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Ch. 8 The Growing Rock Monster (1970-1975)
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THE HIPPIE AESTHETIC: Psychedelic Legacies
BLUES-BASED BRITISH ROCK: The Stones, Cream, the Yardbirds
Led Zeppelin: Blues, Folk, and Psychedelia
♫ “Whole Lotta Love”
Led Zeppelin
Blues-based British Rock
Deep Purple: Blues, Classical and Psychedelia
♫ “Highway Star”
Deep Purple
Blues-based British Rock
- Shift in focus from releasing singles to releasing albums as a whole (inspired by Sgt. Pepper’s)
- Incorporating more classical music, electronic music, and jazz
- More dependent on the recording studio—the music was harder to reproduce live
- “hippie aesthetic”:
- Lyrics—important topics and themes
- Sophisticated music
- Quality—the music can stand up to repeated listening
- Focus on instrumental virtuosity
- Music awards—“best of” became popular
- Based in Chicago electric blues
- 1970s bands built on the blues foundation set by the Stones, etc.
- Introduced blues to white American teens
- Stones—one of the most famous bands to successfully transition from the ‘60s to the ‘70s
- Yardbirds—become Led Zeppelin
- Jimmy Page, Jeff Beck, and Eric Clapton were the guitarists who helped bridge blues and rock
- Focused on AOR format
- Page wrote the music; Robert Plant wrote the lyrics
- Music—blending traditional electric blues, acoustic folk, and experimentation; featured Page’s & Plant’s high wailing vocals; lyrics dealt with spiritual and sexual topics; heavier sound
- Page produced and stacked lots of tracks to create the heavier sound
- They disbanded after Bonham died of alcohol poisoning in 1980
- Career lasted 10 years
- “Whole Lotta Love”—psychedelic elements; vocal moaning; aggressive guitar solo; electronic “panning” across the stereo spectrum; compound AABA form; avante-garde techniques
- Mixes blues-based rock and classical music (Vivaldi and Bach)
- Formed in 1968 with psychedelic roots
- One of the first bands to combine a rock band with a symphony orchestra; blends psychedelia with blues-rock
- Later works were popular in the U.S. (i.e. Machine Head containing “Smoke on the Water” and “Highway Star”)
- Falsetto screams become commonplace throughout ‘70s and ‘80s
- Gillan was famous for recording the musical, Jesus Christ Superstar
- Members move on to form: Rainbow, Whitesnake, and Gillan
Black Sabbath: British Rock meets the Gothic beginnings of Metal
♫ “Iron Man”
Black Sabbath
Blues-based British Rock
AMERICAN BLUES ROCK & SOUTHERN ROCK
The Allman Brothers Band
♫ “Ramblin’ Man”
The Allman Brothers
Southern Rock
Lynyrd Skynyrd
♫ “Free Bird”
Lynyrd Skynyrd
Southern Rock
Charlie Daniels Band
♫ “Devil Went Down to Georgia”
Charlie Daniels Band
Southern Rock
Texas & South of the Border:
Santana
♫ “Black Magic Woman”
Santana
American Blues-Rock
- Started as Earth, then changed to Black Sabbath after seeing a Boris Karloff movie
- Sinister riffs, frequent use of the tri-tone (devil’s interval), dissonance, distortion, dark texture
- Laid the foundation for heavy metal of the 1980s
- Ozzy Osborne goes solo in 1980
- influenced by British blues rock
- Duane Allman and Oakley both died in motorcycle accidents in 1971 and 1972
- “Ramblin’ Man” is a good example of their country influences
- Tom Dowd—producer and engineer—used to work for Atlantic records
- From Florida
- More radio-friendly format than the Allman Brothers
- Signed with Sounds of the South in Atlanta
- Wrote songs about everyday life in the South
- Hits: “What’s Your Name”, “Sweet Home Alabama”, “Saturday Night Special”
- 1977 plane crash kills three with lead singer Ronnie Van Zant being one of them
- Band splits soon after, but later reunites
- Guitarist, singer, and fiddler, Charlie Daniels, started as a studio musician in Nashville; performed back-up for Bob Dylan at one point
- Music was closely connected to the hippie movement
- Other southern rockers looked up to him
- “Southern rock”—one definition is rock bands from the south; another definition is music that appealed to or portrayed southern stereotypes of the time (hard-drinking men, pick-up trucks with gun racks, and confederate flags)
- Despite these stereotypes, most Southern rockers were politically progressive—unlike their music
- Led byMexican-influenced/Mexican-born (Latin rock) guitarist Carlos Santana
- Featured the organ playing of Greg Rolie (later joins Journey)
- Psychedellic roots; blend of jazz, blues, improvisation, and Latin rhythms and percussion
ZZ Top
♫ “Tush”
ZZ Top
American Blues-Rock
American Bands:
Steppenwolf
♫ “Born to be Wild”
Steppenwolf
American Blues-Rock
Three Dog Night
♫ “Mama Told Me Not to Come”
Three Dog Night
American Blues-Rock
