Santiago Canyon College: Arts, Humanities and Social Sciences

English N50: Introduction to Written Communication

Course Syllabus

Spring 2005

Instructor: James Isbell Ticket #: 3305010

Time: Mon/Wed 7:30-8:50 Location: Rm. B-210

Office Phone: 714 628-4946 Office: U-130

Email:

Office Hours: Mon 9:30-10:30 & 2:00-3:00

Tues 3:00-4:00

Wed 2:00-3:00

Thurs 3:00-4:00

and by appointment

Required Texts and Supplies:

The Least You Should Know About Grammar

Frankenstein by Mary Shelley

College Dictionary

Three-ring notebook

Course Description:

This class is designed to give you experience writing in a variety of developmental modes. We will be learning not only specific techniques of prewriting, essay development, and revision, but general organizational and critical thinking skills as well. These components will be developed through instructor conferencing, class discussion, peer evaluations, both in-class and out-of-class reading and writing assignments, and collaborative projects.

In order to accomplish this general goal, this class has been linked with Reading Skills review class. It is important that you understand that these classes are intimately connected—what you do in one class affects your work in the other. The assignments that you will receive in Carol’s class will be completed in this class. You must be attending both classes in order to receive credit. Even if you don’t pass both classes, you need to attend both in order to receive credit in both.

Although this class is designed as a review class, I realize that most of you are not familiar with academic writing techniques and formats. Please keep in mind that you will be learning many concepts in this class that will improve your general writing and thinking skills. However, some of what you will learn is specific to academic writing; as such, you may want to approach some aspects of this class as you would a second or foreign language class, remembering that you are reviewing and preparing for academic writing in a very specific setting.

Course Objectives:

Upon successful completion of this course, you will be able to:

1.  generate significant ideas and formulate critical responses to class assignments;

2.  generate and collect information necessary for college level writing assignments;

3.  write a coherent and cohesive multi-paragraph essay; and

4.  apply revision and editing techniques to your own writing.

Course Requirements:

Class Preparation: Having read the assignment, always bring your textbook, notebook, dictionary, pen, and syllabus to class.

Writing Assignments: Writing assignments will include summaries, critical paragraphs, and short essays. Always place your name, the course name, meeting day and times, the date, and the assignment type in the top left corner of all outlines, rough drafts, and final drafts.
All final drafts must be submitted with all prewriting notes, outline, rough draft, all peer evaluations (when applicable).
You will be allowed to rewrite any assignment for a higher grade. Keep in mind that while you are rewriting a previous assignment you will also be working on your next one.

Late Papers: NO LATE PAPERS WILL BE ACCEPTED.

Extra Credit: None

Instructor Feedback: The written and verbal comments I make regarding your papers are designed to strengthen your personal reading and writing processes and, thus, make those processes more effective; I hold you responsible for adjusting your writing to those comments. If any comment is unclear, see me for an explanation. If I do not hear from you, I will assume that you have read my comments, understand them, and will modify your next assignment accordingly.

Attendance: This course is designed to allow the maximum amount of class time possible for writing and revision. Time not dedicated to this process will be used to explain assignments, answer questions, and promote group discussion focusing on current assignments. This interaction is an essential component of the writing process and makes regular attendance essential. If you miss six (6) classes, you will not be allowed to return to the class. Two tardies and/or leaving early two times equals one absence.

In addition, it is your responsibility to drop this class. If you are not attending this class and have not dropped it by the final drop date, you will receive grade commensurate with your work.

Grading: This class is designed so that you have great freedom to learn, practice, and even experiment. This freedom makes the class easier for some and harder for others. You will have to develop and exercise time management and study skills in order to pass the class. Your final grade will be based on completing the following:

Writing Assignments

Grammar Quizzes

Journal Project 64 Entries (4 due each week) (Required for credit)

Final (Required for credit)

Participation (includes attendance & discussion)

Plagiarism:

Plagiarism is an awful act which is defined as the misrepresentation of the published or unpublished ideas or words of another as one’s own—whether those words are actually quoted or not. If you copy anyone else’s work and pass it off as your own, you will be immediately dropped from the course. If this occurs before the final drop date, you will receive a “W.” If it occurs after, you will receive a “No Credit.” Of course, this does not apply to any authorized collaborative project where you will be expected to work with another person to develop ideas, structure, and even language. If you are not sure or think you might be plagiarizing, ask me.

Final Note:

May I suggest that you look at this class as a way to “practice” for your subsequent English classes—not only the level of your writing but also your commitment to the completion of your assignments. Please remember that in this class, you can make mistakes to make your writing better: You will not have the same luxury in your English or other subject-area classes. Your instructors will assume that you have a certain level of knowledge and ability and will give you little room to practice or make mistakes. Use your time here wisely, commit to doing the best you can, and I will do everything I can to help you succeed.

Course Outline

Note: All is due on the date indicated. Supplemental outlines, which include additional readings and essay assignment sheets, will be passed out on the day each essay is assigned.

