Launching Writer S Workshop: Genre Try-Its with a Notebook Seed

Launching Writer S Workshop: Genre Try-Its with a Notebook Seed

Launching ELA Workshop

Unit Overview

Draft

(Adapted from the Teacher’s College Reading and Writing Project)

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The goal of this unit is to move your eighth grade readers in to the reading practices that they will carry with them into high school and as lifelong readers. Most of the teaching points help students to move forward with agency: meeting in social reading partnerships or clubs in reading, keeping track of their reading using sustainable reading systems and creating a reading life they can keep going with their whole lives.

In this reading unit you’ll see that we suggest you weave in music videos as read aloud texts, moving back and forth from complex popular culture texts to print texts. You will be encouraging kids to get onto ‘courses of study,’ so that they choose sets of books, or books in order, that will help them outgrow themselves as readers. We also want them to begin quickly to read with others, so that they are sharing and swapping books, co-authoring understanding, and comparing interpretations. In this unit, you’ll want to get kids into reading partnerships right away, and they can adjust these across the unit, so that by the end of the unit they are all in small social reading clubs. You will be encouraging kids to read with their pencils and devices as they read, to keep track of parts of stories, to keep track of their thinking, and to develop new thinking. Across the unit, you’ll be teaching them both to take more charge of their reading life and to read more closely.

You will know that your students are reading with agency when you watch your kids choose books and get started reading, they go to familiar authors and genres swiftly, they reach for a pen to track their thinking, and turn to a friend to talk about what they are reading.

Sample texts:

Shelf Life by Gary Paulsen

Unit Learning Activity Summary

Students will:

  • Read independently daily in school and at home, 25-50 pages a day, completing a minimum of 2-3 novels.
  • Find a course of study--- two or three series to read in a row, or two- to three- books to read in a row.
  • Keep an electronic or paper Reading Log to use as an artifact that lets them reflect on how reading is going for them
  • Develop personal reading goals and create a Reading Plan
  • Annotate while reading to track their thinking
  • Create several Reading Response Notebook entries to demonstrate thinking
  • Complete formative and summative assessment Quick Writes
  • Partner and self -assess just right books
  • Participate in Book Buzz
  • Use a variety of retells within their reading partnership

Appendix

  • Sample Mini-lessons referenced in the Sample Learning Plan ( available on the SPPS secondary Wiki in July)
  • Resources in support of specific lessons
  • Sample charts or artifacts
  • Book Log and Stop and Jot Bookmark

Stage I. Desired Results

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Standards

# / Benchmark / Learning Focus / Assessed
Reading: Literature Standards
8.4.1.1 / Cite the textual evidence that most strongly to supports an analysis of what the text says explicitly as well as inferences drawn from the text. /
  • Readers get started right away thinking about a character and gathering details that seem important.
  • Readers notice what the character is struggling with, internally and externally.
  • Readers notice the character’s traits and emotions as they get to know the character over pages.
  • Readers notice how the character changes over time.
/ X
8.4.2.2 / Determine a theme or central idea of a text, including those by and about Minnesota American Indians, and analyze its development over the course of the text, including its relationship to the characters, setting and plot; provide an objective summary of the text. /
  • Readers grow theories about characters and read on to either confirm or revise those theories.
  • Readers look back over the book and determine themes that show up, lessons the characters might have learned, and ask themselves, “What does this theme or lesson mean for me and my life?”

8.4.3.3 / Analyze how particular lines of dialogue or incidents in a story or drama propel the action, reveals aspects of character or provoke a decision. /
  • Readers make decisions about how to retell, such as focusing on character development, or on issues and themes that are emerging, or what’s happening now and what led up to that.
  • Readers imagine the scenes that happen outside the story.
  • Readers think back over a story to synthesize a characters’ motivations and why things happen the way they do.

8.4.10.10 / By the end of the year, read and comprehend literature and other texts including stories, dramas, and poetry, in the grades 6-8 text complexity band proficiently and independently with appropriate scaffolding for texts at the high end of the range /
  • Readers set ambitious goals to outgrow themselves.
  • Readers develop systems to keep track of their thinking.
  • Readers use their statistics to reflect on how reading has gone for them and set goals for how to get the most reading done.
  • Readers choose books that they can read with accuracy, fluency and understanding.
  • Readers set courses of study, choosing sets of books, or books in order, that will help them outgrow themselves as readers.
  • Readers have a history of books that affected them.

