"Pricks, Kicks, and Sticks" –The Irish Short Story

Instructor: Noam SchiffClassroom: Olin-Sang Amer Civ Ctr 112

Office: Rabb 255Meeting Time: Tue/Thu5-5:50

Phone: 6176344337 Office Hours: Tue/Thu2:00-3:00

Though modern readers tend to gravitate towards novel-length publications, Irish Literature, rooted in Celtic traditions of story-telling, is best approached through the petite and yet pungent counterpart to the modern novel, known as the Irish short story. The 20th century, which has seen some of the most prominent authors of Irish literature, is one in which Irish writers often began their carriers by writing short stories for publication which would for the years to come stand as microcosms of their later, longer, and oftentimes more famous works. To this day, such narratives remain as the relatively unexplored, brilliant gateway into some of the most notoriously difficult and inaccessible modernists of the century. Through a very close reading of such bite-size narratives, this seminar will provide the perfect introduction into giants of Irish Modernism such as James Joyce. Samuel Beckett and Flann O’Brien. Our exploration of the Irish Short Story will begin with Joyce’s first publication, a collection of 15 short stories entitled Dubliners depicting the everyday life of the common inhabitants of Dublin at the turn of the 20th Century. Joyce self-purportedly writes these stories in a “style of scrupulous meanness”. It is precisely this ‘scrupulous meanness’, the precision and pregnant minutia of the short story whichthe seminar will delve into again and again, and which situates the short story in a uniquely strong position as an introduction into literature, close reading, and academic writing and thought. Moving on to short stories by later Irish modernists such as Samuel Beckett and Flann O’Brien, the seminar will be characterized by small amounts of reading followed by profuse and detailed textual analysis. Using analytical frameworks such as Russian formalism, structuralism, post structuralism, psychoanalysis and deconstruction, and grounded in the the idea of the short story as the precise, affluent and accessible literary form, this seminar will focus on skills such as analytical thinking and structured writing and commentary, providing students with a slow-pace, hands-on, introduction into the building blocks of academic writing and thinking.

REQUIRED TEXTS

Dublinersby James Joyce. [Any edition. Available at the bookstore or for free online]

More Pricks than Kicks bySamuel Beckett. [Any edition. Available at the bookstore or on Amazon]

The Short Fiction of Flann O’Brien byFlann O’Brien. [Available at the bookstore or on Amazon]

Write Now!, collection of Brandeis student essays [Available at the bookstore. This volume also includes excerpts from Writing Analytically. If you see an assigned reading with “WN” next to it, check Write Now]

Writing in Response, Matthew Parfitt [Available at the bookstore. A new copy comes with access to Writer’s Help (a robust online resource that can help you with everything from citation formatting to understanding the rhetoric of evidence) so please grab a new copy.]

GRADING

Close Reading Essay20%

Lens Essay20%

Research Essay30%

Pre-draft assignments10%

Class participation 20%

OTHER POLICIES

Attendance: You will be allowed three absences for the course. Each subsequent absence will result in your final grade being lowered by one third of a letter grade (A becomes A-, D- becomes F, etc.). After three absences (for any reason) your dean will be notified. It is in your best interest to attend every class as material will not be revisited and we are on a rigid schedule. Missing even one class may put you far behind. If you willmiss a class please notify me by e-mail or telephone. More than six absences will result in a failing grade for the class.

Tardiness: Class begins promptly on time. I will mark you late so it is important that you get here on time. Three late arrivals to class will equal one absence. Also, arriving after 10 minutes is considered excessive and you will thus be marked absent for the day. Please note that tardiness is not only detrimental to your learning but also disruptive to everyone else in the class.

Late Papers/Extensions: NONE SHALL PASS (except in cases of extenuating circumstances /personal emergency)

THE WRITING CENTER

The writing center here at Brandeis (located on the first floor of the library near the CD collection) offers free one-on-one writing tutorials with experienced consultants, many of whom are teaching a UWS themselves. Visit to learn more and set up an appointment. When you visit the Writing Center, have your consultant fill out a Writing Center Reward Form (available there). A completed form entitles you to a one-day extension on the final draft of any paper (only one Writing Extension per paper and it must be during the week leading up to the final draft).

