HS: Shakespeare's Great Tragedies Hamlet, Macbeth, King Lear, Othello

1

Prof. Dr. R. Borgmeier

WS 2006/07

Mi 10-12,E6

1

HS: Shakespeare's Great Tragedies – Hamlet, Macbeth, King Lear, Othello

Bibliography

Please note: If in the following bibliography there is no explicit mentioning of where an article or a certain book is located they are available in the university or departmental library and can be found in the OPAC. The folder is in Room 339.

I. Bibliographies and Encyclopaedias

Berman, Ronald. A Reader's Guide to Shakespeare's Plays: A Discoursive Bibliography. Chicago: Scott, Forseman & Co., 1969. KS 742

Campbell, Ascar James (ed.). A Shakespeare Encyclopaedia. London: Methuen, 1974 (Nachdruck). KS 875

Crystal, David; Crystal, Ben (eds.). Shakespeare's Words. A Glossary and Language Companion.London: Penguin, 2002. KS 810

Dobson, Michael (ed.). The Oxford Companion to Shakespeare. Oxford: Oxford UP, 2005.

FH ang Cs 2.34

Grazia, Margreta de (ed.). The Cambridge Companion to Shakespeare.Cambridge: Cambridge UP, 2002. KS DEG

Hodgdon, Barbara; Worthen, W. B. (eds.) A Companion to Shakespreare and Performance.Malden: Blackwell, 2005. KS 823

Spevack, Marvin. A Complete and Systematic Concordance to the Works of William Shakespeare. Hildesheim: Georg Olms, 1968. ang Cs 1/1

Wells, Stanley (ed.). Shakespeare: A Bibliographical Guide. Oxford: Clarendon P, 1990

KS 745

Wells, Stanley (ed.) The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge UP, 2002. KS WEL 6

II. Journals and Yearbooks

Shakespeare Quarterly. Ed. Shakespeare Association of America, Folger Shakespeare Library New York. Z 103

Shakespeare Studies. An Annual Gathering of Research, Criticism, and Reviews. Ed. J. Leeds Barroll, Cincinatti. Z 105

Shakespeare Survey. An Annual Survey of Shakespeare Studies and Production. Cambridge.

Z 102

Shakespeare-Jahrbuch West. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft West.

Z 101

Shakespeare-Jahrbuch. Published by the Deutsche Shakespeare-Gesellschaft Weimar.

Z 100

III. General Works on Shakespeare and the Elizabethan (St)Age

Alvis, John (ed.). Shakespeare as Political Thinker. Durham, NC: Carolina Acad. P., 1981.

KS Alv

Aronson, Alex. Psyche and Symbol in Shakespeare. Bloomington, London: Indiana UP, 1072

KS Aro

Brennan, Anthony. Shakespeare's Dramatic Structures. London, Boston, Henley: Routledge & Kegan Paul, 1986. KS Bre

Chapman, Gerald W. (ed.). Essays on Shakespeare. Princeton: Princeton UP, 1965.

KS Cha II

Clemen, Wolfgang. The Development of Shakespeare's Imagery. London: Methuen, 1977.

KS Cle

Elizabethan Theatre. (Stratford-Upon-Avon-Studies 9). London: Arnold, 1966.

Z 106

Evans, Malcom. Signifying Nothing: Truth's Time. Contents in Shakespeare's Text. Brighton, Sussex: Harvester Press, 1986. KS Eva VI

Garber, Marjorie B. Shakespeare's Ghost Writers: Literature as Uncanny Casuality. New York: Methuen, 1987. KS Gar 3

Greenblatt, Stephen. Verhandlungen mit Shakespeare. Berlin: Wagenbach, 1990.

ang Cs 2/21

Gurr, Andrew. "The State of Shakepeare's Audiences." Shakespeare and the Sense of Performance. Eds. Marvin and Ruth Thompson Newark, London: University of Delaware Press, 1989. 162-179. folder

Harris, Laurie Lanzen und Mark W. Scott (ed.). Shakespearean Criticism. Detroit: Gale Research Company, 1986. KS 883

Holland, Peter (ed.) Shakespeare and Religions.Cambridge: Cambridge UP, 2001.

