Critical Perspectives on the News

Critical Perspectives on the News

1

COM 385 – Editorial & Feature Writing

Instructor: Dr. John Huxford

Spring 2017

MonWeds: 4.00pm-5.15pm

Fell Hall 108

OFFICE HOURS

Mon & Weds: 2.45pm-4.00pm

406 Fell Hall

Email:

COURSE DESCRIPTION

Feature writing demands a unique combination of talents - the accuracy and techniques
of the busy reporter and the literary skills of the creative writer. This course is designed
to help students achieve those abilities with theoretical and practical training in writing
feature articles for newspapers, magazines and online outlets. You will learn to develop ideas for articles, carry out research, conduct interviews and write the articles themselves. Along with news features related genres will also be surveyed, including profiles andcomment. If you have a passion for the written word, a fascination with news and the determination to improve,this is the course for you.

COURSE OBJECTIVES

This class aims to:

1. Expose you to well-written and produced features from newspapers, magazines, and online sites.

2. Help you to nurture a deep fascination with, and respect for, the English Language.

3. Ensure you have a firm grasp of basic journalistic skills.

4. Provide you with a realisticview of your writing abilities and identify those areas in

which improvement is required.

5. Provide a comprehensive understanding of the way features are structured and created.

6. Understand how, in features, certain literary techniques can be used to enhance
journalistic skills, and offer opportunities to master these techniques.

7. Provide an introduction to specialist formats handled by those on a Features desk.

8. Encourage you to CHALLENGE yourself and to LEARN through classparticipation, course assignments and active reading.

REQUIRED READING

The following course texts are available from the campus bookstore:

1. The Essential Featureby Millicent V. Hay, Columbia University Press.

2. The Associated Press Stylebook and Briefing on Media Law, Basic Books.

These will be supplemented by Class Handouts and assigned readings available on the ReggieNet site under “Resources.”.

ASSIGNMENTS

There will be three main papers, each aimed at helping the student to develop their information collection/interviewing and writing abilities. You will also be required to complete a range of important in-class writing assignments and pass/fail exercises,along with quizzes designed to improve your vocabulary. Other requirements will include the creation of a feature portfolio and presentation, a reflection paper and a final exam.

GRADING

Feature presentation10% of grade

Portfolio10%

In-Class Assignments 10%

Vocabulary Quizzes10%

Profile Article10%

Feature Article 10%

Opinion Article10%

Reflection Paper5%

Final Exam25%

NOTE:Failure to complete any of the course requirements satisfactorily mayincur an additional grade penalty, as well as the loss of the percentage points allocated here.

COURSE POLICIES

REQUIREMENTS

Reading a daily newspaper and watching TV news are a necessary part of this course. Assigned readings should be read BEFORE class discussions, so as to facilitate student participation. Class attendance and participation are both expected and required. Students missing more than three classes without a satisfactory explanation will receive a grade penalty, as will students who repeatedly come late.

Students should be diligent in taking notes on class discussion. Assignments must be completed and turned in at the beginning of the class period on the date they are due. If you turn in an assignment late you will receive a zero for that assignment unless an alternate due date has previously been approved. Penalty points may also be taken from your overall score.

ELECTRONIC DEVICES

When in class, students should be engaged with the discussion. To this end, cell phones and other devices should be turned off. Computers may be used for class assignments only…. no game-playing, email, texting, browsing or chatting. Taking photographs in class is strictly forbidden, unless given permission by the instructor to do so.

ACADEMIC INTEGRITY

Students are expected to accomplish their own work and submit work that is original for this class. All students are also responsible for reading and understanding the university’s position on academic integrity as outlined in the ISU Student Code of Conduct as found in the Student Handbook, Policy IIIB. It is not acceptable to claim “I didn’t know it was plagiarism” or “I didn’t know plagiarism was prohibited” as a defense.