DISABILITIES

If you are a student with a documented disability on record at Brandeis University and wish to have a reasonable accommodation made for you in this class please see me immediately after class.

ACADEMIC INTEGRITY

You are expected to be familiar with and to follow the University's policies on academic integrity (see ). Faculty will refer any suspected instances of alleged dishonesty to the Office of Student Development and Conduct. Instances of academic dishonesty may result in sanctions including but not limited to failure in the course, failure on the assignment in question, or suspension from the University.

LATTE: Learning And Teaching Technology Environment

LATTE is Brandeis University's online learning environment. LATTE will be used as a means of communication between the instructor and the class and vice versa. The syllabus, class assignments, some readings/recordings and other materials will be available to you through LATTE. It may also be used to facilitate discussion forums outside of class which you may feel free to generate yourself! It is a great place to ask questions to your instructor and your classmates when there may not be time in class to do so. Login to LATTE at .

UWS Outcomes

Critical Thinking, Reading, and Writing

  • Use writing and discussion to work through and interpret complex ideas from readings and other texts (e.g., visual, musical, verbal)
  • Critically analyze your own and others' choices regarding language and form (e.g., in student texts or formally published texts)
  • Engage in multiple modes of inquiry using text (e.g., field research, library-based inquiry, web searching)
  • Incorporate significant research (as above) into writing that engages a question and/or topic and uses it as a central theme for a substantive, research-based essay
  • Use writing to support interpretations of text, and understand that there are multiple interpretations of text
  • Consider and express the relationship of your own ideas to the ideas of others

Processes

  • Use written, visual, and/or experience-based texts as tools to develop ideas for writing
  • Understand that writing takes place through recurring processes of invention, revision, and editing
  • Develop successful, flexible strategies for your own writing through the processes of invention, revision, and editing
  • Experience and understand the collaborative and social aspects of writing processes
  • Learn to critique your own and others' work
  • Be reflective about your writing processes

Knowledge of Conventions

  • Understand the conventions of particular genres of writing
  • Use conventions associated with a range of dialects, particularly standardized written English (but not necessarily limited to it)
  • Recognize and address patterns in your writing that unintentionally diverge from patterns expected by their audience/s
  • Practice using academic citational systems (MLA) for documenting work

Four-Credit Course

Success in this 4 credit hour course is based on the expectation that students will spend a minimum of 9 hours of study time per week in preparation for class (readings, papers, discussion sections, preparation for exams, etc.).

SCHEDULE OF CLASSES:

Unit 1: What is Close Reading?

Jan 17 • Introduction

Jan 19 • Intro to close reading, “The Sisters”, Narrative Codes

Jan 24 • Read:From Dubliners, “The Sisters”, “An Encounter”

• Write:LATTE posts on the texts due BEFORE class

• In-Class: Read: “Elements of the Academic Essay” (LATTE).

Jan 26 • Read: From Dubliners“Evelin”“Clay”

  • Read:Writing analytically, “Pushing Observations to Conclusions” (In Write Now!)

• Write: Pre-draft 1.1

• In-Class: Close reading of source(s); writing process; crafting an introductory paragraph; thesis exercise

Jan 31 • Read:N/A

• Write:Pre-draft 1.2

• In-Class: Class discussion of sample introductions, peer workshop of intro

paragraphs, titles exercise

Feb 2 • Read:From Dubliners “The Dead”

• Write:Draft of Essay 1.3 due with Draft Cover Letter

• In-Class: Workshop student essay from Write Now! focusing on thesis, structure, evidence, and analysis

Feb 7 • Read: N/A

• Write: Draft Responses to draft writers (2)

• In-Class: Continued discussion of “The Dead”, Barthes’ Narrative Codes

*Conferences will take place on Feb 8 *

Unit 2: How to Work with a Text as a Lens

Feb 9 • Read: From More Pricks than Kicks “Dante and the Lobster”

• Write:Final Essay Essay 1.4 due with Revision Cover Letter

• In-Class: Discussion of Essay #2 writing assignment; introduction to lens analysis and lens text.

