Family

My Grandmother Is Waiting for Me to Come Home by Gwendolyn Brooks (1917-2000)

My Grandmother is waiting for me to come home.

We live with walnuts and apples

in a one-room kitchenette above The

Some Day Liquor Gardens.

My Grandmother sits in a red rocking chair

waiting for me

to open the door with my key.

She is Black and glossy like coal.

We eat walnuts and apples,

drink root beer in cups that are broken,

above The

Some Day Liquor Gardens.

I love my Grandmother.

She is wonderful to behold

with the glossy of her coal-colored skin.

She is warm wide and long.

She laughs and she lingers.

Questions

*Read through the poem once. Then try to answer these five questions without looking back at the poem.

1. Describe the room where the grandmother is waiting.

2. What does the grandmother look like?

3. Where is the grandmother sitting?

4. What do the grandmother and the grandchild eat?

5. Where does the grandmother live?

*For the remaining questions, you may look back at the poem to help answer.

6. What did you remember/forget? What made you remember certain things and not others? What made certain things stand out to you?

7. Who is the speaker in the poem? (In other words, who is telling the story?)

8. How old do you think the speaker is? Why do you think this? Support your answer with information from the poem.

9. Are the grandmother and grandchild wealthy? Why do you think this? Support your answer with information from the poem.

10. Is there any rhyme scheme/pattern?

11. Count the number of syllables in each line. Is there any kind of pattern?

12. Write a free verse poem (no rhyme or syllable pattern) about someone close to you that is no longer with you. This person does not have to be deceased. Maybe they moved away, are away at college, etc.

Sports

Slam, Dunk, & Hook by Yusef Komunyakaa (1947-Present)

Fast breaks. Lay ups. With Mercury's

Insignia on our sneakers,

We outmaneuvered to footwork

Of bad angels. Nothing but a hot

Swish of strings like silk

Ten feet out. In the roundhouse

Labyrinth our bodies

Created, we could almost

Last forever, poised in midair

Like storybook sea monsters.

A high note hung there

A long second. Off

The rim. We'd corkscrew

Up & dunk balls that exploded

The skullcap of hope & good

Intention. Lanky, all hands

& feet...sprung rhythm.

We were metaphysical when girls

Cheered on the sidelines.

Tangled up in a falling,

Muscles were a bright motor

Double-flashing to the metal hoop

Nailed to our oak.

When Sonny Boy's mama died

He played nonstop all day, so hard

Our backboard splintered.

Glistening with sweat,

We rolled the ball off

Our fingertips. Trouble

Was there slapping a blackjack

Against an open palm.

Dribble, drive to the inside,

& glide like a sparrow hawk.

Lay ups. Fast breaks.

We had moves we didn't know

We had. Our bodies spun

On swivels of bone & faith,

Through a lyric slipknot

Of joy, & we knew we were

Beautiful & dangerous.

QUESTIONS

1.  This poem is clearly about basketball, but it never actually mentions the word “basketball.” List all the words/phrases that let you know the poem is about basketball.

2.  Who are the players? (Hint: boys or girls? young or old?) Support with information from the poem.

3.  How does playing affect them/make them feel? Support with information from the poem.

4.  The poem mentions someone named “Sonny Boy.” Explain the significance of basketball to Sonny Boy.

5.  A simile is a comparison between two things using the word “like” or “as.” (EX: “Your eyes are as bright as the sun.” or “She smells like a freshly-picked flower.”) Find any similes in this poem.

6.  A metaphor is a comparison between two things when the writer claims that one thing is another. (EX: “He is a cool drink of water on a hot summer day.”) Find any metaphors in this poem.

7.  Look at how the lines are arranged in this poem. Are they long or short? Are they full, complete sentences or choppy/broken up?

8.  How might the arrangement of the lines in the poem mimic the action of a basketball game?

9.  Komunyakaa uses unique verbs to describe the actions in the poem. List some of these unique verbs. What images do they bring to mind?

10.  Imagine you are a sportscaster. Write a poem from the point of view of a sportscaster describing the action of a game. Readers/listeners should be able to tell what sport you are commenting on without you ever actually naming that sport.

Dreams

Dream Boogie by Langston Hughes (1902-1967)

Good morning, daddy!

Ain't you heard

The boogie-woogie rumble

Of a dream deferred?

Listen closely:

You'll hear their feet

Beating out and Beating out a --

You think

It's a happy beat?

Listen to it closely:

Ain't you heard

something underneath

like a --

What did I say?

Sure,

I'm happy!

Take it away!

Hey, pop!

Re-bop!

Mop!

Y-e-a-h!

Harlem by Langston Hughes (1902-1967)

What happens to a dream deferred?

Does it dry up

like a raisin in the sun?

Or fester like a sore—

And then run?

Does it stink like rotten meat?

Or crust and sugar over—

like a syrupy sweet?

Maybe it just sags

like a heavy load.

Or does it explode?

Questions

1.  What dream do you think Langston Hughes is referring to in his poem “Harlem?”

2.  What does it mean to defer something?

3.  What do you think Langston Hughes is talking about when he refers to a “dream deferred”?

4.  Hughes uses very descriptive language to ask questions about what might happen to a dream deferred. Here is a list of examples of Hughes’ language. Underneath each line, tell what you think he is saying:

a. Does it dry up like a raisin in the sun?

b. Or crust and sugar over — Like a syrupy sweet?

c. Maybe it just sags like a heavy load.

d. Or does it explode?

5. What is the theme of the poem “Harlem?”

6. What is rhythm? (Think about what it means to “dance to the rhythm” or to say “I have rhythm.”)

7. Where does “Dream Boogie” borrow from “Harlem?” Does “Dream Boogie” sound more hopeful than “Harlem?” Why or why not?

8. Write a poem that “borrows” from other poems/lyrics that you enjoy. The poem should be partially made up of borrowed words and partially made up of your own words. Underline everything that is being borrowed from another source.