oxford, Oxford University Press, 95-109.
1997.'Introduction.' In S. Davies (ed.) Art and Its Messages: Meaning, Morality, and Society, University Park, PA, Pennsylvania State University Press, 1-16.
1994.'Is Architecture Art?' In M. Mitias (ed.), Philosophy and Architecture, Amsterdam and Atlanta, GA, Rodopi, 31-47.
1992. 'Sovereigns, Sovereignty and the Treaty of Waitangi.' In G. Oddie & R. Perrett (eds.), Justice, Ethics and New Zealand Society, Auckland, Oxford University Press, 41-59.
Co-authored with R. E. EWIN.
1987.'The Evaluation of Music.' In P. Alperson (ed.), What is Music? An Introduction to the Philosophy of Music, New York: Haven, 307-25.
1986.'Why are Non-human Animals Objects of Moral Concern?' In J. Howell (ed.), Environment and Ethics, Christchurch, Centre for Resource Management Special Publication No.3, 105-20.
1981. 'Flowering Plants of the Calf of Man, 1980', The Calf of Man Bird Observatory: Annual Report for 1980, Douglas: The Manx Museum and National Trust, 38-48.
ENCYCLOPEDIA, HANDBOOK, COMPANION, AND DICTIONARY ARTICLES
Forthcoming. 'Music (definitions of).' In W. F. Thompson (ed.), Music in the Social and Behavioral Sciences: An Encyclopedia, London: Sage Reference.
Forthcoming. 'Emotional contagion.' In W. F. Thompson (ed.), Music in the Social and Behavioral Sciences: An Encyclopedia, London: Sage Reference.
Forthcoming. 'Evolution's possible connections to aesthetic experience and art.' In M. Kelly (ed.), Encyclopedia of Aesthetics, Oxford: Oxford University Press, second edition
Forthcoming. 'Evolutionary Approaches to Literature.' In J. Gibson & N. Carroll (eds.), The Routledge Companion to Philosophy of Literature, London: Routledge
2013. 'Definitions of Art.' In Gaut & D. McIver Lopes (eds.), Routledge Companion to Aesthetics, London, Routledge, 3rd edition, 213-222.
2011. 'Notations.' In T. Gracyk and A. Kania (eds.), The Routledge Companion to Philosophy and Music, London: Routledge, 70-79.
2011. 'Analytic Philosophy of Music.' In T. Gracyk and A. Kania (eds.), The Routledge Companion to Philosophy and Music, London: Routledge, 294–304.
2010. 'Emotions Expressed and Aroused by Music: Philosophical Perspectives.' In P.N. Juslin & John Sloboda (eds.), Oxford Handbook of Music and Emotion: Theory, Research, Applications, Oxford: Oxford University Press, 15-43.
2009. 'Twentieth-century Anglo-American Analytic Aesthetics.' In S. Davies, K. M. Higgins, R. Hopkins, R. Stecker, & D, E, Cooper (eds.), A Companion to Aesthetics. Second edition. Malden: Wiley-Blackwell, 61-73.
Co-authored with Robert Stecker.
2009. 'Music and Song.' In S. Davies, K. M. Higgins, R. Hopkins, R. Stecker, & D, E, Cooper (eds.), A Companion to Aesthetics. Second edition. Malden: Wiley-Blackwell, 91-95.
Co-authored with John Andrew Fisher.
2009. 'Danto, Arthur C(oleman).' In S. Davies, K. M. Higgins, R. Hopkins, R. Stecker, & D, E, Cooper (eds.), A Companion to Aesthetics. Second edition. Malden: Wiley-Blackwell, 226-229.
Co-authored with David Novitz.
2009. 'Evolution, Aesthetics, and Art.' In S. Davies, K. M. Higgins, R. Hopkins, R. Stecker, & D, E, Cooper (eds.), A Companion to Aesthetics. Second edition. Malden: Wiley-Blackwell, 259-261.
2009. 'Notations.' In S. Davies, K. M. Higgins, R. Hopkins, R. Stecker, & D, E, Cooper (eds.), A Companion to Aesthetics. Second edition. Malden: Wiley-Blackwell, 441-443.
2009. 'Performance.' In S. Davies, K. M. Higgins, R. Hopkins, R. Stecker, & D, E, Cooper (eds.), A Companion to Aesthetics. Second edition. Malden: Wiley-Blackwell,460-462.
2006. 'Art, Performance in.' In Donald M. Borchert (editor-in-chief), J. Robinson (subject editor), Encyclopedia of Philosophy, New York: Macmillan Reference USA, Vol. 1, 321-4.
2005. 'Definitions of Art.' In Gaut & D. McIver Lopes (eds.), Routledge Companion to Aesthetics, London, Routledge, 2nd edition, 227-39.
2003. 'Ontology of Art.' In J. Levinson (ed.), The Oxford Handbook of Aesthetics, Oxford: Oxford University Press, 155-180.
2003. 'Music' In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics, Oxford: Oxford University Press, 489-515.
2001. 'Interpretation' In S. Sadie (ed.), New Grove Dictionary of Music, Second Edition, London, Macmillan. Vol. 12, 497-9.
2001. 'Anglo-American Philosophy of Music, 1960-2000.' In Stanley Sadie (ed.), New Grove Dictionary of Music, Second Edition, London, Macmillan. Vol. 19, 621-4.
2001. 'Definitions of Art.' In B. Gaut & D. McIver Lopes (eds.), Routledge Companion to Aesthetics, London, Routledge, 169-79.
1998. 'Artistic expression' In M. Budd (subject ed), Edward Craig (Editor-in-Chief), Routledge Encyclopedia of Philosophy, London, Routledge, Vol. 1, 493-8.
1998. 'Art, performing.' In M. Budd (subject ed), Edward Craig (Editor-in-Chief), Routledge Encyclopedia of Philosophy, London, Routledge, Vol. 1, 468-72.
1998. 'Art, definition of.' In M. Budd (subject ed), Edward Craig (Editor-in-Chief), Routledge Encyclopedia of Philosophy, London, Routledge, Vol. 1, 464-8.
1998. 'Theories of Art' In M. Kelly (ed.), Encyclopedia of Aesthetics, Oxford, Oxford University Press, Vol. 4, 380-7.
1998. 'Authentic Performance: Critical Overview.' In M. Kelly (ed.) Encyclopedia of Aesthetics, Oxford, Oxford University Press, Vol. 1, 162-6.
1996. 'Art as Performance.' In M. M. Eaton (subject ed), Donald M. Borchert (Editor-in-Chief), Encyclopedia of Philosophy, Supplement, New York, Macmillan Reference, 45-6.
1992. 'Performance' In D. E. Cooper (ed.), Companion to Aesthetics, Oxford, Blackwell, 320-3.
1992. 'End of Art, The.' In D. E. Cooper (ed.), Companion to Aesthetics, Oxford, Blackwell, 138-42.