  • Discussion of Zizek’s perverts guide to Ideology as the penultimate example of a theoretical lens.

Feb 14 • Read:N/A

• Write:N/A

• In-Class: Understanding and applying lens text; summary and paraphrase; working with quotations

  • Discussion of Dantean morality as a lens and an intertext for “Dante and the Lobster”

Feb 16• Read:From More Pricks than Kicks “Fingal”, “What a Misfortune”

• Write: Pre-draft 2.1 (Understanding the Lens)

• In-Class: Discussion of pre-draft 2.1; thesis and motive in lens essays. Discuss the move towards Beckett and postmodern writing.

Feb 28 • Read:From More Pricks than Kicks “Love and Lethe”, “Yellow”, “Draff”

• Write:Pre-draft 2.2 (Lens-Text Match)

• In-Class: Workshop student essay from Write Now! Focus on thesis, Evidence and Analysis.

March 2• Read: Lens Essay from Write Now!

• Write: none

• In-Class: Discussion of Structuralism & Post-structuralism

March 7 • Read:none

• Write:Draft of Essay 2.3 due with Draft Cover Letter

• In-Class: Workshop lens usage, useful things to do, common mistakes to avoid.

March 9• Read:Workshop materials

• Write:Draft responses to draft writers (2)

• In-Class: Keep Talking about Beckett. Keep talking about Russian formalism. Draft workshop focusing on thesis, motive, analysis, and revision

*Conferences will take place on March 10*

March 14 • Read:None

• Write:Revision of Essay 2.4 due with Revision Cover Letter

• In-Class: Keep Talking about Beckett. Keep talking about Russian formalism. Essay #3 writing assignment; finding a topic; types of sources

Unit 3: The Argumentative Research Essay: Beyond the Book Report

March 16• Read:From The Short Fiction of Flann O’Brien “John Duffy’s Brother”

• Write: None

• In-Class: Discuss technology in the modern short story.

Framing a research question

March 21• Read:From The Short Fiction of Flann O’Brien “Donabate”

• Write:Pre Draft 3.1 (Research Proposal)

• In-Class: Narrowing a research question, identifying analytical focus

March 23• Read: From The Short Fiction of Flann O’Brien “After Hours”

• Write: Pre-draft 3.1 (Research Proposal)

• In-Class: Brief oral reports on research topics; evaluating sources

March 28 • Read:From The Short Fiction of Flann O’Brien “Two in One”

• Write: None

• In-Class: Discuss O’Brien’s medieval/modern morality

Class 20 • Read: Research Essay from Write Now!

• Write:Pre-draft 3.2 (Annotated Bibliography)

• In-Class: Research question, thesis, and motivein Write Now!essay; quotation and citation

March 30• Read:none

• Write:Pre Draft 3.3 (Reverse Outline)

• In-Class: Research review board

April 4 • Read:Example of published academic paper, TBD

• Write:none

• In-Class: Interweaving multiple sources in Write Now! essay; writing with sources; moving from topic to thesis

April 6 • Read:Excerpts from Kristeva

• Write: Draft of Essay 3.4 due with Draft Cover Letter

• In-Class: Essay structure; paragraphing; audience and tone

*Conferences will take place on April 7*

April 20• Read: From Dubliners “Araby”, “A little Cloud”

• Write:Draft response to draft writers (2)

• In-Class: Draft workshop focusing on evidence/analysis, structure, and

integration of sources

April 25• Read: From Dubliners “Two Gallants”

• Write:Pre-draft 3.3 (Reverse Outline)

• In-Class: Structure and stitching; conclusions

April 27• Read: none

• Write: Revision of Essay 3.5 due with Revision Cover Letter

• In-Class: Brief reports on research essays; discussion of portfolio assignment

and reflective writing. Continued discussion of Dubliners.

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