Z 102/54

Laroque, François. Shakespeare: Abenteuer Geschichte. Wiss. Bearb. Raimund Borgmeier. Ravensburg: Maier, 1994. KS Lar

Matthews, Honor. Character and Symbol in Shakespeare's Plays. A Study in Certain Christian and Prechristian Elements in Their Structure and Imagery. London: Chatto & Windus, 1969. KS Mat

Naumann, Walter. Die Dramen Shakespeares.Darmstadt: Wiss. Buchgesellschaft, 1978.

KS Nau

Orgel, Stephen. The Authentiv Shakespeare and Other Problems of the Early Modern Stage.New York: Routledge, 2002. KS ORG

Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearean Stage.Chicago: University of Chicago Press, 2004. Sted BM

Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare's Stage.London: Routledge, 2001. KS RUT 1

Ryan, Kiernan. Shakespeare. 3rd ed. Basingstoke: Palgrave, 2002.KS RYA

Schabert, Ina. Shakespeare Handbuch. Stuttgart: Kröner, 1972.KS 805&865

Suerbaum, Ulrich. Das elisabethanische Zeitalter. Stuttgart: Reclam, 1989. F KA 1157

Suerbaum, Ulrich. Shakespeares Dramen. Düsseldorf: Bagel, 1985.KS Sue

Tillyard, E. M. W. The Elizabethan World Picture. London: Chatto & Windus, 1943.

F KA 621.

Wells, Stanley (ed.). The Cambridge Companion to Shakespeare Studies. Cambridge: Cambridge UP, 1987. KS Wel 3

IV. General Works on Shakespeare's Tragedies

Battenhouse, Roy W. Shakespearean Tragedy: Its Art and its Christian Premises. Bloomington: Indiana UP, 1969. KS Bat

Charlton, H. B. Shakespearean Tragedy. Cambridge: Cambridge UP, 1961.KS Cha III 3

Frye, Northrop. Fools of Time: Study in Shakespearean Tragedy. Ontario: U of Ontario P, 967. KS Fry II

Harbage, Alfred (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays. Eaglewood Cliffs, NJ: Prentice Hall, 1964. KS Har 3

Harrison, G. B. Shakespeare's Tragedies. London: Routledge & Paul, 1961KS Har III 2

Jorgensen, Paul A. William Shakespeare: The Tragedies. Boston: Twayne, 1985. KS Jor 4

Leech, Clifford (ed.). Shakespeare: The Tragedies. A Collection of Critical Essays. Chicago: U of Chicago P, 1965. KS Lee II 2

Lerner, Laurence. Shakespeare's Tragedies: An Anthology of Modern Criticism. Harmondsworth: Penguin, 1968. KS Ler

McDonald, Russ (ed.). Shakespeare Reread: The Texts in New Contexts. Ithaca: Cornell UP, 1994. ordered

McEachern, Claire (ed.). The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge UP, 2002. KS MCE

Marsh, Derick, R. C. Passion Lends Them Power: A Study of Shakespeare's Love Tragedies. Manchester: Manchester UP, 1976. KS Mar IV

Mehl, Dieter. Shakespeare's Tragedies: An Introduction. Cambridge: Cambridge UP, 1986.

KS Meh

Mucciolo, John M., Steven J. Doloff, Edward A. Rauchut, and Angus Fletcher (eds.). Shakespeare's Universe: Renaissance Ideas and Conventions. Hants: Scolar, 1996.

