Marcus Miller at Stockholm Jazz Fest 2009

Marcus Miller

Marcus Miller at Stockholm Jazz Fest 2009

Marcus Miller (born William Henry Marcus Miller Jr., June 14, 1959) is an American jazz composer, producer, and multi-instrumentalist. Miller is best known as a bassist, working with trumpeter Miles Davis, pianist Herbie Hancock, singer Luther Vandross, and saxophonist David Sanborn, as well as maintaining a prolific solo career. Miller is classically trained as a clarinetist and also plays keyboards, saxophone and guitar.

Life and career

Early life

Miller was born in Brooklyn, New York in 1959 and raised in a musical family that includes his father, William Miller (a church organist and choir director) and jazz pianist Wynton Kelly. By 13, Marcus was proficient on clarinet, piano and bass guitar, and already writing songs. Two years later he was working regularly in New York City, eventually playing bass and writing music for jazz flautist Bobbi Humphrey and keyboardist Lonnie Liston Smith. Miller soon became a first call session musician, gracing well over 500 albums, a short list of which includes Michael Jackson, Herbie Hancock, Mariah Carey, Wayne Shorter, McCoy Tyner, Frank Sinatra, Dr. John, Aretha Franklin, Elton John, Grover Washington Jr., Donald Fagen, Bill Withers, Chaka Khan, LL Cool J, Me'shell Ndegé Ocello and Flavio Sala.

Professional career

Miller at the Paradiso in Amsterdam, 2007

Miller spent approximately 15years performing as a sideman or session musician, observing how band leaders operated. During that time he also did a lot of arranging and producing. He was a member of the Saturday Night Live band 1978-1979. He wrote the intro to Aretha Franklin's 'I Wanna Make It Up To You'. He has played bass on over 500 recordings including those of Luther Vandross, Grover Washington Jr., Roberta Flack, Carly Simon, McCoy Tyner, Bryan Ferry and Billy Idol. He won the "Most Valuable Player" award, (awarded by NARAS to recognize studio musicians) three years in a row and was subsequently awarded "player emeritus" status and retired from eligibility. In the nineties, Miller began to make his own records, putting a band together to take advantage of touring opportunities.

Miller's proficiency on his main instrument, the bass guitar, is well-regarded. Not only has Miller been involved in the continuing development of the technique known as "slapping", particularly his "thumb" technique, but his fretless bass technique has also served as an inspiration to many, and he has taken the fretless bass into musical contexts and genres previously unexplored. The influences of some of the previous generation of electric bass players, such as Larry Graham, Stanley Clarke, and Jaco Pastorius, are audible in Miller's playing. Early in his career, Miller was accused of being simply imitative of Pastorius, but has since more fully integrated the latter's methodology into his own sound.

Miller has an extensive discography, and tours frequently and widely in Europe and Japan.

Between 1988 and 1990 he appeared in the first season and again toward the end as both the musical director and also as the house band bass player in the Sunday Night Band during the two seasons of the acclaimed music performance program Sunday Night on NBC late-night television.[1]

As a composer, Miller wrote "Tutu" for Miles Davis, a piece that defined Davis's career in the late 1980s, and was the title track of Davis's album Tutu, for which Miller wrote all the songs with only two exceptions, and one was co-written with Davis. He also composed "Chicago Song" for David Sanborn and co-wrote "'Til My Baby Comes Home", "It's Over Now", "For You to Love", and "Power of Love" for Luther Vandross. Miller also wrote "Da Butt", which was featured in Spike Lee's School Daze.

On Sunday the 25th of November, 2012, the tour bus of Marcus Miller crashed in Switzerland. The busdriver passed away due to fatal injuries and the other passengers have injuries of varying severities.

Personal life

Miller has a wife and four children: two daughters and two sons.

Grammy Awards

Miller has won numerous Grammy Awards as a producer for Miles Davis, Luther Vandross, David Sanborn, Bob James, Chaka Khan and Wayne Shorter. He won a Grammy Award for Best R&B Song in 1992, for Luther Vandross' "Power of Love" and in 2001 he won for Best Contemporary Jazz Album for his fourth solo instrumental album, M2.

