National Certificate of Educational Achievement
MUSIC
Level One
Achievement Standard 1.6
AS 91095 Version 1
Credits: 6
Assessment 1 of 3
(Two of these will be considered for final grade assigned)
Demonstrate knowledge of two music works from contrasting contexts.
Beautiful Collision by Bic Runga
Student Instructions Sheet
We have been studying the elements and features of music via New Zealand Popular Music. We have explored a number of songs, practised describing the elements and features of each, and explored the contexts of each.
This assignment is based on ‘Beautiful Collision’ by Bic Runga.
Read through all the information given to you before starting work. Make sure you understand what you are being asked to do. Ensure that you know what level of performance will be required to achieve or obtain merit or excellence grade for this assessment.
You will complete the assessment in class time. The next page contains the lyrics and sections of the song later referred to in the assignment. You will also have access to the recording.
You may bring in research material that you find for Task Three but no other material may be referred to.
Beautiful Collision – Lyrics and Sections
LyricsTEACHERS WILL NEED TO ADD COMPLETE LYRICS TO THIS TABLEIntro.
SectionI / What a beautiful collision..
SectionII / Do you know what it means…
SectionIII / Beautiful beautiful night….
SectionIV / What a beautiful collision…
Section V / Do you know what it means…
SectionVI / Beautiful beautiful night…
SectionVII / Move with the strangers…
…blow you away
Section
VIII
Task One – Elements and Features
Tick ONE of the following boxes to show the correct statement. Refer to the Section numbers previously given.
Introduction
(a)Timbre – How are the strings played?
Bowed
Plucked
Legato
Arco
(b)Rhythm – What is the metre?
Simple duple
Simple triple
Simple quadruple
Compound simple
(c)Rhythm - What beats do the string instruments play on and reinforce?
Beats 2 and 4
Beat 1 only
Beats 1 and 3
Every beat
(d)Melody – The leaps made by the string instruments are which interval?
Perfect fifth
Perfect octave
Perfect fourth
Major third
Section I
(e)Tonality – The tonality of the song is set by …
The notes played by the strings
Melody of the vocalist
None of these
(f)Instrumentation – Additional interest is provided in this section by instruments from which family?
Brass
Woodwind
Percussion
(g)Texture – How would you best describe the countermelody played by the low strings in the second half of this section?
Broken chords
Scalic
A contrasting melody
Section II
(h)Texture – The texture of this section is …
polyphonic
heterophonic
homophonic
monophonic
(i)Timbre – The role of the piano in this section is to …
provide countermelody
provide chords
decorate melody
alter dynamics
Section III
(j)Timbre – The vocalist uses which effect in this section.
head voice
improvised colaratura
melisma
excessive vibrato
Section VII
(k)Form – The vocal melody in this section is new. What might you call this section?
Introduction
Verse
Chorus
Bridge
(l)Element of Contrast – Which other musical element changes to add to the new-ness of this section?
Change in texture
Change in tonality
Change in tempo
Section VIII
(m)Form – The strings’ melody in this section is based on the melody of which other section?
Introduction
Section I
Section II
Section III
Whole song
(n)Dynamics – The dynamics of this song can be best described as …
Starting softly, becoming gradually louder, fade out to finish
Starting softly, fade out to finish
Soft
Consistently moderately soft
(o)Tempo – The tempo of this song can be best described as …
Largo
Adagio
Allegretto
Presto
(p)Genre – What genre would you categorise this song in?
Reggae
Popular
Jazz
Baroque
Task Two - Melody
There are two main melodies in the song. The first occurs in Section I.
(a)Draw the initial contour of this melody.
(b)Tick ONE of the following boxes to show the correct statement.
Theme (i) – The melody initially moves ….
By step then leap
By leap then step
Ascending stepwise, then a leap before descending
Descending stepwise, then a leap before ascending
The second melody occurs at the up-beat to the Section II.
(c)Draw the initial contour of this melody.
(d)Describe the phrasing of this section.
(e)Describe the range of this section.
(f)Spend a few minutes practising the beginning of this melody on an instrument of your choice, then sing or play it back to your teacher.
Teacher signature when task is completed.
(g)Describe how the melody of Section II contrasts with that of Section I.
(h)Describe how other musical elements and features enhance the contrast between Section I and II.
Task Three – Context
Bic Runga is the composer and performer of this song.
(i)Write a brief biography here in your own words under the given headings.
Early life:
Musical milestones:
(j)Write a diary entry for today’s date for Bic, based on what you know of her personal and professional life?
Today’s date:
NCEA LEVEL 1 MUSIC 2011
ACHIEVEMENT STANDARD 1.6 CREDITS: 6
Student:______
Assessment:Beautiful Collisionby Bic Runga
Achieving towards
Achieved with Excellence
Achieved with Merit
Achieved
Not Achieved
Comments:
Signed:(Teacher)Date:
I certify that is assignment is my own original work :
Signed:(Student)
Assessment Schedule - Beautiful Collision
To ACHIEVE, a student must meet at least 3 ACHIEVEMENT criteria.
To achieve MERIT, a student must meet at least 2 criteria above Achievement and the third at Achievement.
To achieve EXCELLENCE, a student must meet at least 2 criteria above Merit and the third at Achieved or Merit.
A grade will be given for this assessment. It will then be considered alongside that of at least one other assessment for your final AS91095 grade.
Task / Achieve / Merit / ExcellenceOne / At least 10 questions are correctly answered. / At least 15 questions are correctly answered. / na
Two / a) – f) are correctly answered. / a) – f) are correctly answered with detailed descriptions for d) and e). Accurate descriptions for g) and h) are supported by explanations and/or relevant musical examples. / a) – f) are correctly answered with detailed descriptions for d) and e). Accurate descriptions for g) and h) are supported by perceptive explanations and/or relevant musical examples.
Three / Knowledge of composer is demonstrated with accurate detail. / Knowledge of composer is demonstrated with accurate detail, further explanation and relevant quotes (which are sourced). / Knowledge of composer is demonstrated with accurate detail, insightful explanations and relevant quotes (which are sourced).