Ramm, Dieter. Die Phasenstruktur der Shakespeareschen Tragödien. Frankfurt: Akad. Verlagsgesellschaft, 1974. KS Ram

Reynolds, Peter. "Unlocking the Box: Shakespeare on Film and Video." Shakespeare in the Changing Curriculum. Eds. Lesley Aers and Nigel Wheale. London and New York: Routledge, 1991. 189-203. folder

Ribner, Irving. Patterns in Shakespearean Tragedy. Toronto: U of Toronto P, 1963.

KS Will II

Sternberg, Doug. "Tom's a-cold: Transformation and Redemption in King Lear and the Fisher King." Literature-Film Quarterly 22.3 (1994): 160-169. folder

Susan Zimmerman (ed.). Shakespeare's Tragedies. New York: St Martin's, 1998.

V. Hamlet (Selection)

Ackerman, Alan L.Jr. "Visualizing Hamlet's Ghost: The Spirit of Modern Subjectivity."

Theatre Journal, 2001 Mar; 53 (1): 119-44.online access

Ahrens, Rüdiger. "Invertierte Welten bei William Shakespeare und Tom Stoppard: Das Beispiel Hamlet." Exempla: Studien zur Bedeutung und Funktion exemplarischen Erzählens. Ed. Bernd Engler and Kurt Müller. Berlin: Duncker&Humblot, 1995. 425-448. UB

Aldus, P.J. Mousetrap. Structure and Meaning in Hamlet. TorontoBuffalo: TorontoUniversity Press, 1977. KS ALD

Alexander, Nigel. Poison, Play, and Duel. A Study in Hamlet. London: Routledge & Kegan Paul, 1971. KS ALE

Alut, C. Thomas. "Shakespeare's Hamlet." Explicator 49.4 (1991): 204-207.folder

Amtower, Laurel. "The Ethics of Subjectivity in Hamlet." Studies in the Humanities 21.2 (1994): 120-133. folder

Anderson, Judith H. "Translating Investments: The Metaphoricity of Language, 2 Henry IV, and Hamlet." Texas Studies in Literature and Language 40.3 (1998): 231-267.

Ardolino, Frank. "The Bearing of Deadly Letters: 'Uriah's Letter' in Marlowe, Kyd, and Shakespeare." Journal of Evolutionary Psychology6.3-4 (1985): 292-301. folder

Asher, Lyell. "'To Consider Things too Curiously': Hamlet's Moral Wonder." Hamlet Studies 10.1-2 (1988): 137-143. folder

Ashley, Leonard R. N. "Hamlet as Opera."Points of View, 2004 Summer; 11 (1): 11-28.

ordered

Ashley, Leonard R. N. "The Observed of All Observers: Hamlet on the Stage."HamletStud

ies: An International Journal of Research on The Tragedie ofHamlet, Prince of Denmarke, 2002; 24: 39-55. folder

Atchley, Clinton P. E. "Reconsidering the Ghost in Hamlet: Cohesion or Coercion?" Philoogical Review, 2002 Fall; 28 (2): 5-20. folder

Baker, Susan. "Hamlet's Bloody Thoughts and the Illusion of Inwardness." Comparative Drama 21.4 (1987-1988): 303-317.

Beckwith, Sarah."Stephen Greenblatt's Hamlet and the Forms of Oblivion."Journal of Me

dieval and Early Modern Studies, 2003 Spring; 33 (2): 261-80.online access

Bertoldi, Andreas. "Shakespeare, Psychoanalysis and the Colonial Encounter: The Case of Wulf Sach's Black Hamlet." Post-Colonial Shakespeares. Ed. Ania Loomba [a.o.]. London: Routledge, 1998. 235-258. folder

Bentley, Greg. "Melancholy, Madness, and Syphilis in Hamlet." Hamlet Studies 6.1-2 (1984): 75-80. folder

Berkeley, David Shelley. "Claudius the Villein King of Denmark." Hamlet Studies 11.1-2 (1989): 9-21. folder

Berry, Philippa. "Hamlet's Ear." Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 50 (1997): 57-64. Z 102

