Rhetorical Terms - Argument

antagonist - The character who opposes the interests of the protagonist.
Ex: In The Lord of the Rings, Tolkien creates Lord Sauron as the antagonist to Frodo.

antanaclasis - Repetition of a word in two different senses.
Ex: If we do not hang together, we will hang separately.

anticipated objection - The technique a writer or speaker uses in an argumentative text to address and answer objections, even though the audience has not had the opportunity to voice these objections.
Ex: "You ask, what is our policy? I say it is to wage war by land, sea, and air…You ask, what is our aim? I can answer in one word. It is victory." (Winston Churchill)

antimetabole - The repetition of words in successive clauses in reverse grammatical order.
Ex: One should eat to live, not live to eat.

apologist - A person or character who makes a case for some controversial, even contentious, position.
Ex: In Romeo and Juliet, by William Shakespeare, Romeo makes a case for marrying Juliet, despite the controversy over the issue.

apology - An elaborate statement justifying some controversial, even contentious, position.
Ex: "I have a dream that one day this nation will rise up and live out the true meaning of its creed: 'We hold these truths to be self-evident, that all men are created equal.'" (Martin Luther King Jr.)

apostrophe - The direct address of an absent person or personified object as if he/she/it is able to reply.
Ex: "O' Romeo, Romeo! Wherefore art thou Romeo?" (William Shakespeare)

appeal to authority - In a text, the reference to words, action, or beliefs of a person in authority as a means of supporting a claim, generalization, or conclusion.
Ex: Isaac Newton was a genius and he believed in God. Therefore, God must exist.

appeal to emotion - The appeal of a text to the feelings or interests of the audience.
Ex: If you don't graduate from high school, you will always be poor.

argument by analysis - An argument developed by breaking the subject matter into its component parts.
Ex: The Virginians failed miserably at initial colonization and suffered through disease, war, and famine because of their high expectations and greed, which also molded their colony socially and economically.

asyndeton - The omission of conjunctions between related clauses.
Ex: "This is the villain among you who deceived you, who cheated you, who meant to betray you completely." (Aristotle)

basic topic - One of the four perspectives that Aristotle explained could be used to generate material about any subject matter: greater or less, possible and impossible, past fact, and future fact.
Ex: Topics include justice, peace, rights, and movie theaters.

brain-storming - Within the planning act of the writing process, a technique used by a writer or speaker to generate many ideas, some of which he or she will later eliminate.
Ex: I brainstorm before history essays by writing down as many specific Exs as I can think of for the prompt.

cloze test - A test of reading ability that requires a person to fill in missing words in a text.
Ex: The SAT's language portion contains questions modeled in this way.

common topic - One of the perspectives, derived from Aristotle's topics, used to generate material. The six common topics are definition, division, comparison, relation, circumstances, and testimony.
Ex: Alexander Hamilton and Thomas Jefferson's political opinions can be the subject of a common topic, such as division.

compound subject - A sentence in which two or more nouns, noun phrases, or noun clauses constitute the grammatical subject of a clause
Ex: The dog and the cat scurried away from the approaching car.

confirmation - In ancient Roman oratory, the part of a speech in which the speaker or writer could offer proof or demonstration of the central idea.
Ex: In Julius Caesar's speech, the confirmation was scattered throughout.

conflict - The struggle of characters with themselves, with others, or with the world around them.
Ex: In The Grapes of Wrath, migrants conflict with property owners.

connotation - The implied meaning of a word, in contrast to its directly expressed "dictionary meaning."
Ex: Home literally means one's house, but implies feelings of family and security.

consulting - Seeking help for one's writing from a reader.
Ex: I often consult my parents.

dramatistic pentad - The invention strategy, developed by Kenneth Burke, that invites a speaker or writer to create identities for the act, agent, agency, attitude, scene, and purpose in a situation.

effect - The emotional or psychological impact a text has on a reader or listener.
Ex: The Grapes Of Wrath, by John Steinbeck, causes the reader to have sympathy for migrant workers.

