Note Taking And

Hong Kong Shue Yan University

Department of English Language & Literature

Master of Arts in English (Interdisciplinary Studies)

Course Title: Interdisciplinary Approach to Cultural Studies

Course Code: ENG 502

Number of Credits: 3

Duration in Weeks: 14

Contact Hours Per Week: Lecture (2 Hours)

Tutorial (1 Hour)

Pre-requisite(s): NIL

Prepared by: Prof. WONG Kin Yuen and Dr. Amy CHAN

Course Description

Knowledge-claims in the 21st century have gone beyond the modernist mind-set of departmentalization. In an emerging network culture and unprecedented complexity of learning, students need to adopt a more mobile and permeable "interdisciplinary" approach to what they learn at tertiary level. This seminar is designed for students in cultural studies to achieve a sense of integration among the various components in their curriculum. Besides reading materials which deal directly with ideas such as counter-disciplinary praxis, the intersection of natural science, social sciences and humanities, the philosophy of difference which stresses a relational ontology, etc., students will be initiated into the actual working of what is now called "Interdisciplinary Studies" as an umbrella concept of such an approach.

Course Outcomes, Teaching Activities and Assessment

Course Intended Learning Outcomes (ILOs)
Upon completion of this course students should be able to:
ILO1 / describe the concept of interdisciplinarity
ILO2 / synthesize the knowledge they have learned earlier in an interdisciplinary way
ILO3 / apply the interdisciplinary approach in research
ILO4 / construct their own model of interdisciplinarity
Teaching and Learning Activities (TLAs)
TLA1 / Exemplification of core issues and concepts with relevant examples
TLA2 / Close reading of materials
TLA3 / In-class Discussion
TLA4 / Group Oral Presentation
TLA5 / Response to oral presentation
TLA6 / Term Paper
Assessment Tasks (ATs)
AT1 / In-class discussion
Students are to respond actively to specific questions made by the lecturer as well as participate in class discussion in either in lecture or tutorial. / 15%
AT2 / Oral presentation
In a group of 3-4, students are to deliver an oral presentation on a specific topic which can demonstrate their understanding of the issue(s) and concepts(s) discussed in this course. Also, at the end of the presentation there will be time for class discussion. / 30%
AT3 / Responses to presentations
In a group of 3-4, students are to respond to an oral presentation. They are to comment on the presentation and raise questions which demonstrate their understanding of the topic. / 20%
AT4 / Final written project
Students are to write a research paper which can demonstrate a solid grasp of issue(s) and concept(s) taught in the course. Students have to formulate a specific question and adopt a problem-solving approach which can demonstrate their ability of critical thinking and analysis. / 40%
TOTAL / 100%
Alignment of Course Intended Learning Outcomes, Teaching and Learning Activities and Assessment Tasks
Course Intended Learning Outcomes / Teaching and Learning Activities / Assessment Tasks
ILO1 / TLA1,2 / AT1,2,3
ILO2 / TLA4,5,6 / AT2,3,4
ILO3 / TLA4,6 / AT2,3
ILO4 / TLA6 / AT4

Course Outline

Week 1 Introduction: Interdisciplinarity and Cultural Studies

Moran, Joe. (2010) Interdisciplinarity. London & New York: Routledge. pp. 1-73.

Week 2 Interdisciplinarity and Critical Theories

Moran, Joe. (2010) Interdisciplinarity. London & New York: Routledge. pp. 74 – 164.

Week 3 Interdisciplinarity and Humanities

Klein, Julie Thompson. (2005) “Introduction: Humanities, Culture, and Interdisciplinarity,” “Forming Humanities,” “Changing Humanities,” and “Rewriting the Literary.” Humanities, Culture, and Interdisciplinarity: The Changing American Academy. Albany: State University of New York Press. pp. 1-54; 83-106.

Week 4 Complexity and Network Culture

Mitchell, Melanie. (2009) “What Is Complexity?,” “Dynamics, Chaos and Prediction,” “The Science of Networks,” “Applying Network Science to Real-World Networks.” Complexity: A Guided Tour. Oxford: Oxford University Press. pp. 3-39, 227-257.

