Literature Music: Brain

Literature Music: Brain

·  Auzou, P.; Eustache, F.; Etevenon, P.; Platel, H.; Rioux, P.; Lambert, J.; Lechevalier, B.; Zarifian, E. & J.C. Baron (1995). Topographic EEG activations during timbre and pitch discrimination tasks using musical sounds. Neuropsychologia: an international journal, Vol. 33: 25-38.

·  Borchgrevink, Hans M. (1982). Prosody and Musical Rhythm are Controlled by the Speech Hemisphere, in: Clynes, Manfred (ed.), Music, Mind and Brain: The Neuropsychology of Music, Plenum Press, New York.

·  Bresson, M., F. Faïta & J. Requin (1994). Brain Waves Associated with Musical Incongruities Differ for Musicians and Non-musicians. Neuroscience Letters 168. 1010-105.

·  * Brown, Steven; Merker, Björn & Nils L. Wallin (2000). An Introduction to Evolutionary Musicology. In: Wallin, Nils L.; Merker, Björn & Steven Brown (eds.) (2000). The Origins of Music. The MIT Press, Cambridge: 3-25.

·  Cohen, D., R. Granot, H. Pratt & A. Barneah (1993). Cognitive Meanings of Musical Elements as Disclosed by Event-relatated Potential (ERP) and Verbal Experiments. Music Perception 11(2). 153-184.

·  Damásio, António R. & Damásio, Hanna (1977). Musical Faculty and Cerebral Dominance, in: Macdonald Critchley & R.A. Henson (eds.), Music and the Brain: Studies in the Neurology of Music, William Heinemann Medical Books Limited, London.

·  Halpern, Andrea R. & Robert J. Zatorre (1999). When That Tune Runs Through Your Head: A PET Investigation of Auditory Imagery for Familiar Melodies. Cerebral Cortex vol. 9: 697-704.

·  Hodges, D.A. (1996). Neuromusical research: A review of the literature. In: S.A. Hodges (ed.). Handbook of Music Psychology, 2nd ed.: 197-284. San Antonio, TX: IMR Press.

·  Janata, P. (1995). ERP Measures Assay the Degree of Expectancy Violation of Harmonic Contexts in Music. Journal of Cognitive Neuroscience 7(2): 153-167.

·  Lechevalier, B.; Platel, H. & F. Eustache (1995). Neuropsychology of identifying music. Revue neurologique: organe spécial d'analyses des travaux concernant le système nerveux et ses maladies, Vol. 151: 505-510.

·  Maess, B.; Koelsch, S.; Gunter, T.C. & A.D. Friederici (2001). Musical syntax is processed in Broca’s area: an MEG study. Nature Neuroscience, 4 (5): 540-545.

·  Mavlov, L. (1980). Amusia due to rhythm agnosia in a musician with left hemisphere damage: a non-auditory supramodal defect. Cortex 16: 331-338.

·  Nakamura, S.; Sadato, N.; Oohashi, T.; Nishina, E.; Fuwamoto Y. & Y Yonekura (1999). Analysis of music-brain interaction with simultaneous measurement of regional cerebral blood flow and electroencephalogram beta rhythm in human subjects. Neuroscience Letters, Vol. 275 (Issue 3): 222-226 Pantev, C., Oostenveld, R., Engelien, A., Ross, B., Roberts, L.E., & M. Hoke (1998). Increased cortical representation in musicians. Nature 392: 811-814.

·  Penhune, V.B., Zatorre, R.J., & A.C. Evans (1998). Cerebellar contribution to motor timing: A PET study of auditory and visual rhythm reproduction. Journal of Cognitieve Neuroscience 10: 752-765.

·  Patel, A.D., Gibson, E., Ratner, J., Besson, M. & Holcomb, P.J. (1996) Processing grammatical relations in music and language: An event-related potential (ERP) study. In Proceedings of the Fourth International Conference on Music Perception and Cognition (pp. 337-342). Montreal: McGill University, Faculty of Music.

·  Peretz, I. & J. Morais (1987). Analytic processing in the classification of melodies as same or different. Neuropsychologia, 25: 645–52.

·  Peretz, I. & J. Morais (1993). Specificity for music. In: Boller F, Grafman J, editors. Handbook of neuropsychology, Vol. 8. Amsterdam: Elsevier, p. 373–90.

·  Peretz, I. (1990). Processing of local and global musical information in unilateral brain-damaged patients. Brain 113: 1185-1205.

·  Peretz, I. & R. Kolinsky (1993). Boundaries of Separability between Melody and Rhythm in Music Discrimination: A Neuropsychological Perspective. The quarterly journal of experimental psychology Vol. 46 (Issue 2): 301-326.

·  Platel, H.; Price, C.; Baron, J.C.; Wise, R.; Lambert, J.; Frackowiak, R.S.J.; Lechevalier, B. & F. Eustache (1995). LXIX-26. Same-stimulus activation paradigm to explore the neural substrates of musical sound processing. Journal of cerebral blood flow and metabolism: official journal of the International Society of Cerebral Blood Flow and Metabolism, Vol. 15: S858.

·  * Platel, Hervé; Price, Cathy; Baron, Jean-Claude; Wise, Richard; Lambert, Jany; Frackowiak, Richard S.J.; Lechevalier, Bernard & Francis Eustache (1997). The structural components of music perception. A functional anatomical study. Brain 120: 229-243.

·  Samson, S. & R.J. Zatorre (1988). Melodic and harmonic discrimination following unilateral cerebral excision. Brain Cognition, 7: 348-360.

·  * Schuppert, Maria; Münte, Thomas F.; Wieringa, Bernardina M. & Eckart Altenmüller (2000). Receptive amusia: evidence for cross-hemispheric neural networks underlying music processing strategies. Brain, 123: 546-559.

·  Schlaug, G., Jancke, L., Huang, Y., Staiger, J.F., & Steinmetz, H. (1995a). Increased corpus callosum size in musicians. Neuropsychologica 33: 1047-1055.

·  Schlaug, G., Jancke, L., Huang, Y., Staiger, J.F., & Steinmetz, H. (1995a). In vivo evidence of structural brain asymmetry in musicians. Science 267: 699-701.

·  Sergent, J. (1993). Mapping the musician brain. Human Brain Mapping 1: 20-38.

·  Shapiro, B.E.; Grossman, M. & H. Gardner (1981). Selective musical processing deficits in brain damaged populations. Neuropsychologia, 19: 161–169.

·  Wallin, N.L. (1991). Biomusicology: Neurophysiological, Neuropsychological and Evolutionary Perspectives on the Origins and Purposes of Music. Stuyvesant, NY: Pendragon Press.

·  Zatorre, R.J. (1985). Discrimination and recognition of tonal melodies after unilateral cerebral excisions. Neuropsychologia, 23: 31–41.

·  Zatorre, R.J. & A.R. Halpern (1993). Effect of unilateral temporal-lobe excision on perception and imagery of songs. Neuropsychologia, 31: 221–32.

·  Zatorre, R.J. & S. Samson (1991). Role of the right temporal neocortex in retention of pitch in auditory short-term memory. Brain, 114: 2403–17.

·  Zatorre, R.J.; Evans, A.C. & E. Meyer (1994). Neural mechanisms underlying melodic perception and memory for pitch. J Neurosci; 14: 1908–19.

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