Bevington, David (Ed.). 20th Century Interpretations of Hamlet. A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice Hall, 1968. KS BEV

Bonnefoy, Yves, and John T. Naughton. "Readiness, Ripeness: Hamlet, Lear." New Literary History: A Journal of Theory and Interpretaion 17.3 (1986): 477-491. Z 78

Bronfen, Elisabeth."The Conspiracy of Gender: Hamlet's and Ophelia's Passionate Histrion

ics."ShakespeareJahrbuch, 2004; 140: 66-80.Z101

Bullough, Geoffrey (ed.). Narrative and Dramatic Source od Shakespeare's Majot Tragedies: Hamlet, Othello, King Lear, Macbeth.London: 1975. KS 940

Burks, Zachary. "'My Soul's Idol': Hamlet's Love for Ophelia." Hamlet Studies 13.1-2 (1991): 64-72. folder

Coddon, Karin S. "'Suche Strange Desygns': Madness, Subjectivity, and Treason in Hamlet and Elisabethan Culture." Renaissance Drama 20 (1989): 51-75. folder

Crowl, Samuel. "Hamlet 'Most Royal': An Interview with Kenneth Branagh." Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship 12.4 (1994): 5-8.

folder

Crowl, Samuel. "Zefirelli's Hamlet: The Golden Girl and a Fistful of Dust." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema 24.1 (1998): 56-61. folder

Davidson, Hilda R. Ellis. "The Hero as a Fool: The Northern Hamlet." The Hero in Tradition and Folklore. Ed. Hilda R. Ellis Davidson. London: Folklore Society, 1984. 30-45. folder

De Grazia, Margreta. "Teleology, Delay, and the 'Old Mole.'" Shakespeare Quarterly 50.3 (1999): 251-267. Z 103

De Grazia, Margreta."Hamlet Before its Time."Modern Language Quarterly: A Journal of

Literary History, 2001 Dec; 62 (4): 355-75.online access

De Grazia, Margreta."When Did Hamlet Become Modern?"Textual Practice, 2003 Winter;

17 (3): 485-503, 612.folder

Desai, R.W. "Hamlet as 'Minister of God to Take Vengeance." English Language Notes 31.2 (1993): 22-27. folder

Dewis, C. L. Barney. "East Texas Cockfighting and Hamlet." Journal of Men's Studies: A Scholarly Journal about Men and Masculinities 2.3 (1994): 253-267. ordered

Draudt, Manfred."The Comedy of Hamlet."Atlantis: Revista de la Asociación Española de

Estudios Anglo-Norteamericanos, 2002 June; 24 (1): 71-83.online access

Edelman, Charles. "Shakespeare's 'Brawl Ridiculous'." Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 42 (1990): 111-118. Z 102

Edwards, Philip (ed.). Hamlet, Prince of Denmark. Cambridge, England: Cambridge UP;

2003.FBB

Egan, Robert. "A Thin Beam of Light: The Purpose of Playing on Rosenkrantz and Guildenstern Are Dead." Theatre Journal 31 (1978): 59-69. folder

Egan, Gabriel (ed. and introd.). "Hamlet on Screen."EnterText: An Interactive Interdiscipli

nary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): 171-341. online access

England, Eugene. "Hamlet Against Revenge." Literature and Relief 7 (1987): 49-62.

folder

Erzgräber, Willi. "Das Gewissen bei Shakespeare." Literaturwissenschaftliches Jahrbuch im Auftrage der Görres-Gesellschaft 40 (1999): 95-114. Z

Erzgräber, Willi (ed.). Hamlet-Interpretationen. Darmstadt: Wissenschaftliche Verlagsgesellschaft, 1977. KS ERZ

Erzgräber, Willi. "Shakespeares Hamlet als Rachetragödie." Literaturwissenschaftliches Jahrbuch im Auftrage der Görres-Gesellschaft 35 (1994): 101-119. Z

