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FADE IN:

INT. A SHOWER

SEAN POWERS is taking a shower. Sean is a very handsome, very tall, and very muscular blue-eyed blond man. He wets his hair

and rubs his scalp under the water.

GINA (V.O.)

An Aries, huh? So tell me, Sean. What makes you want to go on a rampage?

SEAN’S FLASHBACK/INT. THE MESA MALL

GINA ANDREWS stands next to her Zodiac Elixir display while she speaks to Sean. Tiny sparkles fly from her neck and into his nostrils. Sean inhales them. Then he has an evil expression on his face.

SEAN

Those damn niggers! They don’t even have the common decency to pull up their pants!

GINA

Oh, them! Yeah, they’re awful! One of them even asked me for a date! Like I would ever lower myself to their level!

SEAN

Oh, when I see a nigger with a white woman, I want to beat some sense into her! Like why is she

forsaking her own race?

GINA

How about all of those welfare mothers living on

ourtax money? Because

(MORE)

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GINA (CONT’D)

they keep getting knocked up by those deadbeat dads?

SEAN

That really pisses me off!

GINA

(smiles viciously)

Well, there is something you can do about them.

Gina holds up a bottle with the Aries symbol on its label.

GINA (CONT’D)

Permanently.

INT. SEAN’S BEDROOM – NIGHT

He enters with a towel wrapped around his waist. He approaches the dresser drawers and opens one. As he pulls out a pair of underwear, CAMERA PANS TO THE SIDE and reveals the Nazi flag over his bed.

SEAN (V.O.)

It tastes like meat.

RESUME SEAN AND GINA AT THE MESA MALL

Sean looks at the open Aries Elixir in his hand. Gina smiles at him.

GINA

Leg of lamb, actually.

Very appropriate. Come

on. Drink up.

He finishes the rest of the bottle. She takes the bottle from him and deposits it in a trash can.

GINA (CONT’D)

From this moment on, youare a wolf in sheep’s clothing.

You really can pull the wool

over people’s eyes.

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INT. SEAN’S BEDROOM – NIGHT

The fully-clothed Sean pulls out a silencer from under his pillow. He smirks knowingly as he looks at it.

GINA (V.O.)

And everything you touch will turn into lambskin.

Believe me, Sean. That ability alone will make you defeat . . . and kill

. . . the niggers easily.

SEAN’S FLASHBACK/EXT. HIS FRONT PORCH - NIGHT

The door is open, but the porch light is not on. A black BURGLAR cautiously approaches the doorway. He is carrying the silencer and a partially-full bag.

INT. THE HALLWAY – NIGHT

The burglar slowly enters the house. He looks all around as the door slowly closes behind him. Sean hides behind the door. He

quickly touches the burglar’s neck.

Suddenly both Sean and the burglar MORPH into RAMPAGE, a large ram. Rampage then leaves the house.

RAMPAGE MONTAGE

The ram uses his mouth to close the front door. Then it takes off down the neighborhood. It avoids cars on the road. It also runs down an alleyway.

INT. A VACANT LOT – NIGHT

Rampage MORPHS into Sean and the burglar. Sean is holding the bag and silencer in his hands. The stunned burglar is looking at the grinning Sean. Sean quickly shoots him in the heart. The burglar falls dead on his back.

Sean puts down the bag and silencer. Then he goes through the burglar’s pants pockets. Sean finds the burglar’s wallet and car keys. Then Sean goes through the burglar’s jacket pockets.

He finds two gun clips and smiles viciously.

4

SEAN (V.O.)

Must be more of these in his house! Or inside his car! Now the cops can’t

trace a gun back to me!

EXT. ANOTHER HOUSE/FRONT PORCH – NIGHT

Sean approaches the front door. He touches the door knocker.

Then he and the door MORPH into Rampage. Theanimal enters the house.

INT. THE LIVING ROOM – NIGHT

Rampage stands behind the sofa. Then Rampage MORPHS into Sean and the door below his feet. Sean carefully steps off of the door. He then quietly heads upstairs.

INT. THE SECOND-FLOOR CORRIDOR – NIGHT

Sean heads down the corridor. Then he opens the door on the left side and enters the room. A MUFFLED GUNSHOT is heard.

Sean then enters the room on the right. A MUFFLED GUNSHOT is heard.

Sean then enters the master bedroom at the end of the corridor.

