14
Post Graduate Diploma in Folk Dances of Punjab
(For Session 2016-17 & 2017-18)
SYLLABUS
POST GRADUATE DIPLOMA IN FOLK DANCES OF PUNJAB
(For Session 2016-17 & 2017-18)
(SEMESTER - I AND II)
SCHEME OF STUDY
(ExternalAssessment) / (Internal Assessment) / Time
(Alloted for Exam)
Paper-I
Theory / History & Theoretical aspects of Folk Dances of Punjab / 80 Marks / 20 Marks / 3 hrs
Paper-II
Theory / Technical aspects and composition of Folk Dances of Punjab / 80 Marks / 20 Marks / 3 hrs
Paper-III Practical / Stage Performance of Folk Dances of Punjab / 80 Marks / 20 Marks / 20 Mins per student
Paper-IV Practical / Viva-Voce, based on Techniques of Folk Dances of Punjab / 80 Marks / 20 Marks / 20 Mins per student
FIRST SEMESTER
PAPER- I (Theory): - HISTROY & THEORETICAL ASPECTS OF FOLK DANCES OF
PUNJAB
TIME: 3 Hrs (For Examination) Total Lectures per semester = 65
Total Marks : 80 Internal Assessment : 20
Pass Marks : 28 Pass Marks : 7
INSTRUCTIONS FOR THE PAPER –SETTER/EXAMINER
The Paper Setter will set a total of nine questions in all, four questions from Section-A & four question from Section-B carrying 12 marks each. Section C will be the ninth compulsory question carrying eight short type questions having 4 marks each. The candidate will attempt five questions in all selecting two questions from Section-A and two questions from Section-B. Section-C will be the compulsory question.
SECTION - A
1. History of Punjab with reference to detailed study of following folk dances:-
a) Bhangra
b) Giddha
c) Kikkli
d) Luddi
2. Detailed study of Folk dances of Punjab in erst-while Punjab (Before 1966)
3. Detailed study of costumes, Jewellery, Make up used for the following Folk Dances of Punjab:- Bhangra, Giddha, Kikkli & Luddi
4. Define Classical, Folk and Tribal dance forms and do comparative study.
SECTION - B
5. Relation of Folk Dances of Punjab with Society
6. Relation of Folk Dances of Punjab with Folk literature.
7. Contribution of Government of India, Government of Punjab and different private Institutions for the development of Folk dances of Punjab.
8. Contribution of the following scholars, Exponents of Folk Dances of Punjab
a) Dr. Nahar Singh
b) Dr. Iqbal singh Dhillon
c) Prof. Rajpal
d) Balbir Singh Sekhon
e) Dr. Prabhsharan Kaur
f) Master Harbhajan Singh 4 x 12 = 48 Marks
SECTION – C
9. Eight short type questions based on above whole syllabus.
8 x 4 = 32 Marks
BOOKS RECOMMENDED
1. Dr. Nahar Singh Punjabi Lok Naach
2. Shobhna Narayanan Indian Theatre and Dance Tradition
3. Dr. Navratan Kapoor Punjab De Lok Tyohar
4. Dr.Mohinder Singh Birdi Punjabi Sabhyachar Da Chitran
5. Gyani Gurdit Singh Mera Pind
6. Projesh Bannerji Aesthetics of Indian Folk Dance
7. Iqbal Singh Dhillon Folk Dances of Punjab
8. Rajpal Singh & I.S Dhillon Folk Dances of North India
9. Kapila Vatsyayan Folk Dances of India
10. Dr. Aarohi Walia Folk Dances of Northern India
11. Dr. Puran Chand Sharma Sanskritit ke Stambh
12. Amarjeet Singh Gill Viyah diyan Rahu-Ritan te Punjabi
Lok Geet
13. Dr. Nahar Singh Rade Bhambhiri Bole
14. Dr. Nahar Singh Baagi Chamba Khid Reha
15. Dr. Nahar Singh Laung Burjiyan Wala
16. Harbans Kaur Bhullar Gidhya Pind Varh Ve
FIRST SEMESTER
PAPER-II (Theory): - TECHNICAL ASPECTS AND COMPOSTION OF FOLK DANCES OF
PUNJAB
TIME: 3 Hrs (For Examination) Total Lectures per semester = 65
Total Marks : 80 Internal Assessment : 20
Pass Marks : 28 Pass Marks : 7
INSTRUCTIONS FOR THE PAPER –SETTER/EXAMINER
The Paper Setter will set a total of nine questions in all, four questions from Section-A & four question from Section-B carrying 12 marks each. Section C will be the ninth compulsory question carrying eight short type questions having 4 marks each. The candidate will attempt five questions in all selecting two questions from Section-A and two questions from Section-B. Section-C will be the compulsory question.
