DRAMATIC MONOLOGUE EXAMPLES

'But Soft' from Romeo and Juliet

Romeo: But soft! What light through yonder window breaks?

It is the East, and Juliet is the sun!

Arise, fair sun, and kill the envious moon,

Who is already sick and pale with grief

That thou her maid art far more fair than she.

Be not her maid, since she is envious.

Her vestal livery is but sick and green,

And none but fools do wear it. Cast it off.

It is my lady; O, it is my love!

O that she knew she were!

She speaks, yet she says nothing. What of that?

Her eye discourses; I will answer it.

I am too bold; 'tis not to me she speaks.

Two of the fairest stars in all the heaven,

Having some business, do entreat her eyes

To twinkle in their spheres till they return.

What if her eyes were there, they in her head?

The brightness of her cheek would shame those stars

As daylight doth a lamp; her eyes in heaven

Would through the airy region stream so bright

That birds would sing and think it were not night.

See how she leans her cheek upon her hand!

O that I were a glove upon that hand,

That I might touch that cheek!

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'Courage' from The Wizard of Oz (RSC version)

Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage! What makes the sphinx the seventh wonder? Courage! What makes the dawn come up like thunder? C ourage! What makes the Hottentot so hot? What puts the "ape" in apricot? What have they got that I ain't got?

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TWELFTH NIGHT

A monologue from the play by William Shakespeare

VIOLA: I left no ring with her. What means this lady?

Fortune forbid my outside have not charmed her.

She made good view of me; indeed, so much

That, as methought, her eyes had lost her tongue,

For she did speak in starts distractedly.

She loves me sure; the cunning of her passion

Invites me in this churlish messenger.

None of my lord's ring? Why, he sent her none.

I am the man. If it be so, as 'tis,

Poor lady, she were better love a dream.

Disguise, I see thou art a wickedness

Wherein the pregnant enemy does much.

How easy is it for the proper false

In women's waxen hearts to set their forms!

Alas, our frailty is the cause, not we,

For such as we are made of, such we be.

How will this fadge? My master loves her dearly;

And I (poor monster) fond as much on him;

And she (mistaken) seems to dote on me.

What will become of this? As I am man,

My state is desperate for my master's love.

As I am woman (now alas the day!),

What thriftless sighs shall poor Olivia breathe?

O Time, thou must untangle this, not I;

It is too hard a knot for me t' untie.

THE IMPORTANCE OF BEING EARNEST

A monologue from the play by Oscar Wilde

NOTE: This monologue is reprinted from The Importance of Being Earnest. Oscar Wilde. London: Methuen, 1910.

LADY BRACKNELL: Well, I must say, Algernon, that I think it is high time that Mr. Bunbury made up his mind whether he was going to live or die. This shilly-shallying with the question is absurd. Nor do I in any way approve of the modern sympathy with invalids. I consider it morbid. Illness of any kind is hardly a thing to be encouraged in others. Health is the primary duty of life. I am always telling that to your poor uncle, but he never seems to take much notice . . . as far as any improvement in his ailment goes. Well, Algernon, of course if you are obliged to be beside the bedside of Mr. Bunbury, I have nothing more to say. But I would be much obliged if you would ask Mr. Bunbury, from me, to be kind enough not to have a relapse on Saturday, for I rely on you to arrange my music for me. It is my last reception, and one wants something that will encourage conversation, particularly at the end of the season when every one has practically said whatever they had to say, which, in most cases, was probably not much.