Two MUFFLED GUNSHOTS are heard. This is followed by a BABY’S CRYING. Another MUFFLED GUNSHOT is heard. This is followed by an eerie silence.

Sean then leaves the bedroom and exits the corridor. He LAUGHS

viciously.

EXT. ST. MARY’S HOSPITAL –LATER THAT NIGHT

DOVER (V.O.)

You all love us. You all will do as we say.

INT. THE EMERGENCY ROOM - NIGHT

The DOCTORS, NURSES and POLICE OFFICERS are mesmerized by Dover.

Hawkins and Sybil stand behind her. Sybil takes out the Delphi

Crystal from her purse. Then she addresses the HEAD DOCTOR.

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SYBIL

Which patient needs the most care?

HEAD DOCTOR

A gunshot victim. We just got her stabilized.

SYBIL

Please do take us to her.

The head doctor points down a corridor.

HEAD DOCTOR

This way . . .

(with lovesick smile)

My dear lady.

SYBIL

I do thank you, kind sir.

The heroes follow him. Hawkins smirks.

HAWKINS

Whoo, whoo. Sybil still has it.

DOVER

(now smiles)

And he’s the head doctor.

SYBIL

Who is wearing a wedding ring. You both really should be more observant in your duties.

HAWKINS

We’re just trying to lighten the mood, Sybil.

DOVER

Going to the hospital is never easy. Especially under these circumstances.

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SYBIL

At least we are not the patients.

HAWKINS/DOVER

Yet.

Hawkins and Dover look at each other. The head doctor shows them the GUNSHOT VICTIM lying in a hospital bed. She is MARIE, a black pre-teen, and she is unconscious.

HEAD DOCTOR

This is MarieSkinner. Her

entirefamily was massacred

lastnight.

DOVER

Oh, my God.

HEAD DOCTOR

If her heart wasn’t on the right side of her body,

she’d be dead right now.

HAWKINS

I didn’t know hearts could be on the right side.

HEAD DOCTOR

It’s very rare, but some people have their organs set up in reverse order.

DOVER

How very fascinating. Why don’t you tell me more while my friends examine Marie?

HEAD DOCTOR

Well, I really shouldn’t . . .

DOVER

We’ll just be outside. And

my friends will make Marie

(MORE)

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DOVER (CONT’D)

feel much better. You do trust me, don’t you?

HEAD DOCTOR

(smiles heartily)

Of course.

Dover takes his arm and gently guides him away from the others.

DOVER

Now please tell me more about Marie’s condition.

They exit. Sybil holds up the Delphi Crystal to Marie. It shines a beam on Marie. Sybil looks into the crystal.

HAWKINS

God! Who would kill this poor girl’s family?

SYBIL

The Aries Zodiac Killer.

HAWKINS

(a bit too loud)

What?

SYBIL

Hush, Mr. Hawkins. The Delphi Crystal is showing me a note from the future.

THE DELPHI CRYSTALIN SYBIL’S HAND

The SUPERIMPOSED IMAGE of a handwritten note appears in it. The note reads:

RAMPAGE IS A NEO-NAZI

SYBIL (V.O.)

We have stumbled upon one of Rampage’s victims. That

is prompting the vision.

8

RESUME SYBIL, HAWKINS, AND MARIE

HAWKINS

Rampage? Uh, wouldn’t he

haveused abattering ram

instead?

SYBIL

Battering rams are inanimate objects. Rams are living creatures. Only the word ram connects them.

(SIGHS)

This shall take some time.

Perhaps you and Miss Dover should talk to the police officers while I remain here with Marie.

HAWKINS

Gotcha.

HAWKINS, DOVER, POLICEMAN, AND POLICEWOMAN

Dover looks at the POLICEMAN, who is mesmerized.

DOVER

You love me, officer.

So you will please answer

all of my questions.

POLICEMAN

Yes, sweetheart.

Dover turns to the POLICEWOMAN, who is also mesmerized. Dover points to Hawkins.

DOVER

And you love my partner. You love him so much that

you will alsoanswer my

questions.

POLICEWOMAN

Yes, ma’am.

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The female officer turns to Hawkins and beams.

POLICEWOMAN (CONT’D)

What do you want to know, stud?

Hawkins blushes and fidgets. Dover smirks. Then she makes the female officer face her.