Evans, Robert C. "Friendship in Hamlet." Comparative Drama 33.1 (1999): 88-124.

ordered

Flaherty, Kate."Theatre and Metatheatre in Hamlet."Sydney Studies in English, 2005; 31: 3-

20.folder

Fleissner, Robert F. "Dr. Faustus as a Source for Hamlet." Literatur in Wissenschaft und Unterricht 23.1 (1990): 68-71. Z 63

Fleissner, Robert F. The Prince and the Professor. Heidelberg: Winter, 1986.ang Cs 2/24

Foakes, R. A. "'Armed at Point Exactly': The Ghost in Hamlet."ShakespeareSurvey: An An

nual Survey of ShakespeareStudies and Production, 2005; 58: 34-47.FBB: Z102

Garnier, Marie-D. "Hamlet: Selected Letters between Derrida and Deleuze."Oxford Literary

Review, 2003; 25: 63-77.folder

Gorfain, Phyllis. "Towards a Theory of Plays and the Carnivalesque in Hamlet." Shakespeare and Carnival: After Bakhtin. Ed. Ronald Knowles. Houndmills/New York: Macmillan/St. Martin's, 152-176. folder

Greenblatt, Stephen.Hamlet in Purgatory. Princeton, NJ: Princeton UP; 2001.

KS GRE VII 2

Guntner, Lawrence J. "Expressionist Shakespeare: The Gade/Nielsen Hamlet (1920) and the History of Shakespeare on Film." Post Script: Essays in Film and the Humanities 17.2 (1998): 90-102. folder

Günther Frank. "Sein oder nicht sein – was ist hier die Frage? Vom Abbild der Zeiten im Spiegel Hamlet." Deutsche Shakespeare-Gesellschaft West: Jahrbuch 1988. 25-43.

Z 101

Halverson, John. "Ethos and Transcendence." Anglia: Zeitschrift für englische Philologie 106.1-2 (1988): 44-73. Z 1

Hamana, Emi. "Let Women Voices be Heard: A Feminist Re-Vision of Ophelia." Shakespeare Studies 26 (1988): 21-40. Z 105

Hamilton, R.W. "The Instability of Hamlet." Critical Survey 3.2 (1991): 170-177.

folder

Hapgood, Robert. "Popularizing Shakespeare: The Artistry of Franco Zefirelli." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Ed. Lynda E. Boose [a.o.]. London: Routledge, 1997. 80-94. Room 339

Hassel, R. Chris Jr. "Mouse and Mousetrap in Hamlet." Shakespeare Jahrbuch 135 (1999): 77-92. Z 101

Hassel, R. Chris, Jr. "The Accent and Gait of Christians: Hamlet's Puritan Style."Religion and

the Arts, 2003; 7 (1-2): 103-27.online access

Held, George F. "Hamlet's Other Purpose." Anglia: Zeitschrift für englische Philologie 106.3-4 (1988): 315-337. Z 1

Hillman, Richard. "Hamlet and Death: A Recasting of the Play Within the Player." Essays in Literature 13.2 (1986): 201-218. folder

Hirschfield, Heather."Hamlet's 'first Corse': Repetition, Trauma, and the Displacement of

Redemptive Typology."ShakespeareQuarterly, 2003 Winter; 54 (4): 424-48.

online access

Holbrook, Peter. "Nietzsche's Hamlet." Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 50 (1997): 171-186 . Z 102

Hopkins, Lisa."'Denmark's a Prison': Branagh's Hamlet and the Paradoxes of Intimacy."En

terText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): 226-46. online access

Huelin, Scott."Reading, Writing, and Memory in Hamlet."Religion and Literature, 2005

Spring; 37 (1): 25-44.folder

Hughes, Peter. "Painting the Ghost: Wittgenstein, Shakespeare, and Textual Representation." New Literary History. A Journal of Theory and Interpretation 19.2 (1988): 371-384. Z 76

Hunt, Maurice. "Art of Judgement, Art of Compassion: The Two Arts of Hamlet." Essays in Literature 18.1 (1991): 3-20. folder

Hunt, Maurice."Impregnating Ophelia."Neophilologus, 2005 Oct; 89 (4): 641-63.