SECTION-A
1. Detailed Study of Folk instruments of Punjab
2. Comparative study of Folk dances of Punjab with main folk dances of Haryana.
3. Contribution of folk dances of Punjab to Indian Cinema.
4. Study of properties/accessories used in the following Folk Dances of Punjab:- Bhangra, Giddha, Kikkli & Luddi
SECTION – B
5. Study of Taals/Beats used in following dances:
a) Bhangra
b) Giddha
c) Luddi
d) Kikkli
6. Study & notations of Lyrics/ Boliyan used in Giddha, Bhangra, Luddi and Kikkli.
7. Study & notation of following other different terms generally used in Giddha.
a) Sithniyan
b) Ghori
c) Suhaag
d) Geet – any five based on different occasions
e) Boliyan- any five based on different occasions
f) Hera
g) Hek wale Geet
8. Detailed Study/Notations of following technical terms used in Bhangra.
a) Dhamalan
b) Luddi
c) Fummaniyan
d) Sialkoti
e) Mirza
f) Jugni
g) Chalaan
h) Chutkiyan
i) Lehriya
j) Kangna
k) Teer
l) Dankra 4 x 12 = 48 Marks
SECTION – C
9. Eight short type questions based on above whole syllabus. 8 x 4 = 32 Marks
BOOKS RECOMMENDED
1. Dr. Anil Narula Punjab De Lok Saaz
2. Gurpartap Singh Gill Punjab Dian Lok Dhuna
3. Dr. Gurnam singh Punjab De Lok Naach
4. Dr. Rashmi Nanda Uttar Bharat De Lok Naach
5. Singh Mirgander Kanwal Saaz Sagar
6. Dr. Neera Sharma Bhartiya Lok Nrityaon me Haryana aur Rajasthan
7. Dr. Aarohi Walia Folk Dances of Northern India
8. Rajpal Singh & I.S Dhillon Folk Dances of North India
9. Kapila Vatsyayan Folk Dances of India
10. Dr. Kulvinder Kaur Chhena Punjab Lok Geetan vich Ristan Nata
Pranali
11. Dr. Jagir Singh Noor Punjabi Lok Manoranjan Saroat ate Prampara
12. Dr. Simmi (Mittu) Naat Sanchar
13. Dr. Puran Chand Sharma Sanskritit ke Stambh
FIRST SEMESTER
PAPER-III (PRACTICAL): STAGE PERFORMANCE OF FOLK DANCES OF PUNJAB
Duration: 20 Minutes (Per Student) Total Lectures per semester = 65
Total Marks : 80 Internal Assessment : 20
Pass Marks : 28 Pass Marks : 7
INSTRUCTION FOR THE PAPER- SETTER/ PRACTICAL EXAMINER
1. The Practical examination will be conducted by a Board of Examiners, which will consist of Head of the Department/ his or her Nominee, Internal Teacher and External Expert as per the decision of the Syndicate taken on 25.10.91 (Para 23).
2. There should not be a group of more than five students in a practical class.
SECTION-A
1. Systematic sequence wise performances of following Folk Dances:
a) Bhangra
b) Giddha
c) Luddi
d) Kikkli
2. Demonstration of following Technical elements of Bhangra, Giddha, Luddi & Kikli.
a) Taals
b) Beats
c) Boliyan/Lyrics
d) Other main terms
SECTION-B
3. Ability to compare & differentiate practically the styles of Folk Dances, mentioned in Section A above of (Malwa, Majha & Doaba regions of Punjab) Practically.