DOVER

Do you have any idea who killed the Skinner family?

POLICEWOMAN

Not a clue.

EXT. THE SKINNERS’ HOUSE/FRONT PORCH – NIGHT

Rampage stands outside the doorway.

POLICEWOMAN (V.O.)

Marie could barely call 911.

Then the animal MORPHS into Sean and the door. The door looks like it was never touched. Except for Sean’s fingers on the knocker.

POLICEWOMAN (V.O. CONT’D)

And we had to break down the door.

Sean lets go of the knocker. He smirks.

POLICEWOMAN (V.O. CONT’D)

There were no other signs of

forced entry.

Sean slowly walks away.

POLICEMAN (V.O.)

And we didn’t find anything out of

the ordinary. No threatening

notes. No graffiti. Nothing.

DOVER (V.O.)

Just Marie Skinner fighting for

her life.

10

RESUME DOVER, HAWKINS, POLICEMAN, AND POLICEWOMAN

HAWKINS

The name Skinner sounds familiar. Why is that?

POLICEMAN

Mrs. Skinner is on the city council. And there is talk of her running for mayor next year.

POLICEWOMAN

Or at least there used to be.

HAWKINS

(whispers to Dover)

A politically-motivated hate crime. That ties in with

what Sybil told me.

DOVER

(whispers to Hawkins)

Tell me later.

(louder to officers)

Is there any record of the

Skinners’ lives ever being

threatened?

POLICEMAN

None. They appear to be a model family with strong ties to the community. Mr. Skinner is . . . was the president of Skinner Drywall. He had many employees who love him. Loved

him.

POLICEWOMAN

Their son was a straight-A

student at Central High. And vice-president of his class.

DOVER

Oh, God. Dying that young.

11

POLICEMAN

At least he was draft age.

His other sister wasn’t even

a year old.

The heroes gape in shock.

HAWKINS

No.

DOVER

Good Lord.

POLICEMAN

We found her in the parents’ room. She was in her crib.

(tears up)

It was covered in her . . .

DOVER

(chokes up)

Stop! Don’t say it!

HAWKINS

(to Dover)

You better make them forget that they ever talked to us.

Sybil quickly approaches them.

SYBIL

But first they need to tell us the address of the Skinner household.

EXT. SYBIL’S LIMOUSINE – NIGHT

It drives down a road.

HAWKINS (V.O.)

We’re not contacting the hate-

crime unit at the police station?

SYBIL (V.O.)

There is no need, Mr. Hawkins.

12

INT. THE LIMOUSINE – NIGHT

Hawkins drives while Dover and Sybil sit in the back. Sybil looks into the Delphi Crystal.

SYBIL

Once we have the Delphi Crystal close enough to

themagical crime scene,

itshall interact with the psychic impressions in the house. Which shall result in my obtaining another vision about the Rampage Killer.

Hawkins looks through the window.

HAWKINS

That’s if we get close enough, Sybil.

HARKINS/POV THROUGH THE WINDSHIELD

POLICEMEN, PLAINCLOTHES DETECTIVES, a REPORTER, and a CAMERAMAN mill about the outside of the house.

HAWKINS (V.O.)

Shall I park here?

RESUME HAWKINS, SYBIL, AND DOVER

SYBIL

No, Mr. Hawkins. Please do park someplace out of the way. Then wait for us to return.

EXT. THE PARKED LIMOUSINE - NIGHT

It is in a dark alley. Sybil and Dover exit the car. Dover scoops Sybil into her arms.

Then the women MORPH into the DOVE BIRD. It flies up and out of the scene. Hawkins YAWNS andstretches his arms.

13

SYBIL (V.O.)

Do fly us to the rooftop,

Miss Dover. We shall

perform our mission there.

But without attracting the

people’s attention.

THE DOVE BIRD

It lands on the Skinners’ roof. Then the bird MORPHS into Sybil and Dover. Dover holds onto Sybil’s arm while Sybil looks into the Delphi Crystal.

SYBIL

I doappreciate you looking

out for my welfare. But I am not in danger of falling

off the rooftop.

DOVER

Uh, I know. I’m just holding

onto you so we both look like a dove to the people below.

SYBIL

Oh, of course. How silly of

me. The severity of this

case must be getting to me.

DOVER

You’re not the only one.

The Delphi Crystal glows. Sybil looks into it.