Miller currently has his own band. In 1997 he played bass and bass clarinet in a band called Legends, featuring Eric Clapton (guitars and vocals), Joe Sample (piano), David Sanborn (alto sax) and Steve Gadd (drums). It was an 11-date tour of major jazz festivals in Europe.

In addition to his recording and performance career, Miller has established a parallel career as a film score composer. He has written numerous scores for films featuring Eddie Murphy, L.L. Cool J, Chris Rock, Matthew Perry, Samuel L. Jackson and others. He composed the musical score for the Chris Rock-created sit-com, Everybody Hates Chris, now in syndication on Nick-At Nite.[2]

Instruments and gear

He plays a 1977 Fender Jazz Bass that was modified by Roger Sadowsky with the addition of a Bartolini preamp so he could control his sound in the studio. Fender currently produces a Marcus Miller signature Fender Jazz Bass in four- (made in Japan) and five-string (made in U.S) versions.[3]

Discography

Solo period (1982–present)

·  1983: Suddenly

·  1984: Marcus Miller

·  1993: The Sun Don't Lie

·  1995: Tales

·  1998: Live & More

·  2000: Best of '82-'96

·  2001: M² (2002 Grammy Award for Best Contemporary Jazz Album)

·  2002: The Ozell Tapes - Live 2001

·  2005: Silver Rain

·  2007: Free

·  2008: Marcus[4]

·  2008: Thunder (as SMV, with Stanley Clarke and Victor Wooten)

·  2010: A Night in Monte Carlo - Live 2009

·  2011: Tutu Revisited - Live 2010

·  2012: Renaissance

Luther Vandross period

·  1983: "Busy Body"

·  1985: "The Night I Fell In Love"

·  1985: "'Til My Baby Comes Home"

·  1985: "It's Over Now"

·  1986: "I Really Didn't Mean It"

·  1986: "Never Too Much"

·  1986: "Give Me the Reason"

·  1987: "Stop to Love"

·  1987: "See Me"

·  1988: "Luther In Love - Megamix"

·  1988: "Any Love"

·  1988: "She Won't Talk To Me"

·  1989: "The Best of Love"

·  1989: "Come Back"

·  1991: "The Rush"

·  1991: "Power of Love / Love Power (Uno Clio & Colin and Carl Remix)"

·  1991: "Power of Love / Love Power"

·  1991: "Power of Love"

·  1993: "Never Let Me Go"

·  1993: "Heaven Knows"

·  1995: "This Is Christmas"

·  1995: "Power of Love / Love Power (The Frankie Knuckles Mixes)"

·  1996: "Your Secret Love"

·  1996: "I Can Make It Better"

·  1998: "I Know"

·  2001: "Luther Vandross"

·  2003: "Dance With My Father"

·  2007: "Love, Luther"

Grover Washington jr period

·  1984: Inside Moves

David Sanborn period (1975–2000)

·  1977: Lovesongs

·  1980: Hideaway

·  1981: Voyeur

·  1981: As We Speak

·  1982: Backstreet

·  1984: Straight to the Heart

·  1986: Double Vision (w/Bob James)

·  1987: Change of Heart

·  1988: Close-Up

·  1991: Another Hand

·  1992: Upfront

·  1994: Hearsay

·  1995: Pearls

·  1996: Songs from the Night Before

·  1999: Inside

Miles Davis period (1980–1990)

·  1981: The Man with the Horn

·  1982: We Want Miles

·  1983: Star People

·  1986: Tutu

·  1987: Music From Siesta

·  1989: Amandla

·  2002: The Complete Miles Davis at Montreux

The Jamaica Boys period (1986–1990)

·  1987: The Jamaica Boys

·  1989: The Jamaica Boys II: J. Boys

Film scores

·  1990: "House Party" (featuring Kid & Play)

·  1992: "Boomerang" (featuring Eddie Murphy)

·  1994: "Above the Rim" (featuring Tupac Shakur)

·  1994: "A Low Down Dirty Shame" (featuring Keenan Ivory Wayans)

·  1996: "The Great White Hype" (featuring Samuel L. Jackson)

·  1997: "The Sixth Man" (featuring Marlon Wayans)

·  1999: "An American Love Story"

·  2000: "The Ladies Man" (featuring Tim Meadows)