Z26

Hunt, Maurice."'Forward Backward' Time and the Apocalypse in Hamlet."Comparative

Drama, 2004-2005 Winter; 38 (4): 379-99.UB: FH lit Z

Hutson, William. "Elizabethan Stagings of Hamlet." Theatre Research International 12.3 (1987): 253-260. folder

Imhof, Rüdiger. "Fortinbras Ante Portas: The Role and Significance of Fortinbras in Hamlet." Hamlet Studies 8.1-2 (1986): 8-29. folder

Jenkins, Harold. "'To be, or not to be': Hamlet's Dilemma." Hamlet Studies 13.1-2 (1991): 8-24. folder

Joyce, Elisabeth. "From Prince to Punk: Student Reception and the English Hamlet of the Mid-century." New Comparison 2 (1986): 31-41. folder

Kaaber, Lars."What Happened to Hamlet? Text and Tradition."Angles on the English-

Speaking World, 2005; 5: 97-107.folder

Kerrigan, John. "Hieronimo, Hamlet and Remembrance." Essays in Criticism 31.2 (1981): 105-126. Z 60

Kesler, R. L. "Subjectivity, Time, and Gender in Titus Andronicus, Hamlet, and Othello." Enacting Gender on the English Renaissance. Eds. Vivana Comensoli and Anne Russell. Urbana: U of Illinois P, 1999. 114-132. folder

Kinney, Arthur F. (ed.). Hamlet: New Critical Essays.London: Routledge, 2002.KS KIN III

Lenhoff, Leslee. "Life Within the Limits: Stoppard on the HMS Hamlet." Arizona Quarterly 38/1 (1982): 44-61. folder

Levy, Eric P. "'Defeated Joy': Melancholy and Eudaemonia in Hamlet." Upstart Crow 18 (1998): 95-109. folder

Levy, Eric P. "'In Our Circumstance and Course of Thought': The Problematics of Conceptual

Scheme in Hamlet."Modern Language Studies, 2002 Fall; 32 (2): 91-108.

folder

Levy, Eric P. "Universal versus Particular: Hamlet and the Madness in Reason." Exemplaria:

A Journal of Theory in Medieval and Renaissance Studies, 2002 Spring; 14 (1): 99-125. folder

Lidz, Theodore. Hamlets Feind: Mythos und Manie in Shakespeares Drama. Frankfurt: Fischer, 1980. K LID

Liebler, Naomi Conn. "Hamlet's Hobby Horse." Cahiers Elisabethains: Late Medieval and Renaissance Studies 45 (1994): 33-45. folder

Loberg, Harmonie. "Queen Gertrude: Monarch, Mother, Murderer."Atenea, 2004 June; 24

(1): 59-71.online access

Lucking, David. "'Each Word Made True and Good': Narrativity in Hamlet." Dalhousie Review 76.2 (1996): 177-196.

Lupton, Julia Reinhard and Kenneth Reinhard. After Oedipus: Shakespeare in Psychoanalysis.Ithaca, NY: Cornell UP, 1993. ordered

McCoy, Richard C. "A Wedding and Four Funerals: Conjunction and Commemoration in

Hamlet."ShakespeareSurvey: An Annual Survey ofShakespeareStudies and Production, 2001; 54: 122-39. FBB: Z 102

Milward, Peter."G. K. Chesterton: 'The Orthodoxy of Hamlet'."Chesterton Review: The

Journal of the G. K. Chesterton Institute, 2003 Fall; 29 (3): 375-85.folder

Mussil, Stephan."Why Hamlet Delays: Reflexivity in Literature and Criticism."European

