CHRISTIANE LIBOR, Soprano

CHRISTIANE LIBOR, Soprano

Christiane Libor was born in Berlin and studied at the ‘Musikhochschule für Musik Hans Eissler.’ She complemented her conservatory education in training with Dietrich Fisher-Dieskau, Julia Varady, Edith Mathis, Hans Hotter, Peter Schreier, and Joseph Protschka. Ms. Libor has made great music together with many of the world’s most respected conductors including Philippe Auguin, Philippe Jordan, Kurt Masur, Ingo Metzmacher, Marc Minkowski, Helmuth Rilling, Sebastian Weigle, Simone Young, and Jaap van Zweden.

Performances of the 2015-16 season include Sieglinde in Die Walküre and the soprano’s first performances of Brünnhilde in Götterdämmerung, both with Oper Leipzig, under the baton of Ulf Schirmer.

Ms. Libor sang a wide range of leading dramatic soprano parts in the past season including the title role of Ariadne auf Naxos at Seattle Opera and Opera Stuttgart,Brünnhilde inDie Walküre with Oper Leipzig, Fidelio in Dresden, and Senta inDer fliegende Holländer at the Washington National Opera.

2013-2014 season performances included Die Walküre in Warsaw, Baden-Baden, and Leipzig andBrünnhilde in Siegfried in Stuttgart. She bowed as Isabella in Wagner’s DasLiebesverbot in Bayreuth and Leipzig. Symphonic appearances brought her to the Berlin Radio Symphony Orchestra for Shostakovitch’s Fourteenth Symphony with Marek Janowski, to Augsburg for Strauss’ Vier Letzte Lieder conducted by Gilbert Kaplan, and to Berlin for Penderecki’s Lukas Passion.

Ms. Libor gave her American operatic debut at Seattle Opera in 2012-13 in the title role of Beethoven’s Fidelio and other opera engagements that season included a return to Opernhaus Leipzig for performances as Ada

in Wagner’s rarity Die Feen, Eva in Die Meistersinger von Nürnberg, and Senta in Der fliegende Holländer. Her vibrant concert diary included Bruckner’s Te Deum with the Dresden Philharmonic under the baton of Sebastian Weigle, Alice in Leo Fall’s operetta Die Dollarprinzessin with the Rundfunkorchester des Bayerischen Rundfunks, an all-Wagner concert in Peking, China with the China Philharmonic, and concert performances of the title role in Verdi’s Aida with the Warsaw Philharmonic.

Highlights of the recent past include the title role of Janacek’s Jenufafor Innsbruck’s Tiroler Landestheater, Das Liebesverbot in a new production for Oper Frankfurt, highly acclaimed portrayals of the title role of Ariadne auf Naxos in Innsbruck, and both Elisabeth and Venus in Tannhäuser at the Grazer Oper.Opera Newsheralded, “Remember the name Christiane Libor. After much buzz in Vienna, the promise suggested by her stupendous Senta in Graz last season was fulfilled by her Ariadne…Libor unquestionably ranks as one of the greatest Ariadnes in the past three decades, and maybe even tops that august list. Most importantly is the quality of her voice, the sheer beauty of tone from top to bottom. Her soprano is huge, plumy, power and under perfect control…The Berlin-born soprano has the perfect voice for Strauss, easily negotiating low-lying passages without forcing, blooming on top notes, effortlessly pouring out tidal waves of golden tone…” She also bowed in Wagner’s rarely heard opera, Die Feen. Of her performances at the Théâtre du Châtelet under the baton of Marc Minkowski, The New York Times wrote, “the soprano Christiane Libor gives a brilliant performance as Ada, singing with a blazing top and a compelling range of colors.”

Ms. Libor has performed Gutrune in Götterdämmerung under Philippe Jordan at the Paris Opera, Leonore in Fidelio at the Hamburgische Staatsoper, Berlin Staatsoper Unter den Linden, and the Opernhaus Zürich, and the Marschallin in Der Rosenkavalierat the Staatsoper Hannover and the Staatstheater Nürnberg. Additional opera performances include Don Giovanni at the Semperoper Dresden, Der Freischütz at the Komische Oper Berlin, and Dialogues des Carmélites at the Hamburgische Staatsoper. As Resident Artist of the Bard Festival in 2010, Ms. Libor joined Leon Botstein and the American Symphony Orchestra for numerous programs including Berg’s Altenberg Lieder,Schmidt’s Das Buch Mit Sieben Siegeln, and Hindemith’s Sancta Susanna.

AUGUST 2015: PLEASE DESTROY PREVIOUSLY DATED MATERIALS

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