·  2001: "The Trumpet of the Swan" (featuring Reese Witherspoon)

·  2001: "The Brothers" (featuring Morris Chestnut)

·  2001: "Two Can Play That Game" (featuring Vivaca Fox)

·  2002: "Serving Sara" (featuring Matthew Perry)

·  2003: "Deliver Us from Eva" (featuring L.L. Cool J)

·  2003: "Head of State" (featuring Chris Rock)

·  2004: "Breakin' All the Rules" (featuring Jamie Foxx)

·  2005: "King's Ransom" (featuring Anthony Anderson)

·  2006: "Save the Last Dance 2" (featuring Izabella Miko)

·  2007: "I Think I Love My Wife" (featuring Chris Rock)

·  2007: "This Christmas" (featuring Idris Elba)

·  2008: "Thunder" (featuring Stanley Clark and Victor Wooten)

·  2009: "Good Hair" (featuring Chris Rock as SMV)

·  2009: "Obsessed" (featuring Beyoncé Knowles)

With Dizzy Gillespie

·  Closer to the Source (Atlantic, 1984)

See also

·  List of Fender Jazz Bass players

References

1.  ^ Sunday Night episodes No.104 (1988), No.121 (1989)

2.  ^ See also interview on ABC Radio National Music Show with Andrew Ford Nov 2010

3.  ^ "Fender,com". Fender.com. Retrieved 2011-07-18.

4.  ^ Levine, Doug (25 March 2008). "Bassist Marcus Miller Surrounds Himself With New Generation of R&B Stars on 'Marcus'". VOA News (Voice of America). Retrieved 3 January 2009.[dead link]

External links

·  Official website

·  HoneySoul interview

·  Jazzitalia interview

·  Jazz USA interview

·  The Dude Pit interview

·  NPR interview

·  Podcast featuring GRP Records and Marcus Miller

Stanley Clarke

Clarke with Return to Forever, Onondaga Community College Syracuse, NY, 1974

Stanley Clarke (born June 30, 1951) is an American jazz musician and composer known for his innovative and influential work on double bass and electric bass as well as for his numerous film and television scores. He is best known for his work with the fusion band Return to Forever, and his role as a bandleader in several trios and ensembles.

Early life and education

Clarke was born in Philadelphia, Pennsylvania. He was introduced to the bass as a schoolboy when he arrived late on the day instruments were distributed to students and acoustic bass was one of the few remaining selections.[1] He is a graduate of Roxborough High School in Philadelphia. Having graduated from the Philadelphia Musical Academy, (which was absorbed into the University of the Arts in 1985), he moved to New York City in 1971 and began working with famous bandleaders and musicians including Horace Silver, Art Blakey, Dexter Gordon, Gato Barbieri, Joe Henderson, Chick Corea, Pharoah Sanders, Gil Evans and Stan Getz.

He was an avid supporter of Scientology in his earlier musical productions, and referred to L. Ron Hubbard on most of his LP sleeves. His current association with Scientology is not known.

1970s

During the 1970s he joined the jazz fusion group Return to Forever led by pianist and synth player Chick Corea. The group became one of the most important fusion groups and released several albums that achieved both mainstream popularity and plaudits from critics. Clarke also started his solo career in the early 1970s and released a number of albums under his own name. His well-known solo album is School Days (1976), which, along with Jaco Pastorius's self-titled debut, is one of the most influential solo bass recordings in fusion history. His albums Stanley Clarke (1974) and Journey to Love (1975) are also notable.

Scoring film and television

Clarke began with TV scores for ABC's short-lived series A Man Called Hawk and an Emmy-nominated score for Pee-wee's Playhouse. Clarke then moved on to work as a composer, orchestrator, conductor and performer of scores for such films as: Boyz n the Hood, the biopic of Tina Turner What's Love Got to Do with It, Passenger 57, Higher Learning, Poetic Justice, Panther, The Five Heartbeats, Book of Love, Little Big League, and Romeo Must Die. He also scored the Luc Besson- produced/co-written action film, The Transporter, starring Jason Statham and a Michael Jackson video release directed by John Singleton entitled Remember the Time. In the 2000s, he composed music for the Showtime Network program Soul Food.