Grand Funk Railroad
♫ “Some Kind of Wonderful”
Grand Funk Railroad
American Blues-Rock
Aerosmith
♫ “Walk This Way”
Aerosmith
American Blues-Rock
PROGRESSIVE ROCK: BIG IDEAS & HIGH AMBITION
Philosophical Lyrics and Concept Albums
The Use of Classical Music with Rock
- From Texas
- First album didn’t chart, but now played as a rock radio staple
- Considered “Texas Blues”—more like Lynyrd Skynyrd than the Allman Brothers
- Steppenwolf was started by John Kay—a German singer and guitarist
- Named after famous novel by Herman Hesse
- Known for gruff vocals, driving guitars and drums, and distortion
- Started in Los Angeles in 1967 and broke up in 1972
- Also blues-influenced
- Los Angeles-based; produced by Brian Wilson (Beach Boys)
- Blues-based soul, 3 lead singers, focused on vocals, AM-friendly approach
- Broke up in the mid-1970s
- From MI
- Roots in 1960s pop and soul music
- Placed 10 albums in the Billboard top 10
- One of the most popular bands in rock music of the early 1970s
- Their first album didn’t chart, and “Dream On” only made it to #59 on the U.S. charts
- From Boston; similar sound/image to the Rolling Stones
- Steven Tyler and Joe Perry were going for the rough/tough guy demeanor and appearance
- “Walk this Way” helps rap break into the rock audience
- Progressive rock bands became obsessed with the “concept album” approach
- Great attention was put toward album cover artwork
- Concept albums featured lyrics about:
- Religion and spirituality
- Politics and power
- Technological advancements
- Existential angst (anxiety, worry, fear)
- The music was supposed to provide a trip
- Increasingly ambitious; opposite of the singer-songwriter movement of the same time
- Started by Moody Blues when Decca asked them to make a rock version of Dvorak’s New World Symphony to sell stereo equipment
- Procol Harum mixes Percy Sledge’s “When a Man Loves a Woman” with a J.S. Bach cantata
The Who: Townshend’s Big Projects
♫ “We’re Not Gonna Take It”
The Who
Progressive Rock
In the Beginning:
King Crimson
♫ “21st Century Schizoid Man”
King Crimson
Progressive Rock
Emerson, Lake & Palmer (ELP)
Hippie Spirituality:
Jethro Tull
♫ “Aqualung”
Jethro Tull
Progressive Rock
Yes
♫ “Roundabout”
Yes
Progressive Rock
- Tommy—rock opera (1969) about a handicapped boy who reaches enlightenment through pinball.
- The point was to convince people that when one puts down the drugs and alcohol, they can still reach true enlightenment; spiritual pursuits require effort and sacrifice
- Used recurring material throughout the major work, and it was an opera (commonly used in opera)
- Quadrophenia—album about the Brighton Beach riots and Mod culture popular at the end of the 1960s
- After this, they moved away from big projects
- King Crimson blended harder, more dissonant(inharmonious) 20th century music with the consonant (harmonious) 19th century classical music, and added in modern jazz
- Known for aggressive vocals, rhythmic syncopations, and angular melodic riffs
- “21st Century Schizoid Man” was their greatest example of this
- Emerson came from the band, Nice
- Emerson was known for destroying keyboards onstage
- Tarkus—album that included long tracks, some lyrical songs, and lots of keyboard instruments
- Pictures at an Exhibition—based on Modest Mussorgsky’s classical work of the same name. ELP reworked it and omitted parts to be replaced with their own music
- They were popular in both the U.S. and the UK
- Jethro Tull—blues-based; focused on religious institutions and traditions
- Ian Anderson, frontman for Jethro Tull, was known for playing flute
- Aqualung—provided a critique of the Church of England and how they treated the poor
- Thick as a Brick—attach on bourgeois values (middle-class)
- A Passion Play—about life after death and reincarnation
- Some tracks lasted up to 40 minutes
- Songs dealt with issues of spirituality; they were inspired by Eastern religion
- One of the most accomplished and commercially successful progressive rock bands of the early 1970s
- Yes captured the innocence of psychedelia
- Album, Close to the Edge, was based on Herman Hesse’s novel, Siddhartha
- Song, “Gates of Delerium” was inspired by Leo Tolstoy’s book War and Peace
Symphonic Expansion
Bizarre Tales & Progressive Rock Theatre:
Genesis
♫ “The Musical Box”
Genesis
Progressive Rock Theatre
Pink Floyd in the 1970s
♫ “Wish You Were Here”
Pink Floyd
Progressive Rock Theatre
JAZZ-ROCK FUSION AND JAZZ INFLUENCED ROCK:
Jazz and the Studio Musician
Jazz-Rock Fusion:
Miles Davis and Beyond
♫ “Bitches Brew”
Miles and Beyond
Jazz-Rock Fusion
- The idea was to create longer, more intricate arrangements
- Reusing melodic material in new ways allowed for this