4. Demonstration of following terms used in Giddha :
a) Sithniyan
b) Hera
c) Geet
d) Ghori
e) Suhaag
f) Boliyan
g) Tamasha
h) Hek wale Geet
5. Practical knowledge and demonstration of pre preparation of performance, Costumes, Hair dressing , Make- up & Jewellery etc of the following Folk Dances, Bhangra, Giddha, Luddi & Kikkli
FIRST SEMESTER
PAPER-IV(PRACTICAL):-VIVA-VOCE, BASED ON TECHNIQUES OF FOLK DANCES
OF PUNJAB
Duration: 20 Minutes (Per Student) Total Lectures per semester = 65
Total Marks : 80 Internal Assessment : 20
Pass Marks : 28 Pass Marks : 7
INSTRUCTION FOR THE PAPER- SETTER/ PRACTICAL EXAMINER
1. The Practical examination will be conducted by a Board of Examiners, which will consist of Head of the Department/ his or her Nominee, Internal Teacher and External Expert as per the decision of the Syndicate taken on 25.10.91 (Para 23).
2. There should not be a group of more than five students in a practical class.
SECTION-A
1. Recognition through Bol/Boliyan and presentation of specific lyrics with reference to following Male folk dances of Punjab:
(i). Bhangra
a) Jhoomar
b) Dhamal
c) Mirzaa
d) Jugni
e) Siyalkotia
f) Luddi
g) Dankra
h) Pathania
i) Mundri and other related terms
(ii). Luddi
2. Recognition through Bol/Boliyan/songs and presentation of specific lyrics with reference to following Female folk dances of Punjab:
(i). Giddha
a) Hek wale Geet
b) Sithniyan
c) Ghori
d) Suhaag
e) Hera
f) Geet
g) Boliyan
2. Kikkli
SECTION – B
3. Recognition of Taals/Beats of Bhangra, Giddha, Luddi & Kikkli
4. Ability to play the following Folk instruments along with demonstration of dances:
a) Dhol
b) Dholak
c) Kaato
d) Sapp
5. Knowledge of properties/ accessories used in following folk dances of Punjab:
a) Bhangra
b) Giddha
c) Luddi
d) Kikkli.
SYLLABUS
POST GRADUATE DIPLOMA IN FOLK DANCES OF PUNJAB
(For Session 2016-17 & 2017-18)
(SEMESTER - I AND II)
SCHEME OF STUDY
(ExternalAssessment) / (Internal Assessment) / Time
(Alloted for Exam)
Paper-I
Theory / History & Theoretical aspects of Folk Dances of Punjab / 80 Marks / 20 Marks / 3 hrs
Paper-II
Theory / Technical aspects and composition of Folk Dances of Punjab / 80 Marks / 20 Marks / 3 hrs
Paper-III Practical / Stage Performance of Folk Dances of Punjab / 80 Marks / 20 Marks / 20 Mins per student
Paper-IV Practical / Viva-Voce, based on Techniques of Folk Dances of Punjab / 80 Marks / 20 Marks / 20 Mins per student
SECOND SEMESTER
PAPER- I (Theory): - HISTROY & THEORETICAL ASPECTS OF FOLK DANCES OF
PUNJAB
TIME: 3 Hrs (For Examination) Total Lectures per semester = 65
Total Marks : 80 Internal Assessment : 20
Pass Marks : 28 Pass Marks : 7
INSTRUCTIONS FOR THE PAPER –SETTER/EXAMINER
The Paper Setter will set a total of nine questions in all, four questions from Section-A & four question from Section-B carrying 12 marks each. Section C will be the ninth compulsory question carrying eight short type questions having 4 marks each. The candidate will attempt five questions in all selecting two questions from Section-A and two questions from Section-B. Section-C will be the compulsory question.
SECTION- A
1. Detailed History and study of following Folk Dances along with Giddha & Bhangra.
a) Jhoomar
b) Sammi
c) Malwai Giddha
d) Dandaas
e) Gatka
2. Contribution of above Folk Dances of Punjab towards world culture with special reference to Bhangra and Giddha.
3. Advantages of Dance with special reference to Folk Dances of Punjab.
4. Study of vanishing/dying Folk/Tribal Dance forms of Punjab and steps to revive it.
SECTION-B
5. Relation of dance with social environment.
6. Contribution of the following exponents towards Folk Dances of Punjab.
a) Manohar Deepak
b) Pokhar Singh
c) Dr. Inderjit Singh
d) Parmjeet Singh Sidhu (Pammi Bai)