Journal of English Studies, 2001 Dec; 5 (3): 321-34.online access

Nardo, Anna K. "'Here's to Thy Health': The Pearl in Hamlet's Wine." English Language Notes 23.2 (1985): 36-42. Z 10

Nath, Prem. "Hamlet in the Eighteenth Century, 1701-1750: From John Dennis to Arthur Murphy." Hamlet Studies 6.1-2 (1984): 41-67. folder

Neely, Carol Thomas. "'Documents in Madness': Reading Madness and Gender in Shakespeare's Tragedies and Early Modern Culture." Shakespearean Tragedy and Gender. Ed. Shirley Nelson Garner and Madelon Sprengnether. Bloomington: Indiana UP, 1996. 75-104.

Nochimson, Richard L. "The Establishment of Tragic and Untragic Patterns in the Opening Scenes of Hamlet, Macbeth,Antony and Cleopatra, and Triolus and Cressida." Entering the Maze: Shakespeare's Art of Beginnning. Ed. Robert F. Wilson Jr. New York: Peter Lang, 1995. 74-94.

O'Meara, John. "Hamlet and the Tragedy of Sexuality." Hamlet Studies 10.1-2 (1988): 117-125. folder

Patterson, Annabel. "'The very age and body of the time his form and pressure': Rehistoricizing Shakespeare's Theatre." New Literary History: A Journal of Theory and Interpretation 20.1 (1988): 83-104. Z 76

Pfister, Manfred. "Germany is Hamlet: The History of a Political Interpretation." New Comparison 2 (1986): 106-126. folder

Pfister, Manfred."Enigma Variations: Performing 'To Be or Not to Be'."Poetica: Zeitschrift

für Sprach- und Literaturwissenschaft, 2005; 37 (3-4): 349-71.

FBB Klass. Philologie Haus G: Zs 300

Ratcliffe, Stephen. "What doesn't Happen in Hamlet: The Ghost's Speech." Modern Language Studies 28.3 (1998): 125-150. folder

Roberts, Katherine. "The Wandering Womb: Classical Medical Theory and the Formation of Female Characters in Hamlet." Classical and Modern Literature: A Quarterly 15.3 (1995): 223-232. ordered

Romanska, Magda."Ontology and Eroticism: Two Bodies for Ophelia." Women's Studies: An

Interdisciplinary Journal, 2005 Sept; 34 (6): 485-513.folder

Rozett, Martha Tuck. "'How Now Horatio, You Tremble and Look Pale': Verbal Cues and the Supernatural in Sheakespeare's Tragedies." Theatre Survey: The Journal of the American Society for Theatre Research 29.2 (1988): 127-138. folder

Sacks, Peter. "Where Words Prevail Not: Grief, Revenge, and Language in Kyd and Shakespeare." ELH 49.3 (1982): 576-601. Z 52

Salinger, Hellmut. Hamlet und sein Dichter. Heidelberg: Stein, 1976. P 9 75.51 (Ger)

Samolsky, Russell. "Ghostly Letters: Hamlet, Derrida and Apocalyptic Discourse."Oxford

Literary Review, 2003; 25: 79-101.folder

Scott, William O. "The Liar Paradox as Self-Mockery: Hamlet's Postmodern Cogito." Mosaic: A Journal for the Interdisciplinary Study of Literature 24.1 (1991): 13-30. folder

Shafer, Ronald. "Hamlet: Christian or Humanist?" Studies in the Humanities 17.1 (1990): 21-35. folder

Shaheen, Naseeb. "A Warning for Fair Women and the Ur-Hamlet." Notes and Queries 30, No 229/2 (1983): 126-127. Z 90

Shaheen, Naseeb. "The Incest Theme in Hamlet." Notes and Queries 32.230/1 (1985): 51. Z 90

Showalter, Flaine. "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism." Shakespeare and the Question of Theory. Eds. Patricia Parker and Geoffrey Hartmann. New York: Methuen, 1985. 77-94. KS PAR III