6 + 1 Scoring Rubric 2nd-3rd Grade Narrative

CCSS / 5 - Establishing
Ready to Move * / 4 - Extending
Small amount of
revision is needed / 3 - Expanding
Strengths and need for revision are about equal / 2 - Exploring
Just Starting / 1 - Emergent
No Evidence /
IDEAS
CCSS:
W 2.3
W 3.3
W 3.3 / Finding a Topic:
·  clear, central theme or a simple, original story line
Focusing the Topic:
·  theme or story line is narrow and manageable
Developing the Topic:
·  critical evidence to support the theme and shows insight
·  story is told in a fresh way through original, unpredictable plot
·  Well-defined description of characters and/or narrator in the story
Using Details:
·  credible, accurate details that create pictures in the reader’s mind
·  details provide evidence of the writer’s knowledge about and/or experience with the topic / Finding a Topic:
·  recognizable but broad theme or story line
·  stays on topic, but in a predictable way
Focusing the Topic:
·  needs to crystallize topic around the central theme or story line
·  needs to focus on a specific aspect of the topic
Developing the Topic:
·  draws on personal knowledge and experience
·  no real in depth understanding of ideas or strong sense of purpose
·  Introduce a narrator and/or characters
Using Details:
·  some details to support issues or story line
·  key questions about the central theme or story line have not been addressed / Finding a Topic:
·  not settled on a topic
·  contains some unfocused, repetitious, and/or random thoughts
Focusing the Topic:
·  attempts to define topic in a meaningful way
·  difficult to determine importance
Developing the Topic:
·  length impedes development of writing
·  idea is simple restatement of topic without much thought
·  No description of narrator and/or characters
Using Details:
·  little attention to details
·  information is limited
·  many unanswered questions
ORGANIZATION
W 3.1
W 3.4
W 2.1 / Creating the Lead:
·  inviting introduction evident
Using Sequence Words and Transition Words:
·  carefully selected sequence words (such as later, then, and meanwhile) and transition words (such as however, also, and clearly) guide the reader
Structuring the Body:
·  details fit together logically
·  pacing is well controlled
·  organization flows smoothly through a problem and solution
·  structure matches purpose and audience
Ending with a Sense of Resolution:
·  satisfying conclusion gives sense of closure and resolution / Creating the Lead:
·  introduction is present though it may be a simple restatement of the topic
·  introduction does not create a sense of anticipation
Using Sequence Words and Transition Words:
·  sequence words show the logical order of details, but may feel obvious or canned
·  use of transition words is spotty and rarely creates coherence
Structuring the Body:
·  details usually fit, though some may be irrelevant
·  pacing is fairly well controlled
·  organization supports main point or story line
·  Problem or solution present, but not fully developed
·  structure somewhat matches purpose and audience
Ending with a Sense of Resolution:
·  conclusion may not tie up all loose ends
·  ends piece on a familiar note: “Now you know all about…” or “Thank you for reading my story” / Creating the Lead:
·  no real lead
Using Sequence Words and Transition Words:
·  sequence and/or transition words are rarely or never present
Structuring the Body:
·  details do not fit, or do not matter
·  pacing is awkward
·  organization is emerging, but causes problems with main idea or story line
·  No problem or solution present
·  structure distracts from content
Ending with a Sense of Resolution:
·  no real conclusion or nothing more than “The End”
·  no sense of satisfaction or closure
VOICE
W 3.3
W 3.3 / Establishing a Tone:
·  Cares about the topic and it shows
·  Tone of writing adds interest
Conveying the Purpose:
·  Tells reader why they need to know and care about topic
·  Narrative writing is honest, personal, engaging and makes reader think
Creating a Connection to the Audience:
·  Reader feels strong connection
Taking Risks to Create Voice:
·  Expresses ideas in new ways
·  Uses distinctive, just-right words and phrases
·  Dialog Present / Establishing a Tone:
·  attempts to create a tone, but the result feels generic
Conveying the Purpose:
·  reasons for creating the piece are not completely clear
·  narrative writing reflects personal perspective on topic
Creating a Connection to the Audience:
·  attempts to create a connection
·  reveals little about what is important or meaningful about the topic
Taking Risks to Create Voice:
·  creates 1-2 moments that catch the reader’s attention
·  sounds like anyone could have written it
·  Attempts at dialog is present / Establishing a Tone:
·  writing is lifeless, mechanical and/or repetitious
Conveying the Purpose:
·  reasons for creating the piece are unclear
Creating a Connection to the Audience:
·  no awareness of audience
·  topic development is limited