Week One · introduction to course and syllabus (lecture)

Jan 19 · diagnostic writing exercise

To Do: 1. purchase books

2. bring all books to each class meeting

3. write in journal four times a week

4.

Week Two · Paper #1 discussed: Writing from Recall & Observation

Jan 24 & 26 · Remember to write in journal

· what is a narrative?

To Do: 1. Write in journal each day

2. Read and understand pages 4-24

Note: Friday, Jan 28 is the last day to withdraw without a “W”

Week Three · Rough Draft for Paper #1 (Typed)

Jan 31 & Feb 2 · Keep writing in your Journals

To Do: 1. Read and understand pages 25-50

Week Four · Paper #1 due: peer editing

Feb 7 & 9 · discuss “Greasy Lake” by T.C. Boyle

· Keep up with your journals

· Paper #2 assignment discussed: Creative Writing

To Do: 1. read and understand pages 51-99

2.

Week Five · In-Class writing

Feb 14 & 16 · Summarizing

· Be sure to write in your journals

To Do: 1. read and understand pages 100-174

2.

Week Six · No Class on Feb 21—Presidents’ Day

Feb 23 · discuss in-class writing strategies

· Paper #2: In-class essay

To Do: 1. Read and understand pages 175-210

2.

Week Seven · Critical Responses

Feb 28 & Mar 2 · Write Journals

To Do: 1. read and understand 212-224

2.

Week Eight · Making sense of your text books

Mar 7 & 9 · Let’s read Frankenstein

· What did you say in your journals this week?

To Do: 1. read and understand 224-227

Spring Break No Classes

Mar 14-19

Week Nine · Rough Draft for Paper #3 (typed)

Mar 21 & 23 · Are you keeping up with your journals?

· Learning how to respond to prompts

To Do: 1. Read and understand 227-231

2.

Week Ten · Final Draft Paper #3 due

Mar 28 & 30 · How many journals did you write this week?

· More Frankenstein

To Do: 1. read and understand 231-234

Week Eleven · Rough Draft for Paper #4 due (typed)

Apr 4 & 6 · What is your favorite journal topic so far?

To Do: 1. read and understand 235-239

2.

Week Twelve · Paper #4 due: Writing about Literature

Apr 11 & 13 · Did you finish all of your journals?

· Are we still reading Frankenstein?

·

To Do: 1. read and understand page 239

Note: Friday, April 15 is the last day to withdraw.

Week Thirteen · Paper #5: In-Class Essay

Apr 18 & 20 · How many journals did you write this week?

To Do: 1. read and understand pages 240-248

Week Fourteen · Paper #6: In-Class Essay

Apr 25 & 27 · How many journals can you turn in?

Week Fifteen · In-class writing

May 2 & 4 · Just eight more journals to go.

Week Sixteen · In-class writing

May 9 & 11 · Can you believe it? Just four more journals to left to write.

Week Seventeen · Final Exam (8:00-9:00)

May 16 · In-class essay

To Do: 1. Bring all books, one or more blue books, and a dictionary (no electronic dictionaries, please)

Specifications for Formal Essays: Checklist

___1. Formal papers should be typed or computer-printed (12-pt. font, Times New Roman, please—not too small and not too big) on one side only of white, 8-1/2 x 11-inch non-erasable paper (no other color but white).

___2. Essays should be double-spaced and should observe standard margins (one inch on all sides). There should be no extra spaces between paragraphs. Please do not justify the right margin.

___3. Essays should be carefully revised and edited—both on the screen and after they are printed. The instructor should not be the first person to read the essay in its final form.

___ If you have Spelling and Grammar Check programs, use them, but don't rely on them to be 100% thorough or reliable. Read your essay aloud to someone else; have someone read your essay to you. Note and correct errors of all kinds with black ink.

___ Spelling and typing errors should be corrected with black ink after typing or printing.

You may also take this opportunity to revise words, sentences, and even paragraphs. You may insert or delete portions of the text.

___4. Pages should be joined with a single staple in the upper left-hand corner—it is your responsibility to provide the staple. No cover sheets or binders, please.

___5. Your name, the name of the course, the date, and the instructor's name should be typed in the upper left-hand corner of page one only.

___6. Your last name and the page number should be typed in the upper right-hand corner of all pages.

___7. Every paper must have an interesting, concise title (which is different from the title of the story, film, or other text); this title should be centered (in upper and lower case type) with no extra spaces separating it from the body of the text. Please do not type the title in all caps, underline it, or put it in quotation marks or boldface (see title above).

___8. When you consult secondary/critical materials, you must document your use of these materials by using full, double quotation marks and referencing the source in parentheses. The current practice is to put the page number in parentheses without using P., p., or Page No.; the number in parentheses indicates that it is to be understood to be the page number. If you have any questions, refer to the MLA format in A Writer’s Reference.

___9. Remember that your paper represents you: your ideas, your personality, and your intellectual integrity.

Your essay will not be accepted or points will be deducted if it does not conform to these standards.