There are no circumstances in whichfabrication in a submitted story or handing in the work of others as your ownis permissible, and this class will adhere to a policy of zero-tolerance on these issues. If a breach of academic integrity is discovered, I will assign a penalty appropriate to the severity of the offense. Note that the most lenient response will be an automatic F for the paper involved. Other penalties may include failing the entire course, and/or reporting the incident for resolution at the university level.

ASSISTANCE

Students who are having difficulty with readings, class material or assignments are encouraged to talk to me at the earliest opportunity. Time will be set aside in class for question and answer sessions, and I will be available to discuss questions or difficulties either after class, during office hours or by e-mail.

Any student needing to arrange a reasonable accommodation for a documented disability should contact Student Access and Accommodation Services at 350 Fell Hall. Website: StudentAccess.IllinoisState.edu

Please note: further details and guidance are available on the course ReggieNet site.

SYLLABUS

PART ONE: PREPARATION

WEEK ONE: INTRODUCTION

1/16NO CLASS – MLK Day

1/18 Introduction

WEEK TWO: DEFINING THE FEATURE

1/23Individual Meetings

1/25Defining the Feature

Reading: Hay, Ch 1.

WEEK THREE: INTERVIEWING & QUOTING

1/30Preparing for interviews

Reading: Hay, Ch 4.

2/1Conducting the Interview

Reading: Hay, Ch 5.

WEEK FOUR: NARRATIVE & LANGUAGE

2/6 Using Narrative

Reading: Hay, Ch 7.

Paper #1 assigned

2/8Wording a story

Reading: Hay, Ch 8.

WEEK FIVE: COLLECTING INFORMATION

2/13 Finding Features

Reading: Hay, Ch 2.

2/15 Searching for Information

Reading: Hay, Ch 3.

PART TWO: WRITING FEATURES

WEEK SIX: STRUCTURING THE FEATURE

2/20 Basic Structures I

Reading: Hay, Ch 6.

2/22 Basic Structures II

Reading: Hay, Ch 16.

WEEK SEVEN: OFFERING DESCRIPTION

2/27 Uses of Description

Reading: Hay, Ch 9.

Paper #1 due

3/1Ladder v Vista

Reading: Hay, Ch 12.

Paper #2 assigned

WEEK EIGHT: USING PERSPECTIVE

3/6 Point of View writing I

Reading: Class Handout.

3/8Point of View writing II

Reading: Hay, Ch 17.

WEEK NINE: SPRING BREAK

No Classes

WEEK TEN: ELEMENTS OF WRITING I

3/20 Tone & Rhythm I

Reading: Class Handout

3/22Metaphors & Similes

WEEK ELEVEN: ELEMENTS OF WRITING II

3/27Pathetic Fallacy & Foreshadowing

Reading: Hay, 11.

3/29 ThemesTransitions

WEEK TWELVE: ELEMENTS OF WRITING III

4/3 TensesAnthropomorphism

Reading: Class Handout.

4/5 Feature Writing v Documentaries

PART THREE: FORMATS & TOPICS

WEEK THIRTEEN: FORMATS I

4/10 Columns

Reading:Writing Commentary - ReggieNet

Paper #2 due

4/12 Editorials

Reading:Class Handout

Paper #3 assigned

WEEK FOURTEEN: FORMATS II

4/17 ReviewsI

Reading: Hay, Ch 23.

4/19 Reviews II

WEEK FIFTEEN: FORMATS III

4/24 Writing for the Web

Paper #3 due

4/26 Blogging

Reading: Blogging for Better Journalism - ReggieNet

WEEK SIXTEEN:GOING FREELANCE

5/1 Freelance Writing I

Reading: Hay, Ch 13

5/3 Freelance Writing II

Reading:Hay, Ch 14

Portfolio Due

WEEK SEVENTEEN: FINAL EXAM

Date and time to be arrangedGene Foreman (Author)

›Visit Amazon's Gene Foreman Page

Find all the books, read about the author, and more.

See search results for this author

Are you an author? Learn about Author Central