Taking Risks to Create Voice:
·  piece is flat and lifeless
·  voice does not pop out
·  Dialog is not present
WORD CHOICE
L 3.3
L 2.3
L 2.1 / Applying Strong Verbs:
·  uses many “action words”
·  lively verbs add energy
Selecting Striking Words and Phrases:
·  uses many finely honed words and phrases
·  effective use of literary techniques (alliteration, simile, metaphor)
Using Specific and Accurate Words:
·  uses words with precision
·  chooses nouns, adjectives, and adverbs that create clarity
Choosing Words That Deepen Meaning:
·  language choices enhance meaning
·  chooses best word over the first word / Applying Strong Verbs:
·  uses the passive voice
·  few “action words” to give the piece energy
Selecting Striking Words and Phrases:
·  familiar words and phrases are communicative but are unimaginative
·  attempts to use literary techniques
Using Specific and Accurate Words:
·  attempts to use specific and accurate words
·  words rarely capture the reader’s imagination
Choosing Words That Deepen Meaning:
·  words communicate the basic idea but are ordinary and uninspired
·  unoriginal language rather than language that results from careful revision / Applying Strong Verbs:
·  passive voice dominates piece
·  no attempt at selecting verbs with energy
Selecting Striking Words and Phrases:
·  uses words that are repetitive, vague, and/or unimaginative
·  words are lifeless
Using Specific and Accurate Words:
·  misuses words making it difficult to understand
Choosing Words That Deepen Meaning:
·  language is imprecise and distracting
SENTENCE
FLUENCY
W 3.1
W 3.2 / Crafting Well-Built Sentences:
·  carefully constructs sentences for maximum impact
·  uses transition words (and, but, so) successfully to join sentences and sentence parts
Varying Sentence Types:
·  uses various types of sentences to enhance central theme or story line
·  effective mix of long, complex sentences and short, simple ones
Capturing Smooth and Rhythmic Flow:
·  reading out loud is a breeze
Breaking the “Rules” to Create Fluency:
·  diverges from standard English to create interest and impact / Crafting Well-Built Sentences:
·  attempts to vary the beginnings and lengths of sentences
Varying Sentence Types:
·  offers some sentence variety
·  creates an uneven flow with attempts to vary sentences
Capturing Smooth and Rhythmic Flow:
·  some sentences read smoothly, others are choppy or awkward
Breaking the “Rules” to Create Fluency:
·  breaking the rules seems more accidental than intentional / Crafting Well-Built Sentences:
·  sentences are flawed
·  sentence beginnings are repetitive and uninspired
Varying Sentence Types:
·  repetitive sentence pattern
·  connects sentence parts with an endless string of transitions
Capturing Smooth and Rhythmic Flow:
·  reading aloud is a challenge because sentences are incomplete, choppy, and/or awkward
Breaking the “Rules” to Create Fluency:
·  nothing out of the ordinary
·  not ready for stylistic and creative revision
CONVENTIONS
L 2.3
L 3.3
L 2.1
L 3.1 / Checking Spelling:
·  spells sight words, high frequency words, and less familiar words correctly
·  when incorrect, spells less familiar words phonetically
·  overall controls spelling
Punctuating Effectively and Paragraphing Accurately:
·  handles basic punctuation skillfully
·  uses punctuation to enhance clarity and meaning
·  indents paragraphs in the right places
Capitalizing Correctly:
·  uses capital letters consistently and accurately
·  understands how to capitalize dialogue, abbreviations, proper nouns, and titles
Applying Basic Grammar:
·  forms grammatically correct phrases and sentences
·  shows care in applying the rules of standard English / Checking Spelling:
·  incorrectly spells a few high frequency words and many unfamiliar words
Punctuating Effectively and Paragraphing Accurately:
·  handles basic punctuation well
·  use of complex punctuation marks (quotation marks, parenthesis, dashes) is spotty
·  attempts to indent paragraphs
Capitalizing Correctly:
·  capitalizes the first words in a sentence and most proper nouns
·  capitalization of dialogue, abbreviations, proper nouns, and titles is spotty
Applying Basic Grammar:
·  mistakes in grammar and usage are throughout the piece, but can be easily corrected / Checking Spelling:
·  misspells many words which distracts the reader
Punctuating Effectively and Paragraphing Accurately:
·  neglects punctuation or uses punctuation incorrectly
·  forgets to indent paragraphs
Capitalizing Correctly:
·  uses capitals inconsistently, even in common places
·  no control over capitals
Applying Basic Grammar:
·  frequent mistakes in grammar and usage make the piece difficult to read

* Upon obtaining a 5 in all traits, proceed on to the 4-5 rubric.

Adapted by Dearborn Public Schools from Ruth Culham’s “6 Traits of Writing” and the English Language Arts Common Core State Standards

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2nd-3rd Grade Narrative Writing Rubric