Speak, Listen, View, Media Literacy Standards
8.9.1.1 / Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher- led) with diverse partners on grade 8 topics, texts and issues, building on others’ ideas and expressing their own clearly.
  1. Come to discussions prepared having read or researched material under study; explicitly draw on that preparation by referring to evidence on the topic, text, or issue to probe and reflect on ideas under discussion
  2. Follow rules for collegial discussions and decision-making, track progress toward specific goals and deadlines, and define individual roles as needed.
  3. Pose questions that connect the ideas of several speakers and respond to others’ questions and comments with relevant evidence, observations and ideas.
  4. Acknowledge new information expressed by others, and when warranted, qualify or justify their own views in light of the evidence presented.
  5. Cooperate, mediate, and problem solve to make decisions or build consensus as appropriate for productive group discussion.
/
  • Readers use a variety of ways to retell with their partners.
  • Readers prepare prior to talking with partners by organizing their jottings and deciding what they have a lot to say about.
  • Readers work at improving their skills at writing long and talking long about books.
  • Readers often talk about more than one book at a time through references to other characters or novels the audience will know.
/ X
Writing Standards
8.7.9.9 / Draw evidence from literary or informational texts to support analysis, reflection and research. /
  • Readers write to prepare for conversations--- sketches, maps , charts, notebook entries, writing in books.

8.7.10.10 / Write routinely over extended time frames and shorter time frames for a range of discipline-specific tasks, purposes and audiences /
  • Readers write to prepare for conversations--- sketches, maps , charts, notebook entries, writing in books.
  • Readers work at improving their skills at writing long and talking long about books.

Enduring Understandings

  • Readers who read with agency make sure they are reading and often have systems for keeping track of how reading is going for them and what kinds of books help them to read more.
  • Readers increase their ability to deal with complex texts is a high volume of reading books at the reader’s level.
  • Readers need protected time everyday for reading and protected time for talking to someone about what he or she ahs been reading.
  • Readers make their thinking visible
  • Readers make notes about ideas and themes, about characters and the places to prepare for rich partner talks and develop higher-level ideas.
  • Readers write about their reading to develop thinking, to make sense of their books, and to deepen their relationship with the stories they are reading.
  • Readers follow up on series, authors and genres they adore.

Essential Questions

  1. How can we take charge of our reading lives, showing independence and agency in tackling challenges, reading and talking with insight, and striving to outgrow ourselves as readers?
  2. In what ways do we seek out books that widen our perspectives and deepen our knowledge?
  3. How can we use our reading notebooks in innovative ways, to deepen our relationship with our books, develop our thinking, and increase our pleasure in and fluency with writing about reading?

Stage II. Assessment Evidence

Performance Tasks

  • Reading Benchmark using the Teacher’s College Writing and Reading Project (TCWRP) Leveled Reading Assessments
  • Flashdraft literary essay
  • Pre and Post Assessment Book Choice Quick Writes

Other Evidence

  • Student jottings and partner conversations
  • Book Logs
  • Conferring
  • Reading plan
  • Engagement Inventory
  • Anecdotal notes
  • Reading Response notebook responses
  • Student self-assessments and reflection

Resources in Support of Assessment

During the launch unit the checklists and assessment supports will be used multiple times throughout the four weeks.

Checklist for Choosing a Just Right Book, Sessions 4, 20 and throughout the unit as students choose new books

8.4.10.10

1point / 1 point / 1 point / 1 point
I have a purpose for choosing this book: an author I love, a genre or theme I want to read more of, it satisfies and stretches me. / I have skimmed a few pages and know most of the words. / When I read a chunk aloud, it sounds like I am talking.
. / I can tell my partner about the part I just read.

Checklist for Long Write, Session 17

8.4.1.1, 8.4.2.2, 8.4.3.3, 8.4.4.4

1 point
8.4.2.2 / 1 point
8.4.1.1 / 1 point
8.4.1.1 / 1 point
8.4.4.4
I stated a theory about a character without text evidence. / I supported my idea with evidence from the text. / I developed a theory about a character using explicit evidence across the text to support it. / I developed more than one theory about a character using explicit evidence across the text to support it
I revised my theory based on evidence from the text.

Checklist for Partner Talk, Use throughout the unit as needed

SL8.9.1.1

1point / 1point / 1point / 1point
I share ideas / I come prepared to talk
I share own ideas with evidence to support / I share my own ideas with evidence to support
I refer to my jottings, post-its and/or reader’s response. / I build on other ‘s ideas by using conversation prompts to extend talk.

Checklist for Writing in Response to Reading, Sessions 7, 11

8.4.1.1 8.4.2.2 8.4.3.3

1 point / 1 point / 1point / 1point
I stated a clear idea. / I backed it up with evidence, including specific quotes and details. / I included evidence from across the parts of the text. / I have noticed some places where the author makes allusions or uses language to make meaning.

Self-Assessment – Reader’s Response Notebook, Sessions 10, 18

W8.7.9.9 W8.7.10.10

1 point / 1 point / 1 point / 1 point / 1 point
Post-its/notebook jottings reflect the important parts of the book and what is happening in the story. / Post-its/notebook jottings are beginning to reflect ideas about what is happening in the story. / Student’s notebook reflects thinking about their independent reading two to three times during independent reading at school. / Student’s notebook reflects thinking about their independent reading two to three times during independent reading at home. / Student’s notebook entries have book title, dates and page/chapter where the thinking occurred.