- Inventive/new rhythmic ideas and changing meter
- Use of AABA form (sometimes compound AABA)
- Draws on classical music and current pop techniques
- Phil Collins and Peter Gabriel acted out the stories in their songs by wearing masks and elaborate costumes
- Long, complex songs; criticized British life and values with fantastic stories
- “The Musical Box” was about a reincarnated spirit who returns sexually frustrated 70 years later
- Ummagumma, Atom Heart Mother, Meddle, The Dark Side of the Moon, Wish You Were Here, The Wall—Pink Floyd’s albums from the 1970s
- Known for being extremely experimental, lots of electronic sounds, instrumental virtuosity, crazy light shows and stage effects—pigs flying & plane crash onstage
- Syd Barrett was released from the band because of mental illness
- Progressive rock was the genre that remained the most faithful to the hippie aesthetic!!
- Focus is on achieving technical master and improvisation methods
- Jazz players were hired as studio musicians by day and played jazz in clubs by night
- “studio musician”—player fluent in all styles of music, can site read music, and is a professional instrumentalist (not amateur)
- Influential jazz musicians of the time include: Steve Gadd, Tony Levin, Larry Carlton (inspired later rockers)
- Miles Davis wanted to play jazz music for larger crowds
- He connected his music with that of Jimi Hendrix and Cream (especially Eric Clapton)
- John McLaughlin, Joseph Zawinul, Chick Corea, Herbie Hancock, and Wayne Shorter—all famous jazz-rock musicians
- Bitches Brew—double album of jazz experimentation pieces that introduced rock audiences to jazz fusion
- Instrumental genre—hardly ever any vocals
- Members of Miles Davis’ band went on to form their own bands, which had some moderate chart success (compared to regular jazz, they achieved great fame)
Frank Zappa: Satire and Complexity
♫ “You Are What You Is”
Frank Zappa
Jazz-Rock Fusion
Low Sparks and Pretzel Logic:
Traffic
Steely Dan
♫ “Peg”
Steely Dan
Jazz-Influenced Rock
Horn Bands:
Blood, Sweat and Tears
♫ “You’ve Made Me So Very Happy”
Blood, Sweat and Tears
Jazz-Influenced Rock
Chicago
♫ “You’re the Inspiration”
Chicago
Jazz-Influenced Rock
GLAM ROCK & ROCK THEATRE: SHOCKING CHARACTER
Dressing Up and Acting Out
- Blended satire (sarcasm), musical virtuosity, and sophistication; incorporates cartoonish vocals to critique television
- He didn’t care if his music was commercial, artistic, or relevant—he did what he wanted to do
- Hot Rats, Apostrophe, Overnite Sensation—famous albums
- “You Are What You Is” is one of his best examples of artistic expression
- Made a comeback in the early 1970s after taking a hiatus in the late 1960s
- Steve Winwood, Jim Capaldi, and Chris Wood—important band members
- Blend bluesy-vocals with saxophone soloing
- Band members change often throughout the early 1970s
- Founded by Donald Fagen and Walter Becker—used studio musicians for their backup tracks when they stopped touring
- Music was written out before recording began, but solos were typically improvised
- “Peg” from Aja album is one of the best examples of their performance style
- Jazz rock horn-band
- Formed by Al Kooper (previously with Bob Dylan and Lynyrd Skynyrd)
- Achieved great success in the U.S. after David Clayton-Thomas joined
- Self-titled album won a Grammy in 1970
- Made horn section more important in their recordings through solos and ensemble playing (like big band music of the 1930s and 1940s)
- “You’ve Made Me So Very Happy” is a good example of their performance style
- Blended melodic pop vocals and sophisticated, horn-dominated accompaniment
- Popular in the U.S. and the UK
- Beatles-influenced pop sound with jazz style horn arrangements
- Jazz-Rock fusion was hated by traditionalists because they thought it was a sell out
- Formed out of the Rock Theatre movement started by Genesis and Pink Floyd
- 1970s rock shows moved from theatres and ballrooms (smaller venues) to arenas and stadiums (large venues)
- Audiences started expecting bigger shows
Ziggy Played Guitar:
David Bowie
♫ “Fame”
David Bowie
Glam Rock
Alice Cooper: Welcome to My Nightmare
♫ “School’s Out”
Alice Cooper
Glam Rock
KISS and Makeup
♫ “Rock and Roll All Night”
KISS
Glam Rock
SINGER-SONGWRITERS: THE IMPORTANCE OF BEING EARNEST
James Taylor
♫ “You’ve Got a Friend in Me”
Singer-Songwriter
Carole King
♫ “Too Late”
Singer-Songwriter
Paul Simon
♫ “Still Crazy After All These Years”
Singer-Songwriter
- Developed stage characters/stage personalities: David Bowie and Alice Cooper being greatest examples
- Inspired by the Beatles’ Sgt. Pepper’s album
- UK “glam rock” singer—only UK glam rock singer to achieve significant success in the U.S.