ellipsis - The omission of words, the meaning of which is provided by the overall context of a passage.
Ex: "Medical thinking . . . stressed air as the communicator of disease, ignoring sanitation or visible carriers" (Tuchman).

epanalepsis - Repetition at the end of a clause of the word that occurred at the beginning of the clause.
Ex: Blood hath brought blood.

epithet - A word of phrase adding a characteristic to a person's name.
Ex: Alexander the Great.

figurative language - Language dominated by the use of schemes and tropes.
Ex: "The ground is thirsty and hungry."

flashback - A part of the plot that moves back in time and then returns to the present.
Ex: In Oedipus Rex, both Oedipus and Iocaste recall previous events.

generalization - A point that a speaker or writer generations on the basis of considering a number of particular examples.
Ex: "All French people are rude."

genre - A piece of writing classified by type.
Ex: Science Fiction.

investigating - Activities that writers use, during the writing process, to locate ideas and information.
Ex: For my research paper, I have investigated many sources in the library and online.

irony - Writing or speaking that implies the contrary of what is actually written or spoken.
Ex 1: "Of course I believe you," Joe said sarcastically.
Ex 2: "I can't describe to you how surprised I was to find out I loved her…I even hoped for a while that she'd throw me over" (Fitzgerald 157).

narration - In ancient Roman oratory, the part of a speech in which the speaker provided background information on the topic.
Ex: Julius Caesar used narration in many of his speeches.

pace - The speed with which a plot moves from one event to another.
Example: In The Grapes of Wrath, John Steinbeck paces the story somewhat slowly, interspersing it with main-idea chapters.

parallelism - A set of similarly structured words, phrases, or clauses that appears in a sentence or paragraph.
Ex 1: The dog ran, stumbled, and fell.
Ex 2: "After two years I remember the rest of that day, and that night and the next day…" (Fitzgerald 17).

parenthesis - An insertion of material that interrupts the typical flow of a sentence.
Ex: The dog (which was black) ran, stumbled, and fell.

people's topics - The English translation of konnoi topoi, the four topics that Aristotle explained could be used to generate material about any subject matter; also called basic topics.
Ex: Topics include justice, peace, rights, and movie theaters.

periodic sentence - A sentence with modifying elements included before the verb and/or complement.
Ex: "John, the tough one, the sullen kid who scoffed at any show of sentiment, gave his mother flowers."

scheme - An artful variation from typical formation and arrangement of words or sentences.
Ex: Peter Piper picked a peck of pickled peppers.

Rhetorical Terms - Diction

act - In a dramatistic pentad created by a speaker or writer in order to invent material, the words the speaker or writer uses to describe what happened or happens in a particular situation.
Ex: "With the cunning typical of its breed, the automobile never breaks down while entering a filling station with a large staff of idle mechanics. It waits…" (Russell Baker)

agency - In a dramatistic pentad created by a speaker or writer in order to invent material, the words the speaker or writer uses to describe the means by which something happened or happens in a particular situation.
Ex: "As a general rule, any object capable of breaking down at the moment when it is most needed will do so. The automobile is typical of the category." (Russell Baker)

agent - In a dramatistic pentad created by a speaker or writer in order to invent material, the words the speaker uses to describe the person or persons involved in taking action in a particular situation.
Ex: "Thus [the automobile] creates maximum misery, inconvenience, frustration, and irritability among its human cargo, thereby reducing its owner's life span." (Russell Baker)

anecdote - A brief narrative offered in a text to capture the audience's attention or to support a generalization of claim.
Ex: "A good man, gray on the edges, an assistant manager in a brown starched and ironed uniform, is washing the glass windows of the store...Good night, m'ijo! he tells a young boy coming out after playing the video game..." (Dagoberto Gilb)

compound sentence - A sentence with two or more independent clauses.
Ex: Canada is a rich country, but it still has many poor people.

conclusion (of syllogism) - The ultimate point or generalization that a syllogism expresses.
Ex: All mortals die. All men are mortals. All men die.

contraction - The combination of two words into one by eliminating one or more sounds and indicating the omission with an apostrophe.
Ex: "Do not" becomes "don't." "Should have" becomes "should've."