*See “Strategies to Support Partnership Talk and Reading Responses” in the Appendix

Before the Unit Begins

  • Choose your anchor texts for whole group to if you choose to use texts different than the sample texts: excerpts from text where a character reads or is helped by reading, a music video, a short story and a novel.
  • Create a “starter” classroom library. Order and arrange books strategically, putting authors, series and literary traditions together so it is easy for kids to read strategically. Organizing the library this way makes it easy for readers to do more powerful reading work.
  • Decide your system for a Reader’s Notebook. Will students in your ELA Workshop have 2 notebooks, or will they have one Writer’s-Reader’s Notebook? Some teachers choose to have students use a two-subject notebook for this.
  • Consider the systems students will use to keep reading records over the short and long term: Calendar apps on their smartphones, paper calendar, paper book log, taking a picture of the book cover and adding it to a paper file (Evernote), using Goodreads.
  • Plan for some courses of study and trajectories your students might choose. (p. 9 gr 8 TCRWP)
  • Look at the data points you already have MCA lll, Spring MAP. These are red flags for students who are not reading on grade level. You may want to do a running record on these students to assess their reading levels. When in doubt have students read about ½ page in their book and you can assess what they are doing as a reader. Another way to get a baseline for the approximate reading levels of your students is make available reading assessments for eighth grade, levels V, X, Y, Z and have students choose a text that feels right for them, read it and answer the questions in writing. If the test they chose seemed too easy, they could choose another one. If you have a lot of children who read below grade level, you may choose to insert a R level text ( or P) as well and you do not need to offer them the X and Z. For students reading far below grade level, you may also want to listen to them read the passage aloud, noting miscues and fluency. The reading assessments can be accessed through this link:

Stage III. Learning Plan

Sample Lesson Sequence

Eighth grade students will be returning to the Reader’s Workshop framework they participated in as sixth grade students. Adjust the sample lesson sequence to meet the needs of your students assessed through engagement observation, conferring, Book Logs and Reader’s Notebooks.

Week 1 / Readers have a history of books that affected them. / Readers get started right away thinking about a character and gathering details that seem important. / Readers set ambitious goals to outgrow themselves.
Readers choose books that they can read with accuracy, fluency and understanding. / Readers set courses of study, choosing sets of books, or books in order, that will help them outgrow themselves as readers. / Readers develop systems to keep track of their thinking.
Week 2 / Readers use a variety of ways to retell with their partners. / Readers notice the character’s traits and emotions as they get to know the character over pages. / Readers write to prepare for conversations--- sketches, maps, charts, notebook entries, writing in books. / Readers notice what changes over time.
Self-Assess:
Reading Log / Readers imagine the scenes that happen outside the story.
Self-Assess: Writer’s Notebook
Week 3 / Readers think back over a story to synthesize a characters’ motivations and why things happen the way they do. / Readers write to prepare for conversations--- sketches, maps, charts, notebook entries, writing in books. / Formative Assessment:
Quick Write / Readers write to prepare for conversations--- sketches, maps, charts, notebook entries, writing in books. / Readers work at improving their skills at writing long and talking long about books.
Week 4 / Readers write to prepare for conversations--- sketches, maps , charts, notebook entries, writing in books / Readers often talk about more than one book at a time through references to other characters or novels the audience will know. / Readers work at improving their skills at writing long and talking long about books.
Summative Assessment: Flash Draft / Readers write to prepare for conversations--- sketches, maps, charts, notebook entries, writing in books. / Readers set courses of study, choosing sets of books, or books in order, that will help them outgrow themselves as readers.
Self-Assess: Notebooks