- Stage personality was Ziggy Stardust
- Androgynous clothing, makeup, sci-fi, topics of alienation (i.e. 2001: A Space Odyssey)
- Alice Cooper was the stage persona for Vincent Furnier
- Known for dark, gruesome death depicted onstage (goth); depression and anger
- Influenced heavily by Jim Morrison (of the Doors)
- He used satire so people didn’t take his music too seriously
- Went solo and had greater fame as a soloist
- Roots in psychedelia: the music was a trip
- Whole band had stage characters (not just the lead singer as with the other bands) with costumes and elaborate makeup
- Shows included lights, flames, and explosions
- Blues-based rock band
- Rough start, but once they achieved success with “Rock and Roll All Night” (live version), they re-released older material
- Action figures, feature-length film, etc. helped fuel their fame
- Derived out of the 1960s folk revival (i.e. Bob Dylan, John Lennon, Paul McCartney)
- Appealed to post-college young adults
- Unmediated personal perspectives; authentic; sincere and intimate
- Singer/song/text most important, not the instruments
- Signed to Apple label in 1968 (the Beatles’ label)
- 1st album flopped, but signing with Warner saved his career
- Started as strictly a songwriter, writing songs for James Taylor and various other artists, then she emerged as one of the most famous performing artists of the 1970s
- Multiple successful albums
- Formerly of Simon and Garfunkel
- Infuses reggae before it became well-known; incorporates jazz elements; used studio band frequently
- Subdued, yet sophisticated music
American Poets Society:
Carly Simon
Harry Chapin
Don McLean
Jim Croce
British Singer-Songwriters:
Van Morrison
Cat Stevens
Elton John
Canadian Voices:
Joni Mitchell
♫ “Help Me”
Joni Mitchell
Singer-Songwriter
Neil Young
♫ “Heart of Gold”
Neil Young
Singer-Songwriter
COUNTRY ROCK: The Gift to Be Simple
- Confessional songs that were focused on vocals, piano, acoustic guitar and/or strings
- Lyrics were about life changes after college
- “You’re So Vain” best example
- Known for his baritone voice and acoustic guitar
- Most famous song “Cat’s in the Cradle”
- Known for piano, acoustic guitar, and nostalgic lyrics
- Most famous for “American Pie”
- Killed in a plane crash in 1973
- Ironically, he recorded a song about death right before he died
- Most famous for “Bad, Bad Leroy Brown”
- Van Morrison blends jazz and rhythm and blues
- Most notable albums of the 1970s were Moondance, Tupelo Honey
- Cat Stevens had a string of hit albums in the U.S. and UK
- “Peace Train” was the most famous song
- One of the most well-known and most successful singer-songwriters
- Teamed up with Bernie Taupin (lyricist) much like the Brill Building songwriting teams
- One of most famous singer-songwriter genre songs was “Your Song”
- Moves to rock later on
- Origins in folk, but experiments with jazz
- Used studio musicians for backup
- Incorporates avante-garde techniques
- One of the most eclectic and experimental singer-songwriters
- “Help Me” was her biggest hit
- Formerly of Buffalo Springfield and also performed with Crosby, Stills and Nash
- Song “Southern Man”—inspired by “Sweet Home Alabama” by Lynyrd Skynyrd
- Known for thin voice, somewhat out of tune singing, but he helps make imperfection okay in the rock world
- Country music was honest, authentic, simple, down-home music
- Centers in Nashville, TN and Bakersfield, CA
- The Byrds and Bob Dylan go to Nashville to record
Crosby, Stills, Nash (and Young)