contraries - See contradiction.
Ex: The book is red. The book is not green. If the book is read, then the book is not green. If the book is not red, then the book may be green.

data (as evidence) - Facts, statistics, and examples that a speaker or writer offers in support of a claim, generalization, or conclusion.
Ex: Conserve electricity. 42% of America's carbon dioxide emissions come from electricity generation.

deductive reasoning - Reasoning that begins with a general principle and concludes with a specific instance that demonstrates the general principle.
Ex: "Gravity makes things fall. The apple that hit my head was due to gravity."

delivery - The presentation and format of a composition.
Ex: The Grapes of Wrath, by John Steinbeck, is formatted by chapters, which either present general information about farmers or the specific story of Joe and his family.

editing - The final observation, before delivery, by a writer or speaker of a composition to evaluate appropriateness and to locate missteps in the work.
Ex: For process papers, I edit my work many times before submitting a final draft.

efferent reading - Reading to garner information from a text.
Ex: For history, I perform efferent reading of the textbook.

enthymeme - Logical reasoning with one premise left unstated.
Ex: We cannot trust this man, for he has perjured himself in the past. (Missing: Those who perjure themselves cannot be trusted.)

euphemism - An indirect expression of unpleasant information in such way as to lesson its impact.
Ex 1: "Passed way" for "died."
Ex 2: "You see, I carry on a little business on the side, a sort of a sideline, you understand"(Fitzgerald 87).

image - A passage of text that evokes sensation or emotional intensity.
Ex: "Waves crashing on the ocean look like knives."

inference - A conclusion that a reader or listener reaches by means of his or her own thinking rather than by being told directly by a text.
Ex: I infer that America became isolationist during the 1920s because of the horrors of World War I.

memory - Access to information and collective information.
Ex: I will use my memory to remember these terms.

narrative intrusion - A comment that is made directly to the reader by breaking into the forward plot movement.
Ex: Narrator: The dog ran very fast across the street, dodging two cars.

point of view - The perspective or source of a piece of writing. A first-person point of view has a narrator or speaker who refers to himself or herself as "I." A third-person point of view lacks "I" in perspective.
Ex: The Great Gatsby is written in first-person point of view.

ratio - Combination of two or more elements in a dramatistic pentad in order to invent material.

reading - The construction of meaning, purpose, and effect in a text.
Ex: I am reading The Great Gatsby.

reading journal - A log in which readers can trace developing reactions to what they are reading.
Ex: I am maintaining a character log while reading The Great Gatsby.

rhetorical choices - The particular choices a writer or speaker makes to achieve meaning, purpose, or effect.
Ex: F. Scott Fitzgerald in The Great Gatsby chooses to use imagery, similes, and metaphors often.

stock settings - Stereotypical time and place settings that let readers know a text's genre immediately.
Ex: For science fiction, if the text takes place in the future, on another planet, or in another universe.

Rhetorical Terms – Scheme

alliteration - The repetition of consonant sounds at the beginning or in the middle of two or more adjacent words.
Ex: "To make a man to meet the moral need/ A man to match the mountains and the sea" (Edwin Markham)

anadiplosis - The repetition of the last word of one clause at the beginning of the following clause.
Ex: "Men in great place are thrice servants: servants of the sovereign or state; servants of fame; and servants of business." (Francis Bacon)

anaphora - The repetition of a group of words at the beginning of successive clauses.
Ex: "We shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence…" (Winston Churchill)

antecedent-consequence relationship - The relationship expressed by "if…then" reasoning.
Ex: If industries poison rivers with pollutants, then many fish will die.

anthimeria - The substitution of one part of speech for another.
Ex: "The thunder would not peace at my bidding." (William Shakespeare)

appeal - One of three strategies for persuading audiences--logos, appeal to reason; pathos, appeal to emotion; and ethos, appeal to ethics.
Ex: "I elicited the anger of some of the most aggressive teenagers in my high school. A couple of nights later, a car pulled up in front of my house, and the angry teenagers in the car dumped garbage on the lawn of my house as an act of revenge and intimidation." (James Garbarino)

appositive - A noun or noun phrase that follows another noun immediately or defines or amplifies its meaning.
Ex: Orion, my orange cat, is sitting on the couch.

argument - A carefully constructed, well-supported representation of how a writer sees an issue, problem, or subject.
Ex: The Patriots prevailed over the Loyalists, who they violently persecuted due to their conflicting position; both betrayed the African slaves to temporarily bolster their military.