e) Major Singh
f) Gurpreet Singh Khalsa
7. Comparative study of elements/technical terms used in following folk/tribal dances of Punjab.
a) Jhoomar
b) Sammi
c) Malwai Giddha
d) Dandaas
e) Gatka
8. Comparative study of Martial dance form Gatka of Punjab with martial dance form Kallaripayattu of Kerala.
4 x 12 = 48 Marks
SECTION – C
9. Eight short type questions based on above whole syllabus. 8 x 4 = 32 Marks
BOOKS RECOMMENDED
1 / Gurpartap Singh Gill / Punjab Dian Lok Dhuna2 / Avtar Singh Daler / Punjab de Lok Naach
3 / Dr. Nahar Singh / Punjabi Lok Naach
4 / Anil Narula / Punjab de Lok Saz
5 / Projesh Bannerji / Aesthetics of Indian Folk Dance
6 / Iqbal Singh Dhillon / Folk Dances of Punjab
7 / Rajpal Singh & I.S Dhillon / Folk Dances of North India
8 / Dr. Gurnam Singh / Folk Dances of Punjab
9 / Kapila Vatsyayan / Folk Dances of India
10 / Dr. Aarohi Walia / Folk Dances of Punjab
11 / Dr. Aarohi Walia / Folk Dances of Northern India
12 / Dr. Rashmi Nanda / Uttar Bharat de Lok Naach
13 Dr. Puran Chand Sharma Sanskriti ke Stambh
14 Avtar Singh Gatka Sikhlayi ate Niyamawli
SECOND SEMESTER
PAPER- II (Theory) : -TECHNICAL ASPECTS AND COMPOSITION OF FOLK DANCES OF PUNJAB
TIME: 3 Hrs (For Examination) Total Lectures per semester = 65
Total Marks : 80 Internal Assessment : 20
Pass Marks : 28 Pass Marks : 7
INSTRUCTIONS FOR THE PAPER –SETTER/EXAMINER
The Paper Setter will set a total of nine questions in all, four questions from Section-A & four question from Section-B carrying 12 marks each. Section C will be the ninth compulsory question carrying eight short type questions having 4 marks each. The candidate will attempt five questions in all selecting two questions from Section-A and two questions from Section-B. Section-C will be the compulsory question.
SECTION-A
1. Relation of Folk dances with Folk Music.
2. Relation of Folk Dances of Punjab with fairs, festivals, ceremonies and various occasions.
3. New aspects and changes in Folk Dances of Punjab.
4. Study of Taals/ Beats used in following Folk Dances:
a) Jhoomar
b) Sammi
c) Malwai Giddha
d) Dandaas
e) Gatka
SECTION-B
5. a) Study/ Notation of Lyrics of Jhoomar.
b) Study /Notation of Lyrics of Sammi.
6. a) Study/ Notation of Lyrics of Malwai Giddha.
b) Study / Notation of Lyrics of Gatka
7. Recognition of following Folk Dances through lyrics/Bols/ Taals/Beats asked by Paper Setter:
a) Bhangra
b) Jhumar
c) Sammi
d) Giddha
e) Gatka
f) Malwai Giddha
8. Comparative study of above mentioned Folk Dances of Punjab with main folk dances of
Himachal Pradesh.
4 x 12 = 48 Marks
SECTION – C
9. Eight short type questions based on above whole syllabus.
8 x 4 = 32 Marks
BOOKS RECOMMENDED
1 / Dr. Kulvinder Kaur Chhena / Punjabi Lok Geetan vich Rasam Rivaz2 / Dr. Harjit Kaur / Lok Naat Swang Roop ate Prampra
3 / Dr.Nahar Singh / Punjab Lok Naach
4 / Jagdish Singh / Sade Rasam Rivaz
5 / Mohan Singh Rahi / Punjab Lok Naach
6 / Dr. Charanjit / Vivah de Geet Sithhnian
7 / Iqbal Singh Dhillon / Folk Dances of Punjab
8 / Rajpal Singh & I.S Dhillon / Folk Dances of North India
9 / Dr. Gurnam Singh / Folk Dances of Punjab
10 / Kapila Vatsyayan / Folk Dances of India
11 / Dr. Aarohi Walia / Folk Dances of Northern India
12 / Dr. Rashmi Nanda / Uttar Bharat de Lok Naach
13.
14.
15. / 14. Dr. Puran Chand
Goverdhan Singh Myan
Hari Ram Jasta
ddd
ddd
dd
dd / Sanskriti ke Stambh
Himachal Pradesh Itihas
Himachal Pradesh Ke Lok Nritya
SECOND SEMESTER