Bell, Gordon & Gemmell, Jim. (2009) Total Recall: How the E-Memory Revolution Will Change Everything. New York: Dutton. pp. 3-25.

Jorge Luis Borges’ “The Garden of Forking Paths” from Labyrinths

Week 5 Linguistics and Literature

Tyson, Lois. (2006)“Reader-response criticism” and “Structuralist criticism.” Critical Theory Today: A User-friendly Guide. London & New York: Routledge. pp.169-248.

Leopoldo Lugores, “Yzur,” from The Eye of the Heart, pp. 91-100.

Week 6 Translation and Cultural Studies

Munoz-Calvo, Micaela. (2008) “An Approach to New Trends in Translation and Cultural Identity.” New Trends in Translation and Cultural Identity. Ed. By Micaela Munoz-Calvo, Carmen Bueso-Gomez and M. Angeles Ruiz-Moneva. London: Cambridge Scholar Publishing. pp. 1-10.

Qold. MixhWL. (2008) “Interference from the third Space? The Construction of Cultural Identity through Translation.” New Trends in Translation and Cultural Identity. Ed. By Micaela Munoz-Calvo, Carmen Bueso-Gomez and M. Angeles Ruiz-Moneva. London: Cambridge Scholar Publishing. pp. 11-20.

Week 7 Science and Humanities

Bennett, Maxwell & Hacker, Peter. (2009) “Selections from Philosophical Foundations of Neuroscience.” Neuroscience and Philosophy: Brain, Mind & Language. Maxwell Bennett, Dainel Dennett, Peter Hacker. New York: Columbia University Press. pp. 1-48.

Bennett, Maxwell. (2009) “Neuroscience and Philosophy.” Neuroscience and Philosophy: Brain, Mind & Language. Maxwell Bennett, Dainel Dennett, Peter Hacker. New York: Columbia University Press. pp. 49-72.

Selected stories from Ra Page’s Bio-Punk

Week 8 Science and Arts

Hogan, Patrick Colm. (2003) Cognitive Science, Literature and the Arts. New York: Routledge. Chapters 4 & 5. pp. 87-159.

Excerpts from Mary Shelley’s Frankenstein

Week 9 Science and Arts continues

Hogan, Patrick Colm. (2003) Cognitive Science, Literature and the Arts. New York: Routledge. Chapters 6 - 8. pp. 140-218.

Greg Egan’s “The Caress” from Axiomatic

Week 10 Literature and Science

Gottschall, Jonathan.(2008) Literature, Science and a New Humanities. New York: Palgrave Macmillan. pp. 17-88.

Tania Hershman’s “Drink Me” and “We are All Made of Protein but Some of us Glow More than Others” from The White Road and Other Stories

Week 11 Literature and Science continues

Block, Ned.(2009) “The Mind as the Software of the Brain.” Science Fiction and Philosophy: From Time Travel to Superintelligence. Ed. Susan Schneider. West Sussex: Blackwell. pp.126-169.

Kurzweil, Ray. (2009) “Superintelligence and Singualarity.” Science Fiction and Philosophy: From Time Travel to Superintelligence. Ed. Susan Schneider. West Sussex: Blackwell. pp.201-224.

Deutsch, David & Lockwood, Michael. (2009) “The Quantum Physics of Time Travel.” Science Fiction and Philosophy: From Time Travel to Superintelligence. Ed. Susan Schneider. West Sussex: Blackwell. pp.322-334.

Poems from Tracy K. Smith’s Life on Mars: Poems

Week 12 Gender and Science

Harding, Sandra. (2008) “Co-evolving Science and Society,” and “Haunted Modernities, Gendered Traditions.” Sciences from Below: Feminisms, Postcolonialities, and Modernities. London: Duke University Press. pp.75-100, 191-213.