Aristotelian triangle - A diagram showing the relations of writer or speaker, audience (reader or listener), and text in a rhetorical situation.

canon - One of the traditional elements of rhetorical composition -- invention, arrangement, style, memory, or delivery.
Ex: Frederick Douglass's style (one aspect of canon) is both objective and subjective.

casuistry - A mental exercise to discover possibilities for analysis of communication.

dramatic narration - A narrative in which the reader or viewer does not have access to the unspoken thoughts of any character.

dynamic character - One who changes during the course of the narrative.
Ex: Romeo is a dramatic character in Romeo and Juliet, by William Shakespeare.

evidence - The facts, statistics, anecdotes, and examples that a speaker or writer offers in support of a claim, generalization, or conclusion.
Ex: "Recent studies in the brain chemistry of rats show that when they play, their brains release large amounts of dopamine . . ." (Rifkin).

metonymy - An entity referred to by one of its attributes or associations.
Ex: "The press" for the news media.

symbol - In a text, an element that stands for more than itself and, therefore, helps to convey a theme of the text.
Ex: Purple symbolizes royalty.

East Egg in The Great Gatsby by F. Scott Fitzgerald symbolizes the ""old rich."""

tautology - A group of words that merely repeats the meaning already conveyed.
Ex: "If you don't get any better, then you'll never improve."

thesis - The main idea in a text, often the main generalization, conclusion, or claim.
Ex: The corruption of America's rich in The Great Gatsby by F. Scott Fitzgerald.

thesis statement - A single sentence that states a text's thesis, usually somewhere near the beginning.
Ex: "Sweatt v. Painter advanced equality by ultimately improving African American educational rights, thus transforming American democracy for a better today."

topic - A place where writers go to discover methods for proof and strategies for presentation of ideas.
Ex: Gun control laws, the environment, or communism.

trope - An artful variation from expected modes of expression of thoughts and ideas.
Ex: Pun or metonymy.

voice - The textual features, such as diction and sentence structure, that convey a writer's or speaker's persona.
Ex: F. Scott Fitzgerald's voice is made up of mystery.

writing process - The acts a writer goes through, often recursively, to complete a piece of writing: inventing, investigating, planning, drafting, consulting, revising, and editing.
Ex: I used this to write my research paper.

Rhetorical Terms - Syntax

audience - The person or persons who listen to a spoken text or read a written one and are capable of responding to it.
Ex: The audience of Michael Chabon's lecture at the Mondavi Center was composed of many Oak Ridge students.

chiasmus - Inverted relationship between two elements in two parallel phrases.
Ex: "To stop too fearful and too faint to go."

claim - The ultimate conclusion, generalization, or point that a syllogism or enthymeme expresses. The point, backed up by support, of an argument.
Ex: In The Grapes of Wrath, John Steinbeck's claim was that the poor are wrongly mistreated.

climax - The arrangement of words, phrases, or clauses in order of increasing number or importance.
Ex: "He risked truth, he risked honor, he risked fame, he risked all that men hold dear,—yea, he risked life itself..."

climbing the ladder - A term referring to the scheme of climax.
Ex: See climax.

isocolon - Parallel elements that are similar in structure and in length.
Ex: "… to impress the ignorant, to perplex the dubious, and to confound the scrupulous …"

mnemonic device - A systematic aid to memory.
Ex: "Roy G. Biv" for the most common colors.

onomatopoeia - A literary device in which the sound of a word is related to its meaning.
Ex: Words like "bang," and "click".

revising - Returning to a draft to rethink, reread, and rework ideas and sentences.
Ex: I am currently revising my research paper.