SYBIL

I shall be driving the limousine back while you and Mr. Hawkins shall go to 6413 Renner Road.

DOVER

6413 Renner Road? Got it.

The Delphi Crystal stops glowing. Sybil looks at Dover with a more serious expression.

14

SYBIL

Do be extremely careful.

The Nazis were very much

into the occult.

DOVER

You think Rampage may have other super-powers?

SYBIL

According to my future note,

that is a very distinct

possibility.

EXT. THE LIMOUSINE – NIGHT

Sybil starts it up while the FLYING SHADOWS OF THE BIRDS are seen moving across its hood.

HAWKINS AND DOVER IN THE NIGHT AIR

They speak to each other while they fly.

HAWKINS

“The wool shall be pulled over Miss Dover’s eyes at 6413 Renner Road.” (a beat)

What is that supposed to

mean?

DOVER

It sounds like Rampage may have the power to create illusions.

HAWKINS

That would explain how he killed that family without

being seen or heard. The neighbors were under his

spell.

Dover shrugs.

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DOVER

Maybe. Hopefully the note just means that I make a small mistake at his house.

HAWKINS

Dream on.

DOVER

At least you won’t be affected.

That counts for something.

HAWKINS

I’ll do my best not to let you

down.

DOVER

(with an edge)

You better not.

Dover looks ahead while Hawkins looks at her.

EXT. SEAN’S HOUSE – NIGHT

The lights are on in the living room. Hawkins and Dover land on the front lawn.

DOVER

He’s still up.

HAWKINS

He’s probably celebrating.

INT. SEAN’S HOUSE/LIVING ROOM – NIGHT

Sean sits on the sofa and drinks from a whiskey bottle that is almost empty. An empty pizza box is on the coffee table.

The doorbell RINGS.

SEAN

Who the hell is that?

Sean stumbles to the front door. He tries to open it, but it is locked. He eventually opens it to reveal the heroes outside.

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DOVER

You love me. You now see and hear--

Sean promptly vomits on Dover’s shoes. She and Hawkins react.

HAWKINS

Oh, gross!

DOVER

EWWWWWW!

Sean reaches out and feels Dover’s leg.

SEAN

Huh?

He and Dover MORPH into Rampage. Hawkins gapes in astonishment.

Rampage tries to head-butt him in the groin, but Hawkins quickly levitates over the animal. Rampage runs out the door.

EXT. SEAN’S HOUSE – NIGHT

Hawkins levitates over the doorway while Rampage runs down the sidewalk to the street. Then Hawkins flies after him.

HAWKINS

Sybil! Sybil, can you hear

me?

INT. THE LIMOUSINE/DRIVER’S SIDE – NIGHT

Sybil drives when she hears Hawkins.

HAWKINS (V.O.)

Sybil, help!

SYBIL

Wait! I am pulling over!

Sybil pulls over and parks the car. Then she grabs the Delphi Crystal from the passenger seat. It glows.

HAWKINS (V.O.)

Hurry up!

17

SYBIL

What is the matter?

HAWKINS IN FLIGHT

He soars over Rampage, who is running down the street.

HAWKINS

Rampage touched Debra! Then

they both turned into a ram!

SYBIL (V.O.)

They both transformed into an animal?

HAWKINS

That’s what I just said!

RESUME SYBIL

She speaks into the crystal.

SYBIL

Tactile transformation! A minor spell, but one that can kill dozens if utilized properly! That explains

everything!

HAWKINS (V.O.)

Except how we can change

her back!

SYBIL

Are you following the ram?

RAMPAGE AND HAWKINS

The animal runs down the street with Hawkins flying behind it.

Rampage stumbles a bit here and there, but it maintains it high speed.

HAWKINS

I have it in sight!

18

SYBIL (V.O.)

Perfect! Do keep following

it, and I shall do the rest!

THE DELPHI CRYSTAL IN HER HAND

It shows the SUPERIMPOSED IMAGE of Rampage running.

SYBIL (V.O.)

Miss Dover, I command you to stop!

Rampage slows down, but it does not stop.

HAWKINS (V.O.)

He’s still moving!

SYBIL (V.O.)

But she is exerting her will over his body! Now please be quiet, Mr. Hawkins!

(more forceful)

Miss Dover, cast your love spell on your foe! You

must transform him into

your love slave!

RAMPAGE