Greg Egan’s “Closer”, from Axiomatic

Week 13 Language and Sexuality

Cameron, Deborah & Kulick, Don. (2003) “Talking sex and thinking sex: the linguistic and discursive construction of sexuality,” “What has gender go to do with sex? Language, heterosexuality and heteronormativity,” and “Language and sexuality: theory, research and Politics.” Language and Sexuality. Cambridge: Cambridge University Press. pp. 1-43, 133-155.

Week 14 Recapitulation

Academic Honesty

You are expected to do your own work. Dishonesty in fulfilling any assignment undermines the learning process and the integrity of your college degree. Engaging in dishonest or unethical behaviour is forbidden and will result in disciplinary action, specifically a failing grade on the assignment with no opportunity for resubmission. A second infraction will result in an F for the course and a report to College officials. Examples of prohibited behaviour are:

Cheating – an act of deception by which a student misleadingly demonstrates that s/he has mastered information on an academic exercise. Examples include:
Copying or allowing another to copy a test, quiz, paper, or project
Submitting a paper or major portions of a paper that has been previously submitted for another class without permission of the current instructor
Turning in written assignments that are not your own work (including homework)
Plagiarism – the act of representing the work of another as one’s own without giving credit.

Failing to give credit for ideas and material taken from others
Representing another’s artistic or scholarly work as one’s own
Fabrication – the intentional use of invented information or the falsification of research or other findings with the intent to deceive

To comply with the University’s policy, the term paper has to be submitted to VeriGuide.

Resources

Primary Texts:

Bell, Gordon & Gemmell, Jim. (2009) Total Recall: How the E-Memory Revolution Will Change Everything. New York: Dutton.

Bennett, Maxwell, Dennett, Daniel and Hacker, Peter. (2009) Neuroscience and Philosophy: Brain, Mind & Language. New York: Columbia University Press.

Cameron, Deborah & Kulick, Don. (2003) Language and Sexuality. Cambridge: Cambridge University Press.

Gottschall, Jonathan.(2008) Literature, Science and a New Humanities. New York: Palgrave Macmillan.

Harding, Sandra. (2008) Sciences from Below: Feminisms, Postcolonialities, and Modernities. London: Duke University Press.

Hogan, Patrick Colm. (2003) Cognitive Science, Literature and the Arts. New York: Routledge.

Klein, Julie Thompson. (2005) Humanities, Culture, and Interdisciplinarity: The Changing American Academy. Albany: State University of New York Press.

Law, John and Moe, Annemarien. (eds.). (2002). Complexities: Social Studies of Knowledge Practices. Durham and London: Duke University Press.

Mitchell, Melanie. (2009) Complexity: A Guided Tour. Oxford: Oxford University Press.

Moran, Joe. (2010) Interdisciplinarity. London & New York: Routledge.

Munoz-Calvo, Micaela, Bueso-Gomez , Carmen and Ruiz-Moneva, M. Angeles, eds. (2008) New Trends in Translation and Cultural Identity. London: Cambridge Scholar Publishing.

Schenider, Susan, ed. (2009) Science Fiction and Philosophy: From Time Travel to Superintelligence. West Sussex: Blackwell.

Taylor, Mark C. (2001). The Moment of Complexity: Emerging Network Culture. Chicago: University of Chicago Press.

Tyson, Lois. (2006) Critical Theory Today: A User-friendly Guide. London & New York: Routledge.

Supplementary Texts:

Allen, Graham. (2000). Intertextuality. London & New York: Rutledge.

Barabás, Albert-Lászlo. (2003). Linked. New York: Penguin.

Goldberg, David Theo. (ed.). (1994). Multiculturalism: A Critical Reader. Oxford: Blackwell.

Hudson, R.A. (1996). Sociolinguistics. (2nd edn). New York: Cambridge University Press.

Ridley, Matt. (2004). Nature and Nurture. London: Harper Perennial.

Skelton, Tracy and Allen, Tim. (eds.). (1999). Culture and Global Change. London & New York: Routledge.

Watts, Duncan J. (2003). Six Degree: The Science of a Connected Age. London: William Heinemann.