Sample Lesson Sequence by Session

Day 1 Books that matter (p.5-6, Gr.8 RW TCRWP)
*Before this session, invite students to bring any childhood favorites, to jot sketches or titles of books they have loved or any text, fiction or nonfiction that have ever stuck with them. Have ready a pile of your own books, or print out the book covers to show them.
Mini-lesson Read Aloud
Sample Anchor Texts:
Excerpt from Upstate, Autobiography of Malcolm X or Decoded
  • See Bend 1, Session1, Gr.8 RW TCRWP
Habit: Have students complete an Interest Inventory
Day 2 Readers are alert to details as they read (pp 4-5, Gr. 7 RW TCRWP)
Interactive Read Aloud
Sample Text: music video i.e. “Brave,” “Roar” and lyrics, 1 per student
Habit: Book Browse
Day 3 Readers set ambitious goals to outgrow themselves choosing a just-right book (see p. 5, Gr. 7 RW TCRWP)
Helping kids find books they like to read and begin to think about books they want to read.
Habit: Making a plan and making a “Someday list” in their Reader’s Notebook
Day 4 Book browsing continued (p.6 Gr. 7 RW TCRWP)
Listen in and help kids find a partnership
Assessment:
Choosing a just right book checklist
Quick write a reading response that describes how they chose their current book and what they are hoping to get from it. You will repeat this at the end of the unit---hopefully you will see them becoming more thoughtful in their book choices---reaching towards classics or harder texts in a genre they love, or nonfiction about a topic they love (pp3-4 Gr. 8 TCRWP)
Habit: Co-create a chart “What Makes for Great Partner Conversations” From now on, partners will meet daily to talk about their reading lives, or their books.
Day 5 Readers develop systems to keep track of their reading. (pp. 6-7 Gr. 7 RW TCRWP)
Setting a goal—how long should it take me to finish my book? Time reading (see p.3 in the assessment section, Gr. 7 TCRWP)
Habit: Book Logs or system for keeping track of short and long term reading
Day 6: Partners make decisions about how to analyze as well as summarize their stories (p.7-8, Gr. 7 RW TCRWP)
Mini-lesson: Demonstrate Character retell, theme or issue retell, demonstrate
Sample Text: Hunger Games
Mid-Workshop Teaching Point: model planning for talk (p. 8, Gr. 7, TCRWP)
Habit: Partner talk for richer thinking
Day 7 Reading Between the Lines—Character Inference (pp. 8-9, Gr. 7 TCRWP)
Assessment Read Aloud
Sample text: short story where detail matters ie a short story from Shelf Life or from one of the other resource short story collections.
Day 8 Capturing theories about characters— (pp. 5-6 WW Gr. 7 TCRWP)
Sample Anchor Text: Shelf Life
Mini-lesson: Demonstrate 3 ways of jotting about character theories and rereading to find details:
Writing off post-its
Character sketches with external and internal traits
T-charts
Assessment: Checklist for writing a response
Day 9 Characters reveal themselves slowly—over several pages or chapters (p.9, RW Gr. 7 TCRWP)
Sample Text: Choose a movie based upon a book, for example Harry Potter, Hunger Games, The Fault in their Stars, Lord of the Rings or “Gettin’ Even” from You Don’t Even Know Me, Stories and Poems About Boys By Sharon Flake
  • the work of the 8th grade standards is figuring out if the character changed or if it is the reader’s perception that changes
See Appendix for the Strategies to Support Retells
Day 10 Imagining scenes that happen outside the pages (pp 9-10 Gr. 7 TCRWP)
Sample Texts: quick clips from Lord of the Rings, read excerpts from Hunger Games
Reader’s Notebook: Time line strategy—critical events of scenes that didn’t happen in the book—where time moves forward or the setting changes between scenes
*This skill is critical to the texts students are reading in this band of complexity.
Self Assessment of Writer’s Notebook: Writer’s Notebook Checklist, set a goal
Day 11 Connecting moments that are related across many pages (p10-11, Gr 7 RW TCRWP)
Mini-lesson Demonstration: Retell what is happening now and analyze what led to that event
Boxes and Bullets to organize thinking and collect support focusing on character motivations
Sample Anchor Text: Shelf Life by Gary Paulsen
Day 12 Formative Assessment
Quick Write What type of character is…what evidence from the story makes you think that?
Day 13 Book Buzz – Give One Get One (p12, Gr. 7 RW TCRWP)
Habit: Talk about books in fascinating ways so others will red them
Day 14 Why We Annotate (p. 11 Gr. 7 RW TCRWP or p. 13 Gr. 8 RW TCRWP)
Sample Text: Short story from Shelf Life by Gary Paulsen.
Habit: Annotating text---writing in the margins
Day 15 Rereading Notebook entries and choosing one to write long about (pp. 7-8, Gr. 7 WW TCRWP)
Day 16 Strategy choices for written responses (website in Appendix, Gr.7 WW, TCRWP)
Day 17 Raising the level of literary conversation (p.13,
In addition to the samples in the TCRWP unit, “Roar,” by Katy Perry’s music video has allusions to several texts.
Day 18 Long Write / Flash-draft Summative Assessment (p.12, Gr. 7 RW TCRWP)
Flash draft an idea and evidence and then talk O. One idea this story suggests is… One reason is that…for example …
Day 19 Gallery Walk with favorite thinking and written responses to peers
(p.6, Gr. 7 WW, TCRWP)
Assessment:Writer’s Notebook Checklist
Day 20 Reflection and goal setting (p.14, Gr. 7 RW TCRWP)
Assessment: Quick write— Quick write a reading response that describes how they chose their current book and what they are hoping to get from it.

Appendix